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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 184 182 69 it is the complementary color RGB 71 73 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 184 182 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 184 182 69 shade: RGB 189 182 64, RGB 206 200 83, RGB 223 218 102, RGB 240 236 121 and RGB 255 254 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 184 182 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 184 182 69 shade: RGB 184 182 69, RGB 167 164 50, RGB 150 146 31, RGB 133 128 12 and RGB 116 110 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 184 182 69 shade: RGB 184 182 70, RGB 184 151 70, RGB 184 120 70, RGB 184 90 70 and RGB 184 70 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 184 182 69 shade: RGB 184 182 70, RGB 155 184 70, RGB 124 184 70, RGB 94 184 70 and RGB 70 184 77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 184 182 69 shade matches the following richer shades: RGB 184 182 70, RGB 205 202 49, RGB 226 222 28 and RGB 246 242 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 184 182 69 shade: RGB 184 182 70, RGB 164 162 90, RGB 143 143 111, RGB 122 123 132 and RGB 102 103 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 184 182 69 shade: RGB 184 119 70, RGB 184 150 70, RGB 184 181 70, RGB 158 184 70 and RGB 127 184 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 184 182 69 shade: RGB 125 123 47, RGB 154 153 58, RGB 184 182 70, RGB 196 194 100 and RGB 207 206 129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 184 182 69 shade: RGB 184 182 69, RGB 70 184 89 and RGB 135 70 184

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 184 182 69 shade: RGB 184 182 69, RGB 70 184 181 and RGB 181 70 184

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 184 182 69 shade: RGB 184 182 69, RGB 70 184 89, RGB 70 73 184 and RGB 184 70 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 184 182 69 shade: RGB 184 182 69, RGB 70 184 123, RGB 70 73 184 and RGB 184 70 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 63 / 28

HEX #B8B645

RGB 184 182 69

HSL 58.96, 0.45%, 0.5%

LAB 72.28, -13.57, 55.9

 

Complementary color

CMYK 62 / 61 / 0 / 27

HEX #4749BA

RGB 71 73 186

HSL 238.96, 0.45%, 0.5%

LAB 37.21, 33.74, -60.04

 

CMYK 0 / 4 / 66 / 26

HEX #BDB640

RGB 189 182 64

HSL 56.64, 0.49%, 0.5%

LAB 72.66, -11.75, 58.51

 

CMYK 0 / 3 / 60 / 19

HEX #CEC853

RGB 206 200 83

HSL 57.07, 0.56%, 0.57%

LAB 79.07, -12.54, 57.73

 

CMYK 0 / 2 / 54 / 13

HEX #DFDA66

RGB 223 218 102

HSL 57.52, 0.65%, 0.64%

LAB 85.4, -13.2, 56.74

 

CMYK 0 / 2 / 50 / 6

HEX #F0EC79

RGB 240 236 121

HSL 57.98, 0.8%, 0.71%

LAB 91.64, -13.76, 55.65

 

CMYK 0 / 0 / 45 / 0

HEX #FFFE8C

RGB 255 254 140

HSL 59.48, 1%, 0.77%

LAB 97.65, -15, 54.31

 

CMYK 0 / 1 / 63 / 28

HEX #B8B645

RGB 184 182 69

HSL 58.96, 0.45%, 0.5%

LAB 72.28, -13.57, 55.9

 

CMYK 0 / 2 / 70 / 35

HEX #A7A432

RGB 167 164 50

HSL 58.46, 0.54%, 0.43%

LAB 65.75, -12.73, 56.47

 

CMYK 0 / 3 / 79 / 41

HEX #96921F

RGB 150 146 31

HSL 57.98, 0.66%, 0.35%

LAB 59.1, -11.68, 56.39

 

CMYK 0 / 4 / 91 / 48

HEX #85800C

RGB 133 128 12

HSL 57.52, 0.83%, 0.28%

LAB 52.34, -10.36, 55.01

 

CMYK 0 / 5 / 100 / 55

HEX #746E00

RGB 116 110 0

HSL 56.9, 1%, 0.23%

LAB 45.45, -8.72, 51.51

 

CMYK 0 / 1 / 62 / 28

HEX #B8B646

RGB 184 182 70

HSL 58.95, 0.45%, 0.5%

LAB 72.29, -13.5, 55.48

 

