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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 130 183 it is the complementary color RGB 70 125 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 130 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 130 183 shade: RGB 190 130 178, RGB 207 148 197, RGB 224 166 216, RGB 241 184 235 and RGB 255 202 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 130 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 130 183 shade: RGB 185 130 183, RGB 168 112 164, RGB 151 94 145, RGB 134 76 126 and RGB 117 58 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 130 183 shade: RGB 185 130 183, RGB 185 130 168, RGB 185 130 153, RGB 185 130 139 and RGB 185 130 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 130 183 shade: RGB 185 130 183, RGB 172 130 185, RGB 157 130 185, RGB 143 130 185 and RGB 130 130 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 130 183 shade matches the following richer shades: RGB 185 130 183, RGB 200 115 197, RGB 216 99 212, RGB 232 83 226 and RGB 247 68 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 130 183 shade: RGB 185 130 183, RGB 169 146 168, RGB 153 162 154, RGB 138 178 139 and RGB 122 193 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 130 183 shade: RGB 158 130 185, RGB 172 130 185, RGB 185 130 183, RGB 185 130 168 and RGB 185 130 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 130 183 shade: RGB 149 84 147, RGB 170 104 167, RGB 185 130 183, RGB 200 157 198 and RGB 214 183 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 130 183 shade: RGB 185 130 183, RGB 185 143 130 and RGB 130 185 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 130 183 shade: RGB 185 130 183, RGB 183 185 130 and RGB 130 183 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 130 183 shade: RGB 185 130 183, RGB 185 143 130, RGB 130 185 132 and RGB 130 172 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 130 183 shade: RGB 185 130 183, RGB 185 159 130, RGB 130 185 132 and RGB 130 156 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 1 / 27

HEX #B982B7

RGB 185 130 183

HSL 302.18, 0.28%, 0.62%

LAB 61.39, 29.96, -19.42

 

Complementary color

CMYK 44 / 0 / 42 / 51

HEX #467D48

RGB 70 125 72

HSL 122.18, 0.28%, 0.38%

LAB 47.54, -30.02, 23.34

 

CMYK 0 / 32 / 6 / 25

HEX #BE82B2

RGB 190 130 178

HSL 312, 0.32%, 0.63%

LAB 61.76, 30.73, -15.96

 

CMYK 0 / 29 / 5 / 19

HEX #CF94C5

RGB 207 148 197

HSL 310.17, 0.38%, 0.7%

LAB 68.37, 30.03, -16.48

 

CMYK 0 / 26 / 4 / 12

HEX #E0A6D8

RGB 224 166 216

HSL 308.28, 0.48%, 0.76%

LAB 74.87, 29.38, -16.96

 

CMYK 0 / 24 / 2 / 5

HEX #F1B8EB

RGB 241 184 235

HSL 306.32, 0.67%, 0.83%

LAB 81.28, 28.78, -17.42

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFE

RGB 255 202 254

HSL 301.13, 1%, 0.9%

LAB 87.32, 27.24, -18.31

 

CMYK 0 / 30 / 1 / 27

HEX #B982B7

RGB 185 130 183

HSL 302.18, 0.28%, 0.62%

LAB 61.39, 29.96, -19.42

 

CMYK 0 / 33 / 2 / 34

HEX #A870A4

RGB 168 112 164

HSL 304.29, 0.24%, 0.55%

LAB 54.65, 30.69, -18.97

 

CMYK 0 / 38 / 4 / 41

HEX #975E91

RGB 151 94 145

HSL 306.32, 0.23%, 0.48%

LAB 47.79, 31.46, -18.47

 

CMYK 0 / 43 / 6 / 47

HEX #864C7E

RGB 134 76 126

HSL 308.28, 0.28%, 0.41%

LAB 40.81, 32.27, -17.89

 

CMYK 0 / 50 / 9 / 54

HEX #753A6B

RGB 117 58 107

HSL 310.17, 0.34%, 0.34%

LAB 33.71, 33.05, -17.18

 

CMYK 0 / 30 / 1 / 27

HEX #B982B7

RGB 185 130 183

HSL 302.18, 0.28%, 0.62%

LAB 61.39, 29.96, -19.42

 

