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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 223 112 it is the complementary color RGB 72 32 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 223 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 183 223 112 shade: RGB 188 223 107, RGB 205 241 126, RGB 222 255 145, RGB 239 255 164 and RGB 255 255 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 223 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 183 223 112 shade: RGB 183 223 112, RGB 166 205 93, RGB 149 187 74, RGB 132 169 55 and RGB 115 151 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 183 223 112 shade: RGB 183 222 113, RGB 213 222 113, RGB 222 203 113, RGB 222 173 113 and RGB 222 144 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 183 223 112 shade: RGB 183 222 113, RGB 154 222 113, RGB 124 222 113, RGB 113 222 132 and RGB 113 222 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 183 223 112 shade matches the following richer shades: RGB 183 222 113, RGB 187 236 99 and RGB 191 250 85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 183 223 112 shade: RGB 183 222 113, RGB 179 208 127, RGB 175 194 141, RGB 171 180 155 and RGB 167 166 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 183 223 112 shade: RGB 222 202 113, RGB 213 222 113, RGB 184 222 113, RGB 155 222 113 and RGB 126 222 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 183 223 112 shade: RGB 149 207 47, RGB 166 215 80, RGB 183 222 113, RGB 200 230 147 and RGB 217 238 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 183 223 112 shade: RGB 183 223 112, RGB 113 222 173 and RGB 217 113 222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 183 223 112 shade: RGB 183 223 112, RGB 113 184 222 and RGB 222 113 184

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 183 223 112 shade: RGB 183 223 112, RGB 113 222 173, RGB 151 113 222 and RGB 222 113 162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 183 223 112 shade: RGB 183 223 112, RGB 113 222 206, RGB 151 113 222 and RGB 222 113 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 50 / 13

HEX #B7DF70

RGB 183 223 112

HSL 81.62, 0.63%, 0.66%

LAB 83.97, -30.43, 49.72

 

Complementary color

CMYK 50 / 78 / 0 / 44

HEX #48208F

RGB 72 32 143

HSL 261.62, 0.63%, 0.34%

LAB 24.93, 44.02, -54.15

 

CMYK 16 / 0 / 52 / 13

HEX #BCDF6B

RGB 188 223 107

HSL 78.1, 0.64%, 0.65%

LAB 84.24, -29.03, 52.45

 

CMYK 15 / 0 / 48 / 5

HEX #CDF17E

RGB 205 241 126

HSL 78.78, 0.8%, 0.72%

LAB 90.5, -29.2, 51.36

 

CMYK 13 / 0 / 43 / 0

HEX #DEFF91

RGB 222 255 145

HSL 78, 1%, 0.78%

LAB 95.62, -27.46, 48.92

 

CMYK 6 / 0 / 36 / 0

HEX #EFFFA4

RGB 239 255 164

HSL 70.55, 1%, 0.82%

LAB 97.05, -19.03, 41.77

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 18 / 0 / 50 / 13

HEX #B7DF70

RGB 183 223 112

HSL 81.62, 0.63%, 0.66%

LAB 83.97, -30.43, 49.72

 

CMYK 19 / 0 / 55 / 20

HEX #A6CD5D

RGB 166 205 93

HSL 80.89, 0.53%, 0.58%

LAB 77.61, -30.28, 50.8

 

CMYK 20 / 0 / 60 / 27

HEX #95BB4A

RGB 149 187 74

HSL 80.18, 0.45%, 0.51%

LAB 71.16, -30.05, 51.77

 

CMYK 22 / 0 / 67 / 34

HEX #84A937

RGB 132 169 55

HSL 79.47, 0.51%, 0.44%

LAB 64.61, -29.71, 52.49

 

CMYK 24 / 0 / 76 / 41

HEX #739724

RGB 115 151 36

HSL 78.78, 0.61%, 0.37%

LAB 57.95, -29.21, 52.69

 

CMYK 18 / 0 / 49 / 13

HEX #B7DE71

RGB 183 222 113

HSL 81.47, 0.62%, 0.66%

LAB 83.71, -29.86, 48.92

 

