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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 197 132 it is the complementary color RGB 70 58 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 197 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 197 132 shade: RGB 190 197 127, RGB 207 215 146, RGB 224 233 165, RGB 241 251 184 and RGB 255 255 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 197 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 197 132 shade: RGB 185 197 132, RGB 168 179 113, RGB 151 161 94, RGB 134 143 75 and RGB 117 125 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 197 132 shade: RGB 186 197 133, RGB 197 192 133, RGB 197 175 133, RGB 197 157 133 and RGB 197 140 133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 197 132 shade: RGB 186 197 133, RGB 168 197 133, RGB 151 197 133, RGB 134 197 133 and RGB 133 197 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 197 132 shade matches the following richer shades: RGB 186 197 133, RGB 195 212 119, RGB 204 226 104 and RGB 213 241 90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 197 132 shade: RGB 186 197 133, RGB 176 183 148, RGB 167 168 162, RGB 158 154 176 and RGB 149 140 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 197 132 shade: RGB 197 175 133, RGB 197 192 133, RGB 186 197 133, RGB 168 197 133 and RGB 151 197 133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 197 132 shade: RGB 152 169 79, RGB 170 184 105, RGB 186 197 133, RGB 201 211 161 and RGB 217 224 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 197 132 shade: RGB 185 197 132, RGB 133 197 158 and RGB 183 133 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 197 132 shade: RGB 185 197 132, RGB 133 186 197 and RGB 197 133 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 197 132 shade: RGB 185 197 132, RGB 133 197 158, RGB 145 133 197 and RGB 197 133 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 197 132 shade: RGB 185 197 132, RGB 133 197 177, RGB 145 133 197 and RGB 197 133 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 33 / 23

HEX #B9C584

RGB 185 197 132

HSL 71.08, 0.36%, 0.65%

LAB 77.23, -14.65, 31.29

 

Complementary color

CMYK 43 / 53 / 0 / 52

HEX #463A7B

RGB 70 58 123

HSL 251.08, 0.36%, 0.35%

LAB 28.79, 22.46, -35.4

 

CMYK 4 / 0 / 36 / 23

HEX #BEC57F

RGB 190 197 127

HSL 66, 0.38%, 0.64%

LAB 77.53, -13.34, 34.34

 

CMYK 4 / 0 / 32 / 16

HEX #CFD792

RGB 207 215 146

HSL 66.96, 0.46%, 0.71%

LAB 83.94, -13.54, 33.21

 

CMYK 4 / 0 / 29 / 9

HEX #E0E9A5

RGB 224 233 165

HSL 67.94, 0.61%, 0.78%

LAB 90.25, -13.71, 32.13

 

CMYK 4 / 0 / 27 / 2

HEX #F1FBB8

RGB 241 251 184

HSL 68.96, 0.89%, 0.85%

LAB 96.47, -13.85, 31.09

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCB

RGB 255 255 203

HSL 60, 1%, 0.9%

LAB 98.86, -8.19, 24.92

 

CMYK 6 / 0 / 33 / 23

HEX #B9C584

RGB 185 197 132

HSL 71.08, 0.36%, 0.65%

LAB 77.23, -14.65, 31.29

 

CMYK 6 / 0 / 37 / 30

HEX #A8B371

RGB 168 179 113

HSL 70, 0.3%, 0.57%

LAB 70.7, -14.49, 32.44

 

CMYK 6 / 0 / 42 / 37

HEX #97A15E

RGB 151 161 94

HSL 68.96, 0.26%, 0.5%

LAB 64.06, -14.28, 33.64

 

CMYK 6 / 0 / 48 / 44

HEX #868F4B

RGB 134 143 75

HSL 67.94, 0.31%, 0.43%

LAB 57.29, -14, 34.88

 

CMYK 6 / 0 / 55 / 51

HEX #757D38

RGB 117 125 56

HSL 66.96, 0.38%, 0.35%

LAB 50.38, -13.62, 36.09

 

CMYK 6 / 0 / 32 / 23

HEX #BAC585

RGB 186 197 133

HSL 70.31, 0.36%, 0.65%

LAB 77.32, -14.14, 30.9

 

