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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 130 164 it is the complementary color RGB 70 125 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 130 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 130 164 shade: RGB 190 130 159, RGB 207 148 178, RGB 224 166 197, RGB 241 184 216 and RGB 255 202 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 130 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 130 164 shade: RGB 185 130 164, RGB 168 112 145, RGB 151 94 126, RGB 134 76 107 and RGB 117 58 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 130 164 shade: RGB 185 130 164, RGB 185 130 149, RGB 185 130 135 and RGB 185 130 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 130 164 shade: RGB 185 130 164, RGB 185 130 179, RGB 176 130 185, RGB 162 130 185 and RGB 147 130 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 130 164 shade matches the following richer shades: RGB 185 130 164, RGB 200 115 168, RGB 216 99 171, RGB 232 83 175 and RGB 247 68 179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 130 164 shade: RGB 185 130 164, RGB 169 146 160, RGB 153 162 157, RGB 138 178 153 and RGB 122 193 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 130 164 shade: RGB 176 130 185, RGB 185 130 179, RGB 185 130 165, RGB 185 130 150 and RGB 185 130 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 130 164 shade: RGB 149 84 124, RGB 170 104 145, RGB 185 130 164, RGB 200 157 183 and RGB 214 183 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 130 164 shade: RGB 185 130 164, RGB 185 161 130 and RGB 130 185 183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 130 164 shade: RGB 185 130 164, RGB 165 185 130 and RGB 130 165 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 130 164 shade: RGB 185 130 164, RGB 185 161 130, RGB 130 185 150 and RGB 130 154 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 130 164 shade: RGB 185 130 164, RGB 185 177 130, RGB 130 185 150 and RGB 130 138 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 11 / 27

HEX #B982A4

RGB 185 130 164

HSL 322.91, 0.28%, 0.62%

LAB 60.75, 26.52, -9.57

 

Complementary color

CMYK 44 / 0 / 27 / 51

HEX #467D5B

RGB 70 125 91

HSL 142.91, 0.28%, 0.38%

LAB 47.91, -26.42, 12.97

 

CMYK 0 / 32 / 16 / 25

HEX #BE829F

RGB 190 130 159

HSL 331, 0.32%, 0.63%

LAB 61.15, 27.47, -6.06

 

CMYK 0 / 29 / 14 / 19

HEX #CF94B2

RGB 207 148 178

HSL 329.49, 0.38%, 0.7%

LAB 67.77, 26.76, -6.78

 

CMYK 0 / 26 / 12 / 12

HEX #E0A6C5

RGB 224 166 197

HSL 327.93, 0.48%, 0.76%

LAB 74.29, 26.11, -7.44

 

CMYK 0 / 24 / 10 / 5

HEX #F1B8D8

RGB 241 184 216

HSL 326.32, 0.67%, 0.83%

LAB 80.71, 25.51, -8.06

 

CMYK 0 / 21 / 8 / 0

HEX #FFCAEB

RGB 255 202 235

HSL 322.64, 1%, 0.9%

LAB 86.75, 23.94, -9.09

 

CMYK 0 / 30 / 11 / 27

HEX #B982A4

RGB 185 130 164

HSL 322.91, 0.28%, 0.62%

LAB 60.75, 26.52, -9.57

 

CMYK 0 / 33 / 14 / 34

HEX #A87091

RGB 168 112 145

HSL 324.64, 0.24%, 0.55%

LAB 53.98, 27.25, -8.9

 

CMYK 0 / 38 / 17 / 41

HEX #975E7E

RGB 151 94 126

HSL 326.32, 0.23%, 0.48%

LAB 47.09, 28.05, -8.15

 

CMYK 0 / 43 / 20 / 47

HEX #864C6B

RGB 134 76 107

HSL 327.93, 0.28%, 0.41%

LAB 40.08, 28.9, -7.28

 

CMYK 0 / 50 / 25 / 54

HEX #753A58

RGB 117 58 88

HSL 329.49, 0.34%, 0.34%

LAB 32.95, 29.78, -6.21

 

CMYK 0 / 30 / 11 / 27

HEX #B982A4

RGB 185 130 164

HSL 322.91, 0.28%, 0.62%

LAB 60.75, 26.52, -9.57

 

