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Color name
RGB 185 129 23

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 129 23 it is the complementary color RGB 70 126 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 129 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 129 23 shade: RGB 190 129 18, RGB 207 147 37, RGB 224 165 56, RGB 241 183 75 and RGB 255 201 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 129 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 129 23 shade: RGB 185 129 23, RGB 168 111 4, RGB 151 93 0, RGB 134 75 0 and RGB 117 57 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 129 23 shade: RGB 186 129 23, RGB 186 85 23, RGB 186 41 23 and RGB 186 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 129 23 shade: RGB 186 129 23, RGB 186 173 23, RGB 154 186 23, RGB 110 186 23 and RGB 66 186 23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 129 23 shade matches the following richer shades: RGB 186 129 23 and RGB 203 134 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 129 23 shade: RGB 186 129 23, RGB 169 124 39, RGB 152 119 56, RGB 135 114 73 and RGB 118 108 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 129 23 shade: RGB 186 42 23, RGB 186 85 23, RGB 186 129 23, RGB 186 172 23 and RGB 156 186 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 129 23 shade: RGB 112 78 13, RGB 149 104 18, RGB 186 129 23, RGB 222 155 27 and RGB 230 172 60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 129 23 shade: RGB 185 129 23, RGB 47 186 23 and RGB 63 23 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 129 23 shade: RGB 185 129 23, RGB 23 186 129 and RGB 129 23 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 129 23 shade: RGB 185 129 23, RGB 47 186 23, RGB 23 80 186 and RGB 161 23 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 129 23 shade: RGB 185 129 23, RGB 23 186 47, RGB 23 80 186 and RGB 186 23 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 88 / 27

HEX #B98117

RGB 185 129 23

HSL 39.26, 0.78%, 0.41%

LAB 58.11, 13.3, 59.31

 

Complementary color

CMYK 70 / 46 / 0 / 9

HEX #467EE8

RGB 70 126 232

HSL 219.26, 0.78%, 0.59%

LAB 54.08, 16.37, -59.12

 

CMYK 0 / 32 / 91 / 25

HEX #BE8112

RGB 190 129 18

HSL 38.72, 0.83%, 0.41%

LAB 58.69, 15.43, 61.27

 

CMYK 0 / 29 / 82 / 19

HEX #CF9325

RGB 207 147 37

HSL 38.82, 0.7%, 0.48%

LAB 65.17, 13.54, 62.03

 

CMYK 0 / 26 / 75 / 12

HEX #E0A538

RGB 224 165 56

HSL 38.93, 0.73%, 0.55%

LAB 71.58, 11.92, 61.74

 

CMYK 0 / 24 / 69 / 5

HEX #F1B74B

RGB 241 183 75

HSL 39.04, 0.86%, 0.62%

LAB 77.92, 10.51, 60.91

 

CMYK 0 / 21 / 63 / 0

HEX #FFC95E

RGB 255 201 94

HSL 39.88, 1%, 0.68%

LAB 83.88, 8.05, 59.42

 

CMYK 0 / 30 / 88 / 27

HEX #B98117

RGB 185 129 23

HSL 39.26, 0.78%, 0.41%

LAB 58.11, 13.3, 59.31

 

CMYK 0 / 34 / 98 / 34

HEX #A86F04

RGB 168 111 4

HSL 39.15, 0.95%, 0.34%

LAB 51.5, 15.37, 57.58

 

CMYK 0 / 38 / 100 / 41

HEX #975D00

RGB 151 93 0

HSL 36.95, 1%, 0.3%

LAB 44.81, 17.79, 52.95

 

CMYK 0 / 44 / 100 / 47

HEX #864B00

RGB 134 75 0

HSL 33.58, 1%, 0.26%

LAB 38.02, 20.38, 47.44

 

CMYK 0 / 51 / 100 / 54

HEX #753900

RGB 117 57 0

HSL 29.23, 1%, 0.23%

LAB 31.13, 23.03, 41.79

 

