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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 77 254 it is the complementary color RGB 70 178 1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 77 254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 77 254 shade: RGB 190 77 249, RGB 207 95 255, RGB 224 113 255, RGB 241 131 255 and RGB 255 149 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 77 254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 77 254 shade: RGB 185 77 254, RGB 168 59 235, RGB 151 41 216, RGB 134 23 197 and RGB 117 5 178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 77 254 shade: RGB 185 77 254, RGB 232 77 254, RGB 254 77 227, RGB 254 77 180 and RGB 254 77 132

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 77 254 shade: RGB 185 77 254, RGB 137 77 254, RGB 89 77 254 and RGB 77 77 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 77 254 shade matches the following richer shades: RGB 185 77 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 77 254 shade: RGB 185 77 254, RGB 182 91 239, RGB 178 106 225, RGB 175 120 210 and RGB 172 135 196

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 77 254 shade: RGB 89 77 254, RGB 136 77 254, RGB 183 77 254, RGB 230 77 254 and RGB 254 77 230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 77 254 shade: RGB 151 1 247, RGB 169 36 253, RGB 185 77 254, RGB 201 118 254 and RGB 217 159 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 77 254 shade: RGB 185 77 254, RGB 254 77 112 and RGB 77 254 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 77 254 shade: RGB 185 77 254, RGB 254 183 77 and RGB 77 254 183

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 77 254 shade: RGB 185 77 254, RGB 254 77 112, RGB 148 254 77 and RGB 77 254 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 77 254 shade: RGB 185 77 254, RGB 254 95 77, RGB 148 254 77 and RGB 77 236 254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 70 / 0 / 0

HEX #B94DFE

RGB 185 77 254

HSL 276.61, 0.99%, 0.65%

LAB 54.84, 71.05, -69.65

 

Complementary color

CMYK 61 / 0 / 99 / 30

HEX #46B201

RGB 70 178 1

HSL 96.61, 0.99%, 0.35%

LAB 64.28, -56.51, 64.69

 

CMYK 24 / 69 / 0 / 2

HEX #BE4DF9

RGB 190 77 249

HSL 279.42, 0.93%, 0.64%

LAB 55.17, 70.99, -66.32

 

CMYK 19 / 63 / 0 / 0

HEX #CF5FFF

RGB 207 95 255

HSL 282, 1%, 0.69%

LAB 60.49, 68.13, -60.97

 

CMYK 12 / 56 / 0 / 0

HEX #E071FF

RGB 224 113 255

HSL 286.9, 1%, 0.72%

LAB 65.65, 63.93, -52.62

 

CMYK 5 / 49 / 0 / 0

HEX #F183FF

RGB 241 131 255

HSL 293.23, 1%, 0.76%

LAB 70.98, 59.76, -44.09

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 27 / 70 / 0 / 0

HEX #B94DFE

RGB 185 77 254

HSL 276.61, 0.99%, 0.65%

LAB 54.84, 71.05, -69.65

 

CMYK 29 / 75 / 0 / 8

HEX #A83BEB

RGB 168 59 235

HSL 277.16, 0.81%, 0.58%

LAB 48.82, 70.97, -68.89

 

CMYK 30 / 81 / 0 / 15

HEX #9729D8

RGB 151 41 216

HSL 277.71, 0.69%, 0.5%

LAB 42.95, 70.28, -67.74

 

CMYK 32 / 88 / 0 / 23

HEX #8617C5

RGB 134 23 197

HSL 278.28, 0.79%, 0.43%

LAB 37.32, 68.63, -66.02

 

CMYK 34 / 97 / 0 / 30

HEX #7505B2

RGB 117 5 178

HSL 278.84, 0.95%, 0.36%

LAB 32.04, 65.65, -63.53

 

CMYK 27 / 70 / 0 / 0

HEX #B94DFE

RGB 185 77 254

HSL 276.61, 0.99%, 0.65%

LAB 54.84, 71.05, -69.65

 

