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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 184 83 239 it is the complementary color RGB 71 172 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 184 83 239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 184 83 239 shade: RGB 189 83 234, RGB 206 101 253, RGB 223 119 255, RGB 240 137 255 and RGB 255 155 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 184 83 239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 184 83 239 shade: RGB 184 83 239, RGB 167 65 220, RGB 150 47 201, RGB 133 29 182 and RGB 116 11 163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 184 83 239 shade: RGB 183 82 238, RGB 225 82 238, RGB 238 82 209, RGB 238 82 167 and RGB 238 82 125

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 184 83 239 shade: RGB 183 82 238, RGB 141 82 238, RGB 99 82 238 and RGB 82 82 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 184 83 239 shade matches the following richer shades: RGB 183 82 238 and RGB 188 67 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 184 83 239 shade: RGB 183 82 238, RGB 179 97 223, RGB 174 112 208, RGB 170 128 193 and RGB 165 143 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 184 83 239 shade: RGB 98 82 238, RGB 139 82 238, RGB 181 82 238, RGB 223 82 238 and RGB 238 82 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 184 83 239 shade: RGB 148 20 218, RGB 168 44 235, RGB 183 82 238, RGB 199 120 242 and RGB 214 157 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 184 83 239 shade: RGB 184 83 239, RGB 238 82 108 and RGB 82 238 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 184 83 239 shade: RGB 184 83 239, RGB 238 181 82 and RGB 82 238 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 184 83 239 shade: RGB 184 83 239, RGB 238 82 108, RGB 139 238 82 and RGB 82 238 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 184 83 239 shade: RGB 184 83 239, RGB 238 103 82, RGB 139 238 82 and RGB 82 218 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 65 / 0 / 6

HEX #B853EF

RGB 184 83 239

HSL 278.85, 0.83%, 0.63%

LAB 54.67, 65.16, -61.59

 

Complementary color

CMYK 59 / 0 / 91 / 33

HEX #47AC10

RGB 71 172 16

HSL 98.85, 0.83%, 0.37%

LAB 62.41, -53.82, 61.11

 

CMYK 19 / 65 / 0 / 8

HEX #BD53EA

RGB 189 83 234

HSL 282.12, 0.78%, 0.62%

LAB 55.02, 65.22, -58.19

 

CMYK 19 / 60 / 0 / 1

HEX #CE65FD

RGB 206 101 253

HSL 281.45, 0.97%, 0.69%

LAB 61.24, 64.8, -58.68

 

CMYK 13 / 53 / 0 / 0

HEX #DF77FF

RGB 223 119 255

HSL 285.88, 1%, 0.73%

LAB 66.6, 60.83, -51.13

 

CMYK 6 / 46 / 0 / 0

HEX #F089FF

RGB 240 137 255

HSL 292.37, 1%, 0.77%

LAB 71.98, 56.55, -42.52

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 23 / 65 / 0 / 6

HEX #B853EF

RGB 184 83 239

HSL 278.85, 0.83%, 0.63%

LAB 54.67, 65.16, -61.59

 

CMYK 24 / 70 / 0 / 14

HEX #A741DC

RGB 167 65 220

HSL 279.48, 0.69%, 0.56%

LAB 48.47, 65.36, -60.97

 

CMYK 25 / 77 / 0 / 21

HEX #962FC9

RGB 150 47 201

HSL 280.13, 0.62%, 0.49%

LAB 42.36, 65.08, -60.04

 

CMYK 27 / 84 / 0 / 29

HEX #851DB6

RGB 133 29 182

HSL 280.78, 0.73%, 0.41%

LAB 36.45, 63.99, -58.62

 

CMYK 29 / 93 / 0 / 36

HEX #740BA3

RGB 116 11 163

HSL 281.45, 0.87%, 0.34%

LAB 30.87, 61.61, -56.44

 

CMYK 23 / 66 / 0 / 7

HEX #B752EE

RGB 183 82 238

HSL 278.85, 0.82%, 0.63%

LAB 54.32, 65.18, -61.6

 