CMYK 0 / 31 / 88 / 27

HEX #BA8117

RGB 186 129 23

HSL 39.02, 0.78%, 0.41%

LAB 58.23, 13.75, 59.46

 

CMYK 0 / 54 / 88 / 27

HEX #BA5517

RGB 186 85 23

HSL 22.82, 0.78%, 0.41%

LAB 48.26, 37.53, 51.44

 

CMYK 0 / 78 / 88 / 27

HEX #BA2917

RGB 186 41 23

HSL 6.63, 0.78%, 0.41%

LAB 41.35, 56, 45.88

 

CMYK 0 / 88 / 88 / 27

HEX #BA1717

RGB 186 23 23

HSL 0, 0.78%, 0.41%

LAB 39.77, 60.48, 44.61

 

CMYK 0 / 31 / 88 / 27

HEX #BA8117

RGB 186 129 23

HSL 39.02, 0.78%, 0.41%

LAB 58.23, 13.75, 59.46

 

CMYK 0 / 7 / 88 / 27

HEX #BAAD17

RGB 186 173 23

HSL 55.21, 0.78%, 0.41%

LAB 69.75, -10.02, 68.71

 

CMYK 17 / 0 / 88 / 27

HEX #9ABA17

RGB 154 186 23

HSL 71.78, 0.78%, 0.41%

LAB 70.91, -30.27, 68.62

 

CMYK 41 / 0 / 88 / 27

HEX #6EBA17

RGB 110 186 23

HSL 87.98, 0.78%, 0.41%

LAB 68.38, -47.06, 65.49

 

CMYK 65 / 0 / 88 / 27

HEX #42BA17

RGB 66 186 23

HSL 104.17, 0.78%, 0.41%

LAB 66.78, -59.6, 63.48

 

CMYK 0 / 31 / 88 / 27

HEX #BA8117

RGB 186 129 23

HSL 39.02, 0.78%, 0.41%

LAB 58.23, 13.75, 59.46

 

CMYK 0 / 34 / 97 / 20

HEX #CB8606

RGB 203 134 6

HSL 38.98, 0.94%, 0.41%

LAB 61.45, 18.26, 66.13

 

CMYK 0 / 31 / 88 / 27

HEX #BA8117

RGB 186 129 23

HSL 39.02, 0.78%, 0.41%

LAB 58.23, 13.75, 59.46

 

CMYK 0 / 27 / 77 / 34

HEX #A97C27

RGB 169 124 39

HSL 39.23, 0.63%, 0.41%

LAB 55.07, 9.42, 50.45

 

CMYK 0 / 22 / 63 / 40

HEX #987738

RGB 152 119 56

HSL 39.38, 0.46%, 0.41%

LAB 52.01, 5.52, 38.84

 

CMYK 0 / 16 / 46 / 47

HEX #877249

RGB 135 114 73

HSL 39.68, 0.3%, 0.41%

LAB 49.09, 2.32, 25.73

 

CMYK 0 / 8 / 24 / 54

HEX #766C5A

RGB 118 108 90

HSL 38.57, 0.13%, 0.41%

LAB 46.06, 0.75, 11.5

 

CMYK 0 / 77 / 88 / 27

HEX #BA2A17

RGB 186 42 23

HSL 6.99, 0.78%, 0.41%

LAB 41.46, 55.69, 45.97

 

CMYK 0 / 54 / 88 / 27

HEX #BA5517

RGB 186 85 23

HSL 22.82, 0.78%, 0.41%

LAB 48.26, 37.53, 51.44

 

CMYK 0 / 31 / 88 / 27

HEX #BA8117

RGB 186 129 23

HSL 39.02, 0.78%, 0.41%

LAB 58.23, 13.75, 59.46

 

CMYK 0 / 8 / 88 / 27

HEX #BAAC17

RGB 186 172 23

HSL 54.85, 0.78%, 0.41%

LAB 69.47, -9.5, 68.49

 

