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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 209 155 it is the complementary color RGB 72 46 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 209 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 183 209 155 shade: RGB 188 209 150, RGB 205 227 169, RGB 222 245 188, RGB 239 255 207 and RGB 255 255 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 209 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 183 209 155 shade: RGB 183 209 155, RGB 166 191 136, RGB 149 173 117, RGB 132 155 98 and RGB 115 137 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 183 209 155 shade: RGB 182 208 153, RGB 196 208 153, RGB 208 205 153, RGB 208 190 153 and RGB 208 175 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 183 209 155 shade: RGB 182 208 153, RGB 167 208 153, RGB 153 208 154, RGB 153 208 169 and RGB 153 208 184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 183 209 155 shade matches the following richer shades: RGB 182 208 153, RGB 182 220 141, RGB 182 232 129 and RGB 183 244 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 183 209 155 shade: RGB 182 208 153, RGB 181 196 165, RGB 181 184 177, RGB 180 172 189 and RGB 180 160 201

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 183 209 155 shade: RGB 208 204 153, RGB 197 208 153, RGB 182 208 153, RGB 168 208 153 and RGB 153 208 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 183 209 155 shade: RGB 141 182 97, RGB 161 195 125, RGB 182 208 153, RGB 202 221 181 and RGB 222 234 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 183 209 155 shade: RGB 183 209 155, RGB 153 208 190 and RGB 208 153 204

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 183 209 155 shade: RGB 183 209 155, RGB 153 182 208 and RGB 208 153 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 183 209 155 shade: RGB 183 209 155, RGB 153 208 190, RGB 179 153 208 and RGB 208 153 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 183 209 155 shade: RGB 183 209 155, RGB 153 208 206, RGB 179 153 208 and RGB 208 153 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 26 / 18

HEX #B7D19B

RGB 183 209 155

HSL 88.89, 0.37%, 0.71%

LAB 80.76, -18.21, 23.98

 

Complementary color

CMYK 28 / 54 / 0 / 61

HEX #482E64

RGB 72 46 100

HSL 268.89, 0.37%, 0.29%

LAB 24.49, 24.02, -27.56

 

CMYK 10 / 0 / 28 / 18

HEX #BCD196

RGB 188 209 150

HSL 81.36, 0.39%, 0.7%

LAB 81.01, -17.12, 27

 

CMYK 10 / 0 / 26 / 11

HEX #CDE3A9

RGB 205 227 169

HSL 82.76, 0.51%, 0.78%

LAB 87.38, -17.14, 25.98

 

CMYK 9 / 0 / 23 / 4

HEX #DEF5BC

RGB 222 245 188

HSL 84.21, 0.74%, 0.85%

LAB 93.65, -17.15, 25

 

CMYK 6 / 0 / 19 / 0

HEX #EFFFCF

RGB 239 255 207

HSL 80, 1%, 0.91%

LAB 97.78, -13.26, 21.22

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 12 / 0 / 26 / 18

HEX #B7D19B

RGB 183 209 155

HSL 88.89, 0.37%, 0.71%

LAB 80.76, -18.21, 23.98

 

CMYK 13 / 0 / 29 / 25

HEX #A6BF88

RGB 166 191 136

HSL 87.27, 0.3%, 0.64%

LAB 74.28, -18.24, 25.02

 

CMYK 14 / 0 / 32 / 32

HEX #95AD75

RGB 149 173 117

HSL 85.71, 0.25%, 0.57%

LAB 67.7, -18.26, 26.11

 

CMYK 15 / 0 / 37 / 39

HEX #849B62

RGB 132 155 98

HSL 84.21, 0.23%, 0.5%

LAB 60.98, -18.27, 27.28

 

CMYK 16 / 0 / 42 / 46

HEX #73894F

RGB 115 137 79

HSL 82.76, 0.27%, 0.42%

LAB 54.13, -18.25, 28.5

 

CMYK 13 / 0 / 26 / 18

HEX #B6D099

RGB 182 208 153

HSL 88.36, 0.37%, 0.71%

LAB 80.38, -18.38, 24.5

 

