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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 95 165 it is the complementary color RGB 70 160 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 95 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 95 165 shade: RGB 190 95 160, RGB 207 113 179, RGB 224 131 198, RGB 241 149 217 and RGB 255 167 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 95 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 95 165 shade: RGB 185 95 165, RGB 168 77 146, RGB 151 59 127, RGB 134 41 108 and RGB 117 23 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 95 165 shade: RGB 185 95 165, RGB 185 95 140, RGB 185 95 116 and RGB 185 95 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 95 165 shade: RGB 185 95 165, RGB 180 95 185, RGB 156 95 185, RGB 132 95 185 and RGB 108 95 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 95 165 shade matches the following richer shades: RGB 185 95 165, RGB 203 76 175, RGB 222 58 185 and RGB 240 39 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 95 165 shade: RGB 185 95 165, RGB 166 114 154, RGB 147 132 144, RGB 129 151 134 and RGB 110 169 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 95 165 shade: RGB 156 95 185, RGB 180 95 185, RGB 185 95 165, RGB 185 95 141 and RGB 185 95 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 95 165 shade: RGB 137 60 120, RGB 166 72 145, RGB 185 95 165, RGB 197 124 181 and RGB 210 152 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 95 165 shade: RGB 185 95 165, RGB 185 132 95 and RGB 95 185 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 95 165 shade: RGB 185 95 165, RGB 165 185 95 and RGB 95 165 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 95 165 shade: RGB 185 95 165, RGB 185 132 95, RGB 95 185 114 and RGB 95 147 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 95 165 shade: RGB 185 95 165, RGB 185 159 95, RGB 95 185 114 and RGB 95 120 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 11 / 27

HEX #B95FA5

RGB 185 95 165

HSL 313.33, 0.39%, 0.55%

LAB 53.18, 45.56, -21.61

 

Complementary color

CMYK 56 / 0 / 44 / 37

HEX #46A05A

RGB 70 160 90

HSL 133.33, 0.39%, 0.45%

LAB 59.14, -42.5, 28.55

 

CMYK 0 / 50 / 16 / 25

HEX #BE5FA0

RGB 190 95 160

HSL 318.95, 0.42%, 0.56%

LAB 53.67, 46.32, -17.87

 

CMYK 0 / 45 / 14 / 19

HEX #CF71B3

RGB 207 113 179

HSL 317.87, 0.49%, 0.63%

LAB 60.19, 45.6, -18.74

 

CMYK 0 / 42 / 12 / 12

HEX #E083C6

RGB 224 131 198

HSL 316.77, 0.6%, 0.7%

LAB 66.64, 44.85, -19.48

 

CMYK 0 / 38 / 10 / 5

HEX #F195D9

RGB 241 149 217

HSL 315.65, 0.77%, 0.76%

LAB 73.03, 44.1, -20.13

 

CMYK 0 / 35 / 7 / 0

HEX #FFA7EC

RGB 255 167 236

HSL 312.95, 1%, 0.83%

LAB 79.01, 42.42, -21.25

 

CMYK 0 / 49 / 11 / 27

HEX #B95FA5

RGB 185 95 165

HSL 313.33, 0.39%, 0.55%

LAB 53.18, 45.56, -21.61

 

CMYK 0 / 54 / 13 / 34

HEX #A84D92

RGB 168 77 146

HSL 314.51, 0.37%, 0.48%

LAB 46.59, 46.21, -20.71

 

CMYK 0 / 61 / 16 / 41

HEX #973B7F

RGB 151 59 127

HSL 315.65, 0.44%, 0.41%

LAB 39.98, 46.67, -19.57

 

CMYK 0 / 69 / 19 / 47

HEX #86296C

RGB 134 41 108

HSL 316.77, 0.53%, 0.34%

LAB 33.43, 46.73, -18.02

 

CMYK 0 / 80 / 24 / 54

HEX #751759

RGB 117 23 89

HSL 317.87, 0.67%, 0.27%

LAB 27.06, 45.98, -15.81

 

CMYK 0 / 49 / 11 / 27

HEX #B95FA5

RGB 185 95 165

HSL 313.33, 0.39%, 0.55%

LAB 53.18, 45.56, -21.61

 

