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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 117 43 it is the complementary color RGB 70 138 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 117 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 117 43 shade: RGB 190 117 38, RGB 207 135 57, RGB 224 153 76, RGB 241 171 95 and RGB 255 189 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 117 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 117 43 shade: RGB 185 117 43, RGB 168 99 24, RGB 151 81 5, RGB 134 63 0 and RGB 117 45 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 117 43 shade: RGB 185 117 43, RGB 185 79 43 and RGB 185 43 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 117 43 shade: RGB 185 117 43, RGB 185 156 43, RGB 177 185 43, RGB 138 185 43 and RGB 100 185 43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 117 43 shade matches the following richer shades: RGB 185 117 43, RGB 204 118 25 and RGB 223 119 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 117 43 shade: RGB 185 117 43, RGB 167 116 62, RGB 148 116 80, RGB 130 115 99 and RGB 111 114 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 117 43 shade: RGB 185 43 45, RGB 185 79 43, RGB 185 117 43, RGB 185 155 43 and RGB 178 185 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 117 43 shade: RGB 119 75 27, RGB 152 96 35, RGB 185 117 43, RGB 209 138 61 and RGB 217 158 94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 117 43 shade: RGB 185 117 43, RGB 83 185 43 and RGB 60 43 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 117 43 shade: RGB 185 117 43, RGB 43 185 117 and RGB 117 43 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 117 43 shade: RGB 185 117 43, RGB 83 185 43, RGB 43 112 185 and RGB 145 43 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 117 43 shade: RGB 185 117 43, RGB 43 185 45, RGB 43 112 185 and RGB 185 43 183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 77 / 27

HEX #B9752B

RGB 185 117 43

HSL 31.27, 0.62%, 0.45%

LAB 55.29, 20.61, 49.65

 

Complementary color

CMYK 67 / 35 / 0 / 17

HEX #468AD4

RGB 70 138 212

HSL 211.27, 0.62%, 0.55%

LAB 56.32, 2.09, -44.34

 

CMYK 0 / 38 / 80 / 25

HEX #BE7526

RGB 190 117 38

HSL 31.18, 0.67%, 0.45%

LAB 55.9, 22.58, 52.55

 

CMYK 0 / 35 / 72 / 19

HEX #CF8739

RGB 207 135 57

HSL 31.2, 0.61%, 0.52%

LAB 62.41, 20.85, 51.49

 

CMYK 0 / 32 / 66 / 12

HEX #E0994C

RGB 224 153 76

HSL 31.22, 0.7%, 0.59%

LAB 68.86, 19.35, 50.14

 

CMYK 0 / 29 / 61 / 5

HEX #F1AB5F

RGB 241 171 95

HSL 31.23, 0.84%, 0.66%

LAB 75.23, 18.04, 48.71

 

CMYK 0 / 26 / 55 / 0

HEX #FFBD72

RGB 255 189 114

HSL 31.91, 1%, 0.72%

LAB 81.22, 15.68, 46.82

 

CMYK 0 / 37 / 77 / 27

HEX #B9752B

RGB 185 117 43

HSL 31.27, 0.62%, 0.45%

LAB 55.29, 20.61, 49.65

 

CMYK 0 / 41 / 86 / 34

HEX #A86318

RGB 168 99 24

HSL 31.25, 0.75%, 0.38%

LAB 48.65, 22.51, 50.33

 

CMYK 0 / 46 / 97 / 41

HEX #975105

RGB 151 81 5

HSL 31.23, 0.94%, 0.31%

LAB 41.96, 24.69, 49.73

 

CMYK 0 / 53 / 100 / 47

HEX #863F00

RGB 134 63 0

HSL 28.21, 1%, 0.26%

LAB 35.25, 27.18, 45.75

 

CMYK 0 / 62 / 100 / 54

HEX #752D00

RGB 117 45 0

HSL 23.08, 1%, 0.23%

LAB 28.53, 29.64, 39.81

 

