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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 50 211 it is the complementary color RGB 72 205 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 50 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 183 50 211 shade: RGB 188 50 206, RGB 205 68 225, RGB 222 86 244, RGB 239 104 255 and RGB 255 122 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 50 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 183 50 211 shade: RGB 183 50 211, RGB 166 32 192, RGB 149 14 173, RGB 132 0 154 and RGB 115 0 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 183 50 211 shade: RGB 183 48 211, RGB 211 48 195, RGB 211 48 151, RGB 211 48 108 and RGB 211 48 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 183 50 211 shade: RGB 183 48 211, RGB 139 48 211, RGB 95 48 211, RGB 51 48 211 and RGB 48 48 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 183 50 211 shade matches the following richer shades: RGB 183 48 211, RGB 196 28 231 and RGB 209 8 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 183 50 211 shade: RGB 183 48 211, RGB 169 69 191, RGB 156 89 170, RGB 143 109 150 and RGB 130 129 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 183 50 211 shade: RGB 94 48 211, RGB 138 48 211, RGB 181 48 211, RGB 211 48 197 and RGB 211 48 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 183 50 211 shade: RGB 126 31 146, RGB 155 38 180, RGB 183 48 211, RGB 194 82 218 and RGB 206 116 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 183 50 211 shade: RGB 183 50 211, RGB 211 51 48 and RGB 48 211 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 183 50 211 shade: RGB 183 50 211, RGB 211 181 48 and RGB 48 211 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 183 50 211 shade: RGB 183 50 211, RGB 211 51 48, RGB 78 211 48 and RGB 48 208 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 183 50 211 shade: RGB 183 50 211, RGB 211 100 48, RGB 78 211 48 and RGB 48 159 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 76 / 0 / 17

HEX #B732D3

RGB 183 50 211

HSL 289.57, 0.65%, 0.51%

LAB 48.33, 72.11, -55.94

 

Complementary color

CMYK 65 / 0 / 79 / 20

HEX #48CD2C

RGB 72 205 44

HSL 109.57, 0.65%, 0.49%

LAB 73.04, -63.6, 63.9

 

CMYK 9 / 76 / 0 / 19

HEX #BC32CE

RGB 188 50 206

HSL 293.08, 0.61%, 0.5%

LAB 48.8, 72.2, -52.27

 

CMYK 9 / 70 / 0 / 12

HEX #CD44E1

RGB 205 68 225

HSL 292.36, 0.72%, 0.57%

LAB 54.61, 72.95, -53.66

 

CMYK 9 / 65 / 0 / 4

HEX #DE56F4

RGB 222 86 244

HSL 291.65, 0.88%, 0.65%

LAB 60.53, 73.16, -54.7

 

CMYK 6 / 59 / 0 / 0

HEX #EF68FF

RGB 239 104 255

HSL 293.64, 1%, 0.7%

LAB 66.11, 71.61, -51.77

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 13 / 76 / 0 / 17

HEX #B732D3

RGB 183 50 211

HSL 289.57, 0.65%, 0.51%

LAB 48.33, 72.11, -55.94

 

CMYK 14 / 83 / 0 / 25

HEX #A620C0

RGB 166 32 192

HSL 290.25, 0.71%, 0.44%

LAB 42.68, 70.62, -54.16

 

CMYK 14 / 92 / 0 / 32

HEX #950EAD

RGB 149 14 173

HSL 290.94, 0.85%, 0.37%

LAB 37.34, 67.96, -51.7

 

CMYK 14 / 100 / 0 / 40

HEX #84009A

RGB 132 0 154

HSL 291.43, 1%, 0.3%

LAB 32.34, 63.9, -48.45

 

CMYK 15 / 100 / 0 / 47

HEX #730087

RGB 115 0 135

HSL 291.11, 1%, 0.26%

LAB 27.83, 57.97, -44.16

 

CMYK 13 / 77 / 0 / 17

HEX #B730D3

RGB 183 48 211

HSL 289.69, 0.65%, 0.51%

LAB 48.11, 72.72, -56.28

 

