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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 207 49 it is the complementary color RGB 72 48 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 207 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 183 207 49 shade: RGB 188 207 44, RGB 205 225 63, RGB 222 243 82, RGB 239 255 101 and RGB 255 255 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 207 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 183 207 49 shade: RGB 183 207 49, RGB 166 189 30, RGB 149 171 11, RGB 132 153 0 and RGB 115 135 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 183 207 49 shade: RGB 182 206 48, RGB 206 187 48, RGB 206 145 48, RGB 206 102 48 and RGB 206 60 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 183 207 49 shade: RGB 182 206 48, RGB 139 206 48, RGB 97 206 48, RGB 54 206 48 and RGB 48 206 84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 183 207 49 shade matches the following richer shades: RGB 182 206 48, RGB 196 227 27 and RGB 211 247 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 183 207 49 shade: RGB 182 206 48, RGB 168 185 69, RGB 153 165 89, RGB 139 144 110 and RGB 125 124 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 183 207 49 shade: RGB 206 145 48, RGB 206 188 48, RGB 182 206 48, RGB 140 206 48 and RGB 98 206 48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 183 207 49 shade: RGB 123 139 32, RGB 153 173 40, RGB 182 206 48, RGB 194 214 81 and RGB 205 222 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 183 207 49 shade: RGB 183 207 49, RGB 48 206 103 and RGB 167 48 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 183 207 49 shade: RGB 183 207 49, RGB 48 182 206 and RGB 206 48 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 183 207 49 shade: RGB 183 207 49, RGB 48 206 103, RGB 72 48 206 and RGB 206 48 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 183 207 49 shade: RGB 183 207 49, RGB 48 206 151, RGB 72 48 206 and RGB 206 48 103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 76 / 19

HEX #B7CF31

RGB 183 207 49

HSL 69.11, 0.62%, 0.5%

LAB 78.99, -27.42, 69.87

 

Complementary color

CMYK 65 / 77 / 0 / 19

HEX #4830CE

RGB 72 48 206

HSL 249.11, 0.62%, 0.5%

LAB 33.87, 54.44, -77.19

 

CMYK 9 / 0 / 79 / 19

HEX #BCCF2C

RGB 188 207 44

HSL 66.99, 0.65%, 0.49%

LAB 79.33, -25.56, 71.77

 

CMYK 9 / 0 / 72 / 12

HEX #CDE13F

RGB 205 225 63

HSL 67.41, 0.73%, 0.56%

LAB 85.6, -26.39, 72.16

 

CMYK 9 / 0 / 66 / 5

HEX #DEF352

RGB 222 243 82

HSL 67.83, 0.87%, 0.64%

LAB 91.79, -27.07, 71.95

 

CMYK 6 / 0 / 60 / 0

HEX #EFFF65

RGB 239 255 101

HSL 66.23, 1%, 0.7%

LAB 96.33, -24.82, 69.67

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF78

RGB 255 255 120

HSL 60, 1%, 0.74%

LAB 97.69, -17.18, 63.45

 

CMYK 12 / 0 / 76 / 19

HEX #B7CF31

RGB 183 207 49

HSL 69.11, 0.62%, 0.5%

LAB 78.99, -27.42, 69.87

 

CMYK 12 / 0 / 84 / 26

HEX #A6BD1E

RGB 166 189 30

HSL 68.68, 0.73%, 0.43%

LAB 72.63, -26.52, 68.91

 

CMYK 13 / 0 / 94 / 33

HEX #95AB0B

RGB 149 171 11

HSL 68.25, 0.88%, 0.36%

LAB 66.17, -25.41, 66.62

 

CMYK 14 / 0 / 100 / 40

HEX #849900

RGB 132 153 0

HSL 68.24, 1%, 0.3%

LAB 59.61, -24.06, 62.55

 

CMYK 15 / 0 / 100 / 47

HEX #738700

RGB 115 135 0

HSL 68.89, 1%, 0.26%

LAB 52.92, -22.53, 56.99

 

CMYK 12 / 0 / 77 / 19

HEX #B6CE30

RGB 182 206 48

HSL 69.11, 0.62%, 0.5%

LAB 78.64, -27.39, 69.82

 

