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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 7 211 it is the complementary color RGB 70 248 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 7 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 7 211 shade: RGB 190 7 206, RGB 207 25 225, RGB 224 43 244, RGB 241 61 255 and RGB 255 79 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 7 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 7 211 shade: RGB 185 7 211, RGB 168 0 192, RGB 151 0 173, RGB 134 0 154 and RGB 117 0 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 7 211 shade: RGB 186 6 212, RGB 212 6 183, RGB 212 6 127, RGB 212 6 72 and RGB 212 6 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 7 211 shade: RGB 186 6 212, RGB 130 6 212, RGB 75 6 212, RGB 19 6 212 and RGB 6 6 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 7 211 shade matches the following richer shades: RGB 186 6 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 7 211 shade: RGB 186 6 212, RGB 173 24 194, RGB 160 42 177, RGB 146 59 159 and RGB 133 77 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 7 211 shade: RGB 75 6 212, RGB 130 6 212, RGB 185 6 212, RGB 212 6 185 and RGB 212 6 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 7 211 shade: RGB 116 4 132, RGB 151 5 172, RGB 186 6 212, RGB 217 13 247 and RGB 223 53 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 7 211 shade: RGB 185 7 211, RGB 212 20 6 and RGB 6 212 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 7 211 shade: RGB 185 7 211, RGB 212 185 6 and RGB 6 212 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 7 211 shade: RGB 185 7 211, RGB 212 20 6, RGB 34 212 6 and RGB 6 198 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 7 211 shade: RGB 185 7 211, RGB 212 82 6, RGB 34 212 6 and RGB 6 137 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 97 / 0 / 17

HEX #B907D3

RGB 185 7 211

HSL 292.35, 0.94%, 0.43%

LAB 45.87, 80.6, -59.88

 

Complementary color

CMYK 72 / 0 / 82 / 3

HEX #46F82C

RGB 70 248 44

HSL 112.35, 0.94%, 0.57%

LAB 86.31, -77.42, 76.18

 

CMYK 8 / 97 / 0 / 19

HEX #BE07CE

RGB 190 7 206

HSL 295.18, 0.93%, 0.42%

LAB 46.39, 80.56, -56.12

 

CMYK 8 / 89 / 0 / 12

HEX #CF19E1

RGB 207 25 225

HSL 294.6, 0.8%, 0.49%

LAB 51.15, 84.23, -59.18

 

CMYK 8 / 82 / 0 / 4

HEX #E02BF4

RGB 224 43 244

HSL 294.03, 0.9%, 0.56%

LAB 56.19, 86.81, -61.62

 

CMYK 5 / 76 / 0 / 0

HEX #F13DFF

RGB 241 61 255

HSL 295.67, 1%, 0.62%

LAB 61.01, 87.22, -59.87

 

CMYK 0 / 69 / 0 / 0

HEX #FF4FFF

RGB 255 79 255

HSL 300, 1%, 0.65%

LAB 65.02, 84.61, -53.35

 

CMYK 12 / 97 / 0 / 17

HEX #B907D3

RGB 185 7 211

HSL 292.35, 0.94%, 0.43%

LAB 45.87, 80.6, -59.88

 

CMYK 13 / 100 / 0 / 25

HEX #A800C0

RGB 168 0 192

HSL 292.5, 1%, 0.38%

LAB 41.42, 75.65, -56.17

 

CMYK 13 / 100 / 0 / 32

HEX #9700AD

RGB 151 0 173

HSL 292.37, 1%, 0.34%

LAB 37.11, 69.99, -52.05

 

CMYK 13 / 100 / 0 / 40

HEX #86009A

RGB 134 0 154

HSL 292.21, 1%, 0.3%

LAB 32.7, 64.2, -47.85

 

CMYK 13 / 100 / 0 / 47

HEX #750087

RGB 117 0 135

HSL 292, 1%, 0.26%

LAB 28.2, 58.28, -43.55

 