CMYK 0 / 30 / 19 / 27

HEX #B98295

RGB 185 130 149

HSL 339.27, 0.28%, 0.62%

LAB 60.29, 24.04, -1.66

 

CMYK 0 / 30 / 27 / 27

HEX #B98287

RGB 185 130 135

HSL 354.55, 0.28%, 0.62%

LAB 59.91, 21.93, 5.82

 

CMYK 0 / 30 / 30 / 27

HEX #B98282

RGB 185 130 130

HSL 0, 0.28%, 0.62%

LAB 59.79, 21.22, 8.51

 

CMYK 0 / 30 / 11 / 27

HEX #B982A4

RGB 185 130 164

HSL 322.91, 0.28%, 0.62%

LAB 60.75, 26.52, -9.57

 

CMYK 0 / 30 / 3 / 27

HEX #B982B3

RGB 185 130 179

HSL 306.55, 0.28%, 0.62%

LAB 61.25, 29.21, -17.36

 

CMYK 5 / 30 / 0 / 27

HEX #B082B9

RGB 176 130 185

HSL 290.18, 0.28%, 0.62%

LAB 60.51, 27.36, -21.98

 

CMYK 12 / 30 / 0 / 27

HEX #A282B9

RGB 162 130 185

HSL 274.91, 0.28%, 0.62%

LAB 59.11, 22.77, -24.25

 

CMYK 21 / 30 / 0 / 27

HEX #9382B9

RGB 147 130 185

HSL 258.55, 0.28%, 0.62%

LAB 57.72, 17.95, -26.51

 

CMYK 0 / 30 / 11 / 27

HEX #B982A4

RGB 185 130 164

HSL 322.91, 0.28%, 0.62%

LAB 60.75, 26.52, -9.57

 

CMYK 0 / 43 / 16 / 22

HEX #C873A8

RGB 200 115 168

HSL 322.59, 0.44%, 0.62%

LAB 59.31, 40.52, -13.84

 

CMYK 0 / 54 / 21 / 15

HEX #D863AB

RGB 216 99 171

HSL 323.08, 0.6%, 0.62%

LAB 58.47, 54.1, -16.63

 

CMYK 0 / 64 / 25 / 9

HEX #E853AF

RGB 232 83 175

HSL 322.95, 0.76%, 0.62%

LAB 58.45, 66.21, -18.75

 

CMYK 0 / 72 / 28 / 3

HEX #F744B3

RGB 247 68 179

HSL 322.79, 0.92%, 0.62%

LAB 59.12, 75.9, -19.81

 

CMYK 0 / 30 / 11 / 27

HEX #B982A4

RGB 185 130 164

HSL 322.91, 0.28%, 0.62%

LAB 60.75, 26.52, -9.57

 

CMYK 0 / 14 / 5 / 34

HEX #A992A0

RGB 169 146 160

HSL 323.48, 0.12%, 0.62%

LAB 62.95, 11.06, -4.2

 

CMYK 6 / 0 / 3 / 36

HEX #99A29D

RGB 153 162 157

HSL 146.67, 0.05%, 0.62%

LAB 65.79, -4.17, 1.48

 

CMYK 22 / 0 / 14 / 30

HEX #8AB299

RGB 138 178 153

HSL 142.5, 0.21%, 0.62%

LAB 69.14, -18.61, 8.41

 

CMYK 37 / 0 / 23 / 24

HEX #7AC195

RGB 122 193 149

HSL 142.82, 0.36%, 0.62%

LAB 72.53, -31.87, 15.24

 

CMYK 5 / 30 / 0 / 27

HEX #B082B9

RGB 176 130 185

HSL 290.18, 0.28%, 0.62%

LAB 60.51, 27.36, -21.98

 

CMYK 0 / 30 / 3 / 27

HEX #B982B3

RGB 185 130 179

HSL 306.55, 0.28%, 0.62%

LAB 61.25, 29.21, -17.36

 

CMYK 0 / 30 / 11 / 27

HEX #B982A5

RGB 185 130 165

HSL 321.82, 0.28%, 0.62%

LAB 60.78, 26.7, -10.1

 

