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Color name
RGB 185 126 126

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 126 126 it is the complementary color RGB 70 129 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 126 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 126 126 shade: RGB 190 126 121, RGB 207 144 140, RGB 224 162 159, RGB 241 180 178 and RGB 255 198 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 126 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 126 126 shade: RGB 185 126 126, RGB 168 108 107, RGB 151 90 88, RGB 134 72 69 and RGB 117 54 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 126 126 shade: RGB 185 125 125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 126 126 shade: RGB 185 125 125, RGB 185 141 125, RGB 185 157 125, RGB 185 173 125 and RGB 180 185 125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 126 126 shade matches the following richer shades: RGB 185 125 125, RGB 201 109 109, RGB 217 93 93, RGB 233 77 77 and RGB 249 61 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 126 126 shade: RGB 185 125 125, RGB 169 141 141, RGB 153 157 157, RGB 137 173 173 and RGB 121 190 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 126 126 shade: RGB 185 125 157, RGB 185 125 141, RGB 185 125 125, RGB 185 141 125 and RGB 185 157 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 126 126 shade: RGB 148 80 80, RGB 170 98 98, RGB 185 125 125, RGB 199 152 152 and RGB 214 179 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 126 126 shade: RGB 185 126 126, RGB 173 185 125 and RGB 125 149 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 126 126 shade: RGB 185 126 126, RGB 125 185 125 and RGB 125 125 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 126 126 shade: RGB 185 126 126, RGB 173 185 125, RGB 125 185 185 and RGB 137 125 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 126 126 shade: RGB 185 126 126, RGB 155 185 125, RGB 125 185 185 and RGB 155 125 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 32 / 27

HEX #B97E7E

RGB 185 126 126

HSL 0, 0.3%, 0.61%

LAB 58.74, 22.9, 9.31

 

Complementary color

CMYK 46 / 0 / 0 / 49

HEX #468181

RGB 70 129 129

HSL 180, 0.3%, 0.39%

LAB 50.2, -19.18, -6

 

CMYK 0 / 34 / 36 / 25

HEX #BE7E79

RGB 190 126 121

HSL 4.35, 0.35%, 0.61%

LAB 59.2, 24.21, 12.92

 

CMYK 0 / 30 / 32 / 19

HEX #CF908C

RGB 207 144 140

HSL 3.58, 0.41%, 0.68%

LAB 65.83, 23.34, 11.74

 

CMYK 0 / 28 / 29 / 12

HEX #E0A29F

RGB 224 162 159

HSL 2.77, 0.51%, 0.75%

LAB 72.36, 22.56, 10.67

 

CMYK 0 / 25 / 26 / 5

HEX #F1B4B2

RGB 241 180 178

HSL 1.9, 0.69%, 0.82%

LAB 78.79, 21.86, 9.69

 

CMYK 0 / 22 / 23 / 0

HEX #FFC6C5

RGB 255 198 197

HSL 1.03, 1%, 0.89%

LAB 84.83, 20.14, 8.32

 

CMYK 0 / 32 / 32 / 27

HEX #B97E7E

RGB 185 126 126

HSL 0, 0.3%, 0.61%

LAB 58.74, 22.9, 9.31

 

CMYK 0 / 36 / 36 / 34

HEX #A86C6B

RGB 168 108 107

HSL 0.98, 0.26%, 0.54%

LAB 51.96, 23.81, 10.51

 

CMYK 0 / 40 / 42 / 41

HEX #975A58

RGB 151 90 88

HSL 1.9, 0.26%, 0.47%

LAB 45.08, 24.83, 11.9

 

CMYK 0 / 46 / 49 / 47

HEX #864845

RGB 134 72 69

HSL 2.77, 0.32%, 0.4%

LAB 38.08, 25.98, 13.55

 

CMYK 0 / 54 / 57 / 54

HEX #753632

RGB 117 54 50

HSL 3.58, 0.4%, 0.33%

LAB 31, 27.25, 15.59

 

