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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 24 58 it is the complementary color RGB 70 231 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 24 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 24 58 shade: RGB 190 24 53, RGB 207 42 72, RGB 224 60 91, RGB 241 78 110 and RGB 255 96 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 24 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 24 58 shade: RGB 185 24 58, RGB 168 6 39, RGB 151 0 20, RGB 134 0 1 and RGB 117 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 24 58 shade: RGB 185 24 58 and RGB 185 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 24 58 shade: RGB 185 24 58, RGB 185 24 101, RGB 185 24 144, RGB 181 24 185 and RGB 138 24 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 24 58 shade matches the following richer shades: RGB 185 24 58 and RGB 201 7 48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 24 58 shade: RGB 185 24 58, RGB 168 40 67, RGB 151 57 77, RGB 134 74 87 and RGB 117 91 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 24 58 shade: RGB 185 24 144, RGB 185 24 101, RGB 185 24 58, RGB 185 32 24 and RGB 185 75 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 24 58 shade: RGB 112 14 35, RGB 148 19 46, RGB 185 24 58, RGB 221 28 69 and RGB 229 61 97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 24 58 shade: RGB 185 24 58, RGB 185 182 24 and RGB 24 123 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 24 58 shade: RGB 185 24 58, RGB 58 185 24 and RGB 24 58 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 24 58 shade: RGB 185 24 58, RGB 185 182 24, RGB 24 185 150 and RGB 24 26 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 24 58 shade: RGB 185 24 58, RGB 139 185 24, RGB 24 185 150 and RGB 69 24 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 69 / 27

HEX #B9183A

RGB 185 24 58

HSL 347.33, 0.77%, 0.41%

LAB 40.04, 61.2, 24.68

 

Complementary color

CMYK 70 / 0 / 15 / 9

HEX #46E7C5

RGB 70 231 197

HSL 167.33, 0.77%, 0.59%

LAB 83.17, -49.12, 4.58

 

CMYK 0 / 87 / 72 / 25

HEX #BE1835

RGB 190 24 53

HSL 349.52, 0.78%, 0.42%

LAB 40.99, 62.3, 29.18

 

CMYK 0 / 80 / 65 / 19

HEX #CF2A48

RGB 207 42 72

HSL 349.09, 0.66%, 0.49%

LAB 46.16, 63.68, 24.69

 

CMYK 0 / 73 / 59 / 12

HEX #E03C5B

RGB 224 60 91

HSL 348.66, 0.73%, 0.56%

LAB 51.65, 64.19, 20.96

 

CMYK 0 / 68 / 54 / 5

HEX #F14E6E

RGB 241 78 110

HSL 348.22, 0.85%, 0.63%

LAB 57.34, 64.14, 17.87

 

CMYK 0 / 62 / 49 / 0

HEX #FF6081

RGB 255 96 129

HSL 347.55, 1%, 0.69%

LAB 62.69, 62.81, 14.53

 

CMYK 0 / 87 / 69 / 27

HEX #B9183A

RGB 185 24 58

HSL 347.33, 0.77%, 0.41%

LAB 40.04, 61.2, 24.68

 

CMYK 0 / 96 / 77 / 34

HEX #A80627

RGB 168 6 39

HSL 347.78, 0.93%, 0.34%

LAB 35.21, 58.66, 29.92

 

CMYK 0 / 100 / 87 / 41

HEX #970014

RGB 151 0 20

HSL 352.05, 1%, 0.3%

LAB 30.95, 54.51, 35.68

 

CMYK 0 / 100 / 99 / 47

HEX #860001

RGB 134 0 1

HSL 359.55, 1%, 0.26%

LAB 26.93, 49.69, 39.45

 

CMYK 0 / 100 / 100 / 54

HEX #750000

RGB 117 0 0

HSL 0, 1%, 0.23%

LAB 22.94, 45.05, 34.64

 

CMYK 0 / 87 / 69 / 27

HEX #B9183A

RGB 185 24 58

HSL 347.33, 0.77%, 0.41%

LAB 40.04, 61.2, 24.68

 

CMYK 0 / 87 / 87 / 27

HEX #B91818

RGB 185 24 24

HSL 0, 0.77%, 0.41%

LAB 39.64, 60.03, 43.93

 

CMYK 0 / 87 / 69 / 27

HEX #B9183A

RGB 185 24 58

HSL 347.33, 0.77%, 0.41%

LAB 40.04, 61.2, 24.68

 

CMYK 0 / 87 / 45 / 27

HEX #B91865

RGB 185 24 101

HSL 331.3, 0.77%, 0.41%

LAB 41.07, 64.16, -1.13

 

CMYK 0 / 87 / 22 / 27

HEX #B91890

RGB 185 24 144

HSL 315.28, 0.77%, 0.41%

LAB 42.73, 68.76, -25.24

 

CMYK 2 / 87 / 0 / 27

HEX #B518B9

RGB 181 24 185

HSL 298.51, 0.77%, 0.41%

LAB 44.2, 73.74, -47.47

 

CMYK 25 / 87 / 0 / 27

HEX #8A18B9

RGB 138 24 185

HSL 282.48, 0.77%, 0.41%

LAB 37.04, 66.6, -59.39

 

CMYK 0 / 87 / 69 / 27

HEX #B9183A

RGB 185 24 58

HSL 347.33, 0.77%, 0.41%

LAB 40.04, 61.2, 24.68

 

CMYK 0 / 97 / 76 / 21

HEX #C90730

RGB 201 7 48

HSL 347.32, 0.93%, 0.41%

LAB 42.43, 67.19, 34.47

 

