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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 56 93 it is the complementary color RGB 72 199 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 56 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 183 56 93 shade: RGB 188 56 88, RGB 205 74 107, RGB 222 92 126, RGB 239 110 145 and RGB 255 128 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 56 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 183 56 93 shade: RGB 183 56 93, RGB 166 38 74, RGB 149 20 55, RGB 132 2 36 and RGB 115 0 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 183 56 93 shade: RGB 183 56 93, RGB 183 56 59 and RGB 183 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 183 56 93 shade: RGB 183 56 93, RGB 183 56 127, RGB 183 56 161, RGB 170 56 183 and RGB 136 56 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 183 56 93 shade matches the following richer shades: RGB 183 56 93, RGB 202 36 85 and RGB 222 17 77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 183 56 93 shade: RGB 183 56 93, RGB 163 75 101, RGB 144 95 109, RGB 125 114 117 and RGB 105 133 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 183 56 93 shade: RGB 183 56 162, RGB 183 56 128, RGB 183 56 94, RGB 183 56 60 and RGB 183 85 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 183 56 93 shade: RGB 120 36 61, RGB 151 46 77, RGB 183 56 93, RGB 201 79 115 and RGB 210 111 140

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 183 56 93 shade: RGB 183 56 93, RGB 183 170 56 and RGB 56 145 183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 183 56 93 shade: RGB 183 56 93, RGB 94 183 56 and RGB 56 94 183

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 183 56 93 shade: RGB 183 56 93, RGB 183 170 56, RGB 56 183 145 and RGB 56 69 183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 183 56 93 shade: RGB 183 56 93, RGB 157 183 56, RGB 56 183 145 and RGB 81 56 183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 49 / 28

HEX #B7385D

RGB 183 56 93

HSL 342.52, 0.53%, 0.47%

LAB 43.78, 53.54, 7.74

 

Complementary color

CMYK 64 / 0 / 19 / 22

HEX #48C7A2

RGB 72 199 162

HSL 162.52, 0.53%, 0.53%

LAB 72.78, -43.7, 8.33

 

CMYK 0 / 70 / 53 / 26

HEX #BC3858

RGB 188 56 88

HSL 345.45, 0.54%, 0.48%

LAB 44.55, 54.65, 12.06

 

CMYK 0 / 64 / 48 / 20

HEX #CD4A6B

RGB 205 74 107

HSL 344.89, 0.57%, 0.55%

LAB 50.61, 54.35, 9.38

 

CMYK 0 / 59 / 43 / 13

HEX #DE5C7E

RGB 222 92 126

HSL 344.31, 0.66%, 0.62%

LAB 56.77, 53.75, 7.2

 

CMYK 0 / 54 / 39 / 6

HEX #EF6E91

RGB 239 110 145

HSL 343.72, 0.8%, 0.68%

LAB 62.97, 52.99, 5.38

 

CMYK 0 / 50 / 36 / 0

HEX #FF80A4

RGB 255 128 164

HSL 342.99, 1%, 0.75%

LAB 69.02, 51.83, 3.61

 

CMYK 0 / 69 / 49 / 28

HEX #B7385D

RGB 183 56 93

HSL 342.52, 0.53%, 0.47%

LAB 43.78, 53.54, 7.74

 

CMYK 0 / 77 / 55 / 35

HEX #A6264A

RGB 166 38 74

HSL 343.13, 0.63%, 0.4%

LAB 37.82, 53.3, 10.9

 

CMYK 0 / 87 / 63 / 42

HEX #951437

RGB 149 20 55

HSL 343.72, 0.76%, 0.33%

LAB 32.18, 52.13, 14.99

 

CMYK 0 / 98 / 73 / 48

HEX #840224

RGB 132 2 36

HSL 344.31, 0.97%, 0.26%

LAB 26.95, 49.77, 20.17

 

CMYK 0 / 100 / 85 / 55

HEX #730011

RGB 115 0 17

HSL 351.13, 1%, 0.23%

LAB 22.6, 44.89, 26.62

 

