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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 130 158 it is the complementary color RGB 70 125 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 130 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 130 158 shade: RGB 190 130 153, RGB 207 148 172, RGB 224 166 191, RGB 241 184 210 and RGB 255 202 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 130 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 130 158 shade: RGB 185 130 158, RGB 168 112 139, RGB 151 94 120, RGB 134 76 101 and RGB 117 58 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 130 158 shade: RGB 185 130 158, RGB 185 130 143 and RGB 185 130 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 130 158 shade: RGB 185 130 158, RGB 185 130 173, RGB 182 130 185, RGB 167 130 185 and RGB 153 130 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 130 158 shade matches the following richer shades: RGB 185 130 158, RGB 200 115 158, RGB 216 99 159, RGB 232 83 159 and RGB 247 68 159

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 130 158 shade: RGB 185 130 158, RGB 169 146 158, RGB 153 162 158, RGB 138 178 157 and RGB 122 193 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 130 158 shade: RGB 182 130 185, RGB 185 130 173, RGB 185 130 159, RGB 185 130 144 and RGB 185 131 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 130 158 shade: RGB 149 84 117, RGB 170 104 138, RGB 185 130 158, RGB 200 157 179 and RGB 214 183 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 130 158 shade: RGB 185 130 158, RGB 185 168 130 and RGB 130 180 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 130 158 shade: RGB 185 130 158, RGB 159 185 130 and RGB 130 159 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 130 158 shade: RGB 185 130 158, RGB 185 168 130, RGB 130 185 157 and RGB 130 148 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 130 158 shade: RGB 185 130 158, RGB 185 184 130, RGB 130 185 157 and RGB 130 131 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 15 / 27

HEX #B9829E

RGB 185 130 158

HSL 329.45, 0.28%, 0.62%

LAB 60.56, 25.5, -6.42

 

Complementary color

CMYK 44 / 0 / 22 / 51

HEX #467D61

RGB 70 125 97

HSL 149.45, 0.28%, 0.38%

LAB 48.05, -25.12, 9.66

 

CMYK 0 / 32 / 19 / 25

HEX #BE8299

RGB 190 130 153

HSL 337, 0.32%, 0.63%

LAB 60.97, 26.51, -2.89

 

CMYK 0 / 29 / 17 / 19

HEX #CF94AC

RGB 207 148 172

HSL 335.59, 0.38%, 0.7%

LAB 67.59, 25.79, -3.68

 

CMYK 0 / 26 / 15 / 12

HEX #E0A6BF

RGB 224 166 191

HSL 334.14, 0.48%, 0.76%

LAB 74.11, 25.13, -4.4

 

CMYK 0 / 24 / 13 / 5

HEX #F1B8D2

RGB 241 184 210

HSL 332.63, 0.67%, 0.83%

LAB 80.54, 24.53, -5.07

 

CMYK 0 / 21 / 10 / 0

HEX #FFCAE5

RGB 255 202 229

HSL 329.43, 1%, 0.9%

LAB 86.58, 22.94, -6.16

 

CMYK 0 / 30 / 15 / 27

HEX #B9829E

RGB 185 130 158

HSL 329.45, 0.28%, 0.62%

LAB 60.56, 25.5, -6.42

 

CMYK 0 / 33 / 17 / 34

HEX #A8708B

RGB 168 112 139

HSL 331.07, 0.24%, 0.55%

LAB 53.79, 26.25, -5.68

 

CMYK 0 / 38 / 21 / 41

HEX #975E78

RGB 151 94 120

HSL 332.63, 0.23%, 0.48%

LAB 46.9, 27.06, -4.84

 

CMYK 0 / 43 / 25 / 47

HEX #864C65

RGB 134 76 101

HSL 334.14, 0.28%, 0.41%

LAB 39.88, 27.93, -3.86

 

CMYK 0 / 50 / 30 / 54

HEX #753A52

RGB 117 58 82

HSL 335.59, 0.34%, 0.34%

LAB 32.74, 28.86, -2.66

 

CMYK 0 / 30 / 15 / 27

HEX #B9829E

RGB 185 130 158

HSL 329.45, 0.28%, 0.62%

LAB 60.56, 25.5, -6.42

 