CMYK 0 / 49 / 24 / 27

HEX #B95F8C

RGB 185 95 140

HSL 330, 0.39%, 0.55%

LAB 52.28, 41.66, -8.28

 

CMYK 0 / 49 / 37 / 27

HEX #B95F74

RGB 185 95 116

HSL 346, 0.39%, 0.55%

LAB 51.56, 38.48, 4.92

 

CMYK 0 / 49 / 49 / 27

HEX #B95F5F

RGB 185 95 95

HSL 0, 0.39%, 0.55%

LAB 51.07, 36.19, 16.7

 

CMYK 0 / 49 / 11 / 27

HEX #B95FA5

RGB 185 95 165

HSL 313.33, 0.39%, 0.55%

LAB 53.18, 45.56, -21.61

 

CMYK 3 / 49 / 0 / 27

HEX #B45FB9

RGB 180 95 185

HSL 296.67, 0.39%, 0.55%

LAB 53.37, 47.61, -32.98

 

CMYK 16 / 49 / 0 / 27

HEX #9C5FB9

RGB 156 95 185

HSL 280.67, 0.39%, 0.55%

LAB 50.4, 40.68, -37.86

 

CMYK 29 / 49 / 0 / 27

HEX #845FB9

RGB 132 95 185

HSL 264.67, 0.39%, 0.55%

LAB 47.74, 33.93, -42.23

 

CMYK 42 / 49 / 0 / 27

HEX #6C5FB9

RGB 108 95 185

HSL 248.67, 0.39%, 0.55%

LAB 45.46, 27.6, -46

 

CMYK 0 / 49 / 11 / 27

HEX #B95FA5

RGB 185 95 165

HSL 313.33, 0.39%, 0.55%

LAB 53.18, 45.56, -21.61

 

CMYK 0 / 63 / 14 / 20

HEX #CB4CAF

RGB 203 76 175

HSL 313.23, 0.55%, 0.55%

LAB 52.91, 61.2, -27.66

 

CMYK 0 / 74 / 17 / 13

HEX #DE3AB9

RGB 222 58 185

HSL 313.54, 0.71%, 0.55%

LAB 54.09, 73.81, -31.4

 

CMYK 0 / 84 / 18 / 6

HEX #F027C4

RGB 240 39 196

HSL 313.13, 0.87%, 0.55%

LAB 56.05, 83.77, -34.47

 

CMYK 0 / 49 / 11 / 27

HEX #B95FA5

RGB 185 95 165

HSL 313.33, 0.39%, 0.55%

LAB 53.18, 45.56, -21.61

 

CMYK 0 / 31 / 7 / 35

HEX #A6729A

RGB 166 114 154

HSL 313.85, 0.23%, 0.55%

LAB 54.53, 27.01, -13.36

 

CMYK 0 / 10 / 2 / 42

HEX #938490

RGB 147 132 144

HSL 312, 0.06%, 0.55%

LAB 56.8, 7.92, -4.37

 

CMYK 15 / 0 / 11 / 41

HEX #819786

RGB 129 151 134

HSL 133.64, 0.1%, 0.55%

LAB 60.36, -11.25, 6.35

 

CMYK 35 / 0 / 27 / 34

HEX #6EA97B

RGB 110 169 123

HSL 133.22, 0.26%, 0.55%

LAB 64.26, -29.07, 17.81

 

CMYK 16 / 49 / 0 / 27

HEX #9C5FB9

RGB 156 95 185

HSL 280.67, 0.39%, 0.55%

LAB 50.4, 40.68, -37.86

 

CMYK 3 / 49 / 0 / 27

HEX #B45FB9

RGB 180 95 185

HSL 296.67, 0.39%, 0.55%

LAB 53.37, 47.61, -32.98

 

CMYK 0 / 49 / 11 / 27

HEX #B95FA5

RGB 185 95 165

HSL 313.33, 0.39%, 0.55%

LAB 53.18, 45.56, -21.61

 

CMYK 0 / 49 / 24 / 27

HEX #B95F8D

RGB 185 95 141

HSL 329.33, 0.39%, 0.55%

LAB 52.31, 41.81, -8.82

 

