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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 184 123 90 it is the complementary color RGB 71 132 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 184 123 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 184 123 90 shade: RGB 189 123 85, RGB 206 141 104, RGB 223 159 123, RGB 240 177 142 and RGB 255 195 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 184 123 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 184 123 90 shade: RGB 184 123 90, RGB 167 105 71, RGB 150 87 52, RGB 133 69 33 and RGB 116 51 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 184 123 90 shade: RGB 184 123 90, RGB 184 98 90 and RGB 184 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 184 123 90 shade: RGB 184 123 90, RGB 184 149 90, RGB 184 174 90, RGB 169 184 90 and RGB 144 184 90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 184 123 90 shade matches the following richer shades: RGB 184 123 90, RGB 203 118 71, RGB 222 112 52 and RGB 241 106 33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 184 123 90 shade: RGB 184 123 90, RGB 165 129 109, RGB 146 135 128, RGB 127 140 147 and RGB 108 146 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 184 123 90 shade: RGB 184 90 107, RGB 184 98 90, RGB 184 123 90, RGB 184 148 90 and RGB 184 173 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 184 123 90 shade: RGB 135 84 57, RGB 163 103 70, RGB 184 123 90, RGB 196 146 119 and RGB 209 169 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 184 123 90 shade: RGB 184 123 90, RGB 133 184 90 and RGB 90 95 184

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 184 123 90 shade: RGB 184 123 90, RGB 90 184 123 and RGB 123 90 184

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 184 123 90 shade: RGB 184 123 90, RGB 133 184 90, RGB 90 151 184 and RGB 142 90 184

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 184 123 90 shade: RGB 184 123 90, RGB 104 184 90, RGB 90 151 184 and RGB 170 90 184

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 51 / 28

HEX #B87B5A

RGB 184 123 90

HSL 21.06, 0.4%, 0.54%

LAB 57.17, 20.05, 27.66

 

Complementary color

CMYK 57 / 20 / 0 / 35

HEX #4784A5

RGB 71 132 165

HSL 201.06, 0.4%, 0.46%

LAB 52.46, -9.89, -23.55

 

CMYK 0 / 35 / 55 / 26

HEX #BD7B55

RGB 189 123 85

HSL 21.92, 0.44%, 0.54%

LAB 57.69, 21.68, 31.23

 

CMYK 0 / 32 / 50 / 19

HEX #CE8D68

RGB 206 141 104

HSL 21.76, 0.51%, 0.61%

LAB 64.3, 20.53, 29.66

 

CMYK 0 / 29 / 45 / 13

HEX #DF9F7B

RGB 223 159 123

HSL 21.6, 0.61%, 0.68%

LAB 70.81, 19.52, 28.22

 

CMYK 0 / 26 / 41 / 6

HEX #F0B18E

RGB 240 177 142

HSL 21.43, 0.77%, 0.75%

LAB 77.23, 18.64, 26.91

 

CMYK 0 / 24 / 37 / 0

HEX #FFC3A1

RGB 255 195 161

HSL 21.7, 1%, 0.82%

LAB 83.37, 17.08, 25.38

 

CMYK 0 / 33 / 51 / 28

HEX #B87B5A

RGB 184 123 90

HSL 21.06, 0.4%, 0.54%

LAB 57.17, 20.05, 27.66

 

CMYK 0 / 37 / 57 / 35

HEX #A76947

RGB 167 105 71

HSL 21.25, 0.4%, 0.47%

LAB 50.42, 21.28, 29.32

 

CMYK 0 / 42 / 65 / 41

HEX #965734

RGB 150 87 52

HSL 21.43, 0.49%, 0.4%

LAB 43.58, 22.72, 31.16

 

CMYK 0 / 48 / 75 / 48

HEX #854521

RGB 133 69 33

HSL 21.6, 0.6%, 0.33%

LAB 36.65, 24.4, 33.13

 

CMYK 0 / 56 / 88 / 55

HEX #74330E

RGB 116 51 14

HSL 21.76, 0.78%, 0.25%

LAB 29.69, 26.34, 34.91

 

