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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 221 35 it is the complementary color RGB 70 34 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 221 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 221 35 shade: RGB 190 221 30, RGB 207 239 49, RGB 224 255 68, RGB 241 255 87 and RGB 255 255 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 221 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 221 35 shade: RGB 185 221 35, RGB 168 203 16, RGB 151 185 0, RGB 134 167 0 and RGB 117 149 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 221 35 shade: RGB 184 220 34, RGB 220 206 34, RGB 220 156 34, RGB 220 105 34 and RGB 220 55 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 221 35 shade: RGB 184 220 34, RGB 134 220 34, RGB 84 220 34, RGB 34 220 34 and RGB 34 220 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 221 35 shade matches the following richer shades: RGB 184 220 34 and RGB 197 241 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 221 35 shade: RGB 184 220 34, RGB 171 199 55, RGB 159 179 75, RGB 146 158 96 and RGB 133 138 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 221 35 shade: RGB 220 155 34, RGB 220 205 34, RGB 186 220 34, RGB 136 220 34 and RGB 87 220 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 221 35 shade: RGB 124 149 23, RGB 154 184 28, RGB 184 220 34, RGB 195 226 70 and RGB 207 231 105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 221 35 shade: RGB 185 221 35, RGB 34 220 105 and RGB 180 34 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 221 35 shade: RGB 185 221 35, RGB 34 186 220 and RGB 220 34 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 221 35 shade: RGB 185 221 35, RGB 34 220 105, RGB 68 34 220 and RGB 220 34 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 221 35 shade: RGB 185 221 35, RGB 34 220 161, RGB 68 34 220 and RGB 220 34 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 84 / 13

HEX #B9DD23

RGB 185 221 35

HSL 71.61, 0.73%, 0.5%

LAB 82.99, -33.65, 77.1

 

Complementary color

CMYK 68 / 85 / 0 / 14

HEX #4622DC

RGB 70 34 220

HSL 251.61, 0.73%, 0.5%

LAB 33.16, 64.25, -86.47

 

CMYK 14 / 0 / 86 / 13

HEX #BEDD1E

RGB 190 221 30

HSL 69.74, 0.76%, 0.49%

LAB 83.31, -31.77, 78.52

 

CMYK 13 / 0 / 79 / 6

HEX #CFEF31

RGB 207 239 49

HSL 70.11, 0.86%, 0.56%

LAB 89.5, -32.7, 79.96

 

CMYK 12 / 0 / 73 / 0

HEX #E0FF44

RGB 224 255 68

HSL 69.95, 1%, 0.63%

LAB 95.07, -32.56, 80.03

 

CMYK 5 / 0 / 66 / 0

HEX #F1FF57

RGB 241 255 87

HSL 65, 1%, 0.67%

LAB 96.37, -24.9, 75.2

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 16 / 0 / 84 / 13

HEX #B9DD23

RGB 185 221 35

HSL 71.61, 0.73%, 0.5%

LAB 82.99, -33.65, 77.1

 

CMYK 17 / 0 / 92 / 20

HEX #A8CB10

RGB 168 203 16

HSL 71.23, 0.85%, 0.43%

LAB 76.72, -32.63, 74.84

 

CMYK 18 / 0 / 100 / 27

HEX #97B900

RGB 151 185 0

HSL 71.03, 1%, 0.36%

LAB 70.37, -31.43, 71.23

 

CMYK 20 / 0 / 100 / 35

HEX #86A700

RGB 134 167 0

HSL 71.86, 1%, 0.33%

LAB 63.92, -30, 65.86

 

CMYK 21 / 0 / 100 / 42

HEX #759500

RGB 117 149 0

HSL 72.89, 1%, 0.29%

LAB 57.34, -28.56, 60.38

 

CMYK 16 / 0 / 85 / 14

HEX #B8DC22

RGB 184 220 34

HSL 71.61, 0.73%, 0.5%

LAB 82.64, -33.62, 76.99

 

