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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 130 253 it is the complementary color RGB 70 125 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 130 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 130 253 shade: RGB 190 130 248, RGB 207 148 255, RGB 224 166 255, RGB 241 184 255 and RGB 255 202 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 130 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 130 253 shade: RGB 185 130 253, RGB 168 112 234, RGB 151 94 215, RGB 134 76 196 and RGB 117 58 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 130 253 shade: RGB 184 129 253, RGB 218 129 253, RGB 251 129 253, RGB 253 129 221 and RGB 253 129 188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 130 253 shade: RGB 184 129 253, RGB 151 129 253 and RGB 129 129 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 130 253 shade matches the following richer shades: RGB 184 129 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 130 253 shade: RGB 184 129 253, RGB 185 139 242, RGB 186 150 232, RGB 187 160 222 and RGB 189 170 211

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 130 253 shade: RGB 129 141 253, RGB 150 129 253, RGB 183 129 253, RGB 215 129 253 and RGB 248 129 253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 130 253 shade: RGB 139 48 251, RGB 161 88 252, RGB 184 129 253, RGB 207 170 253 and RGB 230 210 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 130 253 shade: RGB 185 130 253, RGB 253 129 174 and RGB 129 253 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 130 253 shade: RGB 185 130 253, RGB 253 183 129 and RGB 129 253 183

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 130 253 shade: RGB 185 130 253, RGB 253 129 174, RGB 199 253 129 and RGB 129 253 207

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 130 253 shade: RGB 185 130 253, RGB 253 129 137, RGB 199 253 129 and RGB 129 253 244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 49 / 0 / 1

HEX #B982FD

RGB 185 130 253

HSL 266.83, 0.97%, 0.75%

LAB 64.46, 44.95, -53.69

 

Complementary color

CMYK 44 / 0 / 98 / 51

HEX #467D02

RGB 70 125 2

HSL 86.83, 0.97%, 0.25%

LAB 46.94, -36.27, 50.77

 

CMYK 23 / 48 / 0 / 3

HEX #BE82F8

RGB 190 130 248

HSL 270.51, 0.89%, 0.74%

LAB 64.72, 45.11, -50.51

 

CMYK 19 / 42 / 0 / 0

HEX #CF94FF

RGB 207 148 255

HSL 273.08, 1%, 0.79%

LAB 70.64, 41.62, -44.89

 

CMYK 12 / 35 / 0 / 0

HEX #E0A6FF

RGB 224 166 255

HSL 279.1, 1%, 0.83%

LAB 76.28, 36.88, -35.98

 

CMYK 5 / 28 / 0 / 0

HEX #F1B8FF

RGB 241 184 255

HSL 288.17, 1%, 0.86%

LAB 81.95, 32.48, -27.11

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 27 / 49 / 0 / 1

HEX #B982FD

RGB 185 130 253

HSL 266.83, 0.97%, 0.75%

LAB 64.46, 44.95, -53.69

 

CMYK 28 / 52 / 0 / 8

HEX #A870EA

RGB 168 112 234

HSL 267.54, 0.74%, 0.68%

LAB 57.9, 45.88, -53.73

 

CMYK 30 / 56 / 0 / 16

HEX #975ED7

RGB 151 94 215

HSL 268.26, 0.6%, 0.61%

LAB 51.26, 46.83, -53.75

 

CMYK 32 / 61 / 0 / 23

HEX #864CC4

RGB 134 76 196

HSL 269, 0.5%, 0.53%

LAB 44.55, 47.76, -53.71

 

CMYK 34 / 67 / 0 / 31

HEX #753AB1

RGB 117 58 177

HSL 269.75, 0.51%, 0.46%

LAB 37.81, 48.58, -53.54

 

CMYK 27 / 49 / 0 / 1

HEX #B881FD

RGB 184 129 253

HSL 266.61, 0.97%, 0.75%

LAB 64.15, 45.24, -54.19

 

CMYK 14 / 49 / 0 / 1

HEX #DA81FD

RGB 218 129 253

HSL 283.06, 0.97%, 0.75%

LAB 67.8, 54.18, -48.18

 

CMYK 1 / 49 / 0 / 1

HEX #FB81FD

RGB 251 129 253

HSL 299.03, 0.97%, 0.75%

LAB 71.76, 63.06, -41.69

 

CMYK 0 / 49 / 13 / 1

HEX #FD81DD

RGB 253 129 221

HSL 315.48, 0.97%, 0.75%

LAB 70.74, 58.39, -25.69

 

CMYK 0 / 49 / 26 / 1

HEX #FD81BC

RGB 253 129 188

HSL 331.45, 0.97%, 0.75%

LAB 69.62, 53.66, -9.02

 

CMYK 27 / 49 / 0 / 1

HEX #B881FD

RGB 184 129 253

HSL 266.61, 0.97%, 0.75%

LAB 64.15, 45.24, -54.19

 

CMYK 40 / 49 / 0 / 1

HEX #9781FD

RGB 151 129 253

HSL 250.65, 0.97%, 0.75%

LAB 61.11, 37.08, -59.22

 

CMYK 49 / 49 / 0 / 1

HEX #8181FD

RGB 129 129 253

HSL 240, 0.97%, 0.75%

LAB 59.4, 32.14, -62.05

 

CMYK 27 / 49 / 0 / 1

HEX #B881FD

RGB 184 129 253

HSL 266.61, 0.97%, 0.75%

LAB 64.15, 45.24, -54.19

 

CMYK 27 / 49 / 0 / 1

HEX #B881FD

RGB 184 129 253

HSL 266.61, 0.97%, 0.75%

LAB 64.15, 45.24, -54.19

 