CMYK 9 / 70 / 0 / 0

HEX #E84DFE

RGB 232 77 254

HSL 292.54, 0.99%, 0.65%

LAB 61.32, 80.37, -58.89

 

CMYK 0 / 70 / 11 / 0

HEX #FE4DE3

RGB 254 77 227

HSL 309.15, 0.99%, 0.65%

LAB 63.28, 80.88, -40.57

 

CMYK 0 / 70 / 29 / 0

HEX #FE4DB4

RGB 254 77 180

HSL 325.08, 0.99%, 0.65%

LAB 61.37, 74.82, -16.87

 

CMYK 0 / 70 / 48 / 0

HEX #FE4D84

RGB 254 77 132

HSL 341.36, 0.99%, 0.65%

LAB 59.93, 70.04, 8.89

 

CMYK 27 / 70 / 0 / 0

HEX #B94DFE

RGB 185 77 254

HSL 276.61, 0.99%, 0.65%

LAB 54.84, 71.05, -69.65

 

CMYK 46 / 70 / 0 / 0

HEX #894DFE

RGB 137 77 254

HSL 260.34, 0.99%, 0.65%

LAB 49.23, 62.49, -79.03

 

CMYK 65 / 70 / 0 / 0

HEX #594DFE

RGB 89 77 254

HSL 244.07, 0.99%, 0.65%

LAB 45.06, 55.71, -86.02

 

CMYK 70 / 70 / 0 / 0

HEX #4D4DFE

RGB 77 77 254

HSL 240, 0.99%, 0.65%

LAB 44.29, 54.4, -87.31

 

CMYK 27 / 70 / 0 / 0

HEX #B94DFE

RGB 185 77 254

HSL 276.61, 0.99%, 0.65%

LAB 54.84, 71.05, -69.65

 

CMYK 27 / 70 / 0 / 0

HEX #B94DFE

RGB 185 77 254

HSL 276.61, 0.99%, 0.65%

LAB 54.84, 71.05, -69.65

 

CMYK 24 / 62 / 0 / 6

HEX #B65BEF

RGB 182 91 239

HSL 276.89, 0.82%, 0.65%

LAB 55.75, 61.07, -59.87

 

CMYK 21 / 53 / 0 / 12

HEX #B26AE1

RGB 178 106 225

HSL 276.3, 0.66%, 0.65%

LAB 57.28, 49.57, -49.61

 

CMYK 17 / 43 / 0 / 18

HEX #AF78D2

RGB 175 120 210

HSL 276.67, 0.5%, 0.65%

LAB 59.16, 37.9, -38.23

 

CMYK 12 / 31 / 0 / 23

HEX #AC87C4

RGB 172 135 196

HSL 276.39, 0.34%, 0.65%

LAB 61.73, 25.53, -26.37

 

CMYK 65 / 70 / 0 / 0

HEX #594DFE

RGB 89 77 254

HSL 244.07, 0.99%, 0.65%

LAB 45.06, 55.71, -86.02

 

CMYK 46 / 70 / 0 / 0

HEX #884DFE

RGB 136 77 254

HSL 260, 0.99%, 0.65%

LAB 49.13, 62.33, -79.2

 

CMYK 28 / 70 / 0 / 0

HEX #B74DFE

RGB 183 77 254

HSL 275.93, 0.99%, 0.65%

LAB 54.59, 70.67, -70.08

 

CMYK 9 / 70 / 0 / 0

HEX #E64DFE

RGB 230 77 254

HSL 291.86, 0.99%, 0.65%

LAB 61.03, 79.96, -59.37

 

CMYK 0 / 70 / 9 / 0

HEX #FE4DE6

RGB 254 77 230

HSL 308.14, 0.99%, 0.65%

LAB 63.42, 81.31, -42.03

 

