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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 185 109 168 it is the complementary color RGB 70 146 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 185 109 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 185 109 168 shade: RGB 190 109 163, RGB 207 127 182, RGB 224 145 201, RGB 241 163 220 and RGB 255 181 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 185 109 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 185 109 168 shade: RGB 185 109 168, RGB 168 91 149, RGB 151 73 130, RGB 134 55 111 and RGB 117 37 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 185 109 168 shade: RGB 185 110 168, RGB 185 110 148, RGB 185 110 128 and RGB 185 110 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 185 109 168 shade: RGB 185 110 168, RGB 181 110 185, RGB 161 110 185, RGB 141 110 185 and RGB 121 110 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 185 109 168 shade matches the following richer shades: RGB 185 110 168, RGB 202 93 178, RGB 220 75 187, RGB 237 58 197 and RGB 254 41 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 185 109 168 shade: RGB 185 110 168, RGB 168 127 159, RGB 150 145 149, RGB 133 162 139 and RGB 116 179 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 185 109 168 shade: RGB 161 110 185, RGB 181 110 185, RGB 185 110 169, RGB 185 110 149 and RGB 185 110 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 185 109 168 shade: RGB 143 69 127, RGB 171 82 151, RGB 185 110 168, RGB 198 138 185 and RGB 212 166 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 185 109 168 shade: RGB 185 109 168, RGB 185 141 110 and RGB 110 185 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 185 109 168 shade: RGB 185 109 168, RGB 169 185 110 and RGB 110 169 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 185 109 168 shade: RGB 185 109 168, RGB 185 141 110, RGB 110 185 126 and RGB 110 154 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 185 109 168 shade: RGB 185 109 168, RGB 185 164 110, RGB 110 185 126 and RGB 110 131 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 9 / 27

HEX #B96DA8

RGB 185 109 168

HSL 313.42, 0.35%, 0.58%

LAB 56.17, 38.73, -18.79

 

Complementary color

CMYK 52 / 0 / 40 / 43

HEX #469257

RGB 70 146 87

HSL 133.42, 0.35%, 0.42%

LAB 54.6, -37.01, 24.26

 

CMYK 0 / 43 / 14 / 25

HEX #BE6DA3

RGB 190 109 163

HSL 320, 0.38%, 0.59%

LAB 56.61, 39.55, -15.16

 

CMYK 0 / 39 / 12 / 19

HEX #CF7FB6

RGB 207 127 182

HSL 318.75, 0.45%, 0.65%

LAB 63.2, 38.77, -15.88

 

CMYK 0 / 35 / 10 / 12

HEX #E091C9

RGB 224 145 201

HSL 317.47, 0.56%, 0.72%

LAB 69.69, 38.01, -16.52

 

CMYK 0 / 32 / 9 / 5

HEX #F1A3DC

RGB 241 163 220

HSL 316.15, 0.74%, 0.79%

LAB 76.11, 37.29, -17.11

 

CMYK 0 / 29 / 6 / 0

HEX #FFB5EF

RGB 255 181 239

HSL 312.97, 1%, 0.85%

LAB 82.13, 35.63, -18.14

 

CMYK 0 / 41 / 9 / 27

HEX #B96DA8

RGB 185 109 168

HSL 313.42, 0.35%, 0.58%

LAB 56.17, 38.73, -18.79

 

CMYK 0 / 46 / 11 / 34

HEX #A85B95

RGB 168 91 149

HSL 314.81, 0.31%, 0.51%

LAB 49.47, 39.51, -18.08

 

CMYK 0 / 52 / 14 / 41

HEX #974982

RGB 151 73 130

HSL 316.15, 0.35%, 0.44%

LAB 42.7, 40.24, -17.23

 

CMYK 0 / 59 / 17 / 47

HEX #86376F

RGB 134 55 111

HSL 317.47, 0.42%, 0.37%

LAB 35.88, 40.84, -16.14

 

CMYK 0 / 68 / 21 / 54

HEX #75255C

RGB 117 37 92

HSL 318.75, 0.52%, 0.3%

LAB 29.1, 41.08, -14.64

 

CMYK 0 / 41 / 9 / 27

HEX #B96EA8

RGB 185 110 168

HSL 313.6, 0.35%, 0.58%

LAB 56.38, 38.2, -18.46

 

