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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 51 30 it is the complementary color RGB 72 204 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 51 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 183 51 30 shade: RGB 188 51 25, RGB 205 69 44, RGB 222 87 63, RGB 239 105 82 and RGB 255 123 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 51 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 183 51 30 shade: RGB 183 51 30, RGB 166 33 11, RGB 149 15 0, RGB 132 0 0 and RGB 115 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 183 51 30 shade: RGB 184 51 29 and RGB 184 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 183 51 30 shade: RGB 184 51 29, RGB 184 92 29, RGB 184 134 29, RGB 184 175 29 and RGB 150 184 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 183 51 30 shade matches the following richer shades: RGB 184 51 29 and RGB 201 38 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 183 51 30 shade: RGB 184 51 29, RGB 166 63 47, RGB 149 76 64, RGB 132 88 81 and RGB 114 101 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 183 51 30 shade: RGB 184 29 91, RGB 184 29 50, RGB 184 50 29, RGB 184 91 29 and RGB 184 132 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 183 51 30 shade: RGB 113 31 18, RGB 148 41 24, RGB 184 51 29, RGB 219 61 36 and RGB 225 92 71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 183 51 30 shade: RGB 183 51 30, RGB 132 184 29 and RGB 29 71 184

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 183 51 30 shade: RGB 183 51 30, RGB 29 184 50 and RGB 50 29 184

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 183 51 30 shade: RGB 183 51 30, RGB 132 184 29, RGB 29 163 184 and RGB 81 29 184

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 183 51 30 shade: RGB 183 51 30, RGB 86 184 29, RGB 29 163 184 and RGB 127 29 184

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 84 / 28

HEX #B7331E

RGB 183 51 30

HSL 8.24, 0.72%, 0.42%

LAB 42.04, 51.82, 42.91

 

Complementary color

CMYK 68 / 9 / 0 / 12

HEX #48CCE1

RGB 72 204 225

HSL 188.24, 0.72%, 0.58%

LAB 76.07, -28.97, -20.89

 

CMYK 0 / 73 / 87 / 26

HEX #BC3319

RGB 188 51 25

HSL 9.57, 0.77%, 0.42%

LAB 42.96, 53.33, 46.45

 

CMYK 0 / 66 / 79 / 20

HEX #CD452C

RGB 205 69 44

HSL 9.32, 0.65%, 0.49%

LAB 48.78, 52.51, 43.68

 

CMYK 0 / 61 / 72 / 13

HEX #DE573F

RGB 222 87 63

HSL 9.06, 0.71%, 0.56%

LAB 54.77, 51.39, 40.87

 

CMYK 0 / 56 / 66 / 6

HEX #EF6952

RGB 239 105 82

HSL 8.79, 0.83%, 0.63%

LAB 60.84, 50.16, 38.3

 

CMYK 0 / 52 / 60 / 0

HEX #FF7B65

RGB 255 123 101

HSL 8.57, 1%, 0.7%

LAB 66.8, 48.54, 35.78

 

CMYK 0 / 72 / 84 / 28

HEX #B7331E

RGB 183 51 30

HSL 8.24, 0.72%, 0.42%

LAB 42.04, 51.82, 42.91

 

CMYK 0 / 80 / 93 / 35

HEX #A6210B

RGB 166 33 11

HSL 8.52, 0.88%, 0.35%

LAB 36.4, 52.09, 45.41

 

CMYK 0 / 90 / 100 / 42

HEX #950F00

RGB 149 15 0

HSL 6.04, 1%, 0.29%

LAB 31.19, 51.32, 44.66

 

CMYK 0 / 100 / 100 / 48

HEX #840000

RGB 132 0 0

HSL 0, 1%, 0.26%

LAB 26.46, 49.13, 39.26

 

CMYK 0 / 100 / 100 / 55

HEX #730000

RGB 115 0 0

HSL 0, 1%, 0.23%

LAB 22.46, 44.5, 33.99

 

CMYK 0 / 72 / 84 / 28

HEX #B8331D

RGB 184 51 29

HSL 8.52, 0.73%, 0.42%

LAB 42.23, 52.12, 43.64

 

CMYK 0 / 84 / 84 / 28

HEX #B81D1D

RGB 184 29 29

HSL 0, 0.73%, 0.42%

LAB 39.84, 58.79, 41.49

 

CMYK 0 / 72 / 84 / 28

HEX #B8331D

RGB 184 51 29

HSL 8.52, 0.73%, 0.42%

LAB 42.23, 52.12, 43.64

 

CMYK 0 / 50 / 84 / 28

HEX #B85C1D

RGB 184 92 29

HSL 24.39, 0.73%, 0.42%

LAB 49.42, 33.26, 50

 

CMYK 0 / 27 / 84 / 28

HEX #B8861D

RGB 184 134 29

HSL 40.65, 0.73%, 0.42%

LAB 59.28, 10.24, 58.48

 

CMYK 0 / 5 / 84 / 28

HEX #B8AF1D

RGB 184 175 29

HSL 56.52, 0.73%, 0.42%

LAB 70.13, -11.8, 67.62

 

CMYK 18 / 0 / 84 / 28

HEX #96B81D

RGB 150 184 29

HSL 73.16, 0.73%, 0.42%

LAB 70.07, -30.8, 66.53

 

CMYK 0 / 72 / 84 / 28

HEX #B8331D

RGB 184 51 29

HSL 8.52, 0.73%, 0.42%

LAB 42.23, 52.12, 43.64

 

CMYK 0 / 81 / 94 / 21

HEX #C9260C

RGB 201 38 12

HSL 8.25, 0.89%, 0.42%

LAB 43.99, 61.13, 53.37

 

