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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 71 236 it is the complementary color RGB 70 184 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 71 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 71 236 shade: RGB 190 71 231, RGB 207 89 250, RGB 224 107 255, RGB 241 125 255 and RGB 255 143 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 71 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 71 236 shade: RGB 185 71 236, RGB 168 53 217, RGB 151 35 198, RGB 134 17 179 and RGB 117 0 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 71 236 shade: RGB 184 70 235, RGB 229 70 235, RGB 235 70 197, RGB 235 70 153 and RGB 235 70 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 71 236 shade: RGB 184 70 235, RGB 139 70 235, RGB 95 70 235 and RGB 70 70 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 71 236 shade matches the following richer shades: RGB 184 70 235 and RGB 190 53 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 71 236 shade: RGB 184 70 235, RGB 178 86 219, RGB 171 103 202, RGB 165 119 186 and RGB 159 136 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 71 236 shade: RGB 95 70 235, RGB 139 70 235, RGB 183 70 235, RGB 227 70 235 and RGB 235 70 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 71 236 shade: RGB 146 21 202, RGB 170 33 231, RGB 184 70 235, RGB 198 107 239 and RGB 213 145 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 71 236 shade: RGB 185 71 236, RGB 235 70 89 and RGB 70 235 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 71 236 shade: RGB 185 71 236, RGB 235 183 70 and RGB 70 235 183

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 71 236 shade: RGB 185 71 236, RGB 235 70 89, RGB 122 235 70 and RGB 70 235 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 71 236 shade: RGB 185 71 236, RGB 235 100 70, RGB 122 235 70 and RGB 70 205 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 70 / 0 / 7

HEX #B947EC

RGB 185 71 236

HSL 281.45, 0.81%, 0.6%

LAB 52.81, 69.78, -62.88

 

Complementary color

CMYK 62 / 0 / 90 / 28

HEX #46B813

RGB 70 184 19

HSL 101.45, 0.81%, 0.4%

LAB 66.24, -58.15, 63.82

 

CMYK 18 / 69 / 0 / 9

HEX #BE47E7

RGB 190 71 231

HSL 284.63, 0.77%, 0.59%

LAB 53.19, 69.81, -59.43

 

CMYK 17 / 64 / 0 / 2

HEX #CF59FA

RGB 207 89 250

HSL 283.98, 0.94%, 0.66%

LAB 59.26, 69.74, -60.17

 

CMYK 12 / 58 / 0 / 0

HEX #E06BFF

RGB 224 107 255

HSL 287.43, 1%, 0.71%

LAB 64.63, 66.7, -54.24

 

CMYK 5 / 51 / 0 / 0

HEX #F17DFF

RGB 241 125 255

HSL 293.54, 1%, 0.75%

LAB 69.89, 62.64, -45.8

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 22 / 70 / 0 / 7

HEX #B947EC

RGB 185 71 236

HSL 281.45, 0.81%, 0.6%

LAB 52.81, 69.78, -62.88

 

CMYK 23 / 76 / 0 / 15

HEX #A835D9

RGB 168 53 217

HSL 282.07, 0.68%, 0.53%

LAB 46.82, 69.46, -61.92

 

CMYK 24 / 82 / 0 / 22

HEX #9723C6

RGB 151 35 198

HSL 282.7, 0.7%, 0.46%

LAB 40.99, 68.42, -60.51

 

CMYK 25 / 91 / 0 / 30

HEX #8611B3

RGB 134 17 179

HSL 283.33, 0.83%, 0.38%

LAB 35.45, 66.27, -58.46

 

CMYK 27 / 100 / 0 / 37

HEX #7500A0

RGB 117 0 160

HSL 283.88, 1%, 0.31%

LAB 30.21, 62.88, -55.7

 

CMYK 22 / 70 / 0 / 8

HEX #B846EB

RGB 184 70 235

HSL 281.45, 0.8%, 0.6%

LAB 52.47, 69.78, -62.88

 

