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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 126 195 it is the complementary color RGB 70 129 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 126 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 126 195 shade: RGB 190 126 190, RGB 207 144 209, RGB 224 162 228, RGB 241 180 247 and RGB 255 198 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 126 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 126 195 shade: RGB 185 126 195, RGB 168 108 176, RGB 151 90 157, RGB 134 72 138 and RGB 117 54 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 126 195 shade: RGB 185 125 195, RGB 195 125 186, RGB 195 125 168, RGB 195 125 149 and RGB 195 125 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 126 195 shade: RGB 185 125 195, RGB 166 125 195, RGB 147 125 195, RGB 128 125 195 and RGB 125 125 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 126 195 shade matches the following richer shades: RGB 185 125 195, RGB 196 110 210, RGB 207 95 226 and RGB 217 79 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 126 195 shade: RGB 185 125 195, RGB 174 141 180, RGB 163 156 165, RGB 152 171 149 and RGB 142 186 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 126 195 shade: RGB 147 125 195, RGB 166 125 195, RGB 185 125 195, RGB 195 125 187 and RGB 195 125 168

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 126 195 shade: RGB 150 75 163, RGB 170 97 182, RGB 185 125 195, RGB 200 154 208 and RGB 215 182 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 126 195 shade: RGB 185 126 195, RGB 195 129 125 and RGB 125 195 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 126 195 shade: RGB 185 126 195, RGB 195 185 125 and RGB 125 195 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 126 195 shade: RGB 185 126 195, RGB 195 129 125, RGB 136 195 125 and RGB 125 192 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 126 195 shade: RGB 185 126 195, RGB 195 150 125, RGB 136 195 125 and RGB 125 171 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 35 / 0 / 24

HEX #B97EC3

RGB 185 126 195

HSL 291.3, 0.37%, 0.63%

LAB 60.94, 34.5, -26.92

 

Complementary color

CMYK 46 / 0 / 53 / 49

HEX #46813C

RGB 70 129 60

HSL 111.3, 0.37%, 0.37%

LAB 48.67, -33.69, 31.27

 

CMYK 0 / 34 / 0 / 25

HEX #BE7EBE

RGB 190 126 190

HSL 300, 0.33%, 0.62%

LAB 61.3, 35.14, -23.49

 

CMYK 1 / 31 / 0 / 18

HEX #CF90D1

RGB 207 144 209

HSL 298.15, 0.41%, 0.69%

LAB 67.88, 34.42, -23.89

 

CMYK 2 / 29 / 0 / 11

HEX #E0A2E4

RGB 224 162 228

HSL 296.36, 0.55%, 0.76%

LAB 74.37, 33.73, -24.27

 

CMYK 2 / 27 / 0 / 3

HEX #F1B4F7

RGB 241 180 247

HSL 294.63, 0.81%, 0.84%

LAB 80.77, 33.09, -24.63

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 5 / 35 / 0 / 24

HEX #B97EC3

RGB 185 126 195

HSL 291.3, 0.37%, 0.63%

LAB 60.94, 34.5, -26.92

 

CMYK 5 / 39 / 0 / 31

HEX #A86CB0

RGB 168 108 176

HSL 292.94, 0.3%, 0.56%

LAB 54.22, 35.26, -26.58

 

CMYK 4 / 43 / 0 / 38

HEX #975A9D

RGB 151 90 157

HSL 294.63, 0.27%, 0.48%

LAB 47.4, 36.05, -26.2

 

CMYK 3 / 48 / 0 / 46

HEX #86488A

RGB 134 72 138

HSL 296.36, 0.31%, 0.41%

LAB 40.47, 36.83, -25.74

 

CMYK 2 / 55 / 0 / 53

HEX #753677

RGB 117 54 119

HSL 298.15, 0.38%, 0.34%

LAB 33.46, 37.53, -25.13

 

CMYK 5 / 36 / 0 / 24

HEX #B97DC3

RGB 185 125 195

HSL 291.43, 0.37%, 0.63%

LAB 60.71, 35.05, -27.26

 

CMYK 0 / 36 / 5 / 24

HEX #C37DBA

RGB 195 125 186

HSL 307.71, 0.37%, 0.63%

LAB 61.49, 36.57, -20.86

 

