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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 169 70 it is the complementary color RGB 70 86 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 169 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 169 70 shade: RGB 190 169 65, RGB 207 187 84, RGB 224 205 103, RGB 241 223 122 and RGB 255 241 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 169 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 169 70 shade: RGB 185 169 70, RGB 168 151 51, RGB 151 133 32, RGB 134 115 13 and RGB 117 97 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 169 70 shade: RGB 184 168 70, RGB 184 137 70, RGB 184 107 70, RGB 184 76 70 and RGB 184 70 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 169 70 shade: RGB 184 168 70, RGB 169 184 70, RGB 138 184 70, RGB 108 184 70 and RGB 77 184 70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 169 70 shade matches the following richer shades: RGB 184 168 70, RGB 205 183 49, RGB 226 198 28 and RGB 246 213 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 169 70 shade: RGB 184 168 70, RGB 164 154 90, RGB 143 139 111, RGB 122 124 132 and RGB 102 109 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 169 70 shade: RGB 184 106 70, RGB 184 137 70, RGB 184 167 70, RGB 171 184 70 and RGB 140 184 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 169 70 shade: RGB 125 114 47, RGB 154 141 58, RGB 184 168 70, RGB 196 182 100 and RGB 207 196 129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 169 70 shade: RGB 185 169 70, RGB 70 184 75 and RGB 121 70 184

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 169 70 shade: RGB 185 169 70, RGB 70 184 167 and RGB 167 70 184

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 169 70 shade: RGB 185 169 70, RGB 70 184 75, RGB 70 87 184 and RGB 184 70 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 169 70 shade: RGB 185 169 70, RGB 70 184 110, RGB 70 87 184 and RGB 184 70 144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 62 / 27

HEX #B9A946

RGB 185 169 70

HSL 51.65, 0.45%, 0.5%

LAB 68.85, -6.31, 51.78

 

Complementary color

CMYK 62 / 54 / 0 / 27

HEX #4656B9

RGB 70 86 185

HSL 231.65, 0.45%, 0.5%

LAB 40.35, 24.97, -54.37

 

CMYK 0 / 11 / 66 / 25

HEX #BEA941

RGB 190 169 65

HSL 49.92, 0.49%, 0.5%

LAB 69.26, -4.47, 54.57

 

CMYK 0 / 10 / 59 / 19

HEX #CFBB54

RGB 207 187 84

HSL 50.24, 0.56%, 0.57%

LAB 75.73, -5.39, 53.6

 

CMYK 0 / 8 / 54 / 12

HEX #E0CD67

RGB 224 205 103

HSL 50.58, 0.66%, 0.64%

LAB 82.1, -6.15, 52.49

 

CMYK 0 / 7 / 49 / 5

HEX #F1DF7A

RGB 241 223 122

HSL 50.92, 0.81%, 0.71%

LAB 88.39, -6.8, 51.32

 

CMYK 0 / 5 / 45 / 0

HEX #FFF18D

RGB 255 241 141

HSL 52.63, 1%, 0.78%

LAB 94.35, -8.54, 49.78

 

CMYK 0 / 9 / 62 / 27

HEX #B9A946

RGB 185 169 70

HSL 51.65, 0.45%, 0.5%

LAB 68.85, -6.31, 51.78

 

CMYK 0 / 10 / 70 / 34

HEX #A89733

RGB 168 151 51

HSL 51.28, 0.53%, 0.43%

LAB 62.25, -5.34, 52.6

 

CMYK 0 / 12 / 79 / 41

HEX #978520

RGB 151 133 32

HSL 50.92, 0.65%, 0.36%

LAB 55.54, -4.14, 52.86

 

CMYK 0 / 14 / 90 / 47

HEX #86730D

RGB 134 115 13

HSL 50.58, 0.82%, 0.29%

LAB 48.71, -2.64, 51.93

 

CMYK 0 / 17 / 100 / 54

HEX #756100

RGB 117 97 0

HSL 49.74, 1%, 0.23%

LAB 41.74, -0.78, 48.9

 

CMYK 0 / 9 / 62 / 28

HEX #B8A846

RGB 184 168 70

HSL 51.58, 0.45%, 0.5%

LAB 68.49, -6.22, 51.37

 

