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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 184 121 34 it is the complementary color RGB 71 134 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 184 121 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 184 121 34 shade: RGB 189 121 29, RGB 206 139 48, RGB 223 157 67, RGB 240 175 86 and RGB 255 193 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 184 121 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 184 121 34 shade: RGB 184 121 34, RGB 167 103 15, RGB 150 85 0, RGB 133 67 0 and RGB 116 49 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 184 121 34 shade: RGB 185 121 33, RGB 185 80 33, RGB 185 40 33 and RGB 185 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 184 121 34 shade: RGB 185 121 33, RGB 185 162 33, RGB 167 185 33, RGB 126 185 33 and RGB 85 185 33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 184 121 34 shade matches the following richer shades: RGB 185 121 33 and RGB 203 124 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 184 121 34 shade: RGB 185 121 33, RGB 167 118 51, RGB 149 116 69, RGB 132 113 87 and RGB 114 110 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 184 121 34 shade: RGB 185 39 33, RGB 185 79 33, RGB 185 119 33, RGB 185 160 33 and RGB 170 185 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 184 121 34 shade: RGB 115 75 21, RGB 150 98 27, RGB 185 121 33, RGB 216 144 44 and RGB 222 162 79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 184 121 34 shade: RGB 184 121 34, RGB 69 185 33 and RGB 59 33 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 184 121 34 shade: RGB 184 121 34, RGB 33 185 119 and RGB 119 33 185

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 184 121 34 shade: RGB 184 121 34, RGB 69 185 33, RGB 33 99 185 and RGB 150 33 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 184 121 34 shade: RGB 184 121 34, RGB 33 185 44, RGB 33 99 185 and RGB 185 33 175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 82 / 28

HEX #B87922

RGB 184 121 34

HSL 34.8, 0.69%, 0.43%

LAB 56.07, 17.61, 53.98

 

Complementary color

CMYK 68 / 39 / 0 / 13

HEX #4786DD

RGB 71 134 221

HSL 214.8, 0.69%, 0.57%

LAB 55.7, 7.76, -50.38

 

CMYK 0 / 36 / 85 / 26

HEX #BD791D

RGB 189 121 29

HSL 34.5, 0.73%, 0.43%

LAB 56.67, 19.66, 56.5

 

CMYK 0 / 33 / 77 / 19

HEX #CE8B30

RGB 206 139 48

HSL 34.56, 0.62%, 0.5%

LAB 63.18, 17.85, 56.1

 

CMYK 0 / 30 / 70 / 13

HEX #DF9D43

RGB 223 157 67

HSL 34.62, 0.71%, 0.57%

LAB 69.62, 16.29, 55.1

 

CMYK 0 / 27 / 64 / 6

HEX #F0AF56

RGB 240 175 86

HSL 34.68, 0.84%, 0.64%

LAB 75.98, 14.93, 53.85

 

CMYK 0 / 24 / 59 / 0

HEX #FFC169

RGB 255 193 105

HSL 35.2, 1%, 0.71%

LAB 82.07, 12.93, 52.23

 

CMYK 0 / 34 / 82 / 28

HEX #B87922

RGB 184 121 34

HSL 34.8, 0.69%, 0.43%

LAB 56.07, 17.61, 53.98

 

CMYK 0 / 38 / 91 / 35

HEX #A7670F

RGB 167 103 15

HSL 34.74, 0.84%, 0.36%

LAB 49.44, 19.61, 53.67

 

CMYK 0 / 43 / 100 / 41

HEX #965500

RGB 150 85 0

HSL 34, 1%, 0.29%

LAB 42.73, 21.91, 51.56

 

CMYK 0 / 50 / 100 / 48

HEX #854300

RGB 133 67 0

HSL 30.23, 1%, 0.26%

LAB 35.99, 24.51, 46.11

 

CMYK 0 / 58 / 100 / 55

HEX #743100

RGB 116 49 0

HSL 25.34, 1%, 0.23%

LAB 29.18, 27.08, 40.26

 

