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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 48 236 it is the complementary color RGB 72 207 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 48 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 183 48 236 shade: RGB 188 48 231, RGB 205 66 250, RGB 222 84 255, RGB 239 102 255 and RGB 255 120 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 48 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 183 48 236 shade: RGB 183 48 236, RGB 166 30 217, RGB 149 12 198, RGB 132 0 179 and RGB 115 0 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 183 48 236 shade: RGB 183 49 235, RGB 233 49 235, RGB 235 49 187, RGB 235 49 137 and RGB 235 49 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 183 48 236 shade: RGB 183 49 235, RGB 133 49 235, RGB 82 49 235 and RGB 49 49 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 183 48 236 shade matches the following richer shades: RGB 183 49 235 and RGB 191 31 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 183 48 236 shade: RGB 183 49 235, RGB 175 67 217, RGB 167 85 199, RGB 159 104 181 and RGB 151 122 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 183 48 236 shade: RGB 83 49 235, RGB 133 49 235, RGB 183 49 235, RGB 232 49 235 and RGB 235 49 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 183 48 236 shade: RGB 138 17 185, RGB 166 20 223, RGB 183 49 235, RGB 196 87 239 and RGB 209 125 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 183 48 236 shade: RGB 183 48 236, RGB 235 49 65 and RGB 49 235 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 183 48 236 shade: RGB 183 48 236, RGB 235 183 49 and RGB 49 235 183

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 183 48 236 shade: RGB 183 48 236, RGB 235 49 65, RGB 102 235 49 and RGB 49 235 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 183 48 236 shade: RGB 183 48 236, RGB 235 90 49, RGB 102 235 49 and RGB 49 195 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 80 / 0 / 7

HEX #B730EC

RGB 183 48 236

HSL 283.09, 0.83%, 0.56%

LAB 49.78, 77.3, -67.8

 

Complementary color

CMYK 65 / 0 / 91 / 19

HEX #48CF13

RGB 72 207 19

HSL 103.09, 0.83%, 0.44%

LAB 73.58, -65.32, 70.05

 

CMYK 19 / 79 / 0 / 9

HEX #BC30E7

RGB 188 48 231

HSL 285.9, 0.79%, 0.55%

LAB 50.19, 77.21, -64.29

 

CMYK 18 / 74 / 0 / 2

HEX #CD42FA

RGB 205 66 250

HSL 285.33, 0.95%, 0.62%

LAB 55.86, 78.14, -65.65

 

CMYK 13 / 67 / 0 / 0

HEX #DE54FF

RGB 222 84 255

HSL 288.42, 1%, 0.66%

LAB 60.86, 75.92, -60.26

 

CMYK 6 / 60 / 0 / 0

HEX #EF66FF

RGB 239 102 255

HSL 293.73, 1%, 0.7%

LAB 65.81, 72.45, -52.25

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 22 / 80 / 0 / 7

HEX #B730EC

RGB 183 48 236

HSL 283.09, 0.83%, 0.56%

LAB 49.78, 77.3, -67.8

 

CMYK 24 / 86 / 0 / 15

HEX #A61ED9

RGB 166 30 217

HSL 283.64, 0.76%, 0.48%

LAB 44.3, 75.59, -66.02

 

CMYK 25 / 94 / 0 / 22

HEX #950CC6

RGB 149 12 198

HSL 284.19, 0.89%, 0.41%

LAB 39.12, 72.71, -63.57

 

CMYK 26 / 100 / 0 / 30

HEX #8400B3

RGB 132 0 179

HSL 284.25, 1%, 0.35%

LAB 34.31, 68.4, -60.32

 

CMYK 28 / 100 / 0 / 37

HEX #7300A0

RGB 115 0 160

HSL 283.13, 1%, 0.31%

LAB 29.87, 62.62, -56.26

 

CMYK 22 / 79 / 0 / 8

HEX #B731EB

RGB 183 49 235

HSL 283.23, 0.82%, 0.56%

LAB 49.81, 76.82, -67.18

 