CMYK 0 / 3 / 32 / 23

HEX #C5C085

RGB 197 192 133

HSL 55.31, 0.36%, 0.65%

LAB 76.84, -7.29, 30.42

 

CMYK 0 / 11 / 32 / 23

HEX #C5AF85

RGB 197 175 133

HSL 39.38, 0.36%, 0.65%

LAB 72.38, 1.67, 24.47

 

CMYK 0 / 20 / 32 / 23

HEX #C59D85

RGB 197 157 133

HSL 22.5, 0.36%, 0.65%

LAB 67.78, 11.42, 18.2

 

CMYK 0 / 29 / 32 / 23

HEX #C58C85

RGB 197 140 133

HSL 6.56, 0.36%, 0.65%

LAB 63.61, 20.76, 12.39

 

CMYK 6 / 0 / 32 / 23

HEX #BAC585

RGB 186 197 133

HSL 70.31, 0.36%, 0.65%

LAB 77.32, -14.14, 30.9

 

CMYK 15 / 0 / 32 / 23

HEX #A8C585

RGB 168 197 133

HSL 87.19, 0.36%, 0.65%

LAB 76.04, -20.94, 28.97

 

CMYK 23 / 0 / 32 / 23

HEX #97C585

RGB 151 197 133

HSL 103.13, 0.36%, 0.65%

LAB 74.95, -27.09, 27.33

 

CMYK 32 / 0 / 32 / 23

HEX #86C585

RGB 134 197 133

HSL 119.06, 0.36%, 0.65%

LAB 73.99, -32.86, 25.88

 

CMYK 32 / 0 / 24 / 23

HEX #85C596

RGB 133 197 150

HSL 135.94, 0.36%, 0.65%

LAB 74.27, -30.21, 17.21

 

CMYK 6 / 0 / 32 / 23

HEX #BAC585

RGB 186 197 133

HSL 70.31, 0.36%, 0.65%

LAB 77.32, -14.14, 30.9

 

CMYK 8 / 0 / 44 / 17

HEX #C3D477

RGB 195 212 119

HSL 70.97, 0.52%, 0.65%

LAB 81.85, -19.82, 43.94

 

CMYK 10 / 0 / 54 / 11

HEX #CCE268

RGB 204 226 104

HSL 70.82, 0.68%, 0.65%

LAB 86.12, -24.54, 56.29

 

CMYK 12 / 0 / 63 / 5

HEX #D5F15A

RGB 213 241 90

HSL 71.13, 0.84%, 0.65%

LAB 90.69, -29.18, 67.5

 

CMYK 6 / 0 / 32 / 23

HEX #BAC585

RGB 186 197 133

HSL 70.31, 0.36%, 0.65%

LAB 77.32, -14.14, 30.9

 

CMYK 4 / 0 / 19 / 28

HEX #B0B794

RGB 176 183 148

HSL 72, 0.2%, 0.65%

LAB 73.05, -8.56, 17.01

 

CMYK 1 / 0 / 4 / 34

HEX #A7A8A2

RGB 167 168 162

HSL 70, 0.03%, 0.65%

LAB 68.63, -1.47, 2.96

RGB 167 168 162

CMYK 10 / 13 / 0 / 31

HEX #9E9AB0

RGB 158 154 176

HSL 250.91, 0.12%, 0.65%

LAB 64.58, 5.85, -10.91

RGB 158 154 176

CMYK 22 / 27 / 0 / 25

HEX #958CBF

RGB 149 140 191

HSL 250.59, 0.28%, 0.65%

LAB 60.7, 14.22, -25.31

RGB 149 140 191

CMYK 0 / 11 / 32 / 23

HEX #C5AF85

RGB 197 175 133

HSL 39.38, 0.36%, 0.65%

LAB 72.38, 1.67, 24.47

 

CMYK 0 / 3 / 32 / 23

HEX #C5C085

RGB 197 192 133

HSL 55.31, 0.36%, 0.65%

LAB 76.84, -7.29, 30.42

 

CMYK 6 / 0 / 32 / 23

HEX #BAC585

RGB 186 197 133

HSL 70.31, 0.36%, 0.65%

LAB 77.32, -14.14, 30.9

 