CMYK 0 / 30 / 9 / 27

HEX #B982A8

RGB 185 130 168

HSL 318.55, 0.28%, 0.62%

LAB 60.88, 27.22, -11.66

 

CMYK 0 / 30 / 17 / 27

HEX #B98299

RGB 185 130 153

HSL 334.91, 0.28%, 0.62%

LAB 60.41, 24.68, -3.78

 

CMYK 0 / 30 / 25 / 27

HEX #B9828B

RGB 185 130 139

HSL 350.18, 0.28%, 0.62%

LAB 60.02, 22.51, 3.68

 

CMYK 0 / 30 / 30 / 27

HEX #B98282

RGB 185 130 130

HSL 0, 0.28%, 0.62%

LAB 59.79, 21.22, 8.51

 

CMYK 0 / 30 / 1 / 27

HEX #B982B7

RGB 185 130 183

HSL 302.18, 0.28%, 0.62%

LAB 61.39, 29.96, -19.42

 

CMYK 7 / 30 / 0 / 27

HEX #AC82B9

RGB 172 130 185

HSL 285.82, 0.28%, 0.62%

LAB 60.1, 26.04, -22.64

 

CMYK 15 / 30 / 0 / 27

HEX #9D82B9

RGB 157 130 185

HSL 269.45, 0.28%, 0.62%

LAB 58.64, 21.15, -25.02

 

CMYK 23 / 30 / 0 / 27

HEX #8F82B9

RGB 143 130 185

HSL 254.18, 0.28%, 0.62%

LAB 57.37, 16.69, -27.07

 

CMYK 30 / 30 / 0 / 27

HEX #8282B9

RGB 130 130 185

HSL 240, 0.28%, 0.62%

LAB 56.3, 12.7, -28.82

 

CMYK 0 / 30 / 1 / 27

HEX #B982B7

RGB 185 130 183

HSL 302.18, 0.28%, 0.62%

LAB 61.39, 29.96, -19.42

 

CMYK 0 / 43 / 1 / 22

HEX #C873C5

RGB 200 115 197

HSL 302.12, 0.44%, 0.62%

LAB 60.4, 45.46, -28.73

 

CMYK 0 / 54 / 2 / 15

HEX #D863D4

RGB 216 99 212

HSL 302.05, 0.6%, 0.62%

LAB 60.14, 60.55, -37.47

 

CMYK 0 / 64 / 3 / 9

HEX #E853E2

RGB 232 83 226

HSL 302.42, 0.76%, 0.62%

LAB 60.63, 73.57, -44.4

 

CMYK 0 / 72 / 2 / 3

HEX #F744F1

RGB 247 68 241

HSL 302.01, 0.92%, 0.62%

LAB 61.88, 84.24, -50.67

 

CMYK 0 / 30 / 1 / 27

HEX #B982B7

RGB 185 130 183

HSL 302.18, 0.28%, 0.62%

LAB 61.39, 29.96, -19.42

 

CMYK 0 / 14 / 1 / 34

HEX #A992A8

RGB 169 146 168

HSL 302.61, 0.12%, 0.62%

LAB 63.19, 12.57, -8.36

 

CMYK 6 / 0 / 5 / 36

HEX #99A29A

RGB 153 162 154

HSL 126.67, 0.05%, 0.62%

LAB 65.71, -4.75, 3.04

 

CMYK 22 / 0 / 22 / 30

HEX #8AB28B

RGB 138 178 139

HSL 121.5, 0.21%, 0.62%

LAB 68.83, -21.24, 15.63

 

CMYK 37 / 0 / 35 / 24

HEX #7AC17D

RGB 122 193 125

HSL 122.54, 0.36%, 0.62%

LAB 72.07, -36.17, 27.4

 

CMYK 15 / 30 / 0 / 27

HEX #9E82B9

RGB 158 130 185

HSL 270.55, 0.28%, 0.62%

LAB 58.73, 21.47, -24.87

 

CMYK 7 / 30 / 0 / 27

HEX #AC82B9

RGB 172 130 185

HSL 285.82, 0.28%, 0.62%

LAB 60.1, 26.04, -22.64

 

CMYK 0 / 30 / 1 / 27

HEX #B982B7

RGB 185 130 183

HSL 302.18, 0.28%, 0.62%

LAB 61.39, 29.96, -19.42

 