CMYK 3 / 70 / 0 / 8

HEX #E546EB

RGB 229 70 235

HSL 297.82, 0.8%, 0.6%

LAB 59.01, 78.96, -52.05

 

CMYK 0 / 70 / 16 / 8

HEX #EB46C5

RGB 235 70 197

HSL 313.82, 0.8%, 0.6%

LAB 58.11, 74.64, -31.9

 

CMYK 0 / 70 / 35 / 8

HEX #EB4699

RGB 235 70 153

HSL 329.82, 0.8%, 0.6%

LAB 56.43, 69.25, -8.94

 

CMYK 0 / 70 / 54 / 8

HEX #EB466C

RGB 235 70 108

HSL 346.18, 0.8%, 0.6%

LAB 55.2, 65.15, 15.95

 

CMYK 22 / 70 / 0 / 8

HEX #B846EB

RGB 184 70 235

HSL 281.45, 0.8%, 0.6%

LAB 52.47, 69.78, -62.88

 

CMYK 41 / 70 / 0 / 8

HEX #8B46EB

RGB 139 70 235

HSL 265.09, 0.8%, 0.6%

LAB 46.8, 61.34, -72.34

 

CMYK 60 / 70 / 0 / 8

HEX #5F46EB

RGB 95 70 235

HSL 249.09, 0.8%, 0.6%

LAB 42.48, 54.49, -79.58

 

CMYK 70 / 70 / 0 / 8

HEX #4646EB

RGB 70 70 235

HSL 240, 0.8%, 0.6%

LAB 40.7, 51.54, -82.56

 

CMYK 22 / 70 / 0 / 8

HEX #B846EB

RGB 184 70 235

HSL 281.45, 0.8%, 0.6%

LAB 52.47, 69.78, -62.88

 

CMYK 25 / 79 / 0 / 1

HEX #BE35FC

RGB 190 53 252

HSL 281.31, 0.97%, 0.6%

LAB 52.42, 80.02, -72.43

 

CMYK 22 / 70 / 0 / 8

HEX #B846EB

RGB 184 70 235

HSL 281.45, 0.8%, 0.6%

LAB 52.47, 69.78, -62.88

 

CMYK 19 / 61 / 0 / 14

HEX #B256DB

RGB 178 86 219

HSL 281.5, 0.65%, 0.6%

LAB 53.21, 58.28, -52.72

 

CMYK 15 / 49 / 0 / 21

HEX #AB67CA

RGB 171 103 202

HSL 281.21, 0.48%, 0.6%

LAB 54.68, 44.28, -40.76

 

CMYK 11 / 36 / 0 / 27

HEX #A577BA

RGB 165 119 186

HSL 281.19, 0.33%, 0.6%

LAB 56.82, 30.21, -28.33

 

CMYK 6 / 20 / 0 / 34

HEX #9F88A9

RGB 159 136 169

HSL 281.82, 0.16%, 0.6%

LAB 59.75, 14.93, -14.19

 

CMYK 60 / 70 / 0 / 8

HEX #5F46EB

RGB 95 70 235

HSL 249.09, 0.8%, 0.6%

LAB 42.48, 54.49, -79.58

 

CMYK 41 / 70 / 0 / 8

HEX #8B46EB

RGB 139 70 235

HSL 265.09, 0.8%, 0.6%

LAB 46.8, 61.34, -72.34

 

CMYK 22 / 70 / 0 / 8

HEX #B746EB

RGB 183 70 235

HSL 281.09, 0.8%, 0.6%

LAB 52.34, 69.58, -63.1

 

CMYK 3 / 70 / 0 / 8

HEX #E346EB

RGB 227 70 235

HSL 297.09, 0.8%, 0.6%

LAB 58.7, 78.55, -52.55

 

CMYK 0 / 70 / 15 / 8

HEX #EB46C7

RGB 235 70 199

HSL 313.09, 0.8%, 0.6%

LAB 58.19, 74.91, -32.91

 

