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Color name
RGB 185 76 12

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 76 12 it is the complementary color RGB 70 179 243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 76 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 76 12 shade: RGB 190 76 7, RGB 207 94 26, RGB 224 112 45, RGB 241 130 64 and RGB 255 148 83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 76 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 76 12 shade: RGB 185 76 12, RGB 168 58 0, RGB 151 40 0, RGB 134 22 0 and RGB 117 4 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 76 12 shade: RGB 186 76 11, RGB 186 29 11 and RGB 186 11 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 76 12 shade: RGB 186 76 11, RGB 186 123 11, RGB 186 171 11, RGB 155 186 11 and RGB 108 186 11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 76 12 shade matches the following richer shades: RGB 186 76 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 76 12 shade: RGB 186 76 11, RGB 170 80 28, RGB 154 85 44, RGB 138 89 60 and RGB 122 93 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 76 12 shade: RGB 186 11 41, RGB 186 29 11, RGB 186 76 11, RGB 186 122 11 and RGB 186 169 11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 76 12 shade: RGB 109 44 6, RGB 148 60 9, RGB 186 76 11, RGB 225 92 14 and RGB 241 114 40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 76 12 shade: RGB 185 76 12, RGB 87 186 11 and RGB 11 17 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 76 12 shade: RGB 185 76 12, RGB 11 186 76 and RGB 76 11 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 76 12 shade: RGB 185 76 12, RGB 87 186 11, RGB 11 122 186 and RGB 111 11 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 76 12 shade: RGB 185 76 12, RGB 35 186 11, RGB 11 122 186 and RGB 163 11 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 94 / 27

HEX #B94C0C

RGB 185 76 12

HSL 22.2, 0.88%, 0.39%

LAB 46.32, 41.39, 53.42

 

Complementary color

CMYK 71 / 26 / 0 / 5

HEX #46B3F3

RGB 70 179 243

HSL 202.2, 0.88%, 0.61%

LAB 69.48, -10.67, -40.79

 

CMYK 0 / 60 / 96 / 25

HEX #BE4C07

RGB 190 76 7

HSL 22.62, 0.93%, 0.39%

LAB 47.15, 43.22, 55.6

 

CMYK 0 / 55 / 87 / 19

HEX #CF5E1A

RGB 207 94 26

HSL 22.54, 0.78%, 0.46%

LAB 53.33, 41.32, 55.81

 

CMYK 0 / 50 / 80 / 12

HEX #E0702D

RGB 224 112 45

HSL 22.46, 0.74%, 0.53%

LAB 59.55, 39.47, 54.73

 

CMYK 0 / 46 / 73 / 5

HEX #F18240

RGB 241 130 64

HSL 22.37, 0.86%, 0.6%

LAB 65.78, 37.74, 53.13

 

CMYK 0 / 42 / 67 / 0

HEX #FF9453

RGB 255 148 83

HSL 22.67, 1%, 0.66%

LAB 71.6, 34.97, 50.86

 

CMYK 0 / 59 / 94 / 27

HEX #B94C0C

RGB 185 76 12

HSL 22.2, 0.88%, 0.39%

LAB 46.32, 41.39, 53.42

 

CMYK 0 / 65 / 100 / 34

HEX #A83A00

RGB 168 58 0

HSL 20.71, 1%, 0.33%

LAB 40.17, 43.23, 51.6

 

CMYK 0 / 74 / 100 / 41

HEX #972800

RGB 151 40 0

HSL 15.89, 1%, 0.3%

LAB 34.18, 44.7, 46.78

 

CMYK 0 / 84 / 100 / 47

HEX #861600

RGB 134 22 0

HSL 9.85, 1%, 0.26%

LAB 28.49, 45.2, 41.17

 

CMYK 0 / 97 / 100 / 54

HEX #750400

RGB 117 4 0

HSL 2.05, 1%, 0.23%

LAB 23.23, 44.2, 34.94

 