CMYK 0 / 69 / 49 / 28

HEX #B7385D

RGB 183 56 93

HSL 342.52, 0.53%, 0.47%

LAB 43.78, 53.54, 7.74

 

CMYK 0 / 69 / 68 / 28

HEX #B7383B

RGB 183 56 59

HSL 358.58, 0.53%, 0.47%

LAB 43.08, 51.09, 27.74

 

CMYK 0 / 69 / 69 / 28

HEX #B73838

RGB 183 56 56

HSL 0, 0.53%, 0.47%

LAB 43.03, 50.93, 29.48

 

CMYK 0 / 69 / 49 / 28

HEX #B7385D

RGB 183 56 93

HSL 342.52, 0.53%, 0.47%

LAB 43.78, 53.54, 7.74

 

CMYK 0 / 69 / 31 / 28

HEX #B7387F

RGB 183 56 127

HSL 326.46, 0.53%, 0.47%

LAB 44.84, 57.14, -11.67

 

CMYK 0 / 69 / 12 / 28

HEX #B738A1

RGB 183 56 161

HSL 310.39, 0.53%, 0.47%

LAB 46.27, 61.8, -29.98

 

CMYK 7 / 69 / 0 / 28

HEX #AA38B7

RGB 170 56 183

HSL 293.86, 0.53%, 0.47%

LAB 45.35, 62.36, -44.57

 

CMYK 26 / 69 / 0 / 28

HEX #8838B7

RGB 136 56 183

HSL 277.8, 0.53%, 0.47%

LAB 40.38, 54.95, -52.82

 

CMYK 0 / 69 / 49 / 28

HEX #B7385D

RGB 183 56 93

HSL 342.52, 0.53%, 0.47%

LAB 43.78, 53.54, 7.74

 

CMYK 0 / 82 / 58 / 21

HEX #CA2455

RGB 202 36 85

HSL 342.29, 0.7%, 0.47%

LAB 44.91, 64.64, 14.82

 

CMYK 0 / 92 / 65 / 13

HEX #DE114D

RGB 222 17 77

HSL 342.44, 0.86%, 0.47%

LAB 47.58, 72.56, 24.04

 

CMYK 0 / 69 / 49 / 28

HEX #B7385D

RGB 183 56 93

HSL 342.52, 0.53%, 0.47%

LAB 43.78, 53.54, 7.74

 

CMYK 0 / 54 / 38 / 36

HEX #A34B65

RGB 163 75 101

HSL 342.27, 0.37%, 0.47%

LAB 43.88, 39.12, 2.51

 

CMYK 0 / 34 / 24 / 44

HEX #905F6D

RGB 144 95 109

HSL 342.86, 0.21%, 0.47%

LAB 45.93, 22.06, 0.28

 

CMYK 0 / 9 / 6 / 51

HEX #7D7275

RGB 125 114 117

HSL 343.64, 0.05%, 0.47%

LAB 49.1, 4.83, -0.12

 

CMYK 21 / 0 / 6 / 48

HEX #69857D

RGB 105 133 125

HSL 162.86, 0.12%, 0.47%

LAB 53.23, -11.73, 1.02

 

CMYK 0 / 69 / 11 / 28

HEX #B738A2

RGB 183 56 162

HSL 309.92, 0.53%, 0.47%

LAB 46.32, 61.95, -30.5

 

CMYK 0 / 69 / 30 / 28

HEX #B73880

RGB 183 56 128

HSL 325.98, 0.53%, 0.47%

LAB 44.88, 57.27, -12.23

 

CMYK 0 / 69 / 49 / 28

HEX #B7385E

RGB 183 56 94

HSL 342.05, 0.53%, 0.47%

LAB 43.81, 53.63, 7.16

 

CMYK 0 / 69 / 67 / 28

HEX #B7383C

RGB 183 56 60

HSL 358.11, 0.53%, 0.47%

LAB 43.1, 51.14, 27.16

 

CMYK 0 / 54 / 69 / 28

HEX #B75538

RGB 183 85 56

HSL 13.7, 0.53%, 0.47%

LAB 48.07, 37.61, 35.41

 

