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Color name
RGB 186 125 34

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 125 34 it is the complementary color RGB 69 130 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 125 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 186 125 34 shade: RGB 191 125 29, RGB 208 143 48, RGB 225 161 67, RGB 242 179 86 and RGB 255 197 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 125 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 186 125 34 shade: RGB 186 125 34, RGB 169 107 15, RGB 152 89 0, RGB 135 71 0 and RGB 118 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 186 125 34 shade: RGB 185 124 33, RGB 185 83 33, RGB 185 42 33 and RGB 185 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 186 125 34 shade: RGB 185 124 33, RGB 185 165 33, RGB 164 185 33, RGB 123 185 33 and RGB 82 185 33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 186 125 34 shade matches the following richer shades: RGB 185 124 33 and RGB 203 128 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 186 125 34 shade: RGB 185 124 33, RGB 167 121 51, RGB 149 117 69, RGB 132 114 87 and RGB 114 110 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 186 125 34 shade: RGB 185 41 33, RGB 185 81 33, RGB 185 122 33, RGB 185 162 33 and RGB 167 185 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 186 125 34 shade: RGB 115 77 21, RGB 150 101 27, RGB 185 124 33, RGB 216 147 44 and RGB 222 165 79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 186 125 34 shade: RGB 186 125 34, RGB 66 185 33 and RGB 61 33 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 186 125 34 shade: RGB 186 125 34, RGB 33 185 122 and RGB 122 33 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 186 125 34 shade: RGB 186 125 34, RGB 66 185 33, RGB 33 97 185 and RGB 152 33 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 186 125 34 shade: RGB 186 125 34, RGB 33 185 46, RGB 33 97 185 and RGB 185 33 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 82 / 27

HEX #BA7D22

RGB 186 125 34

HSL 35.92, 0.69%, 0.43%

LAB 57.29, 16.28, 55.16

 

Complementary color

CMYK 69 / 41 / 0 / 13

HEX #4582DD

RGB 69 130 221

HSL 215.92, 0.69%, 0.57%

LAB 54.5, 9.88, -52.28

 

CMYK 0 / 35 / 85 / 25

HEX #BF7D1D

RGB 191 125 29

HSL 35.56, 0.74%, 0.43%

LAB 57.88, 18.33, 57.63

 

CMYK 0 / 31 / 77 / 18

HEX #D08F30

RGB 208 143 48

HSL 35.63, 0.63%, 0.5%

LAB 64.38, 16.54, 57.33

 

CMYK 0 / 28 / 70 / 12

HEX #E1A143

RGB 225 161 67

HSL 35.7, 0.72%, 0.57%

LAB 70.8, 14.99, 56.41

 

CMYK 0 / 26 / 64 / 5

HEX #F2B356

RGB 242 179 86

HSL 35.77, 0.86%, 0.64%

LAB 77.15, 13.65, 55.22

 

CMYK 0 / 23 / 59 / 0

HEX #FFC569

RGB 255 197 105

HSL 36.8, 1%, 0.71%

LAB 83.03, 10.85, 53.35

 

CMYK 0 / 33 / 82 / 27

HEX #BA7D22

RGB 186 125 34

HSL 35.92, 0.69%, 0.43%

LAB 57.29, 16.28, 55.16

 

CMYK 0 / 37 / 91 / 34

HEX #A96B0F

RGB 169 107 15

HSL 35.84, 0.84%, 0.36%

LAB 50.67, 18.25, 54.73

 

CMYK 0 / 41 / 100 / 40

HEX #985900

RGB 152 89 0

HSL 35.13, 1%, 0.3%

LAB 43.97, 20.54, 52.48

 

CMYK 0 / 47 / 100 / 47

HEX #874700

RGB 135 71 0

HSL 31.56, 1%, 0.26%

LAB 37.22, 23.13, 47.02

 

CMYK 0 / 55 / 100 / 54

HEX #763500

RGB 118 53 0

HSL 26.95, 1%, 0.23%

LAB 30.39, 25.74, 41.33

 

