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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 192 119 it is the complementary color RGB 70 63 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 192 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 192 119 shade: RGB 190 192 114, RGB 207 210 133, RGB 224 228 152, RGB 241 246 171 and RGB 255 255 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 192 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 192 119 shade: RGB 185 192 119, RGB 168 174 100, RGB 151 156 81, RGB 134 138 62 and RGB 117 120 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 192 119 shade: RGB 185 192 118, RGB 192 179 118, RGB 192 159 118, RGB 192 139 118 and RGB 192 120 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 192 119 shade: RGB 185 192 118, RGB 165 192 118, RGB 145 192 118, RGB 125 192 118 and RGB 118 192 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 192 119 shade matches the following richer shades: RGB 185 192 118, RGB 198 208 102, RGB 211 224 86 and RGB 224 240 70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 192 119 shade: RGB 185 192 118, RGB 172 176 134, RGB 159 160 150, RGB 146 144 167 and RGB 133 127 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 192 119 shade: RGB 192 159 118, RGB 192 178 118, RGB 186 192 118, RGB 166 192 118 and RGB 146 192 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 192 119 shade: RGB 148 156 72, RGB 170 179 90, RGB 185 192 118, RGB 199 205 147 and RGB 214 218 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 192 119 shade: RGB 185 192 119, RGB 118 192 139 and RGB 169 118 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 192 119 shade: RGB 185 192 119, RGB 118 186 192 and RGB 192 118 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 192 119 shade: RGB 185 192 119, RGB 118 192 139, RGB 124 118 192 and RGB 192 118 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 192 119 shade: RGB 185 192 119, RGB 118 192 161, RGB 124 118 192 and RGB 192 118 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 38 / 25

HEX #B9C077

RGB 185 192 119

HSL 65.75, 0.37%, 0.61%

LAB 75.67, -13.71, 35.98

 

Complementary color

CMYK 49 / 54 / 0 / 47

HEX #463F88

RGB 70 63 136

HSL 245.75, 0.37%, 0.39%

LAB 30.96, 23.33, -40.03

 

CMYK 1 / 0 / 41 / 25

HEX #BEC072

RGB 190 192 114

HSL 61.54, 0.38%, 0.6%

LAB 75.98, -12.28, 39.02

 

CMYK 1 / 0 / 37 / 18

HEX #CFD285

RGB 207 210 133

HSL 62.34, 0.46%, 0.67%

LAB 82.41, -12.59, 37.84

 

CMYK 2 / 0 / 33 / 11

HEX #E0E498

RGB 224 228 152

HSL 63.16, 0.58%, 0.75%

LAB 88.73, -12.85, 36.7

 

CMYK 2 / 0 / 30 / 4

HEX #F1F6AB

RGB 241 246 171

HSL 64, 0.81%, 0.82%

LAB 94.97, -13.06, 35.61

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 4 / 0 / 38 / 25

HEX #B9C077

RGB 185 192 119

HSL 65.75, 0.37%, 0.61%

LAB 75.67, -13.71, 35.98

 

CMYK 3 / 0 / 43 / 32

HEX #A8AE64

RGB 168 174 100

HSL 64.86, 0.31%, 0.54%

LAB 69.12, -13.43, 37.17

 

CMYK 3 / 0 / 48 / 39

HEX #979C51

RGB 151 156 81

HSL 64, 0.32%, 0.46%

LAB 62.47, -13.07, 38.39

 

CMYK 3 / 0 / 55 / 46

HEX #868A3E

RGB 134 138 62

HSL 63.16, 0.38%, 0.39%

LAB 55.68, -12.61, 39.58

 

CMYK 3 / 0 / 64 / 53

HEX #75782B

RGB 117 120 43

HSL 62.34, 0.47%, 0.32%

LAB 48.75, -11.99, 40.6

 

CMYK 4 / 0 / 39 / 25

HEX #B9C076

RGB 185 192 118

HSL 65.68, 0.37%, 0.61%

LAB 75.65, -13.82, 36.47

 

CMYK 0 / 7 / 39 / 25

HEX #C0B376

RGB 192 179 118

HSL 49.46, 0.37%, 0.61%

LAB 72.73, -4.27, 32.83

 