CMYK 0 / 41 / 20 / 27

HEX #B96E94

RGB 185 110 148

HSL 329.6, 0.35%, 0.58%

LAB 55.69, 34.9, -7.89

 

CMYK 0 / 41 / 31 / 27

HEX #B96E80

RGB 185 110 128

HSL 345.6, 0.35%, 0.58%

LAB 55.1, 32, 2.93

 

CMYK 0 / 41 / 41 / 27

HEX #B96E6E

RGB 185 110 110

HSL 0, 0.35%, 0.58%

LAB 54.65, 29.74, 12.83

 

CMYK 0 / 41 / 9 / 27

HEX #B96EA8

RGB 185 110 168

HSL 313.6, 0.35%, 0.58%

LAB 56.38, 38.2, -18.46

 

CMYK 2 / 41 / 0 / 27

HEX #B56EB9

RGB 181 110 185

HSL 296.8, 0.35%, 0.58%

LAB 56.56, 40.02, -28.01

 

CMYK 13 / 41 / 0 / 27

HEX #A16EB9

RGB 161 110 185

HSL 280.8, 0.35%, 0.58%

LAB 54.27, 33.83, -31.75

 

CMYK 24 / 41 / 0 / 27

HEX #8D6EB9

RGB 141 110 185

HSL 264.8, 0.35%, 0.58%

LAB 52.19, 27.77, -35.15

 

CMYK 35 / 41 / 0 / 27

HEX #796EB9

RGB 121 110 185

HSL 248.8, 0.35%, 0.58%

LAB 50.36, 21.98, -38.17

 

CMYK 0 / 41 / 9 / 27

HEX #B96EA8

RGB 185 110 168

HSL 313.6, 0.35%, 0.58%

LAB 56.38, 38.2, -18.46

 

CMYK 0 / 54 / 12 / 21

HEX #CA5DB2

RGB 202 93 178

HSL 313.21, 0.51%, 0.58%

LAB 55.68, 53.8, -25.12

 

CMYK 0 / 66 / 15 / 14

HEX #DC4BBB

RGB 220 75 187

HSL 313.66, 0.67%, 0.58%

LAB 55.92, 67.78, -29.73

 

CMYK 0 / 76 / 17 / 7

HEX #ED3AC5

RGB 237 58 197

HSL 313.41, 0.83%, 0.58%

LAB 57.14, 78.79, -33.39

 

CMYK 0 / 84 / 19 / 0

HEX #FE29CE

RGB 254 41 206

HSL 313.52, 0.99%, 0.58%

LAB 59.08, 87.43, -35.29

 

CMYK 0 / 41 / 9 / 27

HEX #B96EA8

RGB 185 110 168

HSL 313.6, 0.35%, 0.58%

LAB 56.38, 38.2, -18.46

 

CMYK 0 / 24 / 5 / 34

HEX #A87F9F

RGB 168 127 159

HSL 313.17, 0.19%, 0.58%

LAB 58.04, 21.26, -10.94

 

CMYK 0 / 3 / 1 / 41

HEX #969195

RGB 150 145 149

HSL 312, 0.02%, 0.58%

LAB 60.7, 2.61, -1.47

 

CMYK 18 / 0 / 14 / 36

HEX #85A28B

RGB 133 162 139

HSL 132.41, 0.13%, 0.58%

LAB 63.91, -14.73, 8.65

 

CMYK 35 / 0 / 27 / 30

HEX #74B382

RGB 116 179 130

HSL 133.33, 0.29%, 0.58%

LAB 67.7, -30.66, 18.77

 

CMYK 13 / 41 / 0 / 27

HEX #A16EB9

RGB 161 110 185

HSL 280.8, 0.35%, 0.58%

LAB 54.27, 33.83, -31.75

 

CMYK 2 / 41 / 0 / 27

HEX #B56EB9

RGB 181 110 185

HSL 296.8, 0.35%, 0.58%

LAB 56.56, 40.02, -28.01

 

CMYK 0 / 41 / 9 / 27

HEX #B96EA9

RGB 185 110 169

HSL 312.8, 0.35%, 0.58%

LAB 56.42, 38.37, -18.98

 