CMYK 0 / 26 / 62 / 28

HEX #B88946

RGB 184 137 70

HSL 35.26, 0.45%, 0.5%

LAB 60.36, 10.61, 42.24

 

CMYK 0 / 42 / 62 / 28

HEX #B86B46

RGB 184 107 70

HSL 19.47, 0.45%, 0.5%

LAB 53.11, 27.22, 33.68

 

CMYK 0 / 59 / 62 / 28

HEX #B84C46

RGB 184 76 70

HSL 3.16, 0.45%, 0.5%

LAB 46.71, 43.31, 25.75

 

CMYK 0 / 62 / 62 / 28

HEX #B84646

RGB 184 70 70

HSL 0, 0.45%, 0.5%

LAB 45.65, 46.12, 24.4

 

CMYK 0 / 9 / 62 / 28

HEX #B8A846

RGB 184 168 70

HSL 51.58, 0.45%, 0.5%

LAB 68.49, -6.22, 51.37

 

CMYK 8 / 0 / 62 / 28

HEX #A9B846

RGB 169 184 70

HSL 67.89, 0.45%, 0.5%

LAB 71.66, -20.81, 54.46

 

CMYK 25 / 0 / 62 / 28

HEX #8AB846

RGB 138 184 70

HSL 84.21, 0.45%, 0.5%

LAB 69.56, -33.24, 51.56

 

CMYK 41 / 0 / 62 / 28

HEX #6CB846

RGB 108 184 70

HSL 100, 0.45%, 0.5%

LAB 67.96, -43.97, 49.33

 

CMYK 58 / 0 / 62 / 28

HEX #4DB846

RGB 77 184 70

HSL 116.32, 0.45%, 0.5%

LAB 66.75, -52.94, 47.65

 

CMYK 0 / 9 / 62 / 28

HEX #B8A846

RGB 184 168 70

HSL 51.58, 0.45%, 0.5%

LAB 68.49, -6.22, 51.37

 

CMYK 0 / 11 / 76 / 20

HEX #CDB731

RGB 205 183 49

HSL 51.54, 0.61%, 0.5%

LAB 74.23, -6.1, 66.12

 

CMYK 0 / 12 / 88 / 11

HEX #E2C61C

RGB 226 198 28

HSL 51.52, 0.78%, 0.5%

LAB 79.98, -5.37, 77.39

 

CMYK 0 / 13 / 97 / 4

HEX #F6D508

RGB 246 213 8

HSL 51.68, 0.94%, 0.5%

LAB 85.6, -4.68, 85.12

 

CMYK 0 / 9 / 62 / 28

HEX #B8A846

RGB 184 168 70

HSL 51.58, 0.45%, 0.5%

LAB 68.49, -6.22, 51.37

 

CMYK 0 / 6 / 45 / 36

HEX #A49A5A

RGB 164 154 90

HSL 51.89, 0.29%, 0.5%

LAB 63.13, -5.59, 34.8

 

CMYK 0 / 3 / 22 / 44

HEX #8F8B6F

RGB 143 139 111

HSL 52.5, 0.13%, 0.5%

LAB 57.51, -3.36, 15.54

 

CMYK 8 / 6 / 0 / 48

HEX #7A7C84

RGB 122 124 132

HSL 228, 0.04%, 0.5%

LAB 52.08, 0.92, -4.61

 

CMYK 33 / 28 / 0 / 40

HEX #666D98

RGB 102 109 152

HSL 231.6, 0.2%, 0.5%

LAB 47.01, 7.97, -24.22

 

CMYK 0 / 42 / 62 / 28

HEX #B86A46

RGB 184 106 70

HSL 18.95, 0.45%, 0.5%

LAB 52.88, 27.77, 33.41

 

CMYK 0 / 26 / 62 / 28

HEX #B88946

RGB 184 137 70

HSL 35.26, 0.45%, 0.5%

LAB 60.36, 10.61, 42.24

 

CMYK 0 / 9 / 62 / 28

HEX #B8A746

RGB 184 167 70

HSL 51.05, 0.45%, 0.5%

LAB 68.22, -5.69, 51.07

 