CMYK 0 / 6 / 85 / 14

HEX #DCCE22

RGB 220 206 34

HSL 55.48, 0.73%, 0.5%

LAB 81.55, -11.87, 77.18

 

CMYK 0 / 29 / 85 / 14

HEX #DC9C22

RGB 220 156 34

HSL 39.35, 0.73%, 0.5%

LAB 68.83, 14.26, 66.66

 

CMYK 0 / 52 / 85 / 14

HEX #DC6922

RGB 220 105 34

HSL 22.9, 0.73%, 0.5%

LAB 57.5, 41.09, 57.13

 

CMYK 0 / 75 / 85 / 14

HEX #DC3722

RGB 220 55 34

HSL 6.77, 0.73%, 0.5%

LAB 49.57, 62.16, 50.34

 

CMYK 16 / 0 / 85 / 14

HEX #B8DC22

RGB 184 220 34

HSL 71.61, 0.73%, 0.5%

LAB 82.64, -33.62, 76.99

 

CMYK 39 / 0 / 85 / 14

HEX #86DC22

RGB 134 220 34

HSL 87.74, 0.73%, 0.5%

LAB 79.82, -52.23, 73.47

 

CMYK 62 / 0 / 85 / 14

HEX #54DC22

RGB 84 220 34

HSL 103.87, 0.73%, 0.5%

LAB 77.99, -66.43, 71.14

 

CMYK 85 / 0 / 85 / 14

HEX #22DC22

RGB 34 220 34

HSL 120, 0.73%, 0.5%

LAB 77.07, -74.33, 69.98

 

CMYK 85 / 0 / 61 / 14

HEX #22DC55

RGB 34 220 85

HSL 136.45, 0.73%, 0.5%

LAB 77.39, -70.28, 52.91

 

CMYK 16 / 0 / 85 / 14

HEX #B8DC22

RGB 184 220 34

HSL 71.61, 0.73%, 0.5%

LAB 82.64, -33.62, 76.99

 

CMYK 18 / 0 / 95 / 5

HEX #C5F10D

RGB 197 241 13

HSL 71.58, 0.9%, 0.5%

LAB 89.3, -38.37, 85.82

 

CMYK 16 / 0 / 85 / 14

HEX #B8DC22

RGB 184 220 34

HSL 71.61, 0.73%, 0.5%

LAB 82.64, -33.62, 76.99

 

CMYK 14 / 0 / 72 / 22

HEX #ABC737

RGB 171 199 55

HSL 71.67, 0.57%, 0.5%

LAB 75.93, -28.23, 64.73

 

CMYK 11 / 0 / 58 / 30

HEX #9FB34B

RGB 159 179 75

HSL 71.54, 0.41%, 0.5%

LAB 69.55, -22.07, 49.71

 

CMYK 8 / 0 / 39 / 38

HEX #929E60

RGB 146 158 96

HSL 71.61, 0.24%, 0.5%

LAB 62.85, -14.5, 30.97

 

CMYK 4 / 0 / 16 / 46

HEX #858A74

RGB 133 138 116

HSL 73.64, 0.09%, 0.5%

LAB 56.51, -5.95, 11.17

 

CMYK 0 / 30 / 85 / 14

HEX #DC9B22

RGB 220 155 34

HSL 39.03, 0.73%, 0.5%

LAB 68.59, 14.8, 66.46

 

CMYK 0 / 7 / 85 / 14

HEX #DCCD22

RGB 220 205 34

HSL 55.16, 0.73%, 0.5%

LAB 81.29, -11.37, 76.97

 

CMYK 15 / 0 / 85 / 14

HEX #BADC22

RGB 186 220 34

HSL 70.97, 0.73%, 0.5%

LAB 82.78, -32.82, 77.16

 

CMYK 38 / 0 / 85 / 14

HEX #88DC22

RGB 136 220 34

HSL 87.1, 0.73%, 0.5%

LAB 79.92, -51.56, 73.58

 

CMYK 60 / 0 / 85 / 14

HEX #57DC22

RGB 87 220 34

HSL 102.9, 0.73%, 0.5%

LAB 78.07, -65.75, 71.25

 