CMYK 0 / 77 / 8 / 17

HEX #D330C3

RGB 211 48 195

HSL 305.89, 0.65%, 0.51%

LAB 51.73, 75.67, -41.03

 

CMYK 0 / 77 / 28 / 17

HEX #D33097

RGB 211 48 151

HSL 322.09, 0.65%, 0.51%

LAB 49.73, 69.87, -18.27

 

CMYK 0 / 77 / 49 / 17

HEX #D3306C

RGB 211 48 108

HSL 337.91, 0.65%, 0.51%

LAB 48.32, 65.56, 5.65

 

CMYK 0 / 77 / 70 / 17

HEX #D33040

RGB 211 48 64

HSL 354.11, 0.65%, 0.51%

LAB 47.41, 62.7, 31.23

 

CMYK 13 / 77 / 0 / 17

HEX #B730D3

RGB 183 48 211

HSL 289.69, 0.65%, 0.51%

LAB 48.11, 72.72, -56.28

 

CMYK 34 / 77 / 0 / 17

HEX #8B30D3

RGB 139 48 211

HSL 273.5, 0.65%, 0.51%

LAB 41.7, 64.95, -66.97

 

CMYK 55 / 77 / 0 / 17

HEX #5F30D3

RGB 95 48 211

HSL 257.3, 0.65%, 0.51%

LAB 36.46, 58.51, -75.76

 

CMYK 76 / 77 / 0 / 17

HEX #3330D3

RGB 51 48 211

HSL 241.1, 0.65%, 0.51%

LAB 32.96, 54.13, -81.64

 

CMYK 77 / 77 / 0 / 17

HEX #3030D3

RGB 48 48 211

HSL 240, 0.65%, 0.51%

LAB 32.8, 53.92, -81.92

 

CMYK 13 / 77 / 0 / 17

HEX #B730D3

RGB 183 48 211

HSL 289.69, 0.65%, 0.51%

LAB 48.11, 72.72, -56.28

 

CMYK 15 / 88 / 0 / 9

HEX #C41CE7

RGB 196 28 231

HSL 289.66, 0.81%, 0.51%

LAB 49.9, 83, -64.69

 

CMYK 17 / 97 / 0 / 2

HEX #D108FB

RGB 209 8 251

HSL 289.63, 0.97%, 0.51%

LAB 52.61, 90.44, -71.43

 

CMYK 13 / 77 / 0 / 17

HEX #B730D3

RGB 183 48 211

HSL 289.69, 0.65%, 0.51%

LAB 48.11, 72.72, -56.28

 

CMYK 12 / 64 / 0 / 25

HEX #A945BF

RGB 169 69 191

HSL 289.18, 0.49%, 0.51%

LAB 47.56, 58.29, -45.73

 

CMYK 8 / 48 / 0 / 33

HEX #9C59AA

RGB 156 89 170

HSL 289.63, 0.32%, 0.51%

LAB 48.4, 40.77, -32.25

 

CMYK 5 / 27 / 0 / 41

HEX #8F6D96

RGB 143 109 150

HSL 289.76, 0.16%, 0.51%

LAB 50.66, 21.05, -17.12

 

CMYK 0 / 1 / 0 / 49

HEX #828182

RGB 130 129 130

HSL 300, 0%, 0.51%

LAB 54.09, 0.57, -0.41

 

CMYK 55 / 77 / 0 / 17

HEX #5E30D3

RGB 94 48 211

HSL 256.93, 0.65%, 0.51%

LAB 36.36, 58.38, -75.92

 

CMYK 35 / 77 / 0 / 17

HEX #8A30D3

RGB 138 48 211

HSL 273.13, 0.65%, 0.51%

LAB 41.56, 64.79, -67.2

 

CMYK 14 / 77 / 0 / 17

HEX #B530D3

RGB 181 48 211

HSL 288.96, 0.65%, 0.51%

LAB 47.8, 72.35, -56.79

 

CMYK 0 / 77 / 7 / 17

HEX #D330C5

RGB 211 48 197

HSL 305.15, 0.65%, 0.51%

LAB 51.83, 75.97, -42.02

 