CMYK 6 / 0 / 26 / 18

HEX #C4D099

RGB 196 208 153

HSL 73.09, 0.37%, 0.71%

LAB 81.37, -13.22, 26.02

 

CMYK 0 / 1 / 26 / 18

HEX #D0CD99

RGB 208 205 153

HSL 56.73, 0.37%, 0.71%

LAB 81.5, -7.17, 26.34

 

CMYK 0 / 9 / 26 / 18

HEX #D0BE99

RGB 208 190 153

HSL 40.36, 0.37%, 0.71%

LAB 77.6, 0.65, 21.02

 

CMYK 0 / 16 / 26 / 18

HEX #D0AF99

RGB 208 175 153

HSL 24, 0.37%, 0.71%

LAB 73.78, 8.64, 15.73

 

CMYK 13 / 0 / 26 / 18

HEX #B6D099

RGB 182 208 153

HSL 88.36, 0.37%, 0.71%

LAB 80.38, -18.38, 24.5

 

CMYK 20 / 0 / 26 / 18

HEX #A7D099

RGB 167 208 153

HSL 104.73, 0.37%, 0.71%

LAB 79.4, -23.71, 23.01

 

CMYK 26 / 0 / 26 / 18

HEX #99D09A

RGB 153 208 154

HSL 121.09, 0.37%, 0.71%

LAB 78.59, -28.31, 21.23

 

CMYK 26 / 0 / 19 / 18

HEX #99D0A9

RGB 153 208 169

HSL 137.45, 0.37%, 0.71%

LAB 78.9, -25.63, 13.71

 

CMYK 26 / 0 / 12 / 18

HEX #99D0B8

RGB 153 208 184

HSL 153.82, 0.37%, 0.71%

LAB 79.24, -22.72, 6.2

 

CMYK 13 / 0 / 26 / 18

HEX #B6D099

RGB 182 208 153

HSL 88.36, 0.37%, 0.71%

LAB 80.38, -18.38, 24.5

 

CMYK 17 / 0 / 36 / 14

HEX #B6DC8D

RGB 182 220 141

HSL 88.86, 0.53%, 0.71%

LAB 83.47, -25.96, 34.82

 

CMYK 22 / 0 / 44 / 9

HEX #B6E881

RGB 182 232 129

HSL 89.13, 0.69%, 0.71%

LAB 86.62, -33.12, 44.82

 

CMYK 25 / 0 / 52 / 4

HEX #B7F475

RGB 183 244 117

HSL 88.82, 0.85%, 0.71%

LAB 89.88, -39.51, 54.46

 

CMYK 13 / 0 / 26 / 18

HEX #B6D099

RGB 182 208 153

HSL 88.36, 0.37%, 0.71%

LAB 80.38, -18.38, 24.5

 

CMYK 8 / 0 / 16 / 23

HEX #B5C4A5

RGB 181 196 165

HSL 89.03, 0.21%, 0.71%

LAB 77.29, -10.74, 13.85

 

CMYK 2 / 0 / 4 / 28

HEX #B5B8B1

RGB 181 184 177

HSL 85.71, 0.05%, 0.71%

LAB 74.37, -2.34, 3.18

 

CMYK 5 / 9 / 0 / 26

HEX #B4ACBD

RGB 180 172 189

HSL 268.24, 0.11%, 0.71%

LAB 71.48, 6.07, -7.65

 

CMYK 10 / 20 / 0 / 21

HEX #B4A0C9

RGB 180 160 201

HSL 269.27, 0.28%, 0.71%

LAB 68.8, 15.14, -18.3

 

CMYK 0 / 2 / 26 / 18

HEX #D0CC99

RGB 208 204 153

HSL 55.64, 0.37%, 0.71%

LAB 81.23, -6.65, 25.98

 

CMYK 5 / 0 / 26 / 18

HEX #C5D099

RGB 197 208 153

HSL 72, 0.37%, 0.71%

LAB 81.45, -12.85, 26.13

 

CMYK 13 / 0 / 26 / 18

HEX #B6D099

RGB 182 208 153

HSL 88.36, 0.37%, 0.71%

LAB 80.38, -18.38, 24.5

 

CMYK 19 / 0 / 26 / 18

HEX #A8D099

RGB 168 208 153

HSL 103.64, 0.37%, 0.71%

LAB 79.46, -23.37, 23.1

 