CMYK 15 / 0 / 32 / 23

HEX #A8C585

RGB 168 197 133

HSL 87.19, 0.36%, 0.65%

LAB 76.04, -20.94, 28.97

 

CMYK 23 / 0 / 32 / 23

HEX #97C585

RGB 151 197 133

HSL 103.13, 0.36%, 0.65%

LAB 74.95, -27.09, 27.33

 

CMYK 10 / 0 / 53 / 34

HEX #98A94F

RGB 152 169 79

HSL 71.33, 0.36%, 0.49%

LAB 66.23, -19.57, 43.88

 

CMYK 8 / 0 / 43 / 28

HEX #AAB869

RGB 170 184 105

HSL 70.63, 0.36%, 0.57%

LAB 72.13, -17.2, 38.41

 

CMYK 6 / 0 / 32 / 23

HEX #BAC585

RGB 186 197 133

HSL 70.31, 0.36%, 0.65%

LAB 77.32, -14.14, 30.9

 

CMYK 5 / 0 / 24 / 17

HEX #C9D3A1

RGB 201 211 161

HSL 72, 0.36%, 0.73%

LAB 82.69, -11.74, 23.68

 

CMYK 3 / 0 / 16 / 12

HEX #D9E0BD

RGB 217 224 189

HSL 72, 0.36%, 0.81%

LAB 87.84, -8.31, 16.36

 

CMYK 6 / 0 / 33 / 23

HEX #B9C584

RGB 185 197 132

HSL 71.08, 0.36%, 0.65%

LAB 77.23, -14.65, 31.29

 

CMYK 32 / 0 / 20 / 23

HEX #85C59E

RGB 133 197 158

HSL 143.44, 0.36%, 0.65%

LAB 74.44, -28.69, 13.16

 

CMYK 7 / 32 / 0 / 23

HEX #B785C5

RGB 183 133 197

HSL 286.88, 0.36%, 0.65%

LAB 62.4, 30.39, -25.81

 

CMYK 6 / 0 / 33 / 23

HEX #B9C584

RGB 185 197 132

HSL 71.08, 0.36%, 0.65%

LAB 77.23, -14.65, 31.29

 

CMYK 32 / 6 / 0 / 23

HEX #85BAC5

RGB 133 186 197

HSL 190.31, 0.36%, 0.65%

LAB 72.32, -14.59, -11.12

 

CMYK 0 / 32 / 6 / 23

HEX #C585BA

RGB 197 133 186

HSL 310.31, 0.36%, 0.65%

LAB 63.5, 32.88, -17.79

 

CMYK 6 / 0 / 33 / 23

HEX #B9C584

RGB 185 197 132

HSL 71.08, 0.36%, 0.65%

LAB 77.23, -14.65, 31.29

 

CMYK 32 / 0 / 20 / 23

HEX #85C59E

RGB 133 197 158

HSL 143.44, 0.36%, 0.65%

LAB 74.44, -28.69, 13.16

 

CMYK 26 / 32 / 0 / 23

HEX #9185C5

RGB 145 133 197

HSL 251.25, 0.36%, 0.65%

LAB 58.81, 18.5, -31.65

 

CMYK 0 / 32 / 12 / 23

HEX #C585AD

RGB 197 133 173

HSL 322.5, 0.36%, 0.65%

LAB 63.06, 30.62, -11.09

 

CMYK 6 / 0 / 33 / 23

HEX #B9C584

RGB 185 197 132

HSL 71.08, 0.36%, 0.65%

LAB 77.23, -14.65, 31.29

 

CMYK 32 / 0 / 10 / 23

HEX #85C5B1

RGB 133 197 177

HSL 161.25, 0.36%, 0.65%

LAB 74.88, -24.78, 3.54

 

CMYK 26 / 32 / 0 / 23

HEX #9185C5

RGB 145 133 197

HSL 251.25, 0.36%, 0.65%

LAB 58.81, 18.5, -31.65

 

CMYK 0 / 32 / 22 / 23

HEX #C58599

RGB 197 133 153

HSL 341.25, 0.36%, 0.65%

LAB 62.46, 27.42, -0.61

 

Description

Color code: RGB 185 197 132 | qconv.com Color code: RGB 185 197 132 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 197 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 197 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 33 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 33% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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