CMYK 0 / 36 / 14 / 24

HEX #C37DA8

RGB 195 125 168

HSL 323.14, 0.37%, 0.63%

LAB 60.87, 33.46, -11.56

 

CMYK 0 / 36 / 24 / 24

HEX #C37D95

RGB 195 125 149

HSL 339.43, 0.37%, 0.63%

LAB 60.28, 30.47, -1.54

 

CMYK 0 / 36 / 33 / 24

HEX #C37D82

RGB 195 125 130

HSL 355.71, 0.37%, 0.63%

LAB 59.78, 27.84, 8.66

 

CMYK 5 / 36 / 0 / 24

HEX #B97DC3

RGB 185 125 195

HSL 291.43, 0.37%, 0.63%

LAB 60.71, 35.05, -27.26

 

CMYK 15 / 36 / 0 / 24

HEX #A67DC3

RGB 166 125 195

HSL 275.14, 0.37%, 0.63%

LAB 58.71, 29.08, -30.52

 

CMYK 25 / 36 / 0 / 24

HEX #937DC3

RGB 147 125 195

HSL 258.86, 0.37%, 0.63%

LAB 56.89, 23.26, -33.49

 

CMYK 34 / 36 / 0 / 24

HEX #807DC3

RGB 128 125 195

HSL 242.57, 0.37%, 0.63%

LAB 55.27, 17.72, -36.14

 

CMYK 36 / 36 / 0 / 24

HEX #7D7DC3

RGB 125 125 195

HSL 240, 0.37%, 0.63%

LAB 55.04, 16.87, -36.52

 

CMYK 5 / 36 / 0 / 24

HEX #B97DC3

RGB 185 125 195

HSL 291.43, 0.37%, 0.63%

LAB 60.71, 35.05, -27.26

 

CMYK 7 / 48 / 0 / 18

HEX #C46ED2

RGB 196 110 210

HSL 291.6, 0.53%, 0.63%

LAB 59.47, 49.3, -37.57

 

CMYK 8 / 58 / 0 / 11

HEX #CF5FE2

RGB 207 95 226

HSL 291.3, 0.69%, 0.63%

LAB 58.92, 62.54, -47.35

 

CMYK 10 / 67 / 0 / 5

HEX #D94FF1

RGB 217 79 241

HSL 291.11, 0.85%, 0.63%

LAB 58.69, 74.25, -56.01

 

CMYK 5 / 36 / 0 / 24

HEX #B97DC3

RGB 185 125 195

HSL 291.43, 0.37%, 0.63%

LAB 60.71, 35.05, -27.26

 

CMYK 3 / 22 / 0 / 29

HEX #AE8DB4

RGB 174 141 180

HSL 290.77, 0.21%, 0.63%

LAB 62.8, 19.49, -15.69

 

CMYK 1 / 5 / 0 / 35

HEX #A39CA5

RGB 163 156 165

HSL 286.67, 0.05%, 0.63%

LAB 65.18, 4.25, -3.78

 

CMYK 11 / 0 / 13 / 33

HEX #98AB95

RGB 152 171 149

HSL 111.82, 0.12%, 0.63%

LAB 68, -10.87, 9.1

 

CMYK 24 / 0 / 28 / 27

HEX #8EBA86

RGB 142 186 134

HSL 110.77, 0.27%, 0.63%

LAB 71.28, -24.71, 21.74

 

CMYK 25 / 36 / 0 / 24

HEX #937DC3

RGB 147 125 195

HSL 258.86, 0.37%, 0.63%

LAB 56.89, 23.26, -33.49

 

CMYK 15 / 36 / 0 / 24

HEX #A67DC3

RGB 166 125 195

HSL 275.14, 0.37%, 0.63%

LAB 58.71, 29.08, -30.52

 

CMYK 5 / 36 / 0 / 24

HEX #B97DC3

RGB 185 125 195

HSL 291.43, 0.37%, 0.63%

LAB 60.71, 35.05, -27.26

 

CMYK 0 / 36 / 4 / 24

HEX #C37DBB

RGB 195 125 187

HSL 306.86, 0.37%, 0.63%

LAB 61.53, 36.75, -21.38

 