CMYK 28 / 90 / 0 / 21

HEX #9215CA

RGB 146 21 202

HSL 281.44, 0.81%, 0.44%

LAB 39.43, 71.67, -65.41

 

CMYK 26 / 86 / 0 / 9

HEX #AA21E7

RGB 170 33 231

HSL 281.52, 0.8%, 0.52%

LAB 46.18, 78.16, -70.91

 

CMYK 22 / 70 / 0 / 8

HEX #B846EB

RGB 184 70 235

HSL 281.45, 0.8%, 0.6%

LAB 52.47, 69.78, -62.88

 

CMYK 17 / 55 / 0 / 6

HEX #C66BEF

RGB 198 107 239

HSL 281.36, 0.8%, 0.68%

LAB 60.56, 57.15, -52.07

 

CMYK 12 / 40 / 0 / 5

HEX #D591F3

RGB 213 145 243

HSL 281.63, 0.8%, 0.76%

LAB 70.08, 42.41, -39.17

 

CMYK 22 / 70 / 0 / 7

HEX #B947EC

RGB 185 71 236

HSL 281.45, 0.81%, 0.6%

LAB 52.81, 69.78, -62.88

 

CMYK 0 / 70 / 62 / 8

HEX #EB4659

RGB 235 70 89

HSL 353.09, 0.8%, 0.6%

LAB 54.83, 63.87, 26.69

 

CMYK 70 / 0 / 50 / 8

HEX #46EB75

RGB 70 235 117

HSL 137.09, 0.8%, 0.6%

LAB 82.92, -66.46, 45

 

CMYK 22 / 70 / 0 / 7

HEX #B947EC

RGB 185 71 236

HSL 281.45, 0.81%, 0.6%

LAB 52.81, 69.78, -62.88

 

CMYK 0 / 22 / 70 / 8

HEX #EBB746

RGB 235 183 70

HSL 41.09, 0.8%, 0.6%

LAB 77.26, 7.72, 62.14

 

CMYK 70 / 0 / 22 / 8

HEX #46EBB7

RGB 70 235 183

HSL 161.09, 0.8%, 0.6%

LAB 84.04, -54.08, 13.17

 

CMYK 22 / 70 / 0 / 7

HEX #B947EC

RGB 185 71 236

HSL 281.45, 0.81%, 0.6%

LAB 52.81, 69.78, -62.88

 

CMYK 0 / 70 / 62 / 8

HEX #EB4659

RGB 235 70 89

HSL 353.09, 0.8%, 0.6%

LAB 54.83, 63.87, 26.69

 

CMYK 48 / 0 / 70 / 8

HEX #7AEB46

RGB 122 235 70

HSL 101.09, 0.8%, 0.6%

LAB 83.96, -59.84, 66.59

 

CMYK 70 / 0 / 8 / 8

HEX #46EBD8

RGB 70 235 216

HSL 173.09, 0.8%, 0.6%

LAB 84.83, -45.99, -3.01

 

CMYK 22 / 70 / 0 / 7

HEX #B947EC

RGB 185 71 236

HSL 281.45, 0.81%, 0.6%

LAB 52.81, 69.78, -62.88

 

CMYK 0 / 57 / 70 / 8

HEX #EB6446

RGB 235 100 70

HSL 10.91, 0.8%, 0.6%

LAB 59.18, 50.42, 42.67

 

CMYK 48 / 0 / 70 / 8

HEX #7AEB46

RGB 122 235 70

HSL 101.09, 0.8%, 0.6%

LAB 83.96, -59.84, 66.59

 

CMYK 70 / 13 / 0 / 8

HEX #46CDEB

RGB 70 205 235

HSL 190.91, 0.8%, 0.6%

LAB 76.66, -26.72, -25.38

 

Description

Color code: RGB 185 71 236 | qconv.com Color code: RGB 185 71 236 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 71 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 71 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 70 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 70% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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