CMYK 26 / 0 / 26 / 18

HEX #99D099

RGB 153 208 153

HSL 120, 0.37%, 0.71%

LAB 78.57, -28.48, 21.73

 

CMYK 23 / 0 / 47 / 29

HEX #8DB661

RGB 141 182 97

HSL 88.94, 0.37%, 0.55%

LAB 69.46, -28.41, 38.7

 

CMYK 17 / 0 / 36 / 24

HEX #A1C37D

RGB 161 195 125

HSL 89.14, 0.37%, 0.63%

LAB 74.88, -23.66, 31.53

 

CMYK 13 / 0 / 26 / 18

HEX #B6D099

RGB 182 208 153

HSL 88.36, 0.37%, 0.71%

LAB 80.38, -18.38, 24.5

 

CMYK 9 / 0 / 18 / 13

HEX #CADDB5

RGB 202 221 181

HSL 88.5, 0.37%, 0.79%

LAB 85.81, -13.39, 17.54

 

CMYK 5 / 0 / 10 / 8

HEX #DEEAD2

RGB 222 234 210

HSL 90, 0.36%, 0.87%

LAB 91.25, -8.22, 10.28

 

CMYK 12 / 0 / 26 / 18

HEX #B7D19B

RGB 183 209 155

HSL 88.89, 0.37%, 0.71%

LAB 80.76, -18.21, 23.98

 

CMYK 26 / 0 / 9 / 18

HEX #99D0BE

RGB 153 208 190

HSL 160.36, 0.37%, 0.71%

LAB 79.39, -21.49, 3.2

 

CMYK 0 / 26 / 2 / 18

HEX #D099CC

RGB 208 153 204

HSL 304.36, 0.37%, 0.71%

LAB 69.86, 28.92, -18.1

 

CMYK 12 / 0 / 26 / 18

HEX #B7D19B

RGB 183 209 155

HSL 88.89, 0.37%, 0.71%

LAB 80.76, -18.21, 23.98

 

CMYK 26 / 13 / 0 / 18

HEX #99B6D0

RGB 153 182 208

HSL 208.36, 0.37%, 0.71%

LAB 72.75, -3.98, -16.37

 

CMYK 0 / 26 / 13 / 18

HEX #D099B6

RGB 208 153 182

HSL 328.36, 0.37%, 0.71%

LAB 69.16, 25.05, -6.93

 

CMYK 12 / 0 / 26 / 18

HEX #B7D19B

RGB 183 209 155

HSL 88.89, 0.37%, 0.71%

LAB 80.76, -18.21, 23.98

 

CMYK 26 / 0 / 9 / 18

HEX #99D0BE

RGB 153 208 190

HSL 160.36, 0.37%, 0.71%

LAB 79.39, -21.49, 3.2

 

CMYK 14 / 26 / 0 / 18

HEX #B399D0

RGB 179 153 208

HSL 268.36, 0.37%, 0.71%

LAB 67.22, 20.22, -24.6

 

CMYK 0 / 26 / 18 / 18

HEX #D099AB

RGB 208 153 171

HSL 340.36, 0.37%, 0.71%

LAB 68.85, 23.27, -1.26

 

CMYK 12 / 0 / 26 / 18

HEX #B7D19B

RGB 183 209 155

HSL 88.89, 0.37%, 0.71%

LAB 80.76, -18.21, 23.98

 

CMYK 26 / 0 / 1 / 18

HEX #99D0CE

RGB 153 208 206

HSL 177.82, 0.37%, 0.71%

LAB 79.81, -18.04, -4.76

 

CMYK 14 / 26 / 0 / 18

HEX #B399D0

RGB 179 153 208

HSL 268.36, 0.37%, 0.71%

LAB 67.22, 20.22, -24.6

 

CMYK 0 / 26 / 25 / 18

HEX #D0999B

RGB 208 153 155

HSL 357.82, 0.37%, 0.71%

LAB 68.43, 20.86, 7.06

 

Description

Color code: RGB 183 209 155 | qconv.com Color code: RGB 183 209 155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 209 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 209 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 26 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 26% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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