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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 184 40 240 it is the complementary color RGB 71 215 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 184 40 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 184 40 240 shade: RGB 189 40 235, RGB 206 58 254, RGB 223 76 255, RGB 240 94 255 and RGB 255 112 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 184 40 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 184 40 240 shade: RGB 184 40 240, RGB 167 22 221, RGB 150 4 202, RGB 133 0 183 and RGB 116 0 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 184 40 240 shade: RGB 184 40 240, RGB 238 40 240, RGB 240 40 188, RGB 240 40 134 and RGB 240 40 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 184 40 240 shade: RGB 184 40 240, RGB 130 40 240, RGB 76 40 240 and RGB 40 40 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 184 40 240 shade matches the following richer shades: RGB 184 40 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 184 40 240 shade: RGB 184 40 240, RGB 176 58 221, RGB 167 77 202, RGB 159 96 184 and RGB 151 114 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 184 40 240 shade: RGB 77 40 240, RGB 130 40 240, RGB 183 40 240, RGB 236 40 240 and RGB 240 40 190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 184 40 240 shade: RGB 136 12 185, RGB 165 15 223, RGB 184 40 240, RGB 196 78 242 and RGB 209 117 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 184 40 240 shade: RGB 184 40 240, RGB 240 40 57 and RGB 40 240 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 184 40 240 shade: RGB 184 40 240, RGB 240 183 40 and RGB 40 240 183

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 184 40 240 shade: RGB 184 40 240, RGB 240 40 57, RGB 96 240 40 and RGB 40 240 223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 184 40 240 shade: RGB 184 40 240, RGB 240 83 40, RGB 96 240 40 and RGB 40 196 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 83 / 0 / 6

HEX #B828F0

RGB 184 40 240

HSL 283.2, 0.87%, 0.55%

LAB 49.5, 80.31, -70.51

 

Complementary color

CMYK 67 / 0 / 93 / 16

HEX #47D70F

RGB 71 215 15

HSL 103.2, 0.87%, 0.45%

LAB 76.05, -68.16, 72.65

 

CMYK 20 / 83 / 0 / 8

HEX #BD28EB

RGB 189 40 235

HSL 285.85, 0.83%, 0.54%

LAB 49.9, 80.18, -67

 

CMYK 19 / 77 / 0 / 0

HEX #CE3AFE

RGB 206 58 254

HSL 285.31, 0.99%, 0.61%

LAB 55.38, 81.59, -68.64

 

CMYK 13 / 70 / 0 / 0

HEX #DF4CFF

RGB 223 76 255

HSL 289.27, 1%, 0.65%

LAB 59.96, 79.07, -61.7

 

CMYK 6 / 63 / 0 / 0

HEX #F05EFF

RGB 240 94 255

HSL 294.41, 1%, 0.68%

LAB 64.76, 75.95, -53.9

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 23 / 83 / 0 / 6

HEX #B828F0

RGB 184 40 240

HSL 283.2, 0.87%, 0.55%

LAB 49.5, 80.31, -70.51

 

CMYK 24 / 90 / 0 / 13

HEX #A716DD

RGB 167 22 221

HSL 283.72, 0.82%, 0.48%

LAB 44.25, 77.98, -68.38

 

CMYK 26 / 98 / 0 / 21

HEX #9604CA

RGB 150 4 202

HSL 284.24, 0.96%, 0.4%

LAB 39.3, 74.48, -65.6

 

CMYK 27 / 100 / 0 / 28

HEX #8500B7

RGB 133 0 183

HSL 283.61, 1%, 0.36%

LAB 34.81, 69.27, -61.87

 

CMYK 29 / 100 / 0 / 36

HEX #7400A4

RGB 116 0 164

HSL 282.44, 1%, 0.32%

LAB 30.38, 63.52, -57.84

 

CMYK 23 / 83 / 0 / 6

HEX #B828F0

RGB 184 40 240

HSL 283.2, 0.87%, 0.55%

LAB 49.5, 80.31, -70.51

 

CMYK 1 / 83 / 0 / 6

HEX #EE28F0

RGB 238 40 240

HSL 299.4, 0.87%, 0.55%

LAB 58.02, 89.21, -56.33

 

CMYK 0 / 83 / 22 / 6

HEX #F028BC

RGB 240 40 188

HSL 315.6, 0.87%, 0.55%

LAB 55.76, 82.6, -30.3

 

CMYK 0 / 83 / 44 / 6

HEX #F02886

RGB 240 40 134

HSL 331.8, 0.87%, 0.55%

LAB 53.78, 77.02, -1.5

 

CMYK 0 / 83 / 67 / 6

HEX #F02850

RGB 240 40 80

HSL 348, 0.87%, 0.55%

LAB 52.53, 73.4, 29.27

 

CMYK 23 / 83 / 0 / 6

HEX #B828F0

RGB 184 40 240

HSL 283.2, 0.87%, 0.55%

LAB 49.5, 80.31, -70.51

 

CMYK 46 / 83 / 0 / 6

HEX #8228F0

RGB 130 40 240

HSL 267, 0.87%, 0.55%

LAB 42.08, 72.93, -82.92

 

CMYK 68 / 83 / 0 / 6

HEX #4C28F0

RGB 76 40 240

HSL 250.8, 0.87%, 0.55%

LAB 36.64, 67.83, -92.1

 

CMYK 83 / 83 / 0 / 6

HEX #2828F0

RGB 40 40 240

HSL 240, 0.87%, 0.55%

LAB 34.52, 65.95, -95.68

 

CMYK 23 / 83 / 0 / 6

HEX #B828F0

RGB 184 40 240

HSL 283.2, 0.87%, 0.55%

LAB 49.5, 80.31, -70.51

 

