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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 212 133 it is the complementary color RGB 70 43 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 212 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 212 133 shade: RGB 190 212 128, RGB 207 230 147, RGB 224 248 166, RGB 241 255 185 and RGB 255 255 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 212 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 212 133 shade: RGB 185 212 133, RGB 168 194 114, RGB 151 176 95, RGB 134 158 76 and RGB 117 140 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 212 133 shade: RGB 185 212 134, RGB 206 212 134, RGB 212 197 134, RGB 212 175 134 and RGB 212 154 134

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 212 133 shade: RGB 185 212 134, RGB 164 212 134, RGB 143 212 134, RGB 134 212 146 and RGB 134 212 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 212 133 shade matches the following richer shades: RGB 185 212 134, RGB 189 225 121, RGB 194 238 107 and RGB 198 252 94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 212 133 shade: RGB 185 212 134, RGB 181 199 147, RGB 177 186 160, RGB 173 172 173 and RGB 169 159 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 212 133 shade: RGB 212 196 134, RGB 207 212 134, RGB 186 212 134, RGB 165 212 134 and RGB 144 212 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 212 133 shade: RGB 150 191 73, RGB 168 201 103, RGB 185 212 134, RGB 203 223 164 and RGB 220 234 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 212 133 shade: RGB 185 212 133, RGB 134 212 176 and RGB 207 134 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 212 133 shade: RGB 185 212 133, RGB 134 186 212 and RGB 212 134 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 212 133 shade: RGB 185 212 133, RGB 134 212 176, RGB 160 134 212 and RGB 212 134 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 212 133 shade: RGB 185 212 133, RGB 134 212 199, RGB 160 134 212 and RGB 212 134 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 37 / 17

HEX #B9D485

RGB 185 212 133

HSL 80.51, 0.48%, 0.68%

LAB 81.34, -22.01, 36.15

 

Complementary color

CMYK 43 / 65 / 0 / 52

HEX #462B7A

RGB 70 43 122

HSL 260.51, 0.48%, 0.32%

LAB 25.06, 31.62, -40.78

 

CMYK 10 / 0 / 40 / 17

HEX #BED480

RGB 190 212 128

HSL 75.71, 0.49%, 0.67%

LAB 81.62, -20.73, 39.1

 

CMYK 10 / 0 / 36 / 10

HEX #CFE693

RGB 207 230 147

HSL 76.63, 0.62%, 0.74%

LAB 87.95, -20.84, 37.96

 

CMYK 10 / 0 / 33 / 3

HEX #E0F8A6

RGB 224 248 166

HSL 77.56, 0.85%, 0.81%

LAB 94.2, -20.92, 36.87

 

CMYK 5 / 0 / 27 / 0

HEX #F1FFB9

RGB 241 255 185

HSL 72, 1%, 0.86%

LAB 97.52, -15.67, 32

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 13 / 0 / 37 / 17

HEX #B9D485

RGB 185 212 133

HSL 80.51, 0.48%, 0.68%

LAB 81.34, -22.01, 36.15

 

CMYK 13 / 0 / 41 / 24

HEX #A8C272

RGB 168 194 114

HSL 79.5, 0.4%, 0.6%

LAB 74.9, -21.94, 37.31

 

CMYK 14 / 0 / 46 / 31

HEX #97B05F

RGB 151 176 95

HSL 78.52, 0.34%, 0.53%

LAB 68.36, -21.84, 38.49

 

CMYK 15 / 0 / 52 / 38

HEX #869E4C

RGB 134 158 76

HSL 77.56, 0.35%, 0.46%

LAB 61.69, -21.67, 39.67

 

CMYK 16 / 0 / 59 / 45

HEX #758C39

RGB 117 140 57

HSL 76.63, 0.42%, 0.39%

LAB 54.9, -21.41, 40.78

 

CMYK 13 / 0 / 37 / 17

HEX #B9D486

RGB 185 212 134

HSL 80.77, 0.48%, 0.68%

LAB 81.36, -21.88, 35.66

 

CMYK 3 / 0 / 37 / 17

HEX #CED486

RGB 206 212 134

HSL 64.62, 0.48%, 0.68%

LAB 82.88, -13.87, 37.92

 