CMYK 4 / 0 / 49 / 13

HEX #D5DE71

RGB 213 222 113

HSL 64.95, 0.62%, 0.66%

LAB 85.8, -18.26, 51.93

 

CMYK 0 / 9 / 49 / 13

HEX #DECB71

RGB 222 203 113

HSL 49.54, 0.62%, 0.66%

LAB 81.53, -5.1, 46.97

 

CMYK 0 / 22 / 49 / 13

HEX #DEAD71

RGB 222 173 113

HSL 33.03, 0.62%, 0.66%

LAB 73.94, 10.64, 37.55

 

CMYK 0 / 35 / 49 / 13

HEX #DE9071

RGB 222 144 113

HSL 17.06, 0.62%, 0.66%

LAB 67.03, 26.19, 28.65

 

CMYK 18 / 0 / 49 / 13

HEX #B7DE71

RGB 183 222 113

HSL 81.47, 0.62%, 0.66%

LAB 83.71, -29.86, 48.92

 

CMYK 31 / 0 / 49 / 13

HEX #9ADE71

RGB 154 222 113

HSL 97.43, 0.62%, 0.66%

LAB 82, -40.3, 46.46

 

CMYK 44 / 0 / 49 / 13

HEX #7CDE71

RGB 124 222 113

HSL 113.94, 0.62%, 0.66%

LAB 80.58, -49.87, 44.39

 

CMYK 49 / 0 / 41 / 13

HEX #71DE84

RGB 113 222 132

HSL 130.46, 0.62%, 0.66%

LAB 80.41, -50.18, 34.72

 

CMYK 49 / 0 / 27 / 13

HEX #71DEA1

RGB 113 222 161

HSL 146.42, 0.62%, 0.66%

LAB 80.92, -45.06, 20.48

 

CMYK 18 / 0 / 49 / 13

HEX #B7DE71

RGB 183 222 113

HSL 81.47, 0.62%, 0.66%

LAB 83.71, -29.86, 48.92

 

CMYK 21 / 0 / 58 / 7

HEX #BBEC63

RGB 187 236 99

HSL 81.46, 0.78%, 0.66%

LAB 87.71, -36.14, 60.01

 

CMYK 24 / 0 / 66 / 2

HEX #BFFA55

RGB 191 250 85

HSL 81.45, 0.94%, 0.66%

LAB 91.73, -41.95, 70.13

 

CMYK 18 / 0 / 49 / 13

HEX #B7DE71

RGB 183 222 113

HSL 81.47, 0.62%, 0.66%

LAB 83.71, -29.86, 48.92

 

CMYK 14 / 0 / 39 / 18

HEX #B3D07F

RGB 179 208 127

HSL 81.48, 0.46%, 0.66%

LAB 79.74, -23.05, 37.05

 

CMYK 10 / 0 / 27 / 24

HEX #AFC28D

RGB 175 194 141

HSL 81.51, 0.3%, 0.66%

LAB 75.84, -15.68, 24.57

 

CMYK 5 / 0 / 14 / 29

HEX #ABB49B

RGB 171 180 155

HSL 81.6, 0.14%, 0.66%

LAB 72.01, -7.69, 11.69

 

CMYK 1 / 2 / 0 / 34

HEX #A7A6A9

RGB 167 166 169

HSL 260, 0.02%, 0.66%

LAB 68.28, 0.93, -1.43

 

CMYK 0 / 9 / 49 / 13

HEX #DECA71

RGB 222 202 113

HSL 48.99, 0.62%, 0.66%

LAB 81.27, -4.58, 46.65

 

CMYK 4 / 0 / 49 / 13

HEX #D5DE71

RGB 213 222 113

HSL 64.95, 0.62%, 0.66%

LAB 85.8, -18.26, 51.93

 

CMYK 17 / 0 / 49 / 13

HEX #B8DE71

RGB 184 222 113

HSL 80.92, 0.62%, 0.66%

LAB 83.77, -29.48, 49.02

 

CMYK 30 / 0 / 49 / 13

HEX #9BDE71

RGB 155 222 113

HSL 96.88, 0.62%, 0.66%

LAB 82.06, -39.96, 46.54

 