CMYK 23 / 83 / 0 / 6

HEX #B828F0

RGB 184 40 240

HSL 283.2, 0.87%, 0.55%

LAB 49.5, 80.31, -70.51

 

CMYK 20 / 74 / 0 / 13

HEX #B03ADD

RGB 176 58 221

HSL 283.44, 0.71%, 0.55%

LAB 48.86, 69.98, -60.85

 

CMYK 17 / 62 / 0 / 21

HEX #A74DCA

RGB 167 77 202

HSL 283.2, 0.54%, 0.55%

LAB 49.24, 56.38, -49.43

 

CMYK 14 / 48 / 0 / 28

HEX #9F60B8

RGB 159 96 184

HSL 282.95, 0.38%, 0.55%

LAB 50.92, 40.78, -36.44

 

CMYK 8 / 31 / 0 / 35

HEX #9772A5

RGB 151 114 165

HSL 283.53, 0.22%, 0.55%

LAB 53.31, 24.03, -21.76

 

CMYK 68 / 83 / 0 / 6

HEX #4D28F0

RGB 77 40 240

HSL 251.1, 0.87%, 0.55%

LAB 36.72, 67.9, -91.97

 

CMYK 46 / 83 / 0 / 6

HEX #8228F0

RGB 130 40 240

HSL 267, 0.87%, 0.55%

LAB 42.08, 72.93, -82.92

 

CMYK 24 / 83 / 0 / 6

HEX #B728F0

RGB 183 40 240

HSL 282.9, 0.87%, 0.55%

LAB 49.35, 80.15, -70.76

 

CMYK 2 / 83 / 0 / 6

HEX #EC28F0

RGB 236 40 240

HSL 298.8, 0.87%, 0.55%

LAB 57.7, 88.86, -56.87

 

CMYK 0 / 83 / 21 / 6

HEX #F028BE

RGB 240 40 190

HSL 315, 0.87%, 0.55%

LAB 55.85, 82.84, -31.32

 

CMYK 26 / 94 / 0 / 27

HEX #880CB9

RGB 136 12 185

HSL 283.01, 0.88%, 0.39%

LAB 35.98, 68.5, -61.13

 

CMYK 26 / 93 / 0 / 13

HEX #A50FDF

RGB 165 15 223

HSL 283.27, 0.87%, 0.47%

LAB 43.75, 79.07, -70.34

 

CMYK 23 / 83 / 0 / 6

HEX #B828F0

RGB 184 40 240

HSL 283.2, 0.87%, 0.55%

LAB 49.5, 80.31, -70.51

 

CMYK 19 / 68 / 0 / 5

HEX #C44EF2

RGB 196 78 242

HSL 283.17, 0.86%, 0.63%

LAB 55.68, 70.4, -61.55

 

CMYK 15 / 52 / 0 / 4

HEX #D175F5

RGB 209 117 245

HSL 283.13, 0.86%, 0.71%

LAB 64.06, 56.22, -49.77

 

CMYK 23 / 83 / 0 / 6

HEX #B828F0

RGB 184 40 240

HSL 283.2, 0.87%, 0.55%

LAB 49.5, 80.31, -70.51

 

CMYK 0 / 83 / 76 / 6

HEX #F02839

RGB 240 40 57

HSL 354.9, 0.87%, 0.55%

LAB 52.22, 72.46, 42.26

 

CMYK 83 / 0 / 57 / 6

HEX #28F067

RGB 40 240 103

HSL 138.9, 0.87%, 0.55%

LAB 83.84, -73.72, 52.47

 

CMYK 23 / 83 / 0 / 6

HEX #B828F0

RGB 184 40 240

HSL 283.2, 0.87%, 0.55%

LAB 49.5, 80.31, -70.51

 

CMYK 0 / 24 / 83 / 6

HEX #F0B728

RGB 240 183 40

HSL 42.9, 0.87%, 0.55%

LAB 77.61, 8.72, 73.17

 

CMYK 83 / 0 / 24 / 6

HEX #28F0B7

RGB 40 240 183

HSL 162.9, 0.87%, 0.55%

LAB 85.09, -59.24, 14.6

 

CMYK 23 / 83 / 0 / 6

HEX #B828F0

RGB 184 40 240

HSL 283.2, 0.87%, 0.55%

LAB 49.5, 80.31, -70.51

 

CMYK 0 / 83 / 76 / 6

HEX #F02839

RGB 240 40 57

HSL 354.9, 0.87%, 0.55%

LAB 52.22, 72.46, 42.26

 

CMYK 60 / 0 / 83 / 6

HEX #60F028

RGB 96 240 40

HSL 103.2, 0.87%, 0.55%

LAB 84.46, -70.04, 75.68

 

CMYK 83 / 0 / 7 / 6

HEX #28F0DF

RGB 40 240 223

HSL 174.9, 0.87%, 0.55%

LAB 86.06, -49.18, -4.94

 

CMYK 23 / 83 / 0 / 6

HEX #B828F0

RGB 184 40 240

HSL 283.2, 0.87%, 0.55%

LAB 49.5, 80.31, -70.51

 

CMYK 0 / 65 / 83 / 6

HEX #F05328

RGB 240 83 40

HSL 12.9, 0.87%, 0.55%

LAB 56.94, 58.44, 55.46

 

CMYK 60 / 0 / 83 / 6

HEX #60F028

RGB 96 240 40

HSL 103.2, 0.87%, 0.55%

LAB 84.46, -70.04, 75.68

 

CMYK 83 / 18 / 0 / 6

HEX #28C4F0

RGB 40 196 240

HSL 193.2, 0.87%, 0.55%

LAB 73.69, -23.68, -32.67

 

Description

Color code: RGB 184 40 240 | qconv.com Color code: RGB 184 40 240 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 40 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 40 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 83 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 83% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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