CMYK 0 / 41 / 19 / 27

HEX #B96E95

RGB 185 110 149

HSL 328.8, 0.35%, 0.58%

LAB 55.72, 35.06, -8.42

 

CMYK 0 / 41 / 30 / 27

HEX #B96E81

RGB 185 110 129

HSL 344.8, 0.35%, 0.58%

LAB 55.12, 32.13, 2.39

 

CMYK 0 / 52 / 11 / 44

HEX #8F457F

RGB 143 69 127

HSL 312.97, 0.35%, 0.42%

LAB 40.62, 39.24, -18.69

 

CMYK 0 / 52 / 12 / 33

HEX #AB5297

RGB 171 82 151

HSL 313.48, 0.35%, 0.5%

LAB 48.17, 45.46, -21.23

 

CMYK 0 / 41 / 9 / 27

HEX #B96EA8

RGB 185 110 168

HSL 313.6, 0.35%, 0.58%

LAB 56.38, 38.2, -18.46

 

CMYK 0 / 30 / 7 / 22

HEX #C68AB9

RGB 198 138 185

HSL 313, 0.34%, 0.66%

LAB 64.71, 30.31, -15.38

 

CMYK 0 / 22 / 5 / 17

HEX #D4A6C9

RGB 212 166 201

HSL 314.35, 0.35%, 0.74%

LAB 73.21, 22.64, -11.36

 

CMYK 0 / 41 / 9 / 27

HEX #B96DA8

RGB 185 109 168

HSL 313.42, 0.35%, 0.58%

LAB 56.17, 38.73, -18.79

 

CMYK 0 / 24 / 41 / 27

HEX #B98D6E

RGB 185 141 110

HSL 24.8, 0.35%, 0.58%

LAB 62.07, 12.56, 22.98

 

CMYK 41 / 0 / 8 / 27

HEX #6EB9AB

RGB 110 185 171

HSL 168.8, 0.35%, 0.58%

LAB 70.14, -26.65, -0.22

 

CMYK 0 / 41 / 9 / 27

HEX #B96DA8

RGB 185 109 168

HSL 313.42, 0.35%, 0.58%

LAB 56.17, 38.73, -18.79

 

CMYK 9 / 0 / 41 / 27

HEX #A9B96E

RGB 169 185 110

HSL 72.8, 0.35%, 0.58%

LAB 72.4, -17.52, 36.19

 

CMYK 41 / 9 / 0 / 27

HEX #6EA9B9

RGB 110 169 185

HSL 192.8, 0.35%, 0.58%

LAB 65.9, -14.96, -14.26

 

CMYK 0 / 41 / 9 / 27

HEX #B96DA8

RGB 185 109 168

HSL 313.42, 0.35%, 0.58%

LAB 56.17, 38.73, -18.79

 

CMYK 0 / 24 / 41 / 27

HEX #B98D6E

RGB 185 141 110

HSL 24.8, 0.35%, 0.58%

LAB 62.07, 12.56, 22.98

 

CMYK 41 / 0 / 32 / 27

HEX #6EB97E

RGB 110 185 126

HSL 132.8, 0.35%, 0.58%

LAB 69.13, -36.04, 22.82

 

CMYK 41 / 17 / 0 / 27

HEX #6E9AB9

RGB 110 154 185

HSL 204.8, 0.35%, 0.58%

LAB 61.59, -6.81, -20.79

 

CMYK 0 / 41 / 9 / 27

HEX #B96DA8

RGB 185 109 168

HSL 313.42, 0.35%, 0.58%

LAB 56.17, 38.73, -18.79

 

CMYK 0 / 11 / 41 / 27

HEX #B9A46E

RGB 185 164 110

HSL 43.2, 0.35%, 0.58%

LAB 68.01, -0.04, 30.82

 

CMYK 41 / 0 / 32 / 27

HEX #6EB97E

RGB 110 185 126

HSL 132.8, 0.35%, 0.58%

LAB 69.13, -36.04, 22.82

 

CMYK 41 / 29 / 0 / 27

HEX #6E83B9

RGB 110 131 185

HSL 223.2, 0.35%, 0.58%

LAB 55.12, 6.37, -30.76

 

Description

Color code: RGB 185 109 168 | qconv.com Color code: RGB 185 109 168 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 109 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 109 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 9 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 9% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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