CMYK 0 / 30 / 23 / 27

HEX #B9828F

RGB 185 130 143

HSL 345.82, 0.28%, 0.62%

LAB 60.13, 23.11, 1.54

 

CMYK 0 / 30 / 30 / 27

HEX #B98282

RGB 185 130 130

HSL 0, 0.28%, 0.62%

LAB 59.79, 21.22, 8.51

 

CMYK 0 / 30 / 15 / 27

HEX #B9829E

RGB 185 130 158

HSL 329.45, 0.28%, 0.62%

LAB 60.56, 25.5, -6.42

 

CMYK 0 / 30 / 6 / 27

HEX #B982AD

RGB 185 130 173

HSL 313.09, 0.28%, 0.62%

LAB 61.04, 28.11, -14.26

 

CMYK 2 / 30 / 0 / 27

HEX #B682B9

RGB 182 130 185

HSL 296.73, 0.28%, 0.62%

LAB 61.14, 29.35, -20.96

 

CMYK 10 / 30 / 0 / 27

HEX #A782B9

RGB 167 130 185

HSL 280.36, 0.28%, 0.62%

LAB 59.6, 24.4, -23.46

 

CMYK 17 / 30 / 0 / 27

HEX #9982B9

RGB 153 130 185

HSL 265.09, 0.28%, 0.62%

LAB 58.26, 19.86, -25.63

 

CMYK 0 / 30 / 15 / 27

HEX #B9829E

RGB 185 130 158

HSL 329.45, 0.28%, 0.62%

LAB 60.56, 25.5, -6.42

 

CMYK 0 / 43 / 21 / 22

HEX #C8739E

RGB 200 115 158

HSL 329.65, 0.44%, 0.62%

LAB 58.98, 38.97, -8.57

 

CMYK 0 / 54 / 26 / 15

HEX #D8639F

RGB 216 99 159

HSL 329.23, 0.6%, 0.62%

LAB 58.06, 52.44, -10.3

 

CMYK 0 / 64 / 31 / 9

HEX #E8539F

RGB 232 83 159

HSL 329.4, 0.76%, 0.62%

LAB 57.89, 64.24, -10.31

 

CMYK 0 / 72 / 36 / 3

HEX #F7449F

RGB 247 68 159

HSL 329.5, 0.92%, 0.62%

LAB 58.43, 73.7, -9.25

 

CMYK 0 / 30 / 15 / 27

HEX #B9829E

RGB 185 130 158

HSL 329.45, 0.28%, 0.62%

LAB 60.56, 25.5, -6.42

 

CMYK 0 / 14 / 7 / 34

HEX #A9929E

RGB 169 146 158

HSL 328.7, 0.12%, 0.62%

LAB 62.9, 10.69, -3.15

 

CMYK 6 / 0 / 2 / 36

HEX #99A29E

RGB 153 162 158

HSL 153.33, 0.05%, 0.62%

LAB 65.81, -3.98, 0.96

 

CMYK 22 / 0 / 12 / 30

HEX #8AB29D

RGB 138 178 157

HSL 148.5, 0.21%, 0.62%

LAB 69.24, -17.82, 6.35

 

CMYK 37 / 0 / 19 / 24

HEX #7AC19D

RGB 122 193 157

HSL 149.58, 0.36%, 0.62%

LAB 72.7, -30.27, 11.17

 

CMYK 2 / 30 / 0 / 27

HEX #B682B9

RGB 182 130 185

HSL 296.73, 0.28%, 0.62%

LAB 61.14, 29.35, -20.96

 

CMYK 0 / 30 / 6 / 27

HEX #B982AD

RGB 185 130 173

HSL 313.09, 0.28%, 0.62%

LAB 61.04, 28.11, -14.26

 

CMYK 0 / 30 / 14 / 27

HEX #B9829F

RGB 185 130 159

HSL 328.36, 0.28%, 0.62%

LAB 60.59, 25.67, -6.95

 

CMYK 0 / 30 / 22 / 27

HEX #B98290

RGB 185 130 144

HSL 344.73, 0.28%, 0.62%

LAB 60.15, 23.26, 1

 