CMYK 0 / 36 / 14 / 24

HEX #C37DA8

RGB 195 125 168

HSL 323.14, 0.37%, 0.63%

LAB 60.87, 33.46, -11.56

 

CMYK 8 / 54 / 0 / 36

HEX #964BA3

RGB 150 75 163

HSL 291.14, 0.37%, 0.47%

LAB 44.46, 45, -34.36

 

CMYK 7 / 47 / 0 / 29

HEX #AA61B6

RGB 170 97 182

HSL 291.53, 0.37%, 0.55%

LAB 52.37, 43.06, -32.91

 

CMYK 5 / 36 / 0 / 24

HEX #B97DC3

RGB 185 125 195

HSL 291.43, 0.37%, 0.63%

LAB 60.71, 35.05, -27.26

 

CMYK 4 / 26 / 0 / 18

HEX #C89AD0

RGB 200 154 208

HSL 291.11, 0.36%, 0.71%

LAB 69.43, 26.48, -21.04

 

CMYK 3 / 18 / 0 / 13

HEX #D7B6DD

RGB 215 182 221

HSL 290.77, 0.36%, 0.79%

LAB 77.95, 18.67, -15.13

 

CMYK 5 / 35 / 0 / 24

HEX #B97EC3

RGB 185 126 195

HSL 291.3, 0.37%, 0.63%

LAB 60.94, 34.5, -26.92

 

CMYK 0 / 34 / 36 / 24

HEX #C3817D

RGB 195 129 125

HSL 3.43, 0.37%, 0.63%

LAB 60.59, 25.01, 12.66

 

CMYK 36 / 0 / 19 / 24

HEX #7DC39D

RGB 125 195 157

HSL 147.43, 0.37%, 0.63%

LAB 73.43, -30.34, 12.22

 

CMYK 5 / 35 / 0 / 24

HEX #B97EC3

RGB 185 126 195

HSL 291.3, 0.37%, 0.63%

LAB 60.94, 34.5, -26.92

 

CMYK 0 / 5 / 36 / 24

HEX #C3B97D

RGB 195 185 125

HSL 51.43, 0.37%, 0.63%

LAB 74.69, -5.4, 31.75

 

CMYK 36 / 0 / 5 / 24

HEX #7DC3B9

RGB 125 195 185

HSL 171.43, 0.37%, 0.63%

LAB 74.12, -24.26, -1.96

 

CMYK 5 / 35 / 0 / 24

HEX #B97EC3

RGB 185 126 195

HSL 291.3, 0.37%, 0.63%

LAB 60.94, 34.5, -26.92

 

CMYK 0 / 34 / 36 / 24

HEX #C3817D

RGB 195 129 125

HSL 3.43, 0.37%, 0.63%

LAB 60.59, 25.01, 12.66

 

CMYK 30 / 0 / 36 / 24

HEX #88C37D

RGB 136 195 125

HSL 110.57, 0.37%, 0.63%

LAB 73.38, -32.53, 29.28

 

CMYK 36 / 2 / 0 / 24

HEX #7DC0C3

RGB 125 192 195

HSL 182.57, 0.37%, 0.63%

LAB 73.55, -20.37, -8.25

 

CMYK 5 / 35 / 0 / 24

HEX #B97EC3

RGB 185 126 195

HSL 291.3, 0.37%, 0.63%

LAB 60.94, 34.5, -26.92

 

CMYK 0 / 23 / 36 / 24

HEX #C3967D

RGB 195 150 125

HSL 21.43, 0.37%, 0.63%

LAB 65.67, 13.44, 19.69

 

CMYK 30 / 0 / 36 / 24

HEX #88C37D

RGB 136 195 125

HSL 110.57, 0.37%, 0.63%

LAB 73.38, -32.53, 29.28

 

CMYK 36 / 12 / 0 / 24

HEX #7DABC3

RGB 125 171 195

HSL 200.57, 0.37%, 0.63%

LAB 67.6, -9.36, -17.17

 

Description

Color code: RGB 185 126 195 | qconv.com Color code: RGB 185 126 195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 126 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 126 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 35 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 35% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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