CMYK 0 / 77 / 27 / 17

HEX #D3309A

RGB 211 48 154

HSL 320.98, 0.65%, 0.51%

LAB 49.85, 70.23, -19.88

 

CMYK 14 / 79 / 0 / 43

HEX #7E1F92

RGB 126 31 146

HSL 289.57, 0.65%, 0.35%

LAB 32.9, 55.05, -42.7

 

CMYK 14 / 79 / 0 / 29

HEX #9B26B4

RGB 155 38 180

HSL 289.44, 0.65%, 0.43%

LAB 40.65, 64.87, -50.46

 

CMYK 13 / 77 / 0 / 17

HEX #B730D3

RGB 183 48 211

HSL 289.69, 0.65%, 0.51%

LAB 48.11, 72.72, -56.28

 

CMYK 11 / 62 / 0 / 15

HEX #C252DA

RGB 194 82 218

HSL 289.41, 0.65%, 0.59%

LAB 54.62, 63.68, -49.77

 

CMYK 8 / 48 / 0 / 12

HEX #CE74E1

RGB 206 116 225

HSL 289.54, 0.64%, 0.67%

LAB 62.55, 51.96, -41.08

 

CMYK 13 / 76 / 0 / 17

HEX #B732D3

RGB 183 50 211

HSL 289.57, 0.65%, 0.51%

LAB 48.33, 72.11, -55.94

 

CMYK 0 / 76 / 77 / 17

HEX #D33330

RGB 211 51 48

HSL 1.1, 0.65%, 0.51%

LAB 47.53, 61.13, 40.59

 

CMYK 77 / 0 / 45 / 17

HEX #30D374

RGB 48 211 116

HSL 145.03, 0.65%, 0.51%

LAB 75.13, -61.42, 35.6

 

CMYK 13 / 76 / 0 / 17

HEX #B732D3

RGB 183 50 211

HSL 289.57, 0.65%, 0.51%

LAB 48.33, 72.11, -55.94

 

CMYK 0 / 14 / 77 / 17

HEX #D3B530

RGB 211 181 48

HSL 48.96, 0.65%, 0.51%

LAB 74.26, -2.49, 66.68

 

CMYK 77 / 0 / 14 / 17

HEX #30D3B5

RGB 48 211 181

HSL 168.96, 0.65%, 0.51%

LAB 76.41, -47.41, 3.25

 

CMYK 13 / 76 / 0 / 17

HEX #B732D3

RGB 183 50 211

HSL 289.57, 0.65%, 0.51%

LAB 48.33, 72.11, -55.94

 

CMYK 0 / 76 / 77 / 17

HEX #D33330

RGB 211 51 48

HSL 1.1, 0.65%, 0.51%

LAB 47.53, 61.13, 40.59

 

CMYK 63 / 0 / 77 / 17

HEX #4ED330

RGB 78 211 48

HSL 108.96, 0.65%, 0.51%

LAB 75.09, -64.07, 64.7

 

CMYK 77 / 1 / 0 / 17

HEX #30D0D3

RGB 48 208 211

HSL 181.1, 0.65%, 0.51%

LAB 76.34, -37.83, -12.99

 

CMYK 13 / 76 / 0 / 17

HEX #B732D3

RGB 183 50 211

HSL 289.57, 0.65%, 0.51%

LAB 48.33, 72.11, -55.94

 

CMYK 0 / 53 / 77 / 17

HEX #D36430

RGB 211 100 48

HSL 19.14, 0.65%, 0.51%

LAB 55.25, 40.54, 48.54

 

CMYK 63 / 0 / 77 / 17

HEX #4ED330

RGB 78 211 48

HSL 108.96, 0.65%, 0.51%

LAB 75.09, -64.07, 64.7

 

CMYK 77 / 25 / 0 / 17

HEX #309FD3

RGB 48 159 211

HSL 199.14, 0.65%, 0.51%

LAB 61.76, -13.24, -35.28

 

Description

Color code: RGB 183 50 211 | qconv.com Color code: RGB 183 50 211 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 50 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 50 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 76 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 76% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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