CMYK 0 / 29 / 30 / 27

HEX #B98382

RGB 185 131 130

HSL 1.09, 0.28%, 0.62%

LAB 60.03, 20.67, 8.85

 

CMYK 0 / 44 / 21 / 42

HEX #955475

RGB 149 84 117

HSL 329.54, 0.28%, 0.46%

LAB 44.25, 31.48, -6.98

 

CMYK 0 / 39 / 19 / 33

HEX #AA688A

RGB 170 104 138

HSL 329.09, 0.28%, 0.54%

LAB 52.15, 31.29, -7.49

 

CMYK 0 / 30 / 15 / 27

HEX #B9829E

RGB 185 130 158

HSL 329.45, 0.28%, 0.62%

LAB 60.56, 25.5, -6.42

 

CMYK 0 / 22 / 11 / 22

HEX #C89DB3

RGB 200 157 179

HSL 329.3, 0.28%, 0.7%

LAB 69.22, 19.51, -5.27

 

CMYK 0 / 14 / 7 / 16

HEX #D6B7C7

RGB 214 183 199

HSL 329.03, 0.27%, 0.78%

LAB 77.45, 13.78, -3.96

 

CMYK 0 / 30 / 15 / 27

HEX #B9829E

RGB 185 130 158

HSL 329.45, 0.28%, 0.62%

LAB 60.56, 25.5, -6.42

 

CMYK 0 / 9 / 30 / 27

HEX #B9A882

RGB 185 168 130

HSL 41.45, 0.28%, 0.62%

LAB 69.42, 0.28, 21.9

 

CMYK 30 / 3 / 0 / 27

HEX #82B4B9

RGB 130 180 185

HSL 185.45, 0.28%, 0.62%

LAB 70.1, -15.2, -7.87

 

CMYK 0 / 30 / 15 / 27

HEX #B9829E

RGB 185 130 158

HSL 329.45, 0.28%, 0.62%

LAB 60.56, 25.5, -6.42

 

CMYK 14 / 0 / 30 / 27

HEX #9FB982

RGB 159 185 130

HSL 88.36, 0.28%, 0.62%

LAB 72.01, -18.7, 25.07

 

CMYK 30 / 14 / 0 / 27

HEX #829FB9

RGB 130 159 185

HSL 208.36, 0.28%, 0.62%

LAB 64.2, -3.89, -16.72

 

CMYK 0 / 30 / 15 / 27

HEX #B9829E

RGB 185 130 158

HSL 329.45, 0.28%, 0.62%

LAB 60.56, 25.5, -6.42

 

CMYK 0 / 9 / 30 / 27

HEX #B9A882

RGB 185 168 130

HSL 41.45, 0.28%, 0.62%

LAB 69.42, 0.28, 21.9

 

CMYK 30 / 0 / 15 / 27

HEX #82B99D

RGB 130 185 157

HSL 149.45, 0.28%, 0.62%

LAB 70.79, -23.94, 8.5

 

CMYK 30 / 20 / 0 / 27

HEX #8294B9

RGB 130 148 185

HSL 220.36, 0.28%, 0.62%

LAB 61.16, 2.29, -21.35

 

CMYK 0 / 30 / 15 / 27

HEX #B9829E

RGB 185 130 158

HSL 329.45, 0.28%, 0.62%

LAB 60.56, 25.5, -6.42

 

CMYK 0 / 1 / 30 / 27

HEX #B9B882

RGB 185 184 130

HSL 58.91, 0.28%, 0.62%

LAB 73.68, -8.22, 27.64

 

CMYK 30 / 0 / 15 / 27

HEX #82B99D

RGB 130 185 157

HSL 149.45, 0.28%, 0.62%

LAB 70.79, -23.94, 8.5

 

CMYK 30 / 29 / 0 / 27

HEX #8283B9

RGB 130 131 185

HSL 238.91, 0.28%, 0.62%

LAB 56.57, 12.12, -28.41

 

Description

Color code: RGB 185 130 158 | qconv.com Color code: RGB 185 130 158 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 130 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 130 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 15 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 15% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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