CMYK 0 / 33 / 82 / 27

HEX #B97C21

RGB 185 124 33

HSL 35.92, 0.7%, 0.43%

LAB 56.92, 16.36, 55.15

 

CMYK 0 / 55 / 82 / 27

HEX #B95321

RGB 185 83 33

HSL 19.74, 0.7%, 0.43%

LAB 47.77, 38.41, 46.88

 

CMYK 0 / 77 / 82 / 27

HEX #B92A21

RGB 185 42 33

HSL 3.55, 0.7%, 0.43%

LAB 41.34, 55.63, 40.85

 

CMYK 0 / 82 / 82 / 27

HEX #B92121

RGB 185 33 33

HSL 0, 0.7%, 0.43%

LAB 40.43, 58.2, 39.97

 

CMYK 0 / 33 / 82 / 27

HEX #B97C21

RGB 185 124 33

HSL 35.92, 0.7%, 0.43%

LAB 56.92, 16.36, 55.15

 

CMYK 0 / 11 / 82 / 27

HEX #B9A521

RGB 185 165 33

HSL 52.11, 0.7%, 0.43%

LAB 67.53, -6.01, 64.4

 

CMYK 11 / 0 / 82 / 27

HEX #A4B921

RGB 164 185 33

HSL 68.29, 0.7%, 0.43%

LAB 71.35, -25.33, 67.03

 

CMYK 34 / 0 / 82 / 27

HEX #7BB921

RGB 123 185 33

HSL 84.47, 0.7%, 0.43%

LAB 68.76, -41.66, 63.76

 

CMYK 56 / 0 / 82 / 27

HEX #52B921

RGB 82 185 33

HSL 100.66, 0.7%, 0.43%

LAB 66.98, -54.89, 61.48

 

CMYK 0 / 33 / 82 / 27

HEX #B97C21

RGB 185 124 33

HSL 35.92, 0.7%, 0.43%

LAB 56.92, 16.36, 55.15

 

CMYK 0 / 37 / 92 / 20

HEX #CB8010

RGB 203 128 16

HSL 35.94, 0.85%, 0.43%

LAB 60.04, 21.65, 63.44

 

CMYK 0 / 33 / 82 / 27

HEX #B97C21

RGB 185 124 33

HSL 35.92, 0.7%, 0.43%

LAB 56.92, 16.36, 55.15

 

CMYK 0 / 28 / 69 / 35

HEX #A77933

RGB 167 121 51

HSL 36.21, 0.53%, 0.43%

LAB 54.16, 10.81, 44.15

 

CMYK 0 / 21 / 54 / 42

HEX #957545

RGB 149 117 69

HSL 36, 0.37%, 0.43%

LAB 51.32, 6.4, 31.07

 

CMYK 0 / 14 / 34 / 48

HEX #847257

RGB 132 114 87

HSL 36, 0.21%, 0.43%

LAB 49.04, 2.75, 17.58

 

CMYK 0 / 4 / 9 / 55

HEX #726E68

RGB 114 110 104

HSL 36, 0.05%, 0.43%

LAB 46.62, 0.39, 3.89

 

CMYK 0 / 78 / 82 / 27

HEX #B92921

RGB 185 41 33

HSL 3.16, 0.7%, 0.43%

LAB 41.23, 55.94, 40.74

 

CMYK 0 / 56 / 82 / 27

HEX #B95121

RGB 185 81 33

HSL 18.95, 0.7%, 0.43%

LAB 47.38, 39.41, 46.52

 

CMYK 0 / 34 / 82 / 27

HEX #B97A21

RGB 185 122 33

HSL 35.13, 0.7%, 0.43%

LAB 56.43, 17.46, 54.71

 

CMYK 0 / 12 / 82 / 27

HEX #B9A221

RGB 185 162 33

HSL 50.92, 0.7%, 0.43%

LAB 66.72, -4.42, 63.71

 