CMYK 0 / 33 / 51 / 28

HEX #B87B5A

RGB 184 123 90

HSL 21.06, 0.4%, 0.54%

LAB 57.17, 20.05, 27.66

 

CMYK 0 / 47 / 51 / 28

HEX #B8625A

RGB 184 98 90

HSL 5.11, 0.4%, 0.54%

LAB 51.46, 33.74, 20.15

 

CMYK 0 / 51 / 51 / 28

HEX #B85A5A

RGB 184 90 90

HSL 0, 0.4%, 0.54%

LAB 49.79, 37.94, 17.91

 

CMYK 0 / 33 / 51 / 28

HEX #B87B5A

RGB 184 123 90

HSL 21.06, 0.4%, 0.54%

LAB 57.17, 20.05, 27.66

 

CMYK 0 / 19 / 51 / 28

HEX #B8955A

RGB 184 149 90

HSL 37.66, 0.4%, 0.54%

LAB 63.69, 5.64, 35.91

 

CMYK 0 / 5 / 51 / 28

HEX #B8AE5A

RGB 184 174 90

HSL 53.62, 0.4%, 0.54%

LAB 70.32, -7.8, 43.97

 

CMYK 8 / 0 / 51 / 28

HEX #A9B85A

RGB 169 184 90

HSL 69.57, 0.4%, 0.54%

LAB 71.86, -19.15, 45.51

 

CMYK 22 / 0 / 51 / 28

HEX #90B85A

RGB 144 184 90

HSL 85.53, 0.4%, 0.54%

LAB 70.14, -29.03, 43.04

 

CMYK 0 / 33 / 51 / 28

HEX #B87B5A

RGB 184 123 90

HSL 21.06, 0.4%, 0.54%

LAB 57.17, 20.05, 27.66

 

CMYK 0 / 42 / 65 / 20

HEX #CB7647

RGB 203 118 71

HSL 21.36, 0.56%, 0.54%

LAB 58.14, 29.15, 39.74

 

CMYK 0 / 50 / 77 / 13

HEX #DE7034

RGB 222 112 52

HSL 21.18, 0.72%, 0.54%

LAB 59.31, 38.94, 51.26

 

CMYK 0 / 56 / 86 / 5

HEX #F16A21

RGB 241 106 33

HSL 21.06, 0.88%, 0.54%

LAB 60.89, 48.54, 61.61

 

CMYK 0 / 33 / 51 / 28

HEX #B87B5A

RGB 184 123 90

HSL 21.06, 0.4%, 0.54%

LAB 57.17, 20.05, 27.66

 

CMYK 0 / 22 / 34 / 35

HEX #A5816D

RGB 165 129 109

HSL 21.43, 0.24%, 0.54%

LAB 56.88, 10.95, 16.14

 

CMYK 0 / 8 / 12 / 43

HEX #928780

RGB 146 135 128

HSL 23.33, 0.08%, 0.54%

LAB 57.07, 2.87, 5.24

 

CMYK 14 / 5 / 0 / 42

HEX #7F8C93

RGB 127 140 147

HSL 201, 0.08%, 0.54%

LAB 57.44, -3.19, -5.33

 

CMYK 35 / 12 / 0 / 35

HEX #6C92A6

RGB 108 146 166

HSL 200.69, 0.25%, 0.54%

LAB 58.51, -8.02, -14.73

 

CMYK 0 / 51 / 42 / 28

HEX #B85A6B

RGB 184 90 107

HSL 349.15, 0.4%, 0.54%

LAB 50.17, 39.67, 8.29

 

CMYK 0 / 47 / 51 / 28

HEX #B8625A

RGB 184 98 90

HSL 5.11, 0.4%, 0.54%

LAB 51.46, 33.74, 20.15

 

CMYK 0 / 33 / 51 / 28

HEX #B87B5A

RGB 184 123 90

HSL 21.06, 0.4%, 0.54%

LAB 57.17, 20.05, 27.66

 

CMYK 0 / 20 / 51 / 28

HEX #B8945A

RGB 184 148 90

HSL 37.02, 0.4%, 0.54%

LAB 63.43, 6.19, 35.59

 

