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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 48 231 it is the complementary color RGB 70 207 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 48 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 48 231 shade: RGB 190 48 226, RGB 207 66 245, RGB 224 84 255, RGB 241 102 255 and RGB 255 120 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 48 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 48 231 shade: RGB 185 48 231, RGB 168 30 212, RGB 151 12 193, RGB 134 0 174 and RGB 117 0 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 48 231 shade: RGB 185 49 230, RGB 230 49 227, RGB 230 49 178, RGB 230 49 129 and RGB 230 49 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 48 231 shade: RGB 185 49 230, RGB 136 49 230, RGB 87 49 230 and RGB 49 49 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 48 231 shade matches the following richer shades: RGB 185 49 230 and RGB 194 31 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 48 231 shade: RGB 185 49 230, RGB 176 68 212, RGB 166 86 193, RGB 157 105 175 and RGB 148 123 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 48 231 shade: RGB 85 49 230, RGB 134 49 230, RGB 182 49 230, RGB 230 49 230 and RGB 230 49 182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 48 231 shade: RGB 137 20 177, RGB 166 25 214, RGB 185 49 230, RGB 197 86 235 and RGB 210 123 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 48 231 shade: RGB 185 48 231, RGB 230 49 61 and RGB 49 230 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 48 231 shade: RGB 185 48 231, RGB 230 182 49 and RGB 49 230 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 48 231 shade: RGB 185 48 231, RGB 230 49 61, RGB 97 230 49 and RGB 49 230 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 48 231 shade: RGB 185 48 231, RGB 230 91 49, RGB 97 230 49 and RGB 49 188 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 79 / 0 / 9

HEX #B930E7

RGB 185 48 231

HSL 284.92, 0.79%, 0.55%

LAB 49.74, 76.7, -65.04

 

Complementary color

CMYK 66 / 0 / 88 / 19

HEX #46CF18

RGB 70 207 24

HSL 104.92, 0.79%, 0.45%

LAB 73.54, -65.58, 69.16

 

CMYK 16 / 79 / 0 / 11

HEX #BE30E2

RGB 190 48 226

HSL 287.87, 0.75%, 0.54%

LAB 50.16, 76.66, -61.48

 

CMYK 16 / 73 / 0 / 4

HEX #CF42F5

RGB 207 66 245

HSL 287.26, 0.9%, 0.61%

LAB 55.84, 77.6, -62.89

 

CMYK 12 / 67 / 0 / 0

HEX #E054FF

RGB 224 84 255

HSL 289.12, 1%, 0.66%

LAB 61.14, 76.34, -59.8

 

CMYK 5 / 60 / 0 / 0

HEX #F166FF

RGB 241 102 255

HSL 294.51, 1%, 0.7%

LAB 66.08, 72.93, -51.81

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 20 / 79 / 0 / 9

HEX #B930E7

RGB 185 48 231

HSL 284.92, 0.79%, 0.55%

LAB 49.74, 76.7, -65.04

 

CMYK 21 / 86 / 0 / 17

HEX #A81ED4

RGB 168 30 212

HSL 285.49, 0.75%, 0.47%

LAB 44.24, 74.98, -63.22

 

CMYK 22 / 94 / 0 / 24

HEX #970CC1

RGB 151 12 193

HSL 286.08, 0.88%, 0.4%

LAB 39.06, 72.08, -60.73

 

CMYK 23 / 100 / 0 / 32

HEX #8600AE

RGB 134 0 174

HSL 286.21, 1%, 0.34%

LAB 34.24, 67.74, -57.44

 

CMYK 25 / 100 / 0 / 39

HEX #75009B

RGB 117 0 155

HSL 285.29, 1%, 0.3%

LAB 29.78, 61.93, -53.34

 

CMYK 20 / 79 / 0 / 10

HEX #B931E6

RGB 185 49 230

HSL 285.08, 0.78%, 0.55%

LAB 49.77, 76.23, -64.42

 