CMYK 5 / 66 / 0 / 7

HEX #E152EE

RGB 225 82 238

HSL 295, 0.82%, 0.63%

LAB 60.08, 74.34, -52.05

 

CMYK 0 / 66 / 12 / 7

HEX #EE52D1

RGB 238 82 209

HSL 311.15, 0.82%, 0.63%

LAB 60.62, 72.8, -34.79

 

CMYK 0 / 66 / 30 / 7

HEX #EE52A7

RGB 238 82 167

HSL 327.31, 0.82%, 0.63%

LAB 58.98, 67.25, -13.23

 

CMYK 0 / 66 / 47 / 7

HEX #EE527D

RGB 238 82 125

HSL 343.46, 0.82%, 0.63%

LAB 57.74, 62.91, 9.52

 

CMYK 23 / 66 / 0 / 7

HEX #B752EE

RGB 183 82 238

HSL 278.85, 0.82%, 0.63%

LAB 54.32, 65.18, -61.6

 

CMYK 41 / 66 / 0 / 7

HEX #8D52EE

RGB 141 82 238

HSL 262.69, 0.82%, 0.63%

LAB 49.34, 56.65, -69.89

 

CMYK 58 / 66 / 0 / 7

HEX #6352EE

RGB 99 82 238

HSL 246.54, 0.82%, 0.63%

LAB 45.44, 49.41, -76.41

 

CMYK 66 / 66 / 0 / 7

HEX #5252EE

RGB 82 82 238

HSL 240, 0.82%, 0.63%

LAB 44.24, 47.03, -78.43

 

CMYK 23 / 66 / 0 / 7

HEX #B752EE

RGB 183 82 238

HSL 278.85, 0.82%, 0.63%

LAB 54.32, 65.18, -61.6

 

CMYK 26 / 74 / 0 / 0

HEX #BC43FE

RGB 188 67 254

HSL 278.82, 0.99%, 0.63%

LAB 53.88, 75.46, -71.19

 

CMYK 23 / 66 / 0 / 7

HEX #B752EE

RGB 183 82 238

HSL 278.85, 0.82%, 0.63%

LAB 54.32, 65.18, -61.6

 

CMYK 20 / 57 / 0 / 13

HEX #B361DF

RGB 179 97 223

HSL 279.05, 0.66%, 0.63%

LAB 55.54, 54, -51.24

 

CMYK 16 / 46 / 0 / 18

HEX #AE70D0

RGB 174 112 208

HSL 278.75, 0.51%, 0.63%

LAB 57.21, 41.56, -40.16

 

CMYK 12 / 34 / 0 / 24

HEX #AA80C1

RGB 170 128 193

HSL 278.77, 0.34%, 0.63%

LAB 59.74, 28.2, -27.76

 

CMYK 7 / 19 / 0 / 31

HEX #A58FB1

RGB 165 143 177

HSL 278.82, 0.18%, 0.63%

LAB 62.35, 14.66, -14.75

 

CMYK 59 / 66 / 0 / 7

HEX #6252EE

RGB 98 82 238

HSL 246.15, 0.82%, 0.63%

LAB 45.36, 49.26, -76.54

 

CMYK 42 / 66 / 0 / 7

HEX #8B52EE

RGB 139 82 238

HSL 261.92, 0.82%, 0.63%

LAB 49.13, 56.27, -70.24

 

CMYK 24 / 66 / 0 / 7

HEX #B552EE

RGB 181 82 238

HSL 278.08, 0.82%, 0.63%

LAB 54.06, 64.76, -62.03

 

CMYK 6 / 66 / 0 / 7

HEX #DF52EE

RGB 223 82 238

HSL 294.23, 0.82%, 0.63%

LAB 59.79, 73.89, -52.53

 

CMYK 0 / 66 / 11 / 7

HEX #EE52D4

RGB 238 82 212

HSL 310, 0.82%, 0.63%

LAB 60.75, 73.24, -36.28

 