CMYK 0 / 17 / 39 / 25

HEX #C09F76

RGB 192 159 118

HSL 33.24, 0.37%, 0.61%

LAB 67.51, 6.46, 25.97

 

CMYK 0 / 28 / 39 / 25

HEX #C08B76

RGB 192 139 118

HSL 17.03, 0.37%, 0.61%

LAB 62.49, 17.45, 19.2

 

CMYK 0 / 38 / 39 / 25

HEX #C07876

RGB 192 120 118

HSL 1.62, 0.37%, 0.61%

LAB 57.99, 27.93, 12.98

 

CMYK 4 / 0 / 39 / 25

HEX #B9C076

RGB 185 192 118

HSL 65.68, 0.37%, 0.61%

LAB 75.65, -13.82, 36.47

 

CMYK 14 / 0 / 39 / 25

HEX #A5C076

RGB 165 192 118

HSL 81.89, 0.37%, 0.61%

LAB 74.19, -21.6, 34.31

 

CMYK 24 / 0 / 39 / 25

HEX #91C076

RGB 145 192 118

HSL 98.11, 0.37%, 0.61%

LAB 72.91, -29, 32.4

 

CMYK 35 / 0 / 39 / 25

HEX #7DC076

RGB 125 192 118

HSL 114.32, 0.37%, 0.61%

LAB 71.8, -35.86, 30.74

 

CMYK 39 / 0 / 32 / 25

HEX #76C083

RGB 118 192 131

HSL 130.54, 0.37%, 0.61%

LAB 71.68, -35.94, 23.68

 

CMYK 4 / 0 / 39 / 25

HEX #B9C076

RGB 185 192 118

HSL 65.68, 0.37%, 0.61%

LAB 75.65, -13.82, 36.47

 

CMYK 5 / 0 / 51 / 18

HEX #C6D066

RGB 198 208 102

HSL 65.66, 0.53%, 0.61%

LAB 80.78, -18.32, 50.88

 

CMYK 6 / 0 / 62 / 12

HEX #D3E056

RGB 211 224 86

HSL 65.65, 0.69%, 0.61%

LAB 85.92, -22.16, 63.99

 

CMYK 7 / 0 / 71 / 6

HEX #E0F046

RGB 224 240 70

HSL 65.65, 0.85%, 0.61%

LAB 91.06, -25.49, 75.54

 

CMYK 4 / 0 / 39 / 25

HEX #B9C076

RGB 185 192 118

HSL 65.68, 0.37%, 0.61%

LAB 75.65, -13.82, 36.47

 

CMYK 2 / 0 / 24 / 31

HEX #ACB086

RGB 172 176 134

HSL 65.71, 0.21%, 0.61%

LAB 70.55, -8.52, 21.1

 

CMYK 1 / 0 / 6 / 37

HEX #9FA096

RGB 159 160 150

HSL 66, 0.05%, 0.61%

LAB 65.53, -2.22, 5.08

 

CMYK 13 / 14 / 0 / 35

HEX #9290A7

RGB 146 144 167

HSL 245.22, 0.12%, 0.61%

LAB 60.65, 5.47, -11.81

 

CMYK 27 / 31 / 0 / 28

HEX #857FB7

RGB 133 127 183

HSL 246.43, 0.28%, 0.61%

LAB 55.67, 14.86, -28.64

 

CMYK 0 / 17 / 39 / 25

HEX #C09F76

RGB 192 159 118

HSL 33.24, 0.37%, 0.61%

LAB 67.51, 6.46, 25.97

 

CMYK 0 / 7 / 39 / 25

HEX #C0B276

RGB 192 178 118

HSL 48.65, 0.37%, 0.61%

LAB 72.47, -3.74, 32.48

 

CMYK 3 / 0 / 39 / 25

HEX #BAC076

RGB 186 192 118

HSL 64.86, 0.37%, 0.61%

LAB 75.73, -13.43, 36.59

 

CMYK 14 / 0 / 39 / 25

HEX #A6C076

RGB 166 192 118

HSL 81.08, 0.37%, 0.61%

LAB 74.26, -21.22, 34.41

 