CMYK 0 / 49 / 37 / 27

HEX #B95F75

RGB 185 95 117

HSL 345.33, 0.39%, 0.55%

LAB 51.59, 38.6, 4.37

 

CMYK 0 / 56 / 12 / 46

HEX #893C78

RGB 137 60 120

HSL 313.25, 0.39%, 0.39%

LAB 37.67, 40.77, -18.97

 

CMYK 0 / 57 / 13 / 35

HEX #A64891

RGB 166 72 145

HSL 313.4, 0.39%, 0.47%

LAB 45.34, 47.88, -22.06

 

CMYK 0 / 49 / 11 / 27

HEX #B95FA5

RGB 185 95 165

HSL 313.33, 0.39%, 0.55%

LAB 53.18, 45.56, -21.61

 

CMYK 0 / 37 / 8 / 23

HEX #C57CB5

RGB 197 124 181

HSL 313.15, 0.39%, 0.63%

LAB 61.33, 36.88, -18.26

 

CMYK 0 / 28 / 6 / 18

HEX #D298C5

RGB 210 152 197

HSL 313.45, 0.39%, 0.71%

LAB 69.6, 28.87, -14.59

 

CMYK 0 / 49 / 11 / 27

HEX #B95FA5

RGB 185 95 165

HSL 313.33, 0.39%, 0.55%

LAB 53.18, 45.56, -21.61

 

CMYK 0 / 29 / 49 / 27

HEX #B9845F

RGB 185 132 95

HSL 24.67, 0.39%, 0.55%

LAB 59.56, 15.94, 28

 

CMYK 49 / 0 / 9 / 27

HEX #5FB9A8

RGB 95 185 168

HSL 168.67, 0.39%, 0.55%

LAB 69.44, -31.14, 0.32

 

CMYK 0 / 49 / 11 / 27

HEX #B95FA5

RGB 185 95 165

HSL 313.33, 0.39%, 0.55%

LAB 53.18, 45.56, -21.61

 

CMYK 11 / 0 / 49 / 27

HEX #A5B95F

RGB 165 185 95

HSL 73.33, 0.39%, 0.55%

LAB 71.91, -20.77, 43.06

 

CMYK 49 / 11 / 0 / 27

HEX #5FA5B9

RGB 95 165 185

HSL 193.33, 0.39%, 0.55%

LAB 64.04, -16.58, -17.15

 

CMYK 0 / 49 / 11 / 27

HEX #B95FA5

RGB 185 95 165

HSL 313.33, 0.39%, 0.55%

LAB 53.18, 45.56, -21.61

 

CMYK 0 / 29 / 49 / 27

HEX #B9845F

RGB 185 132 95

HSL 24.67, 0.39%, 0.55%

LAB 59.56, 15.94, 28

 

CMYK 49 / 0 / 38 / 27

HEX #5FB972

RGB 95 185 114

HSL 132.67, 0.39%, 0.55%

LAB 68.27, -42.44, 27.95

 

CMYK 49 / 21 / 0 / 27

HEX #5F93B9

RGB 95 147 185

HSL 205.33, 0.39%, 0.55%

LAB 58.79, -6.74, -25.16

 

CMYK 0 / 49 / 11 / 27

HEX #B95FA5

RGB 185 95 165

HSL 313.33, 0.39%, 0.55%

LAB 53.18, 45.56, -21.61

 

CMYK 0 / 14 / 49 / 27

HEX #B99F5F

RGB 185 159 95

HSL 42.67, 0.39%, 0.55%

LAB 66.47, 1.09, 36.77

 

CMYK 49 / 0 / 38 / 27

HEX #5FB972

RGB 95 185 114

HSL 132.67, 0.39%, 0.55%

LAB 68.27, -42.44, 27.95

 

CMYK 49 / 35 / 0 / 27

HEX #5F78B9

RGB 95 120 185

HSL 223.33, 0.39%, 0.55%

LAB 51.12, 9.06, -37.1

 

Description

Color code: RGB 185 95 165 | qconv.com Color code: RGB 185 95 165 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 95 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 95 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 11 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 11% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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