CMYK 32 / 91 / 0 / 15

HEX #9414DA

RGB 148 20 218

HSL 278.79, 0.83%, 0.47%

LAB 40.99, 75.22, -72.1

 

CMYK 29 / 81 / 0 / 8

HEX #A82CEB

RGB 168 44 235

HSL 278.95, 0.83%, 0.55%

LAB 47.14, 75.85, -71.63

 

CMYK 23 / 66 / 0 / 7

HEX #B752EE

RGB 183 82 238

HSL 278.85, 0.82%, 0.63%

LAB 54.32, 65.18, -61.6

 

CMYK 18 / 50 / 0 / 5

HEX #C778F2

RGB 199 120 242

HSL 278.85, 0.82%, 0.71%

LAB 63.33, 51.46, -49.33

 

CMYK 13 / 36 / 0 / 4

HEX #D69DF5

RGB 214 157 245

HSL 278.86, 0.81%, 0.79%

LAB 72.89, 36.68, -35.89

 

CMYK 23 / 65 / 0 / 6

HEX #B853EF

RGB 184 83 239

HSL 278.85, 0.83%, 0.63%

LAB 54.67, 65.16, -61.59

 

CMYK 0 / 66 / 55 / 7

HEX #EE526C

RGB 238 82 108

HSL 350, 0.82%, 0.63%

LAB 57.36, 61.53, 18.98

 

CMYK 66 / 0 / 50 / 7

HEX #52EE76

RGB 82 238 118

HSL 133.85, 0.82%, 0.63%

LAB 84.1, -65.3, 46.04

 

CMYK 23 / 65 / 0 / 6

HEX #B853EF

RGB 184 83 239

HSL 278.85, 0.83%, 0.63%

LAB 54.67, 65.16, -61.59

 

CMYK 0 / 24 / 66 / 7

HEX #EEB552

RGB 238 181 82

HSL 38.08, 0.82%, 0.63%

LAB 77.18, 10.69, 56.96

 

CMYK 66 / 0 / 24 / 7

HEX #52EEB5

RGB 82 238 181

HSL 158.08, 0.82%, 0.63%

LAB 85.14, -53.91, 15.8

 

CMYK 23 / 65 / 0 / 6

HEX #B853EF

RGB 184 83 239

HSL 278.85, 0.83%, 0.63%

LAB 54.67, 65.16, -61.59

 

CMYK 0 / 66 / 55 / 7

HEX #EE526C

RGB 238 82 108

HSL 350, 0.82%, 0.63%

LAB 57.36, 61.53, 18.98

 

CMYK 42 / 0 / 66 / 7

HEX #8BEE52

RGB 139 238 82

HSL 98.08, 0.82%, 0.63%

LAB 85.63, -54.98, 64.03

 

CMYK 66 / 0 / 11 / 7

HEX #52EED4

RGB 82 238 212

HSL 170, 0.82%, 0.63%

LAB 85.85, -46.64, 0.62

 

CMYK 23 / 65 / 0 / 6

HEX #B853EF

RGB 184 83 239

HSL 278.85, 0.83%, 0.63%

LAB 54.67, 65.16, -61.59

 

CMYK 0 / 57 / 66 / 7

HEX #EE6752

RGB 238 103 82

HSL 8.08, 0.82%, 0.63%

LAB 60.33, 50.73, 37.65

 

CMYK 42 / 0 / 66 / 7

HEX #8BEE52

RGB 139 238 82

HSL 98.08, 0.82%, 0.63%

LAB 85.63, -54.98, 64.03

 

CMYK 66 / 8 / 0 / 7

HEX #52DAEE

RGB 82 218 238

HSL 187.69, 0.82%, 0.63%

LAB 80.8, -30.5, -20.65

 

Description

Color code: RGB 184 83 239 | qconv.com Color code: RGB 184 83 239 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 83 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 83 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 65 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 65% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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