CMYK 1 / 79 / 0 / 8

HEX #E931EB

RGB 233 49 235

HSL 299.35, 0.82%, 0.56%

LAB 57.58, 85.67, -54.29

 

CMYK 0 / 79 / 20 / 8

HEX #EB31BB

RGB 235 49 187

HSL 315.48, 0.82%, 0.56%

LAB 55.53, 79.43, -30.15

 

CMYK 0 / 79 / 42 / 8

HEX #EB3189

RGB 235 49 137

HSL 331.61, 0.82%, 0.56%

LAB 53.67, 74, -3.56

 

CMYK 0 / 79 / 63 / 8

HEX #EB3157

RGB 235 49 87

HSL 347.74, 0.82%, 0.56%

LAB 52.45, 70.3, 24.79

 

CMYK 22 / 79 / 0 / 8

HEX #B731EB

RGB 183 49 235

HSL 283.23, 0.82%, 0.56%

LAB 49.81, 76.82, -67.18

 

CMYK 43 / 79 / 0 / 8

HEX #8531EB

RGB 133 49 235

HSL 267.1, 0.82%, 0.56%

LAB 43.04, 69.14, -78.52

 

CMYK 65 / 79 / 0 / 8

HEX #5231EB

RGB 82 49 235

HSL 250.65, 0.82%, 0.56%

LAB 37.82, 63.27, -87.29

 

CMYK 79 / 79 / 0 / 8

HEX #3131EB

RGB 49 49 235

HSL 240, 0.82%, 0.56%

LAB 35.69, 60.89, -90.89

 

CMYK 22 / 79 / 0 / 8

HEX #B731EB

RGB 183 49 235

HSL 283.23, 0.82%, 0.56%

LAB 49.81, 76.82, -67.18

 

CMYK 25 / 88 / 0 / 0

HEX #BF1FFE

RGB 191 31 254

HSL 283.05, 0.99%, 0.56%

LAB 50.93, 85.76, -75.96

 

CMYK 22 / 79 / 0 / 8

HEX #B731EB

RGB 183 49 235

HSL 283.23, 0.82%, 0.56%

LAB 49.81, 76.82, -67.18

 

CMYK 19 / 69 / 0 / 15

HEX #AF43D9

RGB 175 67 217

HSL 283.2, 0.66%, 0.56%

LAB 49.66, 65.57, -57.28

 

CMYK 16 / 57 / 0 / 22

HEX #A755C7

RGB 167 85 199

HSL 283.16, 0.5%, 0.56%

LAB 50.49, 51.89, -45.7

 

CMYK 12 / 43 / 0 / 29

HEX #9F68B5

RGB 159 104 181

HSL 282.86, 0.34%, 0.56%

LAB 52.52, 35.72, -32.2

 

CMYK 7 / 25 / 0 / 36

HEX #977AA3

RGB 151 122 163

HSL 282.44, 0.18%, 0.56%

LAB 55.22, 18.98, -17.68

 

CMYK 65 / 79 / 0 / 8

HEX #5331EB

RGB 83 49 235

HSL 250.97, 0.82%, 0.56%

LAB 37.9, 63.36, -87.16

 

CMYK 43 / 79 / 0 / 8

HEX #8531EB

RGB 133 49 235

HSL 267.1, 0.82%, 0.56%

LAB 43.04, 69.14, -78.52

 

CMYK 22 / 79 / 0 / 8

HEX #B731EB

RGB 183 49 235

HSL 283.23, 0.82%, 0.56%

LAB 49.81, 76.82, -67.18

 

CMYK 1 / 79 / 0 / 8

HEX #E831EB

RGB 232 49 235

HSL 299.03, 0.82%, 0.56%

LAB 57.42, 85.49, -54.56

 

CMYK 0 / 79 / 20 / 8

HEX #EB31BD

RGB 235 49 189

HSL 314.84, 0.82%, 0.56%

LAB 55.62, 79.68, -31.17

 