CMYK 0 / 59 / 94 / 27

HEX #BA4C0B

RGB 186 76 11

HSL 22.29, 0.89%, 0.39%

LAB 46.49, 41.76, 53.87

 

CMYK 0 / 84 / 94 / 27

HEX #BA1D0B

RGB 186 29 11

HSL 6.17, 0.89%, 0.39%

LAB 40.15, 59.04, 49.82

 

CMYK 0 / 94 / 94 / 27

HEX #BA0B0B

RGB 186 11 11

HSL 0, 0.89%, 0.39%

LAB 39.08, 62.12, 49.18

 

CMYK 0 / 59 / 94 / 27

HEX #BA4C0B

RGB 186 76 11

HSL 22.29, 0.89%, 0.39%

LAB 46.49, 41.76, 53.87

 

CMYK 0 / 34 / 94 / 27

HEX #BA7B0B

RGB 186 123 11

HSL 38.4, 0.89%, 0.39%

LAB 56.71, 16.86, 61.02

 

CMYK 0 / 8 / 94 / 27

HEX #BAAB0B

RGB 186 171 11

HSL 54.86, 0.89%, 0.39%

LAB 69.18, -9.19, 70.24

 

CMYK 17 / 0 / 94 / 27

HEX #9BBA0B

RGB 155 186 11

HSL 70.63, 0.89%, 0.39%

LAB 70.95, -30.09, 70.54

 

CMYK 42 / 0 / 94 / 27

HEX #6CBA0B

RGB 108 186 11

HSL 86.74, 0.89%, 0.39%

LAB 68.26, -48.04, 67.27

 

CMYK 0 / 59 / 94 / 27

HEX #BA4C0B

RGB 186 76 11

HSL 22.29, 0.89%, 0.39%

LAB 46.49, 41.76, 53.87

 

CMYK 0 / 59 / 94 / 27

HEX #BA4C0B

RGB 186 76 11

HSL 22.29, 0.89%, 0.39%

LAB 46.49, 41.76, 53.87

 

CMYK 0 / 53 / 84 / 33

HEX #AA501C

RGB 170 80 28

HSL 21.97, 0.72%, 0.39%

LAB 44.76, 33.8, 45.47

 

CMYK 0 / 45 / 71 / 40

HEX #9A552C

RGB 154 85 44

HSL 22.36, 0.56%, 0.39%

LAB 43.58, 25.07, 35.68

 

CMYK 0 / 36 / 57 / 46

HEX #8A593C

RGB 138 89 60

HSL 22.31, 0.39%, 0.39%

LAB 42.57, 16.94, 24.98

 

CMYK 0 / 24 / 38 / 52

HEX #7A5D4C

RGB 122 93 76

HSL 22.17, 0.23%, 0.39%

LAB 41.98, 9.3, 14.32

 

CMYK 0 / 94 / 78 / 27

HEX #BA0B29

RGB 186 11 41

HSL 349.71, 0.89%, 0.39%

LAB 39.31, 62.77, 34.32

 

CMYK 0 / 84 / 94 / 27

HEX #BA1D0B

RGB 186 29 11

HSL 6.17, 0.89%, 0.39%

LAB 40.15, 59.04, 49.82

 

CMYK 0 / 59 / 94 / 27

HEX #BA4C0B

RGB 186 76 11

HSL 22.29, 0.89%, 0.39%

LAB 46.49, 41.76, 53.87

 

CMYK 0 / 34 / 94 / 27

HEX #BA7A0B

RGB 186 122 11

HSL 38.06, 0.89%, 0.39%

LAB 56.47, 17.41, 60.84

 

CMYK 0 / 9 / 94 / 27

HEX #BAA90B

RGB 186 169 11

HSL 54.17, 0.89%, 0.39%

LAB 68.63, -8.14, 69.84

 