CMYK 0 / 18 / 62 / 28

HEX #B89746

RGB 184 151 70

HSL 42.63, 0.45%, 0.5%

LAB 63.97, 2.91, 46.35

 

CMYK 0 / 35 / 62 / 28

HEX #B87846

RGB 184 120 70

HSL 26.32, 0.45%, 0.5%

LAB 56.15, 20.05, 37.33

 

CMYK 0 / 51 / 62 / 28

HEX #B85A46

RGB 184 90 70

HSL 10.53, 0.45%, 0.5%

LAB 49.43, 36.31, 29.16

 

CMYK 0 / 62 / 62 / 28

HEX #B84646

RGB 184 70 70

HSL 0, 0.45%, 0.5%

LAB 45.65, 46.12, 24.4

 

CMYK 0 / 1 / 62 / 28

HEX #B8B646

RGB 184 182 70

HSL 58.95, 0.45%, 0.5%

LAB 72.29, -13.5, 55.48

 

CMYK 16 / 0 / 62 / 28

HEX #9BB846

RGB 155 184 70

HSL 75.26, 0.45%, 0.5%

LAB 70.66, -26.55, 53.08

 

CMYK 33 / 0 / 62 / 28

HEX #7CB846

RGB 124 184 70

HSL 91.58, 0.45%, 0.5%

LAB 68.76, -38.45, 50.45

 

CMYK 49 / 0 / 62 / 28

HEX #5EB846

RGB 94 184 70

HSL 107.37, 0.45%, 0.5%

LAB 67.35, -48.33, 48.49

 

CMYK 62 / 0 / 58 / 28

HEX #46B84D

RGB 70 184 77

HSL 123.68, 0.45%, 0.5%

LAB 66.61, -53.78, 44.24

 

CMYK 0 / 1 / 62 / 28

HEX #B8B646

RGB 184 182 70

HSL 58.95, 0.45%, 0.5%

LAB 72.29, -13.5, 55.48

 

CMYK 0 / 1 / 76 / 20

HEX #CDCA31

RGB 205 202 49

HSL 58.85, 0.61%, 0.5%

LAB 79.3, -15.78, 70.77

 

CMYK 0 / 2 / 88 / 11

HEX #E2DE1C

RGB 226 222 28

HSL 58.79, 0.78%, 0.5%

LAB 86.25, -17.39, 82.37

 

CMYK 0 / 2 / 97 / 4

HEX #F6F208

RGB 246 242 8

HSL 58.99, 0.94%, 0.5%

LAB 93.06, -19, 90.6

 

CMYK 0 / 1 / 62 / 28

HEX #B8B646

RGB 184 182 70

HSL 58.95, 0.45%, 0.5%

LAB 72.29, -13.5, 55.48

 

CMYK 0 / 1 / 45 / 36

HEX #A4A25A

RGB 164 162 90

HSL 58.38, 0.29%, 0.5%

LAB 65.33, -9.86, 37.54

 

CMYK 0 / 0 / 22 / 44

HEX #8F8F6F

RGB 143 143 111

HSL 60, 0.13%, 0.5%

LAB 58.63, -5.58, 17.08

 

CMYK 8 / 7 / 0 / 48

HEX #7A7B84

RGB 122 123 132

HSL 234, 0.04%, 0.5%

LAB 51.8, 1.5, -5.02

 

CMYK 33 / 32 / 0 / 40

HEX #666798

RGB 102 103 152

HSL 238.8, 0.2%, 0.5%

LAB 45.35, 11.63, -26.81

 

CMYK 0 / 35 / 62 / 28

HEX #B87746

RGB 184 119 70

HSL 25.79, 0.45%, 0.5%

LAB 55.91, 20.61, 37.04

 

CMYK 0 / 18 / 62 / 28

HEX #B89646

RGB 184 150 70

HSL 42.11, 0.45%, 0.5%

LAB 63.71, 3.46, 46.06

 

CMYK 0 / 2 / 62 / 28

HEX #B8B546

RGB 184 181 70

HSL 58.42, 0.45%, 0.5%

LAB 72.01, -12.99, 55.19

 