CMYK 0 / 79 / 1 / 10

HEX #E631E3

RGB 230 49 227

HSL 300.99, 0.78%, 0.55%

LAB 56.65, 83.91, -51.3

 

CMYK 0 / 79 / 23 / 10

HEX #E631B2

RGB 230 49 178

HSL 317.24, 0.78%, 0.55%

LAB 54.27, 77.23, -26.94

 

CMYK 0 / 79 / 44 / 10

HEX #E63181

RGB 230 49 129

HSL 333.48, 0.78%, 0.55%

LAB 52.51, 72.03, -0.57

 

CMYK 0 / 79 / 65 / 10

HEX #E63150

RGB 230 49 80

HSL 349.72, 0.78%, 0.55%

LAB 51.38, 68.56, 27.41

 

CMYK 20 / 79 / 0 / 10

HEX #B931E6

RGB 185 49 230

HSL 285.08, 0.78%, 0.55%

LAB 49.77, 76.23, -64.42

 

CMYK 41 / 79 / 0 / 10

HEX #8831E6

RGB 136 49 230

HSL 268.84, 0.78%, 0.55%

LAB 42.98, 68.4, -75.76

 

CMYK 62 / 79 / 0 / 10

HEX #5731E6

RGB 87 49 230

HSL 252.6, 0.78%, 0.55%

LAB 37.73, 62.36, -84.59

 

CMYK 79 / 79 / 0 / 10

HEX #3131E6

RGB 49 49 230

HSL 240, 0.78%, 0.55%

LAB 35.13, 59.37, -88.98

 

CMYK 20 / 79 / 0 / 10

HEX #B931E6

RGB 185 49 230

HSL 285.08, 0.78%, 0.55%

LAB 49.77, 76.23, -64.42

 

CMYK 22 / 88 / 0 / 2

HEX #C21FF9

RGB 194 31 249

HSL 284.86, 0.95%, 0.55%

LAB 51.02, 85.29, -73

 

CMYK 20 / 79 / 0 / 10

HEX #B931E6

RGB 185 49 230

HSL 285.08, 0.78%, 0.55%

LAB 49.77, 76.23, -64.42

 

CMYK 17 / 68 / 0 / 17

HEX #B044D4

RGB 176 68 212

HSL 285, 0.63%, 0.55%

LAB 49.64, 64.38, -54.46

 

CMYK 14 / 55 / 0 / 24

HEX #A656C1

RGB 166 86 193

HSL 284.86, 0.46%, 0.55%

LAB 50.23, 49.88, -42.67

 

CMYK 10 / 40 / 0 / 31

HEX #9D69AF

RGB 157 105 175

HSL 284.57, 0.3%, 0.55%

LAB 52.25, 33.26, -29.16

 

CMYK 5 / 21 / 0 / 39

HEX #947B9C

RGB 148 123 156

HSL 285.45, 0.14%, 0.55%

LAB 54.93, 15.89, -14.1

 

CMYK 63 / 79 / 0 / 10

HEX #5531E6

RGB 85 49 230

HSL 251.93, 0.78%, 0.55%

LAB 37.56, 62.16, -84.88

 

CMYK 42 / 79 / 0 / 10

HEX #8631E6

RGB 134 49 230

HSL 268.18, 0.78%, 0.55%

LAB 42.73, 68.12, -76.18

 

CMYK 21 / 79 / 0 / 10

HEX #B631E6

RGB 182 49 230

HSL 284.09, 0.78%, 0.55%

LAB 49.32, 75.71, -65.17

 

CMYK 0 / 79 / 0 / 10

HEX #E631E6

RGB 230 49 230

HSL 300, 0.78%, 0.55%

LAB 56.81, 84.36, -52.73

 

CMYK 0 / 79 / 21 / 10

HEX #E631B6

RGB 230 49 182

HSL 315.91, 0.78%, 0.55%

LAB 54.45, 77.72, -29

 