CMYK 0 / 30 / 9 / 27

HEX #B982A8

RGB 185 130 168

HSL 318.55, 0.28%, 0.62%

LAB 60.88, 27.22, -11.66

 

CMYK 0 / 30 / 17 / 27

HEX #B9829A

RGB 185 130 154

HSL 333.82, 0.28%, 0.62%

LAB 60.44, 24.84, -4.31

 

CMYK 0 / 44 / 1 / 42

HEX #955493

RGB 149 84 147

HSL 301.85, 0.28%, 0.46%

LAB 45.41, 36.76, -23.34

 

CMYK 0 / 39 / 2 / 33

HEX #AA68A7

RGB 170 104 167

HSL 302.73, 0.28%, 0.54%

LAB 53.21, 36.36, -22.9

 

CMYK 0 / 30 / 1 / 27

HEX #B982B7

RGB 185 130 183

HSL 302.18, 0.28%, 0.62%

LAB 61.39, 29.96, -19.42

 

CMYK 0 / 22 / 1 / 22

HEX #C89DC6

RGB 200 157 198

HSL 302.79, 0.28%, 0.7%

LAB 69.8, 22.92, -14.94

 

CMYK 0 / 14 / 0 / 16

HEX #D6B7D5

RGB 214 183 213

HSL 301.94, 0.27%, 0.78%

LAB 77.86, 16.29, -10.95

 

CMYK 0 / 30 / 1 / 27

HEX #B982B7

RGB 185 130 183

HSL 302.18, 0.28%, 0.62%

LAB 61.39, 29.96, -19.42

 

CMYK 0 / 23 / 30 / 27

HEX #B98F82

RGB 185 143 130

HSL 14.18, 0.28%, 0.62%

LAB 62.99, 13.99, 13.02

 

CMYK 30 / 0 / 11 / 27

HEX #82B9A5

RGB 130 185 165

HSL 158.18, 0.28%, 0.62%

LAB 70.98, -22.27, 4.41

 

CMYK 0 / 30 / 1 / 27

HEX #B982B7

RGB 185 130 183

HSL 302.18, 0.28%, 0.62%

LAB 61.39, 29.96, -19.42

 

CMYK 1 / 0 / 30 / 27

HEX #B7B982

RGB 183 185 130

HSL 62.18, 0.28%, 0.62%

LAB 73.79, -9.52, 27.76

 

CMYK 30 / 1 / 0 / 27

HEX #82B7B9

RGB 130 183 185

HSL 182.18, 0.28%, 0.62%

LAB 70.95, -16.76, -6.61

 

CMYK 0 / 30 / 1 / 27

HEX #B982B7

RGB 185 130 183

HSL 302.18, 0.28%, 0.62%

LAB 61.39, 29.96, -19.42

 

CMYK 0 / 23 / 30 / 27

HEX #B98F82

RGB 185 143 130

HSL 14.18, 0.28%, 0.62%

LAB 62.99, 13.99, 13.02

 

CMYK 30 / 0 / 29 / 27

HEX #82B984

RGB 130 185 132

HSL 122.18, 0.28%, 0.62%

LAB 70.25, -28.65, 21.31

 

CMYK 30 / 7 / 0 / 27

HEX #82ACB9

RGB 130 172 185

HSL 194.18, 0.28%, 0.62%

LAB 67.84, -10.97, -11.24

 

CMYK 0 / 30 / 1 / 27

HEX #B982B7

RGB 185 130 183

HSL 302.18, 0.28%, 0.62%

LAB 61.39, 29.96, -19.42

 

CMYK 0 / 14 / 30 / 27

HEX #B99F82

RGB 185 159 130

HSL 31.64, 0.28%, 0.62%

LAB 67.07, 5.16, 18.69

 

CMYK 30 / 0 / 29 / 27

HEX #82B984

RGB 130 185 132

HSL 122.18, 0.28%, 0.62%

LAB 70.25, -28.65, 21.31

 

CMYK 30 / 16 / 0 / 27

HEX #829CB9

RGB 130 156 185

HSL 211.64, 0.28%, 0.62%

LAB 63.36, -2.22, -17.99

 

Description

Color code: RGB 185 130 183 | qconv.com Color code: RGB 185 130 183 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 130 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 130 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 1 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 1% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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