CMYK 14 / 0 / 62 / 28

HEX #9EB846

RGB 158 184 70

HSL 73.68, 0.45%, 0.5%

LAB 70.87, -25.33, 53.36

 

CMYK 31 / 0 / 62 / 28

HEX #7FB846

RGB 127 184 70

HSL 90, 0.45%, 0.5%

LAB 68.92, -37.36, 50.67

 

CMYK 0 / 2 / 62 / 51

HEX #7D7B2F

RGB 125 123 47

HSL 58.46, 0.45%, 0.34%

LAB 50.37, -9.7, 40.69

 

CMYK 0 / 1 / 62 / 40

HEX #9A993A

RGB 154 153 58

HSL 59.38, 0.45%, 0.42%

LAB 61.62, -12.16, 48.54

 

CMYK 0 / 1 / 62 / 28

HEX #B8B646

RGB 184 182 70

HSL 58.95, 0.45%, 0.5%

LAB 72.29, -13.5, 55.48

 

CMYK 0 / 1 / 49 / 23

HEX #C4C264

RGB 196 194 100

HSL 58.75, 0.45%, 0.58%

LAB 76.82, -12.27, 47.1

 

CMYK 0 / 0 / 38 / 19

HEX #CFCE81

RGB 207 206 129

HSL 59.23, 0.45%, 0.66%

LAB 81.29, -11.02, 38.43

 

CMYK 0 / 1 / 63 / 28

HEX #B8B645

RGB 184 182 69

HSL 58.96, 0.45%, 0.5%

LAB 72.28, -13.57, 55.9

 

CMYK 62 / 0 / 52 / 28

HEX #46B859

RGB 70 184 89

HSL 130, 0.45%, 0.5%

LAB 66.75, -52.18, 38.64

 

CMYK 27 / 62 / 0 / 28

HEX #8746B8

RGB 135 70 184

HSL 274.21, 0.45%, 0.5%

LAB 42.75, 48.23, -49.59

 

CMYK 0 / 1 / 63 / 28

HEX #B8B645

RGB 184 182 69

HSL 58.96, 0.45%, 0.5%

LAB 72.28, -13.57, 55.9

 

CMYK 62 / 0 / 2 / 28

HEX #46B8B5

RGB 70 184 181

HSL 178.42, 0.45%, 0.5%

LAB 68.69, -32.34, -8.02

 

CMYK 2 / 62 / 0 / 28

HEX #B546B8

RGB 181 70 184

HSL 298.42, 0.45%, 0.5%

LAB 49.09, 59.5, -39.13

 

CMYK 0 / 1 / 63 / 28

HEX #B8B645

RGB 184 182 69

HSL 58.96, 0.45%, 0.5%

LAB 72.28, -13.57, 55.9

 

CMYK 62 / 0 / 52 / 28

HEX #46B859

RGB 70 184 89

HSL 130, 0.45%, 0.5%

LAB 66.75, -52.18, 38.64

 

CMYK 62 / 60 / 0 / 28

HEX #4649B8

RGB 70 73 184

HSL 238.42, 0.45%, 0.5%

LAB 36.98, 32.89, -59.23

 

CMYK 0 / 62 / 10 / 28

HEX #B846A5

RGB 184 70 165

HSL 310, 0.45%, 0.5%

LAB 48.62, 57.1, -28.68

 

CMYK 0 / 1 / 63 / 28

HEX #B8B645

RGB 184 182 69

HSL 58.96, 0.45%, 0.5%

LAB 72.28, -13.57, 55.9

 

CMYK 62 / 0 / 33 / 28

HEX #46B87B

RGB 70 184 123

HSL 147.89, 0.45%, 0.5%

LAB 67.29, -46.33, 21.69

 

CMYK 62 / 60 / 0 / 28

HEX #4649B8

RGB 70 73 184

HSL 238.42, 0.45%, 0.5%

LAB 36.98, 32.89, -59.23

 

CMYK 0 / 62 / 29 / 28

HEX #B84683

RGB 184 70 131

HSL 327.89, 0.45%, 0.5%

LAB 47.25, 52.18, -10.46

 

Description

Color code: RGB 184 182 69 | qconv.com Color code: RGB 184 182 69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 182 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 182 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 63 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 63% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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