CMYK 0 / 32 / 32 / 27

HEX #B97D7D

RGB 185 125 125

HSL 0, 0.3%, 0.61%

LAB 58.47, 23.33, 9.51

 

CMYK 0 / 32 / 32 / 27

HEX #B97D7D

RGB 185 125 125

HSL 0, 0.3%, 0.61%

LAB 58.47, 23.33, 9.51

 

CMYK 0 / 24 / 32 / 27

HEX #B98D7D

RGB 185 141 125

HSL 16, 0.3%, 0.61%

LAB 62.38, 14.42, 14.99

 

CMYK 0 / 15 / 32 / 27

HEX #B99D7D

RGB 185 157 125

HSL 32, 0.3%, 0.61%

LAB 66.45, 5.59, 20.6

 

CMYK 0 / 6 / 32 / 27

HEX #B9AD7D

RGB 185 173 125

HSL 48, 0.3%, 0.61%

LAB 70.65, -3.06, 26.26

 

CMYK 3 / 0 / 32 / 27

HEX #B4B97D

RGB 180 185 125

HSL 65, 0.3%, 0.61%

LAB 73.47, -11.34, 29.93

 

CMYK 0 / 32 / 32 / 27

HEX #B97D7D

RGB 185 125 125

HSL 0, 0.3%, 0.61%

LAB 58.47, 23.33, 9.51

 

CMYK 0 / 46 / 46 / 21

HEX #C96D6D

RGB 201 109 109

HSL 0, 0.46%, 0.61%

LAB 56.54, 36.29, 16.37

 

CMYK 0 / 57 / 57 / 15

HEX #D95D5D

RGB 217 93 93

HSL 0, 0.62%, 0.61%

LAB 55.45, 48.7, 24.59

 

CMYK 0 / 67 / 67 / 9

HEX #E94D4D

RGB 233 77 77

HSL 0, 0.78%, 0.61%

LAB 55.24, 59.95, 34.09

 

CMYK 0 / 76 / 76 / 2

HEX #F93D3D

RGB 249 61 61

HSL 0, 0.94%, 0.61%

LAB 55.9, 69.64, 44.54

 

CMYK 0 / 32 / 32 / 27

HEX #B97D7D

RGB 185 125 125

HSL 0, 0.3%, 0.61%

LAB 58.47, 23.33, 9.51

 

CMYK 0 / 17 / 17 / 34

HEX #A98D8D

RGB 169 141 141

HSL 0, 0.14%, 0.61%

LAB 61.14, 10.54, 3.94

 

CMYK 3 / 0 / 0 / 38

HEX #999D9D

RGB 153 157 157

HSL 180, 0.02%, 0.61%

LAB 64.42, -1.43, -0.51

 

CMYK 21 / 0 / 0 / 32

HEX #89ADAD

RGB 137 173 173

HSL 180, 0.18%, 0.61%

LAB 68.18, -12.14, -4.03

 

CMYK 36 / 0 / 0 / 25

HEX #79BEBE

RGB 121 190 190

HSL 180, 0.35%, 0.61%

LAB 72.63, -21.65, -6.9

 

CMYK 0 / 32 / 15 / 27

HEX #B97D9D

RGB 185 125 157

HSL 328, 0.3%, 0.61%

LAB 59.36, 28.12, -7.63

 

CMYK 0 / 32 / 24 / 27

HEX #B97D8D

RGB 185 125 141

HSL 344, 0.3%, 0.61%

LAB 58.89, 25.59, 0.88

 

CMYK 0 / 32 / 32 / 27

HEX #B97D7D

RGB 185 125 125

HSL 0, 0.3%, 0.61%

LAB 58.47, 23.33, 9.51

 

CMYK 0 / 24 / 32 / 27

HEX #B98D7D

RGB 185 141 125

HSL 16, 0.3%, 0.61%

LAB 62.38, 14.42, 14.99

 