CMYK 16 / 0 / 88 / 27

HEX #9CBA17

RGB 156 186 23

HSL 71.04, 0.78%, 0.41%

LAB 71.04, -29.44, 68.79

 

CMYK 0 / 30 / 88 / 56

HEX #704E0D

RGB 112 78 13

HSL 39.39, 0.79%, 0.25%

LAB 35.83, 8.45, 40.35

 

CMYK 0 / 30 / 88 / 42

HEX #956812

RGB 149 104 18

HSL 39.39, 0.78%, 0.33%

LAB 47.41, 10.88, 50.26

 

CMYK 0 / 31 / 88 / 27

HEX #BA8117

RGB 186 129 23

HSL 39.02, 0.78%, 0.41%

LAB 58.23, 13.75, 59.46

 

CMYK 0 / 30 / 88 / 13

HEX #DE9B1B

RGB 222 155 27

HSL 39.38, 0.78%, 0.49%

LAB 68.79, 15.5, 68.59

 

CMYK 0 / 25 / 74 / 10

HEX #E6AC3C

RGB 230 172 60

HSL 39.53, 0.77%, 0.57%

LAB 73.97, 10.93, 62.71

 

CMYK 0 / 30 / 88 / 27

HEX #B98117

RGB 185 129 23

HSL 39.26, 0.78%, 0.41%

LAB 58.11, 13.3, 59.31

 

CMYK 75 / 0 / 88 / 27

HEX #2FBA17

RGB 47 186 23

HSL 111.17, 0.78%, 0.41%

LAB 66.35, -63.21, 62.94

 

CMYK 66 / 88 / 0 / 27

HEX #3F17BA

RGB 63 23 186

HSL 254.72, 0.78%, 0.41%

LAB 27.34, 58.47, -76.29

 

CMYK 0 / 30 / 88 / 27

HEX #B98117

RGB 185 129 23

HSL 39.26, 0.78%, 0.41%

LAB 58.11, 13.3, 59.31

 

CMYK 88 / 0 / 31 / 27

HEX #17BA81

RGB 23 186 129

HSL 159.02, 0.78%, 0.41%

LAB 67.19, -52.17, 18.19

 

CMYK 31 / 88 / 0 / 27

HEX #8117BA

RGB 129 23 186

HSL 279.02, 0.78%, 0.41%

LAB 35.65, 65.7, -62.32

 

CMYK 0 / 30 / 88 / 27

HEX #B98117

RGB 185 129 23

HSL 39.26, 0.78%, 0.41%

LAB 58.11, 13.3, 59.31

 

CMYK 75 / 0 / 88 / 27

HEX #2FBA17

RGB 47 186 23

HSL 111.17, 0.78%, 0.41%

LAB 66.35, -63.21, 62.94

 

CMYK 88 / 57 / 0 / 27

HEX #1750BA

RGB 23 80 186

HSL 219.02, 0.78%, 0.41%

LAB 36.86, 23.56, -60.69

 

CMYK 13 / 88 / 0 / 27

HEX #A117BA

RGB 161 23 186

HSL 290.8, 0.78%, 0.41%

LAB 40.79, 70.65, -53.73

 

CMYK 0 / 30 / 88 / 27

HEX #B98117

RGB 185 129 23

HSL 39.26, 0.78%, 0.41%

LAB 58.11, 13.3, 59.31

 

CMYK 88 / 0 / 75 / 27

HEX #17BA2F

RGB 23 186 47

HSL 128.83, 0.78%, 0.41%

LAB 66.14, -64.68, 55.91

 

CMYK 88 / 57 / 0 / 27

HEX #1750BA

RGB 23 80 186

HSL 219.02, 0.78%, 0.41%

LAB 36.86, 23.56, -60.69

 

CMYK 0 / 88 / 13 / 27

HEX #BA17A1

RGB 186 23 161

HSL 309.2, 0.78%, 0.41%

LAB 43.69, 71.35, -33.99

 

Description

Color code: RGB 185 129 23 | qconv.com Color code: RGB 185 129 23 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 129 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 129 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 88 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 88% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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