CMYK 12 / 97 / 0 / 17

HEX #BA06D4

RGB 186 6 212

HSL 292.43, 0.94%, 0.43%

LAB 46.07, 81, -60.12

 

CMYK 0 / 97 / 14 / 17

HEX #D406B7

RGB 212 6 183

HSL 308.45, 0.94%, 0.43%

LAB 48.94, 81.05, -38.43

 

CMYK 0 / 97 / 40 / 17

HEX #D4067F

RGB 212 6 127

HSL 324.76, 0.94%, 0.43%

LAB 46.52, 74.85, -8.6

 

CMYK 0 / 97 / 66 / 17

HEX #D40648

RGB 212 6 72

HSL 340.78, 0.94%, 0.43%

LAB 45.07, 70.96, 23.49

 

CMYK 0 / 97 / 92 / 17

HEX #D40610

RGB 212 6 16

HSL 357.09, 0.94%, 0.43%

LAB 44.47, 69.3, 53.45

 

CMYK 12 / 97 / 0 / 17

HEX #BA06D4

RGB 186 6 212

HSL 292.43, 0.94%, 0.43%

LAB 46.07, 81, -60.12

 

CMYK 39 / 97 / 0 / 17

HEX #8206D4

RGB 130 6 212

HSL 276.12, 0.94%, 0.43%

LAB 37.17, 73.83, -75.01

 

CMYK 65 / 97 / 0 / 17

HEX #4B06D4

RGB 75 6 212

HSL 260.1, 0.94%, 0.43%

LAB 30.35, 69.51, -86.51

 

CMYK 91 / 97 / 0 / 17

HEX #1306D4

RGB 19 6 212

HSL 243.79, 0.94%, 0.43%

LAB 26.8, 67.86, -92.53

 

CMYK 97 / 97 / 0 / 17

HEX #0606D4

RGB 6 6 212

HSL 240, 0.94%, 0.43%

LAB 26.51, 67.76, -93.01

 

CMYK 12 / 97 / 0 / 17

HEX #BA06D4

RGB 186 6 212

HSL 292.43, 0.94%, 0.43%

LAB 46.07, 81, -60.12

 

CMYK 12 / 97 / 0 / 17

HEX #BA06D4

RGB 186 6 212

HSL 292.43, 0.94%, 0.43%

LAB 46.07, 81, -60.12

 

CMYK 11 / 88 / 0 / 24

HEX #AD18C2

RGB 173 24 194

HSL 292.59, 0.78%, 0.43%

LAB 43.41, 73.82, -54.1

 

CMYK 10 / 76 / 0 / 31

HEX #A02AB1

RGB 160 42 177

HSL 292.44, 0.62%, 0.43%

LAB 41.69, 64.07, -46.97

 

CMYK 8 / 63 / 0 / 38

HEX #923B9F

RGB 146 59 159

HSL 292.2, 0.46%, 0.43%

LAB 40.8, 50.94, -37.79

 

CMYK 6 / 45 / 0 / 45

HEX #854D8D

RGB 133 77 141

HSL 292.5, 0.29%, 0.43%

LAB 41.56, 34.35, -25.87

 

CMYK 65 / 97 / 0 / 17

HEX #4B06D4

RGB 75 6 212

HSL 260.1, 0.94%, 0.43%

LAB 30.35, 69.51, -86.51

 

CMYK 39 / 97 / 0 / 17

HEX #8206D4

RGB 130 6 212

HSL 276.12, 0.94%, 0.43%

LAB 37.17, 73.83, -75.01

 

CMYK 13 / 97 / 0 / 17

HEX #B906D4

RGB 185 6 212

HSL 292.14, 0.94%, 0.43%

LAB 45.9, 80.85, -60.4

 

CMYK 0 / 97 / 13 / 17

HEX #D406B9

RGB 212 6 185

HSL 307.86, 0.94%, 0.43%

LAB 49.04, 81.31, -39.44

 