CMYK 0 / 35 / 82 / 27

HEX #B97921

RGB 185 121 33

HSL 34.74, 0.7%, 0.43%

LAB 56.19, 18.02, 54.5

 

CMYK 0 / 57 / 82 / 27

HEX #B95021

RGB 185 80 33

HSL 18.55, 0.7%, 0.43%

LAB 47.19, 39.91, 46.34

 

CMYK 0 / 78 / 82 / 27

HEX #B92821

RGB 185 40 33

HSL 2.76, 0.7%, 0.43%

LAB 41.12, 56.25, 40.64

 

CMYK 0 / 82 / 82 / 27

HEX #B92121

RGB 185 33 33

HSL 0, 0.7%, 0.43%

LAB 40.43, 58.2, 39.97

 

CMYK 0 / 35 / 82 / 27

HEX #B97921

RGB 185 121 33

HSL 34.74, 0.7%, 0.43%

LAB 56.19, 18.02, 54.5

 

CMYK 0 / 12 / 82 / 27

HEX #B9A221

RGB 185 162 33

HSL 50.92, 0.7%, 0.43%

LAB 66.72, -4.42, 63.71

 

CMYK 10 / 0 / 82 / 27

HEX #A7B921

RGB 167 185 33

HSL 67.11, 0.7%, 0.43%

LAB 71.57, -24.06, 67.31

 

CMYK 32 / 0 / 82 / 27

HEX #7EB921

RGB 126 185 33

HSL 83.29, 0.7%, 0.43%

LAB 68.93, -40.55, 63.97

 

CMYK 54 / 0 / 82 / 27

HEX #55B921

RGB 85 185 33

HSL 99.47, 0.7%, 0.43%

LAB 67.08, -54.07, 61.61

 

CMYK 0 / 35 / 82 / 27

HEX #B97921

RGB 185 121 33

HSL 34.74, 0.7%, 0.43%

LAB 56.19, 18.02, 54.5

 

CMYK 0 / 39 / 92 / 20

HEX #CB7C10

RGB 203 124 16

HSL 34.65, 0.85%, 0.43%

LAB 59.11, 23.82, 62.75

 

CMYK 0 / 35 / 82 / 27

HEX #B97921

RGB 185 121 33

HSL 34.74, 0.7%, 0.43%

LAB 56.19, 18.02, 54.5

 

CMYK 0 / 29 / 69 / 35

HEX #A77633

RGB 167 118 51

HSL 34.66, 0.53%, 0.43%

LAB 53.4, 12.51, 43.32

 

CMYK 0 / 22 / 54 / 42

HEX #957445

RGB 149 116 69

HSL 35.25, 0.37%, 0.43%

LAB 51.05, 6.97, 30.74

 

CMYK 0 / 14 / 34 / 48

HEX #847157

RGB 132 113 87

HSL 34.67, 0.21%, 0.43%

LAB 48.76, 3.33, 17.2

 

CMYK 0 / 4 / 9 / 55

HEX #726E68

RGB 114 110 104

HSL 36, 0.05%, 0.43%

LAB 46.62, 0.39, 3.89

 

CMYK 0 / 79 / 82 / 27

HEX #B92721

RGB 185 39 33

HSL 2.37, 0.7%, 0.43%

LAB 41.02, 56.55, 40.54

 

CMYK 0 / 57 / 82 / 27

HEX #B94F21

RGB 185 79 33

HSL 18.16, 0.7%, 0.43%

LAB 47, 40.4, 46.17

 

CMYK 0 / 36 / 82 / 27

HEX #B97721

RGB 185 119 33

HSL 33.95, 0.7%, 0.43%

LAB 55.7, 19.13, 54.07

 

CMYK 0 / 14 / 82 / 27

HEX #B9A021

RGB 185 160 33

HSL 50.13, 0.7%, 0.43%

LAB 66.19, -3.35, 63.25

 