CMYK 0 / 70 / 49 / 53

HEX #78243D

RGB 120 36 61

HSL 342.14, 0.54%, 0.31%

LAB 28.36, 38.53, 4.82

 

CMYK 0 / 70 / 49 / 41

HEX #972E4D

RGB 151 46 77

HSL 342.29, 0.53%, 0.39%

LAB 36.12, 46.03, 6.17

 

CMYK 0 / 69 / 49 / 28

HEX #B7385D

RGB 183 56 93

HSL 342.52, 0.53%, 0.47%

LAB 43.78, 53.54, 7.74

 

CMYK 0 / 61 / 43 / 21

HEX #C94F73

RGB 201 79 115

HSL 342.3, 0.53%, 0.55%

LAB 50.98, 51.66, 4.99

 

CMYK 0 / 47 / 33 / 18

HEX #D26F8C

RGB 210 111 140

HSL 342.42, 0.52%, 0.63%

LAB 58.94, 42.05, 1.93

 

CMYK 0 / 69 / 49 / 28

HEX #B7385D

RGB 183 56 93

HSL 342.52, 0.53%, 0.47%

LAB 43.78, 53.54, 7.74

 

CMYK 0 / 7 / 69 / 28

HEX #B7AA38

RGB 183 170 56

HSL 53.86, 0.53%, 0.47%

LAB 68.83, -8.56, 57.66

 

CMYK 69 / 21 / 0 / 28

HEX #3891B7

RGB 56 145 183

HSL 197.95, 0.53%, 0.47%

LAB 56.6, -14.02, -27.54

 

CMYK 0 / 69 / 49 / 28

HEX #B7385D

RGB 183 56 93

HSL 342.52, 0.53%, 0.47%

LAB 43.78, 53.54, 7.74

 

CMYK 49 / 0 / 69 / 28

HEX #5EB738

RGB 94 183 56

HSL 102.05, 0.53%, 0.47%

LAB 66.92, -49.22, 53.9

 

CMYK 69 / 49 / 0 / 28

HEX #385EB7

RGB 56 94 183

HSL 222.05, 0.53%, 0.47%

LAB 41.63, 16.77, -51.16

 

CMYK 0 / 69 / 49 / 28

HEX #B7385D

RGB 183 56 93

HSL 342.52, 0.53%, 0.47%

LAB 43.78, 53.54, 7.74

 

CMYK 0 / 7 / 69 / 28

HEX #B7AA38

RGB 183 170 56

HSL 53.86, 0.53%, 0.47%

LAB 68.83, -8.56, 57.66

 

CMYK 69 / 0 / 21 / 28

HEX #38B791

RGB 56 183 145

HSL 162.05, 0.53%, 0.47%

LAB 67.09, -43.55, 9.42

 

CMYK 69 / 62 / 0 / 28

HEX #3845B7

RGB 56 69 183

HSL 233.86, 0.53%, 0.47%

LAB 35.03, 32.97, -61.86

 

CMYK 0 / 69 / 49 / 28

HEX #B7385D

RGB 183 56 93

HSL 342.52, 0.53%, 0.47%

LAB 43.78, 53.54, 7.74

 

CMYK 14 / 0 / 69 / 28

HEX #9DB738

RGB 157 183 56

HSL 72.28, 0.53%, 0.47%

LAB 70.4, -26.21, 58.57

 

CMYK 69 / 0 / 21 / 28

HEX #38B791

RGB 56 183 145

HSL 162.05, 0.53%, 0.47%

LAB 67.09, -43.55, 9.42

 

CMYK 56 / 69 / 0 / 28

HEX #5138B7

RGB 81 56 183

HSL 251.81, 0.53%, 0.47%

LAB 33.98, 44.52, -63.51

 

Description

Color code: RGB 183 56 93 | qconv.com Color code: RGB 183 56 93 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 56 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 56 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 49 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 49% 28% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

27% - AGV Estudio Diseño I...
Link: http://www.agvestudio.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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