CMYK 39 / 100 / 0 / 3

HEX #9701F7

RGB 151 1 247

HSL 276.59, 0.99%, 0.49%

LAB 43.24, 83.44, -84.87

 

CMYK 33 / 86 / 0 / 1

HEX #A924FD

RGB 169 36 253

HSL 276.77, 0.98%, 0.57%

LAB 47.99, 81.6, -80.33

 

CMYK 27 / 70 / 0 / 0

HEX #B94DFE

RGB 185 77 254

HSL 276.61, 0.99%, 0.65%

LAB 54.84, 71.05, -69.65

 

CMYK 21 / 54 / 0 / 0

HEX #C976FE

RGB 201 118 254

HSL 276.62, 0.99%, 0.73%

LAB 63.78, 55.55, -55.22

 

CMYK 15 / 37 / 0 / 0

HEX #D99FFE

RGB 217 159 254

HSL 276.63, 0.98%, 0.81%

LAB 74, 38.36, -39.02

 

CMYK 27 / 70 / 0 / 0

HEX #B94DFE

RGB 185 77 254

HSL 276.61, 0.99%, 0.65%

LAB 54.84, 71.05, -69.65

 

CMYK 0 / 70 / 56 / 0

HEX #FE4D70

RGB 254 77 112

HSL 348.14, 0.99%, 0.65%

LAB 59.48, 68.51, 19.97

 

CMYK 70 / 0 / 56 / 0

HEX #4DFE70

RGB 77 254 112

HSL 131.86, 0.99%, 0.65%

LAB 88.75, -72.4, 54.4

 

CMYK 27 / 70 / 0 / 0

HEX #B94DFE

RGB 185 77 254

HSL 276.61, 0.99%, 0.65%

LAB 54.84, 71.05, -69.65

 

CMYK 0 / 28 / 70 / 0

HEX #FEB74D

RGB 254 183 77

HSL 35.93, 0.99%, 0.65%

LAB 79.31, 16.04, 61.94

 

CMYK 70 / 0 / 28 / 0

HEX #4DFEB7

RGB 77 254 183

HSL 155.93, 0.99%, 0.65%

LAB 89.8, -60.52, 21.26

 

CMYK 27 / 70 / 0 / 0

HEX #B94DFE

RGB 185 77 254

HSL 276.61, 0.99%, 0.65%

LAB 54.84, 71.05, -69.65

 

CMYK 0 / 70 / 56 / 0

HEX #FE4D70

RGB 254 77 112

HSL 348.14, 0.99%, 0.65%

LAB 59.48, 68.51, 19.97

 

CMYK 42 / 0 / 70 / 0

HEX #94FE4D

RGB 148 254 77

HSL 95.93, 0.99%, 0.65%

LAB 90.65, -58.8, 71.26

 

CMYK 70 / 0 / 14 / 0

HEX #4DFEDA

RGB 77 254 218

HSL 167.8, 0.99%, 0.65%

LAB 90.56, -52.6, 4.32

 

CMYK 27 / 70 / 0 / 0

HEX #B94DFE

RGB 185 77 254

HSL 276.61, 0.99%, 0.65%

LAB 54.84, 71.05, -69.65

 

CMYK 0 / 63 / 70 / 0

HEX #FE5F4D

RGB 254 95 77

HSL 6.1, 0.99%, 0.65%

LAB 61.47, 59.49, 42.36

 

CMYK 42 / 0 / 70 / 0

HEX #94FE4D

RGB 148 254 77

HSL 95.93, 0.99%, 0.65%

LAB 90.65, -58.8, 71.26

 

CMYK 70 / 7 / 0 / 0

HEX #4DECFE

RGB 77 236 254

HSL 186.1, 0.99%, 0.65%

LAB 86.37, -35.08, -20.69

 

Description

Color code: RGB 185 77 254 | qconv.com Color code: RGB 185 77 254 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 77 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 77 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 70 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 70% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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