CMYK 7 / 0 / 62 / 28

HEX #ABB846

RGB 171 184 70

HSL 66.84, 0.45%, 0.5%

LAB 71.81, -19.98, 54.66

 

CMYK 24 / 0 / 62 / 28

HEX #8CB846

RGB 140 184 70

HSL 83.16, 0.45%, 0.5%

LAB 69.68, -32.47, 51.73

 

CMYK 0 / 9 / 62 / 51

HEX #7D722F

RGB 125 114 47

HSL 51.54, 0.45%, 0.34%

LAB 47.75, -4.66, 37.81

 

CMYK 0 / 8 / 62 / 40

HEX #9A8D3A

RGB 154 141 58

HSL 51.88, 0.45%, 0.42%

LAB 58.25, -5.71, 44.88

 

CMYK 0 / 9 / 62 / 28

HEX #B8A846

RGB 184 168 70

HSL 51.58, 0.45%, 0.5%

LAB 68.49, -6.22, 51.37

 

CMYK 0 / 7 / 49 / 23

HEX #C4B664

RGB 196 182 100

HSL 51.25, 0.45%, 0.58%

LAB 73.62, -6.07, 43.24

 

CMYK 0 / 5 / 38 / 19

HEX #CFC481

RGB 207 196 129

HSL 51.54, 0.45%, 0.66%

LAB 78.65, -5.89, 35.04

 

CMYK 0 / 9 / 62 / 27

HEX #B9A946

RGB 185 169 70

HSL 51.65, 0.45%, 0.5%

LAB 68.85, -6.31, 51.78

 

CMYK 62 / 0 / 59 / 28

HEX #46B84B

RGB 70 184 75

HSL 122.63, 0.45%, 0.5%

LAB 66.59, -54.02, 45.14

 

CMYK 34 / 62 / 0 / 28

HEX #7946B8

RGB 121 70 184

HSL 266.84, 0.45%, 0.5%

LAB 41.07, 44.97, -52.39

 

CMYK 0 / 9 / 62 / 27

HEX #B9A946

RGB 185 169 70

HSL 51.65, 0.45%, 0.5%

LAB 68.85, -6.31, 51.78

 

CMYK 62 / 0 / 9 / 28

HEX #46B8A7

RGB 70 184 167

HSL 171.05, 0.45%, 0.5%

LAB 68.29, -36.12, -0.9

 

CMYK 9 / 62 / 0 / 28

HEX #A746B8

RGB 167 70 184

HSL 291.05, 0.45%, 0.5%

LAB 47.05, 56.02, -42.48

 

CMYK 0 / 9 / 62 / 27

HEX #B9A946

RGB 185 169 70

HSL 51.65, 0.45%, 0.5%

LAB 68.85, -6.31, 51.78

 

CMYK 62 / 0 / 59 / 28

HEX #46B84B

RGB 70 184 75

HSL 122.63, 0.45%, 0.5%

LAB 66.59, -54.02, 45.14

 

CMYK 62 / 53 / 0 / 28

HEX #4657B8

RGB 70 87 184

HSL 231.05, 0.45%, 0.5%

LAB 40.54, 23.99, -53.47

 

CMYK 0 / 62 / 3 / 28

HEX #B846B3

RGB 184 70 179

HSL 302.63, 0.45%, 0.5%

LAB 49.28, 59.39, -35.87

 

CMYK 0 / 9 / 62 / 27

HEX #B9A946

RGB 185 169 70

HSL 51.65, 0.45%, 0.5%

LAB 68.85, -6.31, 51.78

 

CMYK 62 / 0 / 40 / 28

HEX #46B86E

RGB 70 184 110

HSL 141.05, 0.45%, 0.5%

LAB 67.06, -48.79, 28.29

 

CMYK 62 / 53 / 0 / 28

HEX #4657B8

RGB 70 87 184

HSL 231.05, 0.45%, 0.5%

LAB 40.54, 23.99, -53.47

 

CMYK 0 / 62 / 22 / 28

HEX #B84690

RGB 184 70 144

HSL 321.05, 0.45%, 0.5%

LAB 47.73, 53.94, -17.55

 

Description

Color code: RGB 185 169 70 | qconv.com Color code: RGB 185 169 70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 169 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 169 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 62 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 62% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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