CMYK 0 / 97 / 39 / 17

HEX #D40682

RGB 212 6 130

HSL 323.88, 0.94%, 0.43%

LAB 46.63, 75.12, -10.28

 

CMYK 12 / 97 / 0 / 48

HEX #740484

RGB 116 4 132

HSL 292.5, 0.94%, 0.27%

LAB 28.02, 56.91, -41.96

 

CMYK 12 / 97 / 0 / 33

HEX #9705AC

RGB 151 5 172

HSL 292.46, 0.94%, 0.35%

LAB 37.24, 69.22, -51.25

 

CMYK 12 / 97 / 0 / 17

HEX #BA06D4

RGB 186 6 212

HSL 292.43, 0.94%, 0.43%

LAB 46.07, 81, -60.12

 

CMYK 12 / 95 / 0 / 3

HEX #D90DF7

RGB 217 13 247

HSL 292.31, 0.94%, 0.51%

LAB 53.77, 90.56, -67.27

 

CMYK 10 / 79 / 0 / 3

HEX #DF35F8

RGB 223 53 248

HSL 292.31, 0.93%, 0.59%

LAB 57.09, 84.93, -62.43

 

CMYK 12 / 97 / 0 / 17

HEX #B907D3

RGB 185 7 211

HSL 292.35, 0.94%, 0.43%

LAB 45.87, 80.6, -59.88

 

CMYK 0 / 91 / 97 / 17

HEX #D41406

RGB 212 20 6

HSL 4.08, 0.94%, 0.43%

LAB 44.96, 67.69, 56.86

 

CMYK 97 / 0 / 52 / 17

HEX #06D466

RGB 6 212 102

HSL 147.96, 0.94%, 0.43%

LAB 74.88, -67.07, 42.09

 

CMYK 12 / 97 / 0 / 17

HEX #B907D3

RGB 185 7 211

HSL 292.35, 0.94%, 0.43%

LAB 45.87, 80.6, -59.88

 

CMYK 0 / 13 / 97 / 17

HEX #D4B906

RGB 212 185 6

HSL 52.14, 0.94%, 0.43%

LAB 75.27, -5.06, 76.38

 

CMYK 97 / 0 / 13 / 17

HEX #06D4B9

RGB 6 212 185

HSL 172.14, 0.94%, 0.43%

LAB 76.45, -49.32, 1.13

 

CMYK 12 / 97 / 0 / 17

HEX #B907D3

RGB 185 7 211

HSL 292.35, 0.94%, 0.43%

LAB 45.87, 80.6, -59.88

 

CMYK 0 / 91 / 97 / 17

HEX #D41406

RGB 212 20 6

HSL 4.08, 0.94%, 0.43%

LAB 44.96, 67.69, 56.86

 

CMYK 84 / 0 / 97 / 17

HEX #22D406

RGB 34 212 6

HSL 111.84, 0.94%, 0.43%

LAB 74.47, -72.9, 72.04

 

CMYK 97 / 7 / 0 / 17

HEX #06C6D4

RGB 6 198 212

HSL 184.08, 0.94%, 0.43%

LAB 73.01, -35.28, -18.58

 

CMYK 12 / 97 / 0 / 17

HEX #B907D3

RGB 185 7 211

HSL 292.35, 0.94%, 0.43%

LAB 45.87, 80.6, -59.88

 

CMYK 0 / 61 / 97 / 17

HEX #D45206

RGB 212 82 6

HSL 22.14, 0.94%, 0.43%

LAB 51.89, 48.57, 60.59

 

CMYK 84 / 0 / 97 / 17

HEX #22D406

RGB 34 212 6

HSL 111.84, 0.94%, 0.43%

LAB 74.47, -72.9, 72.04

 

CMYK 97 / 35 / 0 / 17

HEX #0689D4

RGB 6 137 212

HSL 201.84, 0.94%, 0.43%

LAB 54.74, -3.12, -46.91

 

Description

Color code: RGB 185 7 211 | qconv.com Color code: RGB 185 7 211 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 7 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 7 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 97 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 97% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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