CMYK 24 / 43 / 0 / 5

HEX #B98BF2

RGB 185 139 242

HSL 266.8, 0.8%, 0.75%

LAB 65.9, 37.47, -45.38

 

CMYK 20 / 35 / 0 / 9

HEX #BA96E8

RGB 186 150 232

HSL 266.34, 0.64%, 0.75%

LAB 68.08, 29.36, -36.47

 

CMYK 16 / 28 / 0 / 13

HEX #BBA0DE

RGB 187 160 222

HSL 266.13, 0.48%, 0.75%

LAB 70.16, 21.88, -27.74

 

CMYK 10 / 19 / 0 / 17

HEX #BDAAD3

RGB 189 170 211

HSL 267.8, 0.32%, 0.75%

LAB 72.41, 14.65, -18.26

 

CMYK 49 / 44 / 0 / 1

HEX #818DFD

RGB 129 141 253

HSL 234.19, 0.97%, 0.75%

LAB 62.35, 25.09, -57.34

 

CMYK 41 / 49 / 0 / 1

HEX #9681FD

RGB 150 129 253

HSL 250.16, 0.97%, 0.75%

LAB 61.02, 36.85, -59.36

 

CMYK 28 / 49 / 0 / 1

HEX #B781FD

RGB 183 129 253

HSL 266.13, 0.97%, 0.75%

LAB 64.05, 44.98, -54.36

 

CMYK 15 / 49 / 0 / 1

HEX #D781FD

RGB 215 129 253

HSL 281.61, 0.97%, 0.75%

LAB 67.46, 53.38, -48.74

 

CMYK 2 / 49 / 0 / 1

HEX #F881FD

RGB 248 129 253

HSL 297.58, 0.97%, 0.75%

LAB 71.38, 62.25, -42.3

 

CMYK 45 / 81 / 0 / 2

HEX #8B30FB

RGB 139 48 251

HSL 266.9, 0.96%, 0.59%

LAB 45.04, 73.97, -84.21

 

CMYK 36 / 65 / 0 / 1

HEX #A158FC

RGB 161 88 252

HSL 266.71, 0.96%, 0.67%

LAB 53.58, 61.02, -70.72

 

CMYK 27 / 49 / 0 / 1

HEX #B881FD

RGB 184 129 253

HSL 266.61, 0.97%, 0.75%

LAB 64.15, 45.24, -54.19

 

CMYK 18 / 33 / 0 / 1

HEX #CFAAFD

RGB 207 170 253

HSL 266.75, 0.95%, 0.83%

LAB 75.52, 29.23, -36.2

 

CMYK 9 / 17 / 0 / 0

HEX #E6D2FE

RGB 230 210 254

HSL 267.27, 0.96%, 0.91%

LAB 87.03, 14.98, -18.95

 

CMYK 27 / 49 / 0 / 1

HEX #B982FD

RGB 185 130 253

HSL 266.83, 0.97%, 0.75%

LAB 64.46, 44.95, -53.69

 

CMYK 0 / 49 / 31 / 1

HEX #FD81AE

RGB 253 129 174

HSL 338.23, 0.97%, 0.75%

LAB 69.21, 51.87, -1.78

 

CMYK 49 / 0 / 47 / 1

HEX #81FD85

RGB 129 253 133

HSL 121.94, 0.97%, 0.75%

LAB 90.14, -58.2, 46.75

 

CMYK 27 / 49 / 0 / 1

HEX #B982FD

RGB 185 130 253

HSL 266.83, 0.97%, 0.75%

LAB 64.46, 44.95, -53.69

 

CMYK 0 / 28 / 49 / 1

HEX #FDB781

RGB 253 183 129

HSL 26.13, 0.97%, 0.75%

LAB 79.8, 19.29, 37.38

 

CMYK 49 / 0 / 28 / 1

HEX #81FDB7

RGB 129 253 183

HSL 146.13, 0.97%, 0.75%

LAB 90.93, -50.09, 23.05

 

CMYK 27 / 49 / 0 / 1

HEX #B982FD

RGB 185 130 253

HSL 266.83, 0.97%, 0.75%

LAB 64.46, 44.95, -53.69

 

CMYK 0 / 49 / 31 / 1

HEX #FD81AE

RGB 253 129 174

HSL 338.23, 0.97%, 0.75%

LAB 69.21, 51.87, -1.78

 

CMYK 21 / 0 / 49 / 1

HEX #C7FD81

RGB 199 253 129

HSL 86.13, 0.97%, 0.75%

LAB 93.44, -36.61, 53.44

 

CMYK 49 / 0 / 18 / 1

HEX #81FDCF

RGB 129 253 207

HSL 157.74, 0.97%, 0.75%

LAB 91.43, -45.27, 11.43

 

CMYK 27 / 49 / 0 / 1

HEX #B982FD

RGB 185 130 253

HSL 266.83, 0.97%, 0.75%

LAB 64.46, 44.95, -53.69

 

CMYK 0 / 49 / 46 / 1

HEX #FD8189

RGB 253 129 137

HSL 356.13, 0.97%, 0.75%

LAB 68.31, 47.83, 17.74

 

CMYK 21 / 0 / 49 / 1

HEX #C7FD81

RGB 199 253 129

HSL 86.13, 0.97%, 0.75%

LAB 93.44, -36.61, 53.44

 

CMYK 49 / 0 / 4 / 1

HEX #81FDF4

RGB 129 253 244

HSL 175.65, 0.97%, 0.75%

LAB 92.33, -36.82, -6.4

 

Description

Color code: RGB 185 130 253 | qconv.com Color code: RGB 185 130 253 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 130 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 130 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 49 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 49% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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