CMYK 0 / 9 / 77 / 19

HEX #CEBB30

RGB 206 187 48

HSL 52.78, 0.62%, 0.5%

LAB 75.37, -7.78, 67.54

 

CMYK 0 / 30 / 77 / 19

HEX #CE9130

RGB 206 145 48

HSL 36.84, 0.62%, 0.5%

LAB 64.63, 14.59, 57.49

 

CMYK 0 / 50 / 77 / 19

HEX #CE6630

RGB 206 102 48

HSL 20.51, 0.62%, 0.5%

LAB 54.91, 37.58, 47.94

 

CMYK 0 / 71 / 77 / 19

HEX #CE3C30

RGB 206 60 48

HSL 4.56, 0.62%, 0.5%

LAB 47.71, 56.5, 40.5

 

CMYK 12 / 0 / 77 / 19

HEX #B6CE30

RGB 182 206 48

HSL 69.11, 0.62%, 0.5%

LAB 78.64, -27.39, 69.82

 

CMYK 33 / 0 / 77 / 19

HEX #8BCE30

RGB 139 206 48

HSL 85.44, 0.62%, 0.5%

LAB 75.97, -44.12, 66.38

 

CMYK 53 / 0 / 77 / 19

HEX #61CE30

RGB 97 206 48

HSL 101.39, 0.62%, 0.5%

LAB 74.12, -57.63, 63.97

 

CMYK 74 / 0 / 77 / 19

HEX #36CE30

RGB 54 206 48

HSL 117.72, 0.62%, 0.5%

LAB 72.98, -66.97, 62.48

 

CMYK 77 / 0 / 59 / 19

HEX #30CE54

RGB 48 206 84

HSL 133.67, 0.62%, 0.5%

LAB 73.16, -64.43, 48.54

 

CMYK 12 / 0 / 77 / 19

HEX #B6CE30

RGB 182 206 48

HSL 69.11, 0.62%, 0.5%

LAB 78.64, -27.39, 69.82

 

CMYK 14 / 0 / 88 / 11

HEX #C4E31B

RGB 196 227 27

HSL 69.3, 0.79%, 0.5%

LAB 85.38, -32.19, 80.91

 

CMYK 15 / 0 / 97 / 3

HEX #D3F707

RGB 211 247 7

HSL 69, 0.94%, 0.5%

LAB 91.86, -35.6, 88.64

 

CMYK 12 / 0 / 77 / 19

HEX #B6CE30

RGB 182 206 48

HSL 69.11, 0.62%, 0.5%

LAB 78.64, -27.39, 69.82

 

CMYK 9 / 0 / 63 / 27

HEX #A8B945

RGB 168 185 69

HSL 68.79, 0.46%, 0.5%

LAB 71.86, -21.8, 55.08

 

CMYK 7 / 0 / 46 / 35

HEX #99A559

RGB 153 165 89

HSL 69.47, 0.3%, 0.5%

LAB 65.28, -16.1, 37.79

 

CMYK 3 / 0 / 24 / 44

HEX #8B906E

RGB 139 144 110

HSL 68.82, 0.13%, 0.5%

LAB 58.57, -7.87, 17.5

 

CMYK 4 / 5 / 0 / 49

HEX #7D7C82

RGB 125 124 130

HSL 250, 0.02%, 0.5%

LAB 52.27, 1.6, -3.13

 

CMYK 0 / 30 / 77 / 19

HEX #CE9130

RGB 206 145 48

HSL 36.84, 0.62%, 0.5%

LAB 64.63, 14.59, 57.49

 

CMYK 0 / 9 / 77 / 19

HEX #CEBC30

RGB 206 188 48

HSL 53.16, 0.62%, 0.5%

LAB 75.64, -8.29, 67.78

 

CMYK 12 / 0 / 77 / 19

HEX #B6CE30

RGB 182 206 48

HSL 69.11, 0.62%, 0.5%

LAB 78.64, -27.39, 69.82

 

CMYK 32 / 0 / 77 / 19

HEX #8CCE30

RGB 140 206 48

HSL 85.06, 0.62%, 0.5%

LAB 76.03, -43.76, 66.45

 