CMYK 0 / 72 / 84 / 28

HEX #B8331D

RGB 184 51 29

HSL 8.52, 0.73%, 0.42%

LAB 42.23, 52.12, 43.64

 

CMYK 0 / 62 / 72 / 35

HEX #A63F2F

RGB 166 63 47

HSL 8.07, 0.56%, 0.42%

LAB 41, 41.51, 31.63

 

CMYK 0 / 49 / 57 / 42

HEX #954C40

RGB 149 76 64

HSL 8.47, 0.4%, 0.42%

LAB 41.1, 29.39, 21.04

 

CMYK 0 / 33 / 39 / 48

HEX #845851

RGB 132 88 81

HSL 8.24, 0.24%, 0.42%

LAB 41.97, 17.25, 11.46

 

CMYK 0 / 11 / 13 / 55

HEX #726563

RGB 114 101 99

HSL 8, 0.07%, 0.42%

LAB 43.92, 4.79, 3.01

 

CMYK 0 / 84 / 51 / 28

HEX #B81D5B

RGB 184 29 91

HSL 336, 0.73%, 0.42%

LAB 40.94, 62.02, 4.97

 

CMYK 0 / 84 / 73 / 28

HEX #B81D32

RGB 184 29 50

HSL 351.87, 0.73%, 0.42%

LAB 40.08, 59.5, 29.64

 

CMYK 0 / 73 / 84 / 28

HEX #B8321D

RGB 184 50 29

HSL 8.13, 0.73%, 0.42%

LAB 42.09, 52.49, 43.52

 

CMYK 0 / 51 / 84 / 28

HEX #B85B1D

RGB 184 91 29

HSL 24, 0.73%, 0.42%

LAB 49.21, 33.78, 49.82

 

CMYK 0 / 28 / 84 / 28

HEX #B8841D

RGB 184 132 29

HSL 39.87, 0.73%, 0.42%

LAB 58.77, 11.35, 58.05

 

CMYK 0 / 73 / 84 / 56

HEX #711F12

RGB 113 31 18

HSL 8.21, 0.73%, 0.26%

LAB 25.36, 35.29, 28.65

 

CMYK 0 / 72 / 84 / 42

HEX #942918

RGB 148 41 24

HSL 8.23, 0.72%, 0.34%

LAB 33.87, 43.76, 35.96

 

CMYK 0 / 72 / 84 / 28

HEX #B8331D

RGB 184 51 29

HSL 8.52, 0.73%, 0.42%

LAB 42.23, 52.12, 43.64

 

CMYK 0 / 72 / 84 / 14

HEX #DB3D24

RGB 219 61 36

HSL 8.2, 0.72%, 0.5%

LAB 50.13, 59.89, 49.82

 

CMYK 0 / 59 / 68 / 12

HEX #E15C47

RGB 225 92 71

HSL 8.18, 0.72%, 0.58%

LAB 56.2, 50.59, 38.29

 

CMYK 0 / 72 / 84 / 28

HEX #B7331E

RGB 183 51 30

HSL 8.24, 0.72%, 0.42%

LAB 42.04, 51.82, 42.91

 

CMYK 28 / 0 / 84 / 28

HEX #84B81D

RGB 132 184 29

HSL 80.13, 0.73%, 0.42%

LAB 68.95, -37.98, 65.12

 

CMYK 84 / 61 / 0 / 28

HEX #1D47B8

RGB 29 71 184

HSL 223.74, 0.73%, 0.42%

LAB 34.45, 29.19, -63.44

 

CMYK 0 / 72 / 84 / 28

HEX #B7331E

RGB 183 51 30

HSL 8.24, 0.72%, 0.42%

LAB 42.04, 51.82, 42.91

 

CMYK 84 / 0 / 73 / 28

HEX #1DB832

RGB 29 184 50

HSL 128.13, 0.73%, 0.42%

LAB 65.57, -63.29, 54.27

 

CMYK 73 / 84 / 0 / 28

HEX #321DB8

RGB 50 29 184

HSL 248.13, 0.73%, 0.42%

LAB 26.78, 54.78, -76.05

 

CMYK 0 / 72 / 84 / 28

HEX #B7331E

RGB 183 51 30

HSL 8.24, 0.72%, 0.42%

LAB 42.04, 51.82, 42.91

 

CMYK 28 / 0 / 84 / 28

HEX #84B81D

RGB 132 184 29

HSL 80.13, 0.73%, 0.42%

LAB 68.95, -37.98, 65.12

 

CMYK 84 / 11 / 0 / 28

HEX #1DA3B8

RGB 29 163 184

HSL 188.13, 0.73%, 0.42%

LAB 61.58, -26.23, -20.49

 

CMYK 56 / 84 / 0 / 28

HEX #511DB8

RGB 81 29 184

HSL 260.13, 0.73%, 0.42%

LAB 29.64, 57.46, -71.24

 

CMYK 0 / 72 / 84 / 28

HEX #B7331E

RGB 183 51 30

HSL 8.24, 0.72%, 0.42%

LAB 42.04, 51.82, 42.91

 

CMYK 53 / 0 / 84 / 28

HEX #56B81D

RGB 86 184 29

HSL 97.94, 0.73%, 0.42%

LAB 66.79, -53.6, 62.38

 

CMYK 84 / 11 / 0 / 28

HEX #1DA3B8

RGB 29 163 184

HSL 188.13, 0.73%, 0.42%

LAB 61.58, -26.23, -20.49

 

CMYK 31 / 84 / 0 / 28

HEX #7F1DB8

RGB 127 29 184

HSL 277.94, 0.73%, 0.42%

LAB 35.7, 63.47, -61.06

 

Description

Color code: RGB 183 51 30 | qconv.com Color code: RGB 183 51 30 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 51 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 51 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 84 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 84% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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