CMYK 8 / 0 / 82 / 27

HEX #AAB921

RGB 170 185 33

HSL 65.92, 0.7%, 0.43%

LAB 71.79, -22.79, 67.59

 

CMYK 0 / 35 / 82 / 55

HEX #734B15

RGB 115 75 21

HSL 34.47, 0.69%, 0.27%

LAB 35.46, 12.02, 37.01

 

CMYK 0 / 35 / 82 / 41

HEX #96621B

RGB 150 98 27

HSL 34.63, 0.69%, 0.35%

LAB 46.04, 15.09, 45.99

 

CMYK 0 / 35 / 82 / 27

HEX #B97921

RGB 185 121 33

HSL 34.74, 0.7%, 0.43%

LAB 56.19, 18.02, 54.5

 

CMYK 0 / 33 / 80 / 15

HEX #D8902C

RGB 216 144 44

HSL 34.88, 0.69%, 0.51%

LAB 65.54, 19.29, 60.29

 

CMYK 0 / 27 / 64 / 13

HEX #DEA24F

RGB 222 162 79

HSL 34.83, 0.68%, 0.59%

LAB 70.83, 13.87, 50.84

 

CMYK 0 / 34 / 82 / 28

HEX #B87922

RGB 184 121 34

HSL 34.8, 0.69%, 0.43%

LAB 56.07, 17.61, 53.98

 

CMYK 63 / 0 / 82 / 27

HEX #45B921

RGB 69 185 33

HSL 105.79, 0.7%, 0.43%

LAB 66.58, -58.15, 60.96

 

CMYK 68 / 82 / 0 / 27

HEX #3B21B9

RGB 59 33 185

HSL 250.26, 0.7%, 0.43%

LAB 28.17, 54.05, -74.33

 

CMYK 0 / 34 / 82 / 28

HEX #B87922

RGB 184 121 34

HSL 34.8, 0.69%, 0.43%

LAB 56.07, 17.61, 53.98

 

CMYK 82 / 0 / 36 / 27

HEX #21B977

RGB 33 185 119

HSL 153.95, 0.7%, 0.43%

LAB 66.79, -53.12, 23.03

 

CMYK 36 / 82 / 0 / 27

HEX #7721B9

RGB 119 33 185

HSL 273.95, 0.7%, 0.43%

LAB 35.03, 61.26, -62.8

 

CMYK 0 / 34 / 82 / 28

HEX #B87922

RGB 184 121 34

HSL 34.8, 0.69%, 0.43%

LAB 56.07, 17.61, 53.98

 

CMYK 63 / 0 / 82 / 27

HEX #45B921

RGB 69 185 33

HSL 105.79, 0.7%, 0.43%

LAB 66.58, -58.15, 60.96

 

CMYK 82 / 46 / 0 / 27

HEX #2163B9

RGB 33 99 185

HSL 213.95, 0.7%, 0.43%

LAB 42.38, 11.43, -51.16

 

CMYK 19 / 82 / 0 / 27

HEX #9621B9

RGB 150 33 185

HSL 286.18, 0.7%, 0.43%

LAB 39.71, 66.32, -54.98

 

CMYK 0 / 34 / 82 / 28

HEX #B87922

RGB 184 121 34

HSL 34.8, 0.69%, 0.43%

LAB 56.07, 17.61, 53.98

 

CMYK 82 / 0 / 76 / 27

HEX #21B92C

RGB 33 185 44

HSL 124.34, 0.7%, 0.43%

LAB 65.91, -63.64, 56.74

 

CMYK 82 / 46 / 0 / 27

HEX #2163B9

RGB 33 99 185

HSL 213.95, 0.7%, 0.43%

LAB 42.38, 11.43, -51.16

 

CMYK 0 / 82 / 5 / 27

HEX #B921AF

RGB 185 33 175

HSL 303.95, 0.7%, 0.43%

LAB 44.94, 71.17, -40.37

 

Description

Color code: RGB 184 121 34 | qconv.com Color code: RGB 184 121 34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 121 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 121 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 82 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 82% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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