CMYK 23 / 89 / 0 / 31

HEX #8914B1

RGB 137 20 177

HSL 284.71, 0.8%, 0.39%

LAB 35.97, 65.77, -56.39

 

CMYK 22 / 88 / 0 / 16

HEX #A619D6

RGB 166 25 214

HSL 284.76, 0.79%, 0.47%

LAB 43.74, 76.04, -65.21

 

CMYK 20 / 79 / 0 / 10

HEX #B931E6

RGB 185 49 230

HSL 285.08, 0.78%, 0.55%

LAB 49.77, 76.23, -64.42

 

CMYK 16 / 63 / 0 / 8

HEX #C556EB

RGB 197 86 235

HSL 284.7, 0.79%, 0.63%

LAB 56.61, 65.89, -56.15

 

CMYK 12 / 49 / 0 / 6

HEX #D27BEF

RGB 210 123 239

HSL 285, 0.78%, 0.71%

LAB 65.04, 52.26, -44.89

 

CMYK 20 / 79 / 0 / 9

HEX #B930E7

RGB 185 48 231

HSL 284.92, 0.79%, 0.55%

LAB 49.74, 76.7, -65.04

 

CMYK 0 / 79 / 73 / 10

HEX #E6313D

RGB 230 49 61

HSL 356.02, 0.78%, 0.55%

LAB 51.1, 67.69, 38.22

 

CMYK 79 / 0 / 52 / 10

HEX #31E66E

RGB 49 230 110

HSL 140.22, 0.78%, 0.55%

LAB 80.95, -68.67, 45.81

 

CMYK 20 / 79 / 0 / 9

HEX #B930E7

RGB 185 48 231

HSL 284.92, 0.79%, 0.55%

LAB 49.74, 76.7, -65.04

 

CMYK 0 / 21 / 79 / 10

HEX #E6B631

RGB 230 182 49

HSL 44.09, 0.78%, 0.55%

LAB 76.38, 5.23, 68.97

 

CMYK 79 / 0 / 21 / 10

HEX #31E6B6

RGB 49 230 182

HSL 164.09, 0.78%, 0.55%

LAB 82.18, -54.81, 11

 

CMYK 20 / 79 / 0 / 9

HEX #B930E7

RGB 185 48 231

HSL 284.92, 0.79%, 0.55%

LAB 49.74, 76.7, -65.04

 

CMYK 0 / 79 / 73 / 10

HEX #E6313D

RGB 230 49 61

HSL 356.02, 0.78%, 0.55%

LAB 51.1, 67.69, 38.22

 

CMYK 58 / 0 / 79 / 10

HEX #61E631

RGB 97 230 49

HSL 104.09, 0.78%, 0.55%

LAB 81.49, -66.03, 70.67

 

CMYK 79 / 0 / 5 / 10

HEX #31E6DA

RGB 49 230 218

HSL 176.02, 0.78%, 0.55%

LAB 83.08, -45.56, -6.69

 

CMYK 20 / 79 / 0 / 9

HEX #B930E7

RGB 185 48 231

HSL 284.92, 0.79%, 0.55%

LAB 49.74, 76.7, -65.04

 

CMYK 0 / 60 / 79 / 10

HEX #E65B31

RGB 230 91 49

HSL 13.92, 0.78%, 0.55%

LAB 56.61, 51.87, 50.4

 

CMYK 58 / 0 / 79 / 10

HEX #61E631

RGB 97 230 49

HSL 104.09, 0.78%, 0.55%

LAB 81.49, -66.03, 70.67

 

CMYK 79 / 18 / 0 / 10

HEX #31BCE6

RGB 49 188 230

HSL 193.92, 0.78%, 0.55%

LAB 71.1, -22.13, -31.25

 

Description

Color code: RGB 185 48 231 | qconv.com Color code: RGB 185 48 231 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 48 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 48 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 79 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 79% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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