CMYK 0 / 30 / 19 / 27

HEX #B98296

RGB 185 130 150

HSL 338.18, 0.28%, 0.62%

LAB 60.32, 24.2, -2.19

 

CMYK 0 / 30 / 26 / 27

HEX #B98288

RGB 185 130 136

HSL 353.45, 0.28%, 0.62%

LAB 59.94, 22.07, 5.28

 

CMYK 0 / 44 / 17 / 42

HEX #95547C

RGB 149 84 124

HSL 323.08, 0.28%, 0.46%

LAB 44.5, 32.62, -10.87

 

CMYK 0 / 39 / 15 / 33

HEX #AA6891

RGB 170 104 145

HSL 322.73, 0.28%, 0.54%

LAB 52.39, 32.44, -11.27

 

CMYK 0 / 30 / 11 / 27

HEX #B982A4

RGB 185 130 164

HSL 322.91, 0.28%, 0.62%

LAB 60.75, 26.52, -9.57

 

CMYK 0 / 22 / 9 / 22

HEX #C89DB7

RGB 200 157 183

HSL 323.72, 0.28%, 0.7%

LAB 69.34, 20.2, -7.32

 

CMYK 0 / 14 / 5 / 16

HEX #D6B7CB

RGB 214 183 203

HSL 321.29, 0.27%, 0.78%

LAB 77.56, 14.48, -5.96

 

CMYK 0 / 30 / 11 / 27

HEX #B982A4

RGB 185 130 164

HSL 322.91, 0.28%, 0.62%

LAB 60.75, 26.52, -9.57

 

CMYK 0 / 13 / 30 / 27

HEX #B9A182

RGB 185 161 130

HSL 33.82, 0.28%, 0.62%

LAB 67.59, 4.07, 19.4

 

CMYK 30 / 0 / 1 / 27

HEX #82B9B7

RGB 130 185 183

HSL 177.82, 0.28%, 0.62%

LAB 71.46, -18.26, -4.75

 

CMYK 0 / 30 / 11 / 27

HEX #B982A4

RGB 185 130 164

HSL 322.91, 0.28%, 0.62%

LAB 60.75, 26.52, -9.57

 

CMYK 11 / 0 / 30 / 27

HEX #A5B982

RGB 165 185 130

HSL 81.82, 0.28%, 0.62%

LAB 72.43, -16.45, 25.7

 

CMYK 30 / 11 / 0 / 27

HEX #82A5B9

RGB 130 165 185

HSL 201.82, 0.28%, 0.62%

LAB 65.87, -7.18, -14.19

 

CMYK 0 / 30 / 11 / 27

HEX #B982A4

RGB 185 130 164

HSL 322.91, 0.28%, 0.62%

LAB 60.75, 26.52, -9.57

 

CMYK 0 / 13 / 30 / 27

HEX #B9A182

RGB 185 161 130

HSL 33.82, 0.28%, 0.62%

LAB 67.59, 4.07, 19.4

 

CMYK 30 / 0 / 19 / 27

HEX #82B996

RGB 130 185 150

HSL 141.82, 0.28%, 0.62%

LAB 70.63, -25.34, 12.09

 

CMYK 30 / 17 / 0 / 27

HEX #829AB9

RGB 130 154 185

HSL 213.82, 0.28%, 0.62%

LAB 62.81, -1.1, -18.83

 

CMYK 0 / 30 / 11 / 27

HEX #B982A4

RGB 185 130 164

HSL 322.91, 0.28%, 0.62%

LAB 60.75, 26.52, -9.57

 

CMYK 0 / 4 / 30 / 27

HEX #B9B182

RGB 185 177 130

HSL 51.27, 0.28%, 0.62%

LAB 71.81, -4.53, 25.13

 

CMYK 30 / 0 / 19 / 27

HEX #82B996

RGB 130 185 150

HSL 141.82, 0.28%, 0.62%

LAB 70.63, -25.34, 12.09

 

CMYK 30 / 25 / 0 / 27

HEX #828AB9

RGB 130 138 185

HSL 231.27, 0.28%, 0.62%

LAB 58.44, 8.04, -25.52

 

Description

Color code: RGB 185 130 164 | qconv.com Color code: RGB 185 130 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 130 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 130 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 11 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 11% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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