CMYK 0 / 6 / 51 / 28

HEX #B8AD5A

RGB 184 173 90

HSL 52.98, 0.4%, 0.54%

LAB 70.05, -7.27, 43.65

 

CMYK 0 / 38 / 58 / 47

HEX #875439

RGB 135 84 57

HSL 20.77, 0.41%, 0.38%

LAB 40.88, 18.28, 24.52

 

CMYK 0 / 37 / 57 / 36

HEX #A36746

RGB 163 103 70

HSL 21.29, 0.4%, 0.46%

LAB 49.41, 20.62, 28.51

 

CMYK 0 / 33 / 51 / 28

HEX #B87B5A

RGB 184 123 90

HSL 21.06, 0.4%, 0.54%

LAB 57.17, 20.05, 27.66

 

CMYK 0 / 26 / 39 / 23

HEX #C49277

RGB 196 146 119

HSL 21.04, 0.39%, 0.62%

LAB 64.66, 15.32, 21.67

 

CMYK 0 / 19 / 29 / 18

HEX #D1A994

RGB 209 169 148

HSL 20.66, 0.4%, 0.7%

LAB 72.27, 11.58, 16.37

 

CMYK 0 / 33 / 51 / 28

HEX #B87B5A

RGB 184 123 90

HSL 21.06, 0.4%, 0.54%

LAB 57.17, 20.05, 27.66

 

CMYK 28 / 0 / 51 / 28

HEX #85B85A

RGB 133 184 90

HSL 92.55, 0.4%, 0.54%

LAB 69.47, -33.14, 42.08

 

CMYK 51 / 48 / 0 / 28

HEX #5A5FB8

RGB 90 95 184

HSL 236.81, 0.4%, 0.54%

LAB 43.97, 22.99, -47.88

 

CMYK 0 / 33 / 51 / 28

HEX #B87B5A

RGB 184 123 90

HSL 21.06, 0.4%, 0.54%

LAB 57.17, 20.05, 27.66

 

CMYK 51 / 0 / 33 / 28

HEX #5AB87B

RGB 90 184 123

HSL 141.06, 0.4%, 0.54%

LAB 67.94, -41.72, 22.68

 

CMYK 33 / 51 / 0 / 28

HEX #7B5AB8

RGB 123 90 184

HSL 261.06, 0.4%, 0.54%

LAB 45.61, 34.17, -45.09

 

CMYK 0 / 33 / 51 / 28

HEX #B87B5A

RGB 184 123 90

HSL 21.06, 0.4%, 0.54%

LAB 57.17, 20.05, 27.66

 

CMYK 28 / 0 / 51 / 28

HEX #85B85A

RGB 133 184 90

HSL 92.55, 0.4%, 0.54%

LAB 69.47, -33.14, 42.08

 

CMYK 51 / 18 / 0 / 28

HEX #5A97B8

RGB 90 151 184

HSL 201.06, 0.4%, 0.54%

LAB 59.68, -10.46, -23.25

 

CMYK 23 / 51 / 0 / 28

HEX #8E5AB8

RGB 142 90 184

HSL 273.19, 0.4%, 0.54%

LAB 47.65, 39.28, -41.72

 

CMYK 0 / 33 / 51 / 28

HEX #B87B5A

RGB 184 123 90

HSL 21.06, 0.4%, 0.54%

LAB 57.17, 20.05, 27.66

 

CMYK 43 / 0 / 51 / 28

HEX #68B85A

RGB 104 184 90

HSL 111.06, 0.4%, 0.54%

LAB 67.99, -42.99, 39.94

 

CMYK 51 / 18 / 0 / 28

HEX #5A97B8

RGB 90 151 184

HSL 201.06, 0.4%, 0.54%

LAB 59.68, -10.46, -23.25

 

CMYK 8 / 51 / 0 / 28

HEX #AA5AB8

RGB 170 90 184

HSL 291.06, 0.4%, 0.54%

LAB 51.06, 47.12, -36.12

 

Description

Color code: RGB 184 123 90 | qconv.com Color code: RGB 184 123 90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 123 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 123 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 51 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 51% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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