CMYK 0 / 60 / 94 / 57

HEX #6D2C06

RGB 109 44 6

HSL 22.14, 0.9%, 0.23%

LAB 26.92, 26.95, 35.42

 

CMYK 0 / 59 / 94 / 42

HEX #943C09

RGB 148 60 9

HSL 22.01, 0.89%, 0.31%

LAB 37.02, 34.77, 44.89

 

CMYK 0 / 59 / 94 / 27

HEX #BA4C0B

RGB 186 76 11

HSL 22.29, 0.89%, 0.39%

LAB 46.49, 41.76, 53.87

 

CMYK 0 / 59 / 94 / 12

HEX #E15C0E

RGB 225 92 14

HSL 22.18, 0.88%, 0.47%

LAB 55.78, 48.84, 62.39

 

CMYK 0 / 53 / 83 / 5

HEX #F17228

RGB 241 114 40

HSL 22.09, 0.88%, 0.55%

LAB 62.41, 44.88, 60.29

 

CMYK 0 / 59 / 94 / 27

HEX #B94C0C

RGB 185 76 12

HSL 22.2, 0.88%, 0.39%

LAB 46.32, 41.39, 53.42

 

CMYK 53 / 0 / 94 / 27

HEX #57BA0B

RGB 87 186 11

HSL 93.94, 0.89%, 0.39%

LAB 67.4, -54.61, 66.22

 

CMYK 94 / 91 / 0 / 27

HEX #0B11BA

RGB 11 17 186

HSL 237.94, 0.89%, 0.39%

LAB 23.73, 58.34, -82.38

 

CMYK 0 / 59 / 94 / 27

HEX #B94C0C

RGB 185 76 12

HSL 22.2, 0.88%, 0.39%

LAB 46.32, 41.39, 53.42

 

CMYK 94 / 0 / 59 / 27

HEX #0BBA4C

RGB 11 186 76

HSL 142.29, 0.89%, 0.39%

LAB 66.3, -62.37, 44.1

 

CMYK 59 / 94 / 0 / 27

HEX #4C0BBA

RGB 76 11 186

HSL 262.29, 0.89%, 0.39%

LAB 27.63, 62.51, -75.77

 

CMYK 0 / 59 / 94 / 27

HEX #B94C0C

RGB 185 76 12

HSL 22.2, 0.88%, 0.39%

LAB 46.32, 41.39, 53.42

 

CMYK 53 / 0 / 94 / 27

HEX #57BA0B

RGB 87 186 11

HSL 93.94, 0.89%, 0.39%

LAB 67.4, -54.61, 66.22

 

CMYK 94 / 34 / 0 / 27

HEX #0B7ABA

RGB 11 122 186

HSL 201.94, 0.89%, 0.39%

LAB 48.93, -4.01, -41.32

 

CMYK 40 / 94 / 0 / 27

HEX #6F0BBA

RGB 111 11 186

HSL 274.29, 0.89%, 0.39%

LAB 32.18, 65.73, -68.11

 

CMYK 0 / 59 / 94 / 27

HEX #B94C0C

RGB 185 76 12

HSL 22.2, 0.88%, 0.39%

LAB 46.32, 41.39, 53.42

 

CMYK 81 / 0 / 94 / 27

HEX #23BA0B

RGB 35 186 11

HSL 111.77, 0.89%, 0.39%

LAB 66.14, -65.25, 64.65

 

CMYK 94 / 34 / 0 / 27

HEX #0B7ABA

RGB 11 122 186

HSL 201.94, 0.89%, 0.39%

LAB 48.93, -4.01, -41.32

 

CMYK 12 / 94 / 0 / 27

HEX #A30BBA

RGB 163 11 186

HSL 292.11, 0.89%, 0.39%

LAB 40.53, 72.76, -54.14

 

Description

Color code: RGB 185 76 12 | qconv.com Color code: RGB 185 76 12 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 76 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 76 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 94 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 94% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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