CMYK 0 / 37 / 77 / 27

HEX #B9752B

RGB 185 117 43

HSL 31.27, 0.62%, 0.45%

LAB 55.29, 20.61, 49.65

 

CMYK 0 / 57 / 77 / 27

HEX #B94F2B

RGB 185 79 43

HSL 15.21, 0.62%, 0.45%

LAB 47.08, 40.76, 41.37

 

CMYK 0 / 77 / 77 / 27

HEX #B92B2B

RGB 185 43 43

HSL 0, 0.62%, 0.45%

LAB 41.56, 55.64, 35.52

 

CMYK 0 / 37 / 77 / 27

HEX #B9752B

RGB 185 117 43

HSL 31.27, 0.62%, 0.45%

LAB 55.29, 20.61, 49.65

 

CMYK 0 / 16 / 77 / 27

HEX #B99C2B

RGB 185 156 43

HSL 47.75, 0.62%, 0.45%

LAB 65.17, -0.85, 59.09

 

CMYK 4 / 0 / 77 / 27

HEX #B1B92B

RGB 177 185 43

HSL 63.38, 0.62%, 0.45%

LAB 72.37, -19.44, 65.48

 

CMYK 25 / 0 / 77 / 27

HEX #8AB92B

RGB 138 185 43

HSL 79.86, 0.62%, 0.45%

LAB 69.67, -35.5, 61.99

 

CMYK 46 / 0 / 77 / 27

HEX #64B92B

RGB 100 185 43

HSL 95.92, 0.62%, 0.45%

LAB 67.71, -49.06, 59.44

 

CMYK 0 / 37 / 77 / 27

HEX #B9752B

RGB 185 117 43

HSL 31.27, 0.62%, 0.45%

LAB 55.29, 20.61, 49.65

 

CMYK 0 / 42 / 88 / 20

HEX #CC7619

RGB 204 118 25

HSL 31.17, 0.78%, 0.45%

LAB 57.91, 27.65, 59.59

 

CMYK 0 / 47 / 97 / 13

HEX #DF7706

RGB 223 119 6

HSL 31.24, 0.95%, 0.45%

LAB 60.69, 34.73, 66.88

 

CMYK 0 / 37 / 77 / 27

HEX #B9752B

RGB 185 117 43

HSL 31.27, 0.62%, 0.45%

LAB 55.29, 20.61, 49.65

 

CMYK 0 / 31 / 63 / 35

HEX #A7743E

RGB 167 116 62

HSL 30.86, 0.46%, 0.45%

LAB 53.01, 14.36, 37.34

 

CMYK 0 / 22 / 46 / 42

HEX #947450

RGB 148 116 80

HSL 31.76, 0.3%, 0.45%

LAB 51.11, 7.65, 24.65

 

CMYK 0 / 12 / 24 / 49

HEX #827363

RGB 130 115 99

HSL 30.97, 0.14%, 0.45%

LAB 49.38, 3.1, 10.99

 

CMYK 5 / 3 / 0 / 54

HEX #6F7275

RGB 111 114 117

HSL 210, 0.03%, 0.45%

LAB 47.88, -0.51, -2.06

 

CMYK 0 / 77 / 76 / 27

HEX #B92B2D

RGB 185 43 45

HSL 359.15, 0.62%, 0.45%

LAB 41.58, 55.72, 34.39

 

CMYK 0 / 57 / 77 / 27

HEX #B94F2B

RGB 185 79 43

HSL 15.21, 0.62%, 0.45%

LAB 47.08, 40.76, 41.37

 

CMYK 0 / 37 / 77 / 27

HEX #B9752B

RGB 185 117 43

HSL 31.27, 0.62%, 0.45%

LAB 55.29, 20.61, 49.65

 

CMYK 0 / 16 / 77 / 27

HEX #B99B2B

RGB 185 155 43

HSL 47.32, 0.62%, 0.45%

LAB 64.91, -0.31, 58.85

 