CMYK 0 / 87 / 69 / 27

HEX #B9183A

RGB 185 24 58

HSL 347.33, 0.77%, 0.41%

LAB 40.04, 61.2, 24.68

 

CMYK 0 / 76 / 60 / 34

HEX #A82843

RGB 168 40 67

HSL 347.34, 0.62%, 0.41%

LAB 38.28, 52.73, 16.06

 

CMYK 0 / 62 / 49 / 41

HEX #97394D

RGB 151 57 77

HSL 347.23, 0.45%, 0.41%

LAB 37.92, 41.15, 8.71

 

CMYK 0 / 45 / 35 / 47

HEX #864A57

RGB 134 74 87

HSL 347, 0.29%, 0.41%

LAB 38.99, 27.03, 3.58

 

CMYK 0 / 22 / 17 / 54

HEX #755B61

RGB 117 91 97

HSL 346.15, 0.13%, 0.41%

LAB 41.42, 11.67, 0.63

 

CMYK 0 / 87 / 22 / 27

HEX #B91890

RGB 185 24 144

HSL 315.28, 0.77%, 0.41%

LAB 42.73, 68.76, -25.24

 

CMYK 0 / 87 / 45 / 27

HEX #B91865

RGB 185 24 101

HSL 331.3, 0.77%, 0.41%

LAB 41.07, 64.16, -1.13

 

CMYK 0 / 87 / 69 / 27

HEX #B9183A

RGB 185 24 58

HSL 347.33, 0.77%, 0.41%

LAB 40.04, 61.2, 24.68

 

CMYK 0 / 83 / 87 / 27

HEX #B92018

RGB 185 32 24

HSL 2.98, 0.77%, 0.41%

LAB 40.27, 58.24, 44.45

 

CMYK 0 / 59 / 87 / 27

HEX #B94B18

RGB 185 75 24

HSL 19.01, 0.77%, 0.41%

LAB 46.19, 42.09, 49.32

 

CMYK 0 / 88 / 69 / 56

HEX #700E23

RGB 112 14 35

HSL 347.14, 0.78%, 0.25%

LAB 23.27, 41.72, 15.27

 

CMYK 0 / 87 / 69 / 42

HEX #94132E

RGB 148 19 46

HSL 347.44, 0.77%, 0.33%

LAB 31.71, 51.55, 20.25

 

CMYK 0 / 87 / 69 / 27

HEX #B9183A

RGB 185 24 58

HSL 347.33, 0.77%, 0.41%

LAB 40.04, 61.2, 24.68

 

CMYK 0 / 87 / 69 / 13

HEX #DD1C45

RGB 221 28 69

HSL 347.25, 0.78%, 0.49%

LAB 47.79, 70.34, 29.15

 

CMYK 0 / 73 / 58 / 10

HEX #E53D61

RGB 229 61 97

HSL 347.14, 0.76%, 0.57%

LAB 52.79, 65.7, 19.05

 

CMYK 0 / 87 / 69 / 27

HEX #B9183A

RGB 185 24 58

HSL 347.33, 0.77%, 0.41%

LAB 40.04, 61.2, 24.68

 

CMYK 0 / 2 / 87 / 27

HEX #B9B618

RGB 185 182 24

HSL 58.88, 0.77%, 0.41%

LAB 72.12, -15.07, 70.38

 

CMYK 87 / 34 / 0 / 27

HEX #187BB9

RGB 24 123 185

HSL 203.11, 0.77%, 0.41%

LAB 49.33, -4.27, -40.1

 

CMYK 0 / 87 / 69 / 27

HEX #B9183A

RGB 185 24 58

HSL 347.33, 0.77%, 0.41%

LAB 40.04, 61.2, 24.68

 

CMYK 69 / 0 / 87 / 27

HEX #3AB918

RGB 58 185 24

HSL 107.33, 0.77%, 0.41%

LAB 66.26, -60.9, 62.74

 

CMYK 87 / 69 / 0 / 27

HEX #183AB9

RGB 24 58 185

HSL 227.33, 0.77%, 0.41%

LAB 31.17, 37.71, -69.43

 

CMYK 0 / 87 / 69 / 27

HEX #B9183A

RGB 185 24 58

HSL 347.33, 0.77%, 0.41%

LAB 40.04, 61.2, 24.68

 

CMYK 0 / 2 / 87 / 27

HEX #B9B618

RGB 185 182 24

HSL 58.88, 0.77%, 0.41%

LAB 72.12, -15.07, 70.38

 

CMYK 87 / 0 / 19 / 27

HEX #18B996

RGB 24 185 150

HSL 166.96, 0.77%, 0.41%

LAB 67.35, -46.64, 6.97

 

CMYK 87 / 86 / 0 / 27

HEX #181AB9

RGB 24 26 185

HSL 239.25, 0.77%, 0.41%

LAB 25.06, 55.07, -79.55

 

CMYK 0 / 87 / 69 / 27

HEX #B9183A

RGB 185 24 58

HSL 347.33, 0.77%, 0.41%

LAB 40.04, 61.2, 24.68

 

CMYK 25 / 0 / 87 / 27

HEX #8BB918

RGB 139 185 24

HSL 77.14, 0.77%, 0.41%

LAB 69.65, -35.85, 66.98

 

CMYK 87 / 0 / 19 / 27

HEX #18B996

RGB 24 185 150

HSL 166.96, 0.77%, 0.41%

LAB 67.35, -46.64, 6.97

 

CMYK 63 / 87 / 0 / 27

HEX #4518B9

RGB 69 24 185

HSL 256.77, 0.77%, 0.41%

LAB 27.9, 58.33, -74.74

 

Description

Color code: RGB 185 24 58 | qconv.com Color code: RGB 185 24 58 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 24 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 24 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 69 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 69% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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