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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 120 93 it is the complementary color RGB 70 135 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 120 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 120 93 shade: RGB 190 120 88, RGB 207 138 107, RGB 224 156 126, RGB 241 174 145 and RGB 255 192 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 120 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 120 93 shade: RGB 185 120 93, RGB 168 102 74, RGB 151 84 55, RGB 134 66 36 and RGB 117 48 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 120 93 shade: RGB 186 121 94, RGB 186 96 94 and RGB 186 94 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 120 93 shade: RGB 186 121 94, RGB 186 146 94, RGB 186 170 94, RGB 176 186 94 and RGB 151 186 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 120 93 shade matches the following richer shades: RGB 186 121 94, RGB 204 113 75, RGB 223 105 57 and RGB 241 98 38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 120 93 shade: RGB 186 121 94, RGB 167 128 112, RGB 149 136 131, RGB 130 144 150 and RGB 111 151 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 120 93 shade: RGB 186 94 117, RGB 186 95 94, RGB 186 120 94, RGB 186 144 94 and RGB 186 169 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 120 93 shade: RGB 138 82 59, RGB 167 99 71, RGB 186 121 94, RGB 198 145 123 and RGB 210 169 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 120 93 shade: RGB 185 120 93, RGB 141 186 94 and RGB 94 105 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 120 93 shade: RGB 185 120 93, RGB 94 186 120 and RGB 120 94 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 120 93 shade: RGB 185 120 93, RGB 141 186 94, RGB 94 160 186 and RGB 138 94 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 120 93 shade: RGB 185 120 93, RGB 114 186 94, RGB 94 160 186 and RGB 166 94 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 50 / 27

HEX #B9785D

RGB 185 120 93

HSL 17.61, 0.4%, 0.55%

LAB 56.62, 22.42, 25.29

 

Complementary color

CMYK 57 / 17 / 0 / 36

HEX #4687A2

RGB 70 135 162

HSL 197.61, 0.4%, 0.45%

LAB 53.21, -12.73, -20.67

 

CMYK 0 / 37 / 54 / 25

HEX #BE7858

RGB 190 120 88

HSL 18.82, 0.44%, 0.55%

LAB 57.16, 24.01, 28.91

 

CMYK 0 / 33 / 48 / 19

HEX #CF8A6B

RGB 207 138 107

HSL 18.6, 0.51%, 0.62%

LAB 63.76, 22.86, 27.32

 

CMYK 0 / 30 / 44 / 12

HEX #E09C7E

RGB 224 156 126

HSL 18.37, 0.61%, 0.69%

LAB 70.27, 21.84, 25.89

 

CMYK 0 / 28 / 40 / 5

HEX #F1AE91

RGB 241 174 145

HSL 18.13, 0.77%, 0.76%

LAB 76.69, 20.94, 24.58

 

CMYK 0 / 25 / 36 / 0

HEX #FFC0A4

RGB 255 192 164

HSL 18.46, 1%, 0.82%

LAB 82.72, 19, 22.91

 

CMYK 0 / 35 / 50 / 27

HEX #B9785D

RGB 185 120 93

HSL 17.61, 0.4%, 0.55%

LAB 56.62, 22.42, 25.29

 

CMYK 0 / 39 / 56 / 34

HEX #A8664A

RGB 168 102 74

HSL 17.87, 0.39%, 0.47%

LAB 49.88, 23.64, 26.96

 

CMYK 0 / 44 / 64 / 41

HEX #975437

RGB 151 84 55

HSL 18.13, 0.47%, 0.4%

LAB 43.06, 25.06, 28.86

 

CMYK 0 / 51 / 73 / 47

HEX #864224

RGB 134 66 36

HSL 18.37, 0.58%, 0.33%

LAB 36.16, 26.68, 31

 

CMYK 0 / 59 / 85 / 54

HEX #753011

RGB 117 48 17

HSL 18.6, 0.75%, 0.26%

LAB 29.25, 28.5, 33.16

 