CMYK 43 / 0 / 49 / 13

HEX #7EDE71

RGB 126 222 113

HSL 112.84, 0.62%, 0.66%

LAB 80.67, -49.28, 44.52

 

CMYK 28 / 0 / 77 / 19

HEX #95CF2F

RGB 149 207 47

HSL 81.75, 0.63%, 0.5%

LAB 76.81, -40.92, 67.67

 

CMYK 23 / 0 / 63 / 16

HEX #A6D750

RGB 166 215 80

HSL 81.78, 0.63%, 0.58%

LAB 80.34, -36.02, 59.56

 

CMYK 18 / 0 / 49 / 13

HEX #B7DE71

RGB 183 222 113

HSL 81.47, 0.62%, 0.66%

LAB 83.71, -29.86, 48.92

 

CMYK 13 / 0 / 36 / 10

HEX #C8E693

RGB 200 230 147

HSL 81.69, 0.62%, 0.74%

LAB 87.48, -23.42, 37.25

 

CMYK 9 / 0 / 24 / 7

HEX #D9EEB4

RGB 217 238 180

HSL 81.72, 0.63%, 0.82%

LAB 91.32, -16.66, 25.84

 

CMYK 18 / 0 / 50 / 13

HEX #B7DF70

RGB 183 223 112

HSL 81.62, 0.63%, 0.66%

LAB 83.97, -30.43, 49.72

 

CMYK 49 / 0 / 22 / 13

HEX #71DEAD

RGB 113 222 173

HSL 153.03, 0.62%, 0.66%

LAB 81.17, -42.65, 14.53

 

CMYK 2 / 49 / 0 / 13

HEX #D971DE

RGB 217 113 222

HSL 297.25, 0.62%, 0.66%

LAB 63.21, 55.95, -38.27

 

CMYK 18 / 0 / 50 / 13

HEX #B7DF70

RGB 183 223 112

HSL 81.62, 0.63%, 0.66%

LAB 83.97, -30.43, 49.72

 

CMYK 49 / 17 / 0 / 13

HEX #71B8DE

RGB 113 184 222

HSL 200.92, 0.62%, 0.66%

LAB 71.6, -12.06, -25.96

 

CMYK 0 / 49 / 17 / 13

HEX #DE71B8

RGB 222 113 184

HSL 320.92, 0.62%, 0.66%

LAB 62.34, 51.11, -18.13

 

CMYK 18 / 0 / 50 / 13

HEX #B7DF70

RGB 183 223 112

HSL 81.62, 0.63%, 0.66%

LAB 83.97, -30.43, 49.72

 

CMYK 49 / 0 / 22 / 13

HEX #71DEAD

RGB 113 222 173

HSL 153.03, 0.62%, 0.66%

LAB 81.17, -42.65, 14.53

 

CMYK 32 / 49 / 0 / 13

HEX #9771DE

RGB 151 113 222

HSL 260.92, 0.62%, 0.66%

LAB 55.75, 38.04, -50.53

 

CMYK 0 / 49 / 27 / 13

HEX #DE71A2

RGB 222 113 162

HSL 333.03, 0.62%, 0.66%

LAB 61.61, 47.97, -6.66

 

CMYK 18 / 0 / 50 / 13

HEX #B7DF70

RGB 183 223 112

HSL 81.62, 0.63%, 0.66%

LAB 83.97, -30.43, 49.72

 

CMYK 49 / 0 / 7 / 13

HEX #71DECE

RGB 113 222 206

HSL 171.19, 0.62%, 0.66%

LAB 81.95, -35.21, -1.81

 

CMYK 32 / 49 / 0 / 13

HEX #9771DE

RGB 151 113 222

HSL 260.92, 0.62%, 0.66%

LAB 55.75, 38.04, -50.53

 

CMYK 0 / 49 / 41 / 13

HEX #DE7182

RGB 222 113 130

HSL 350.64, 0.62%, 0.66%

LAB 60.74, 44.11, 10.5

 

Description

Color code: RGB 183 223 112 | qconv.com Color code: RGB 183 223 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 223 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 223 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 50 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 50% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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