CMYK 4 / 0 / 77 / 27

HEX #B2B92B

RGB 178 185 43

HSL 62.96, 0.62%, 0.45%

LAB 72.45, -19.02, 65.58

 

CMYK 0 / 37 / 77 / 53

HEX #774B1B

RGB 119 75 27

HSL 31.3, 0.63%, 0.29%

LAB 36.05, 14.2, 34.97

 

CMYK 0 / 37 / 77 / 40

HEX #986023

RGB 152 96 35

HSL 31.28, 0.63%, 0.37%

LAB 45.86, 17.48, 42.47

 

CMYK 0 / 37 / 77 / 27

HEX #B9752B

RGB 185 117 43

HSL 31.27, 0.62%, 0.45%

LAB 55.29, 20.61, 49.65

 

CMYK 0 / 34 / 71 / 18

HEX #D18A3D

RGB 209 138 61

HSL 31.22, 0.62%, 0.53%

LAB 63.4, 20.28, 50.77

 

CMYK 0 / 27 / 57 / 15

HEX #D99E5E

RGB 217 158 94

HSL 31.22, 0.62%, 0.61%

LAB 69.48, 14.98, 41.72

 

CMYK 0 / 37 / 77 / 27

HEX #B9752B

RGB 185 117 43

HSL 31.27, 0.62%, 0.45%

LAB 55.29, 20.61, 49.65

 

CMYK 55 / 0 / 77 / 27

HEX #53B92B

RGB 83 185 43

HSL 103.1, 0.62%, 0.45%

LAB 67.06, -54.06, 58.59

 

CMYK 68 / 77 / 0 / 27

HEX #3C2BB9

RGB 60 43 185

HSL 247.18, 0.62%, 0.45%

LAB 29.89, 49.39, -71.48

 

CMYK 0 / 37 / 77 / 27

HEX #B9752B

RGB 185 117 43

HSL 31.27, 0.62%, 0.45%

LAB 55.29, 20.61, 49.65

 

CMYK 77 / 0 / 37 / 27

HEX #2BB975

RGB 43 185 117

HSL 151.27, 0.62%, 0.45%

LAB 66.9, -52.4, 24.27

 

CMYK 37 / 77 / 0 / 27

HEX #752BB9

RGB 117 43 185

HSL 271.27, 0.62%, 0.45%

LAB 36.01, 57.3, -61.21

 

CMYK 0 / 37 / 77 / 27

HEX #B9752B

RGB 185 117 43

HSL 31.27, 0.62%, 0.45%

LAB 55.29, 20.61, 49.65

 

CMYK 55 / 0 / 77 / 27

HEX #53B92B

RGB 83 185 43

HSL 103.1, 0.62%, 0.45%

LAB 67.06, -54.06, 58.59

 

CMYK 77 / 39 / 0 / 27

HEX #2B70B9

RGB 43 112 185

HSL 210.85, 0.62%, 0.45%

LAB 46.45, 4.26, -44.64

 

CMYK 22 / 77 / 0 / 27

HEX #912BB9

RGB 145 43 185

HSL 283.1, 0.62%, 0.45%

LAB 40, 62.32, -54.54

 

CMYK 0 / 37 / 77 / 27

HEX #B9752B

RGB 185 117 43

HSL 31.27, 0.62%, 0.45%

LAB 55.29, 20.61, 49.65

 

CMYK 77 / 0 / 76 / 27

HEX #2BB92D

RGB 43 185 45

HSL 120.85, 0.62%, 0.45%

LAB 66.06, -62.28, 56.6

 

CMYK 77 / 39 / 0 / 27

HEX #2B70B9

RGB 43 112 185

HSL 210.85, 0.62%, 0.45%

LAB 46.45, 4.26, -44.64

 

CMYK 0 / 77 / 1 / 27

HEX #B92BB7

RGB 185 43 183

HSL 300.85, 0.62%, 0.45%

LAB 46.26, 69.86, -42.98

 

Description

Color code: RGB 185 117 43 | qconv.com Color code: RGB 185 117 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 117 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 117 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 77 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 77% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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