CMYK 52 / 0 / 77 / 19

HEX #62CE30

RGB 98 206 48

HSL 101.01, 0.62%, 0.5%

LAB 74.16, -57.35, 64.02

 

CMYK 12 / 0 / 77 / 45

HEX #7B8B20

RGB 123 139 32

HSL 68.97, 0.63%, 0.34%

LAB 54.85, -20.05, 51.34

 

CMYK 12 / 0 / 77 / 32

HEX #99AD28

RGB 153 173 40

HSL 69.02, 0.62%, 0.42%

LAB 67.14, -23.83, 60.94

 

CMYK 12 / 0 / 77 / 19

HEX #B6CE30

RGB 182 206 48

HSL 69.11, 0.62%, 0.5%

LAB 78.64, -27.39, 69.82

 

CMYK 9 / 0 / 62 / 16

HEX #C2D651

RGB 194 214 81

HSL 69.02, 0.62%, 0.58%

LAB 81.92, -24.52, 61.4

 

CMYK 8 / 0 / 48 / 13

HEX #CDDE73

RGB 205 222 115

HSL 69.53, 0.62%, 0.66%

LAB 85.23, -21.22, 50.17

 

CMYK 12 / 0 / 76 / 19

HEX #B7CF31

RGB 183 207 49

HSL 69.11, 0.62%, 0.5%

LAB 78.99, -27.42, 69.87

 

CMYK 77 / 0 / 50 / 19

HEX #30CE67

RGB 48 206 103

HSL 140.89, 0.62%, 0.5%

LAB 73.38, -61.79, 39.84

 

CMYK 19 / 77 / 0 / 19

HEX #A730CE

RGB 167 48 206

HSL 285.19, 0.62%, 0.5%

LAB 45.34, 68.83, -58

 

CMYK 12 / 0 / 76 / 19

HEX #B7CF31

RGB 183 207 49

HSL 69.11, 0.62%, 0.5%

LAB 78.99, -27.42, 69.87

 

CMYK 77 / 12 / 0 / 19

HEX #30B6CE

RGB 48 182 206

HSL 189.11, 0.62%, 0.5%

LAB 68.42, -26.92, -22.25

 

CMYK 0 / 77 / 12 / 19

HEX #CE30B6

RGB 206 48 182

HSL 309.11, 0.62%, 0.5%

LAB 50.23, 72.74, -35.89

 

CMYK 12 / 0 / 76 / 19

HEX #B7CF31

RGB 183 207 49

HSL 69.11, 0.62%, 0.5%

LAB 78.99, -27.42, 69.87

 

CMYK 77 / 0 / 50 / 19

HEX #30CE67

RGB 48 206 103

HSL 140.89, 0.62%, 0.5%

LAB 73.38, -61.79, 39.84

 

CMYK 65 / 77 / 0 / 19

HEX #4830CE

RGB 72 48 206

HSL 249.11, 0.62%, 0.5%

LAB 33.87, 54.44, -77.19

 

CMYK 0 / 77 / 27 / 19

HEX #CE3097

RGB 206 48 151

HSL 320.89, 0.62%, 0.5%

LAB 48.85, 68.67, -19.71

 

CMYK 12 / 0 / 76 / 19

HEX #B7CF31

RGB 183 207 49

HSL 69.11, 0.62%, 0.5%

LAB 78.99, -27.42, 69.87

 

CMYK 77 / 0 / 27 / 19

HEX #30CE97

RGB 48 206 151

HSL 159.11, 0.62%, 0.5%

LAB 74.19, -52.64, 16.16

 

CMYK 65 / 77 / 0 / 19

HEX #4830CE

RGB 72 48 206

HSL 249.11, 0.62%, 0.5%

LAB 33.87, 54.44, -77.19

 

CMYK 0 / 77 / 50 / 19

HEX #CE3067

RGB 206 48 103

HSL 339.11, 0.62%, 0.5%

LAB 47.26, 63.8, 7.08

 

Description

Color code: RGB 183 207 49 | qconv.com Color code: RGB 183 207 49 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 207 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 207 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 76 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 76% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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