CMYK 0 / 35 / 49 / 27

HEX #BA795E

RGB 186 121 94

HSL 17.61, 0.4%, 0.55%

LAB 57, 22.37, 25.24

 

CMYK 0 / 48 / 49 / 27

HEX #BA605E

RGB 186 96 94

HSL 1.3, 0.4%, 0.55%

LAB 51.4, 35.95, 17.77

 

CMYK 0 / 49 / 49 / 27

HEX #BA5E5E

RGB 186 94 94

HSL 0, 0.4%, 0.55%

LAB 50.98, 36.99, 17.2

 

CMYK 0 / 35 / 49 / 27

HEX #BA795E

RGB 186 121 94

HSL 17.61, 0.4%, 0.55%

LAB 57, 22.37, 25.24

 

CMYK 0 / 22 / 49 / 27

HEX #BA925E

RGB 186 146 94

HSL 33.91, 0.4%, 0.55%

LAB 63.18, 8.51, 33.2

 

CMYK 0 / 9 / 49 / 27

HEX #BAAA5E

RGB 186 170 94

HSL 49.57, 0.4%, 0.55%

LAB 69.47, -4.48, 40.99

 

CMYK 5 / 0 / 49 / 27

HEX #B0BA5E

RGB 176 186 94

HSL 66.52, 0.4%, 0.55%

LAB 72.99, -16.93, 45.05

 

CMYK 19 / 0 / 49 / 27

HEX #97BA5E

RGB 151 186 94

HSL 82.83, 0.4%, 0.55%

LAB 71.22, -26.87, 42.49

 

CMYK 0 / 35 / 49 / 27

HEX #BA795E

RGB 186 121 94

HSL 17.61, 0.4%, 0.55%

LAB 57, 22.37, 25.24

 

CMYK 0 / 45 / 63 / 20

HEX #CC714B

RGB 204 113 75

HSL 17.67, 0.56%, 0.55%

LAB 57.23, 32.48, 36.56

 

CMYK 0 / 53 / 74 / 13

HEX #DF6939

RGB 223 105 57

HSL 17.35, 0.72%, 0.55%

LAB 58.12, 43.03, 47.68

 

CMYK 0 / 59 / 84 / 5

HEX #F16226

RGB 241 98 38

HSL 17.73, 0.88%, 0.55%

LAB 59.5, 52.32, 58.58

 

CMYK 0 / 35 / 49 / 27

HEX #BA795E

RGB 186 121 94

HSL 17.61, 0.4%, 0.55%

LAB 57, 22.37, 25.24

 

CMYK 0 / 23 / 33 / 35

HEX #A78070

RGB 167 128 112

HSL 17.45, 0.24%, 0.55%

LAB 56.9, 12.73, 14.49

 

CMYK 0 / 9 / 12 / 42

HEX #958883

RGB 149 136 131

HSL 16.67, 0.08%, 0.55%

LAB 57.69, 3.98, 4.44

 

CMYK 13 / 4 / 0 / 41

HEX #829096

RGB 130 144 150

HSL 198, 0.09%, 0.55%

LAB 58.88, -3.74, -4.9

 

CMYK 34 / 10 / 0 / 34

HEX #6F97A8

RGB 111 151 168

HSL 197.89, 0.25%, 0.55%

LAB 60.19, -9.4, -13.31

 

CMYK 0 / 49 / 37 / 27

HEX #BA5E75

RGB 186 94 117

HSL 345, 0.4%, 0.55%

LAB 51.53, 39.48, 4.3

 

CMYK 0 / 49 / 49 / 27

HEX #BA5F5E

RGB 186 95 94

HSL 0.65, 0.4%, 0.55%

LAB 51.19, 36.47, 17.48

 

CMYK 0 / 35 / 49 / 27

HEX #BA785E

RGB 186 120 94

HSL 16.96, 0.4%, 0.55%

LAB 56.76, 22.92, 24.93

 

CMYK 0 / 23 / 49 / 27

HEX #BA905E

RGB 186 144 94

HSL 32.61, 0.4%, 0.55%

LAB 62.67, 9.62, 32.55

 