CMYK 0 / 15 / 32 / 27

HEX #B99D7D

RGB 185 157 125

HSL 32, 0.3%, 0.61%

LAB 66.45, 5.59, 20.6

 

CMYK 0 / 46 / 46 / 42

HEX #945050

RGB 148 80 80

HSL 0, 0.3%, 0.45%

LAB 42.17, 28.34, 12.69

 

CMYK 0 / 42 / 42 / 33

HEX #AA6262

RGB 170 98 98

HSL 0, 0.3%, 0.53%

LAB 49.69, 29.09, 12.7

 

CMYK 0 / 32 / 32 / 27

HEX #B97D7D

RGB 185 125 125

HSL 0, 0.3%, 0.61%

LAB 58.47, 23.33, 9.51

 

CMYK 0 / 24 / 24 / 22

HEX #C79898

RGB 199 152 152

HSL 0, 0.3%, 0.69%

LAB 67.18, 17.57, 6.81

 

CMYK 0 / 16 / 16 / 16

HEX #D6B3B3

RGB 214 179 179

HSL 0, 0.3%, 0.77%

LAB 75.94, 12.61, 4.72

 

CMYK 0 / 32 / 32 / 27

HEX #B97E7E

RGB 185 126 126

HSL 0, 0.3%, 0.61%

LAB 58.74, 22.9, 9.31

 

CMYK 6 / 0 / 32 / 27

HEX #ADB97D

RGB 173 185 125

HSL 72, 0.3%, 0.61%

LAB 72.93, -14.07, 29.12

 

CMYK 32 / 19 / 0 / 27

HEX #7D95B9

RGB 125 149 185

HSL 216, 0.3%, 0.61%

LAB 61.1, 0.23, -21.47

 

CMYK 0 / 32 / 32 / 27

HEX #B97E7E

RGB 185 126 126

HSL 0, 0.3%, 0.61%

LAB 58.74, 22.9, 9.31

 

CMYK 32 / 0 / 32 / 27

HEX #7DB97D

RGB 125 185 125

HSL 120, 0.3%, 0.61%

LAB 69.85, -31.49, 24.46

 

CMYK 32 / 32 / 0 / 27

HEX #7D7DB9

RGB 125 125 185

HSL 240, 0.3%, 0.61%

LAB 54.58, 14.17, -31.52

 

CMYK 0 / 32 / 32 / 27

HEX #B97E7E

RGB 185 126 126

HSL 0, 0.3%, 0.61%

LAB 58.74, 22.9, 9.31

 

CMYK 6 / 0 / 32 / 27

HEX #ADB97D

RGB 173 185 125

HSL 72, 0.3%, 0.61%

LAB 72.93, -14.07, 29.12

 

CMYK 32 / 0 / 0 / 27

HEX #7DB9B9

RGB 125 185 185

HSL 180, 0.3%, 0.61%

LAB 71.26, -19.22, -6.18

 

CMYK 26 / 32 / 0 / 27

HEX #897DB9

RGB 137 125 185

HSL 252, 0.3%, 0.61%

LAB 55.57, 17.76, -29.91

 

CMYK 0 / 32 / 32 / 27

HEX #B97E7E

RGB 185 126 126

HSL 0, 0.3%, 0.61%

LAB 58.74, 22.9, 9.31

 

CMYK 16 / 0 / 32 / 27

HEX #9BB97D

RGB 155 185 125

HSL 90, 0.3%, 0.61%

LAB 71.65, -20.92, 27.2

 

CMYK 32 / 0 / 0 / 27

HEX #7DB9B9

RGB 125 185 185

HSL 180, 0.3%, 0.61%

LAB 71.26, -19.22, -6.18

 

CMYK 16 / 32 / 0 / 27

HEX #9B7DB9

RGB 155 125 185

HSL 270, 0.3%, 0.61%

LAB 57.21, 23.38, -27.24

 

Description

Color code: RGB 185 126 126 | qconv.com Color code: RGB 185 126 126 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 126 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 126 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 32 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 32% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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