CMYK 0 / 7 / 37 / 17

HEX #D4C586

RGB 212 197 134

HSL 48.46, 0.48%, 0.68%

LAB 79.41, -3.86, 33.52

 

CMYK 0 / 17 / 37 / 17

HEX #D4AF86

RGB 212 175 134

HSL 31.54, 0.48%, 0.68%

LAB 73.79, 7.76, 26.07

 

CMYK 0 / 27 / 37 / 17

HEX #D49A86

RGB 212 154 134

HSL 15.38, 0.48%, 0.68%

LAB 68.63, 19.09, 19.06

 

CMYK 13 / 0 / 37 / 17

HEX #B9D486

RGB 185 212 134

HSL 80.77, 0.48%, 0.68%

LAB 81.36, -21.88, 35.66

 

CMYK 23 / 0 / 37 / 17

HEX #A4D486

RGB 164 212 134

HSL 96.92, 0.48%, 0.68%

LAB 80.01, -29.54, 33.65

 

CMYK 33 / 0 / 37 / 17

HEX #8FD486

RGB 143 212 134

HSL 113.08, 0.48%, 0.68%

LAB 78.84, -36.69, 31.89

 

CMYK 37 / 0 / 31 / 17

HEX #86D492

RGB 134 212 146

HSL 129.23, 0.48%, 0.68%

LAB 78.6, -37.59, 25.28

 

CMYK 37 / 0 / 21 / 17

HEX #86D4A7

RGB 134 212 167

HSL 145.38, 0.48%, 0.68%

LAB 79.01, -33.74, 14.79

 

CMYK 13 / 0 / 37 / 17

HEX #B9D486

RGB 185 212 134

HSL 80.77, 0.48%, 0.68%

LAB 81.36, -21.88, 35.66

 

CMYK 16 / 0 / 46 / 12

HEX #BDE179

RGB 189 225 121

HSL 80.77, 0.63%, 0.68%

LAB 85.02, -28.18, 46.79

 

CMYK 18 / 0 / 55 / 7

HEX #C2EE6B

RGB 194 238 107

HSL 80.15, 0.79%, 0.68%

LAB 88.77, -33.74, 57.83

 

CMYK 21 / 0 / 63 / 1

HEX #C6FC5E

RGB 198 252 94

HSL 80.51, 0.96%, 0.68%

LAB 92.77, -39.62, 67.85

 

CMYK 13 / 0 / 37 / 17

HEX #B9D486

RGB 185 212 134

HSL 80.77, 0.48%, 0.68%

LAB 81.36, -21.88, 35.66

 

CMYK 9 / 0 / 26 / 22

HEX #B5C793

RGB 181 199 147

HSL 80.77, 0.32%, 0.68%

LAB 77.74, -15.1, 24.06

 

CMYK 5 / 0 / 14 / 27

HEX #B1BAA0

RGB 177 186 160

HSL 80.77, 0.16%, 0.68%

LAB 74.19, -7.81, 12.13

 

CMYK 0 / 1 / 0 / 32

HEX #ADACAD

RGB 173 172 173

HSL 300, 0.01%, 0.68%

LAB 70.46, 0.55, -0.4

 

CMYK 10 / 15 / 0 / 27

HEX #A99FBB

RGB 169 159 187

HSL 261.43, 0.17%, 0.68%

LAB 67.14, 9.1, -13.12

 

CMYK 0 / 8 / 37 / 17

HEX #D4C486

RGB 212 196 134

HSL 47.69, 0.48%, 0.68%

LAB 79.16, -3.34, 33.19

 

CMYK 2 / 0 / 37 / 17

HEX #CFD486

RGB 207 212 134

HSL 63.85, 0.48%, 0.68%

LAB 82.95, -13.48, 38.04

 

CMYK 12 / 0 / 37 / 17

HEX #BAD486

RGB 186 212 134

HSL 80, 0.48%, 0.68%

LAB 81.43, -21.51, 35.77

 

CMYK 22 / 0 / 37 / 17

HEX #A5D486

RGB 165 212 134

HSL 96.15, 0.48%, 0.68%

LAB 80.07, -29.18, 33.74

 