CMYK 24 / 0 / 39 / 25

HEX #92C076

RGB 146 192 118

HSL 97.3, 0.37%, 0.61%

LAB 72.97, -28.65, 32.49

 

CMYK 5 / 0 / 54 / 39

HEX #949C48

RGB 148 156 72

HSL 65.71, 0.37%, 0.45%

LAB 62.12, -15.2, 42.41

 

CMYK 5 / 0 / 50 / 30

HEX #AAB35A

RGB 170 179 90

HSL 66.07, 0.37%, 0.53%

LAB 70.54, -16.21, 43.96

 

CMYK 4 / 0 / 39 / 25

HEX #B9C076

RGB 185 192 118

HSL 65.68, 0.37%, 0.61%

LAB 75.65, -13.82, 36.47

 

CMYK 3 / 0 / 28 / 20

HEX #C7CD93

RGB 199 205 147

HSL 66.21, 0.37%, 0.69%

LAB 80.69, -11.39, 28.27

 

CMYK 2 / 0 / 20 / 15

HEX #D6DAAF

RGB 214 218 175

HSL 65.58, 0.37%, 0.77%

LAB 85.77, -8.47, 20.76

 

CMYK 4 / 0 / 38 / 25

HEX #B9C077

RGB 185 192 119

HSL 65.75, 0.37%, 0.61%

LAB 75.67, -13.71, 35.98

 

CMYK 39 / 0 / 28 / 25

HEX #76C08B

RGB 118 192 139

HSL 137.03, 0.37%, 0.61%

LAB 71.84, -34.5, 19.62

 

CMYK 12 / 39 / 0 / 25

HEX #A976C0

RGB 169 118 192

HSL 281.35, 0.37%, 0.61%

LAB 57.27, 33.31, -31.03

 

CMYK 4 / 0 / 38 / 25

HEX #B9C077

RGB 185 192 119

HSL 65.75, 0.37%, 0.61%

LAB 75.67, -13.71, 35.98

 

CMYK 39 / 3 / 0 / 25

HEX #76BAC0

RGB 118 186 192

HSL 184.86, 0.37%, 0.61%

LAB 71.4, -19.91, -9.84

 

CMYK 0 / 39 / 3 / 25

HEX #C076BA

RGB 192 118 186

HSL 304.86, 0.37%, 0.61%

LAB 59.62, 39.38, -23.76

 

CMYK 4 / 0 / 38 / 25

HEX #B9C077

RGB 185 192 119

HSL 65.75, 0.37%, 0.61%

LAB 75.67, -13.71, 35.98

 

CMYK 39 / 0 / 28 / 25

HEX #76C08B

RGB 118 192 139

HSL 137.03, 0.37%, 0.61%

LAB 71.84, -34.5, 19.62

 

CMYK 35 / 39 / 0 / 25

HEX #7C76C0

RGB 124 118 192

HSL 244.86, 0.37%, 0.61%

LAB 53, 19.94, -38.01

 

CMYK 0 / 39 / 11 / 25

HEX #C076AB

RGB 192 118 171

HSL 317.03, 0.37%, 0.61%

LAB 59.07, 36.73, -16.02

 

CMYK 4 / 0 / 38 / 25

HEX #B9C077

RGB 185 192 119

HSL 65.75, 0.37%, 0.61%

LAB 75.67, -13.71, 35.98

 

CMYK 39 / 0 / 16 / 25

HEX #76C0A1

RGB 118 192 161

HSL 154.86, 0.37%, 0.61%

LAB 72.31, -30.11, 8.42

 

CMYK 35 / 39 / 0 / 25

HEX #7C76C0

RGB 124 118 192

HSL 244.86, 0.37%, 0.61%

LAB 53, 19.94, -38.01

 

CMYK 0 / 39 / 22 / 25

HEX #C07695

RGB 192 118 149

HSL 334.86, 0.37%, 0.61%

LAB 58.35, 33.2, -4.42

 

Description

Color code: RGB 185 192 119 | qconv.com Color code: RGB 185 192 119 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 192 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 192 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 38 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 38% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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