CMYK 0 / 9 / 49 / 27

HEX #BAA95E

RGB 186 169 94

HSL 48.91, 0.4%, 0.55%

LAB 69.2, -3.95, 40.67

 

CMYK 0 / 41 / 57 / 46

HEX #8A523B

RGB 138 82 59

HSL 17.47, 0.4%, 0.39%

LAB 40.82, 20.93, 23.36

 

CMYK 0 / 41 / 57 / 35

HEX #A76347

RGB 167 99 71

HSL 17.5, 0.4%, 0.47%

LAB 49, 24.65, 27.53

 

CMYK 0 / 35 / 49 / 27

HEX #BA795E

RGB 186 121 94

HSL 17.61, 0.4%, 0.55%

LAB 57, 22.37, 25.24

 

CMYK 0 / 27 / 38 / 22

HEX #C6917B

RGB 198 145 123

HSL 17.6, 0.4%, 0.63%

LAB 64.71, 17.15, 19.55

 

CMYK 0 / 20 / 28 / 18

HEX #D2A998

RGB 210 169 152

HSL 17.59, 0.39%, 0.71%

LAB 72.46, 12.51, 14.45

 

CMYK 0 / 35 / 50 / 27

HEX #B9785D

RGB 185 120 93

HSL 17.61, 0.4%, 0.55%

LAB 56.62, 22.42, 25.29

 

CMYK 24 / 0 / 49 / 27

HEX #8DBA5E

RGB 141 186 94

HSL 89.35, 0.4%, 0.55%

LAB 70.59, -30.67, 41.58

 

CMYK 49 / 44 / 0 / 27

HEX #5E69BA

RGB 94 105 186

HSL 232.83, 0.4%, 0.55%

LAB 47.01, 18.33, -44.18

 

CMYK 0 / 35 / 50 / 27

HEX #B9785D

RGB 185 120 93

HSL 17.61, 0.4%, 0.55%

LAB 56.62, 22.42, 25.29

 

CMYK 49 / 0 / 35 / 27

HEX #5EBA78

RGB 94 186 120

HSL 136.96, 0.4%, 0.55%

LAB 68.65, -42.09, 25.26

 

CMYK 35 / 49 / 0 / 27

HEX #785EBA

RGB 120 94 186

HSL 256.96, 0.4%, 0.55%

LAB 46.37, 31.56, -45.07

 

CMYK 0 / 35 / 50 / 27

HEX #B9785D

RGB 185 120 93

HSL 17.61, 0.4%, 0.55%

LAB 56.62, 22.42, 25.29

 

CMYK 24 / 0 / 49 / 27

HEX #8DBA5E

RGB 141 186 94

HSL 89.35, 0.4%, 0.55%

LAB 70.59, -30.67, 41.58

 

CMYK 49 / 14 / 0 / 27

HEX #5EA0BA

RGB 94 160 186

HSL 196.96, 0.4%, 0.55%

LAB 62.56, -13.85, -19.95

 

CMYK 26 / 49 / 0 / 27

HEX #8A5EBA

RGB 138 94 186

HSL 268.7, 0.4%, 0.55%

LAB 48.2, 36.4, -42.04

 

CMYK 0 / 35 / 50 / 27

HEX #B9785D

RGB 185 120 93

HSL 17.61, 0.4%, 0.55%

LAB 56.62, 22.42, 25.29

 

CMYK 39 / 0 / 49 / 27

HEX #72BA5E

RGB 114 186 94

HSL 106.96, 0.4%, 0.55%

LAB 69.11, -40.15, 39.44

 

CMYK 49 / 14 / 0 / 27

HEX #5EA0BA

RGB 94 160 186

HSL 196.96, 0.4%, 0.55%

LAB 62.56, -13.85, -19.95

 

CMYK 11 / 49 / 0 / 27

HEX #A65EBA

RGB 166 94 186

HSL 286.96, 0.4%, 0.55%

LAB 51.45, 44.3, -36.71

 

Description

Color code: RGB 185 120 93 | qconv.com Color code: RGB 185 120 93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 120 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 120 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 50 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 50% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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