CMYK 17 / 0 / 85 / 42

HEX #7C9517

RGB 124 149 23

HSL 71.9, 0.73%, 0.34%

LAB 57.89, -25.03, 56.81

 

CMYK 16 / 0 / 85 / 28

HEX #9AB81C

RGB 154 184 28

HSL 71.54, 0.74%, 0.42%

LAB 70.34, -29.18, 67.09

 

CMYK 16 / 0 / 85 / 14

HEX #B8DC22

RGB 184 220 34

HSL 71.61, 0.73%, 0.5%

LAB 82.64, -33.62, 76.99

 

CMYK 14 / 0 / 69 / 11

HEX #C3E246

RGB 195 226 70

HSL 71.92, 0.73%, 0.58%

LAB 85.22, -30.5, 69.11

 

CMYK 10 / 0 / 55 / 9

HEX #CFE769

RGB 207 231 105

HSL 71.43, 0.72%, 0.66%

LAB 87.7, -25.67, 57.71

 

CMYK 16 / 0 / 84 / 13

HEX #B9DD23

RGB 185 221 35

HSL 71.61, 0.73%, 0.5%

LAB 82.99, -33.65, 77.1

 

CMYK 85 / 0 / 52 / 14

HEX #22DC69

RGB 34 220 105

HSL 142.9, 0.73%, 0.5%

LAB 77.61, -67.63, 44.05

 

CMYK 18 / 85 / 0 / 14

HEX #B422DC

RGB 180 34 220

HSL 287.1, 0.73%, 0.5%

LAB 46.99, 77.44, -63.26

 

CMYK 16 / 0 / 84 / 13

HEX #B9DD23

RGB 185 221 35

HSL 71.61, 0.73%, 0.5%

LAB 82.99, -33.65, 77.1

 

CMYK 85 / 15 / 0 / 14

HEX #22BADC

RGB 34 186 220

HSL 190.97, 0.73%, 0.5%

LAB 69.91, -25.63, -27.65

 

CMYK 0 / 85 / 15 / 14

HEX #DC22BA

RGB 220 34 186

HSL 310.97, 0.73%, 0.5%

LAB 51.73, 79.45, -35.7

 

CMYK 16 / 0 / 84 / 13

HEX #B9DD23

RGB 185 221 35

HSL 71.61, 0.73%, 0.5%

LAB 82.99, -33.65, 77.1

 

CMYK 85 / 0 / 52 / 14

HEX #22DC69

RGB 34 220 105

HSL 142.9, 0.73%, 0.5%

LAB 77.61, -67.63, 44.05

 

CMYK 69 / 85 / 0 / 14

HEX #4422DC

RGB 68 34 220

HSL 250.97, 0.73%, 0.5%

LAB 33.01, 64.12, -86.74

 

CMYK 0 / 85 / 32 / 14

HEX #DC2295

RGB 220 34 149

HSL 322.9, 0.73%, 0.5%

LAB 50.13, 75.07, -16.32

 

CMYK 16 / 0 / 84 / 13

HEX #B9DD23

RGB 185 221 35

HSL 71.61, 0.73%, 0.5%

LAB 82.99, -33.65, 77.1

 

CMYK 85 / 0 / 27 / 14

HEX #22DCA1

RGB 34 220 161

HSL 160.97, 0.73%, 0.5%

LAB 78.52, -57.11, 16.87

 

CMYK 69 / 85 / 0 / 14

HEX #4422DC

RGB 68 34 220

HSL 250.97, 0.73%, 0.5%

LAB 33.01, 64.12, -86.74

 

CMYK 0 / 85 / 58 / 14

HEX #DC225D

RGB 220 34 93

HSL 340.97, 0.73%, 0.5%

LAB 48.45, 70.27, 15.29

 

Description

Color code: RGB 185 221 35 | qconv.com Color code: RGB 185 221 35 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 221 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 221 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 84 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 84% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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