CMYK 32 / 0 / 37 / 17

HEX #90D486

RGB 144 212 134

HSL 112.31, 0.48%, 0.68%

LAB 78.89, -36.36, 31.97

 

CMYK 21 / 0 / 62 / 25

HEX #96BF49

RGB 150 191 73

HSL 80.85, 0.48%, 0.52%

LAB 72.38, -31.63, 53.57

 

CMYK 16 / 0 / 49 / 21

HEX #A8C967

RGB 168 201 103

HSL 80.2, 0.48%, 0.6%

LAB 76.73, -26.61, 45.04

 

CMYK 13 / 0 / 37 / 17

HEX #B9D486

RGB 185 212 134

HSL 80.77, 0.48%, 0.68%

LAB 81.36, -21.88, 35.66

 

CMYK 9 / 0 / 26 / 13

HEX #CBDFA4

RGB 203 223 164

HSL 80.34, 0.48%, 0.76%

LAB 86.08, -16.6, 26.77

 

CMYK 6 / 0 / 17 / 8

HEX #DCEAC3

RGB 220 234 195

HSL 81.54, 0.48%, 0.84%

LAB 90.78, -11.35, 17.39

 

CMYK 13 / 0 / 37 / 17

HEX #B9D485

RGB 185 212 133

HSL 80.51, 0.48%, 0.68%

LAB 81.34, -22.01, 36.15

 

CMYK 37 / 0 / 17 / 17

HEX #86D4B0

RGB 134 212 176

HSL 152.31, 0.48%, 0.68%

LAB 79.21, -31.94, 10.29

 

CMYK 2 / 37 / 0 / 17

HEX #CF86D4

RGB 207 134 212

HSL 296.15, 0.48%, 0.68%

LAB 65.8, 40.37, -28.75

 

CMYK 13 / 0 / 37 / 17

HEX #B9D485

RGB 185 212 133

HSL 80.51, 0.48%, 0.68%

LAB 81.34, -22.01, 36.15

 

CMYK 37 / 12 / 0 / 17

HEX #86BAD4

RGB 134 186 212

HSL 200, 0.48%, 0.68%

LAB 72.85, -10.57, -18.5

 

CMYK 0 / 37 / 12 / 17

HEX #D486BA

RGB 212 134 186

HSL 320, 0.48%, 0.68%

LAB 65.43, 37.37, -14.71

 

CMYK 13 / 0 / 37 / 17

HEX #B9D485

RGB 185 212 133

HSL 80.51, 0.48%, 0.68%

LAB 81.34, -22.01, 36.15

 

CMYK 37 / 0 / 17 / 17

HEX #86D4B0

RGB 134 212 176

HSL 152.31, 0.48%, 0.68%

LAB 79.21, -31.94, 10.29

 

CMYK 25 / 37 / 0 / 17

HEX #A086D4

RGB 160 134 212

HSL 260, 0.48%, 0.68%

LAB 61.03, 26.05, -36.54

 

CMYK 0 / 37 / 20 / 17

HEX #D486AA

RGB 212 134 170

HSL 332.31, 0.48%, 0.68%

LAB 64.92, 34.83, -6.44

 

CMYK 13 / 0 / 37 / 17

HEX #B9D485

RGB 185 212 133

HSL 80.51, 0.48%, 0.68%

LAB 81.34, -22.01, 36.15

 

CMYK 37 / 0 / 6 / 17

HEX #86D4C7

RGB 134 212 199

HSL 170, 0.48%, 0.68%

LAB 79.77, -26.95, -1.17

 

CMYK 25 / 37 / 0 / 17

HEX #A086D4

RGB 160 134 212

HSL 260, 0.48%, 0.68%

LAB 61.03, 26.05, -36.54

 

CMYK 0 / 37 / 31 / 17

HEX #D48693

RGB 212 134 147

HSL 350, 0.48%, 0.68%

LAB 64.29, 31.56, 5.67

 

Description

Color code: RGB 185 212 133 | qconv.com Color code: RGB 185 212 133 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 212 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 212 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 37 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 37% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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