CMYK 25 / 91 / 0 / 27

HEX #8A11B9

RGB 138 17 185

HSL 283.21, 0.83%, 0.4%

LAB 36.57, 68, -60.16

 

CMYK 26 / 91 / 0 / 13

HEX #A614DF

RGB 166 20 223

HSL 283.15, 0.84%, 0.48%

LAB 44.14, 78.52, -69.71

 

CMYK 22 / 79 / 0 / 8

HEX #B731EB

RGB 183 49 235

HSL 283.23, 0.82%, 0.56%

LAB 49.81, 76.82, -67.18

 

CMYK 18 / 64 / 0 / 6

HEX #C457EF

RGB 196 87 239

HSL 283.03, 0.83%, 0.64%

LAB 56.86, 66.02, -57.98

 

CMYK 14 / 48 / 0 / 5

HEX #D17DF2

RGB 209 125 242

HSL 283.08, 0.82%, 0.72%

LAB 65.46, 51.57, -45.9

 

CMYK 22 / 80 / 0 / 7

HEX #B730EC

RGB 183 48 236

HSL 283.09, 0.83%, 0.56%

LAB 49.78, 77.3, -67.8

 

CMYK 0 / 79 / 72 / 8

HEX #EB3141

RGB 235 49 65

HSL 354.84, 0.82%, 0.56%

LAB 52.11, 69.24, 37.33

 

CMYK 79 / 0 / 54 / 8

HEX #31EB6C

RGB 49 235 108

HSL 139.03, 0.82%, 0.56%

LAB 82.46, -70.57, 48.59

 

CMYK 22 / 80 / 0 / 7

HEX #B730EC

RGB 183 48 236

HSL 283.09, 0.83%, 0.56%

LAB 49.78, 77.3, -67.8

 

CMYK 0 / 22 / 79 / 8

HEX #EBB731

RGB 235 183 49

HSL 43.23, 0.82%, 0.56%

LAB 77.13, 6.85, 69.84

 

CMYK 79 / 0 / 22 / 8

HEX #31EBB7

RGB 49 235 183

HSL 163.23, 0.82%, 0.56%

LAB 83.7, -56.54, 12.64

 

CMYK 22 / 80 / 0 / 7

HEX #B730EC

RGB 183 48 236

HSL 283.09, 0.83%, 0.56%

LAB 49.78, 77.3, -67.8

 

CMYK 0 / 79 / 72 / 8

HEX #EB3141

RGB 235 49 65

HSL 354.84, 0.82%, 0.56%

LAB 52.11, 69.24, 37.33

 

CMYK 57 / 0 / 79 / 8

HEX #66EB31

RGB 102 235 49

HSL 102.9, 0.82%, 0.56%

LAB 83.16, -66.51, 72.28

 

CMYK 79 / 0 / 6 / 8

HEX #31EBDC

RGB 49 235 220

HSL 175.16, 0.82%, 0.56%

LAB 84.61, -47.17, -5.49

 

CMYK 22 / 80 / 0 / 7

HEX #B730EC

RGB 183 48 236

HSL 283.09, 0.83%, 0.56%

LAB 49.78, 77.3, -67.8

 

CMYK 0 / 62 / 79 / 8

HEX #EB5A31

RGB 235 90 49

HSL 13.23, 0.82%, 0.56%

LAB 57.27, 54.06, 51.32

 

CMYK 57 / 0 / 79 / 8

HEX #66EB31

RGB 102 235 49

HSL 102.9, 0.82%, 0.56%

LAB 83.16, -66.51, 72.28

 

CMYK 79 / 17 / 0 / 8

HEX #31C3EB

RGB 49 195 235

HSL 192.9, 0.82%, 0.56%

LAB 73.34, -24.06, -30.5

 

Description

Color code: RGB 183 48 236 | qconv.com Color code: RGB 183 48 236 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 48 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 48 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 80 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 80% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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