CMYK 10 / 0 / 82 / 27

HEX #A7B921

RGB 167 185 33

HSL 67.11, 0.7%, 0.43%

LAB 71.57, -24.06, 67.31

 

CMYK 0 / 33 / 82 / 55

HEX #734D15

RGB 115 77 21

HSL 35.74, 0.69%, 0.27%

LAB 36, 10.81, 37.52

 

CMYK 0 / 33 / 82 / 41

HEX #96651B

RGB 150 101 27

HSL 36.1, 0.69%, 0.35%

LAB 46.8, 13.36, 46.68

 

CMYK 0 / 33 / 82 / 27

HEX #B97C21

RGB 185 124 33

HSL 35.92, 0.7%, 0.43%

LAB 56.92, 16.36, 55.15

 

CMYK 0 / 32 / 80 / 15

HEX #D8932C

RGB 216 147 44

HSL 35.93, 0.69%, 0.51%

LAB 66.25, 17.68, 60.94

 

CMYK 0 / 26 / 64 / 13

HEX #DEA54F

RGB 222 165 79

HSL 36.08, 0.68%, 0.59%

LAB 71.56, 12.27, 51.66

 

CMYK 0 / 33 / 82 / 27

HEX #BA7D22

RGB 186 125 34

HSL 35.92, 0.69%, 0.43%

LAB 57.29, 16.28, 55.16

 

CMYK 64 / 0 / 82 / 27

HEX #42B921

RGB 66 185 33

HSL 106.97, 0.7%, 0.43%

LAB 66.49, -58.83, 60.86

 

CMYK 67 / 82 / 0 / 27

HEX #3D21B9

RGB 61 33 185

HSL 251.05, 0.7%, 0.43%

LAB 28.33, 54.22, -74.05

 

CMYK 0 / 33 / 82 / 27

HEX #BA7D22

RGB 186 125 34

HSL 35.92, 0.69%, 0.43%

LAB 57.29, 16.28, 55.16

 

CMYK 82 / 0 / 34 / 27

HEX #21B97A

RGB 33 185 122

HSL 155.13, 0.7%, 0.43%

LAB 66.84, -52.49, 21.5

 

CMYK 34 / 82 / 0 / 27

HEX #7A21B9

RGB 122 33 185

HSL 275.13, 0.7%, 0.43%

LAB 35.46, 61.72, -62.08

 

CMYK 0 / 33 / 82 / 27

HEX #BA7D22

RGB 186 125 34

HSL 35.92, 0.69%, 0.43%

LAB 57.29, 16.28, 55.16

 

CMYK 64 / 0 / 82 / 27

HEX #42B921

RGB 66 185 33

HSL 106.97, 0.7%, 0.43%

LAB 66.49, -58.83, 60.86

 

CMYK 82 / 48 / 0 / 27

HEX #2161B9

RGB 33 97 185

HSL 214.74, 0.7%, 0.43%

LAB 41.81, 12.73, -52.09

 

CMYK 18 / 82 / 0 / 27

HEX #9821B9

RGB 152 33 185

HSL 286.97, 0.7%, 0.43%

LAB 40.02, 66.67, -54.45

 

CMYK 0 / 33 / 82 / 27

HEX #BA7D22

RGB 186 125 34

HSL 35.92, 0.69%, 0.43%

LAB 57.29, 16.28, 55.16

 

CMYK 82 / 0 / 75 / 27

HEX #21B92E

RGB 33 185 46

HSL 125.13, 0.7%, 0.43%

LAB 65.92, -63.49, 56.07

 

CMYK 82 / 48 / 0 / 27

HEX #2161B9

RGB 33 97 185

HSL 214.74, 0.7%, 0.43%

LAB 41.81, 12.73, -52.09

 

CMYK 0 / 82 / 7 / 27

HEX #B921AC

RGB 185 33 172

HSL 305.13, 0.7%, 0.43%

LAB 44.77, 70.73, -38.85

 

Description

Color code: RGB 186 125 34 | qconv.com Color code: RGB 186 125 34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 125 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 125 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 82 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 82% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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