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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 142 218 it is the complementary color RGB 72 113 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 142 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 183 142 218 shade: RGB 188 142 213, RGB 205 160 232, RGB 222 178 251, RGB 239 196 255 and RGB 255 214 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 142 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 183 142 218 shade: RGB 183 142 218, RGB 166 124 199, RGB 149 106 180, RGB 132 88 161 and RGB 115 70 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 183 142 218 shade: RGB 184 143 218, RGB 204 143 218, RGB 218 143 212, RGB 218 143 192 and RGB 218 143 172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 183 142 218 shade: RGB 184 143 218, RGB 163 143 218, RGB 143 143 218 and RGB 143 143 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 183 142 218 shade matches the following richer shades: RGB 184 143 218, RGB 184 131 230, RGB 185 119 242 and RGB 186 107 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 183 142 218 shade: RGB 184 143 218, RGB 183 155 206, RGB 182 167 194, RGB 181 179 182 and RGB 180 191 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 183 142 218 shade: RGB 143 143 218, RGB 163 143 218, RGB 183 143 218, RGB 203 143 218 and RGB 218 143 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 183 142 218 shade: RGB 144 81 198, RGB 164 112 208, RGB 184 143 218, RGB 203 174 228 and RGB 223 205 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 183 142 218 shade: RGB 183 142 218, RGB 218 143 163 and RGB 143 218 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 183 142 218 shade: RGB 183 142 218, RGB 218 183 143 and RGB 143 218 183

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 183 142 218 shade: RGB 183 142 218, RGB 218 143 163, RGB 178 218 143 and RGB 143 218 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 183 142 218 shade: RGB 183 142 218, RGB 218 145 143, RGB 178 218 143 and RGB 143 216 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 35 / 0 / 15

HEX #B78EDA

RGB 183 142 218

HSL 272.37, 0.51%, 0.71%

LAB 65.34, 29.81, -33.01

 

Complementary color

CMYK 36 / 0 / 67 / 56

HEX #487125

RGB 72 113 37

HSL 92.37, 0.51%, 0.29%

LAB 43.24, -28.21, 36.49

 

CMYK 12 / 33 / 0 / 16

HEX #BC8ED5

RGB 188 142 213

HSL 278.87, 0.46%, 0.7%

LAB 65.63, 30.28, -29.75

 

CMYK 12 / 31 / 0 / 9

HEX #CDA0E8

RGB 205 160 232

HSL 277.5, 0.61%, 0.77%

LAB 72.19, 29.62, -29.96

 

CMYK 12 / 29 / 0 / 2

HEX #DEB2FB

RGB 222 178 251

HSL 276.16, 0.9%, 0.84%

LAB 78.66, 29, -30.17

 

CMYK 6 / 23 / 0 / 0

HEX #EFC4FF

RGB 239 196 255

HSL 283.73, 1%, 0.88%

LAB 84.51, 25.47, -23.23

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 16 / 35 / 0 / 15

HEX #B78EDA

RGB 183 142 218

HSL 272.37, 0.51%, 0.71%

LAB 65.34, 29.81, -33.01

 

CMYK 17 / 38 / 0 / 22

HEX #A67CC7

RGB 166 124 199

HSL 273.6, 0.4%, 0.63%

LAB 58.65, 30.53, -32.89

 

CMYK 17 / 41 / 0 / 29

HEX #956AB4

RGB 149 106 180

HSL 274.86, 0.33%, 0.56%

LAB 51.83, 31.32, -32.77

 

CMYK 18 / 45 / 0 / 37

HEX #8458A1

RGB 132 88 161

HSL 276.16, 0.29%, 0.49%

LAB 44.88, 32.16, -32.66

 

CMYK 19 / 51 / 0 / 44

HEX #73468E

RGB 115 70 142

HSL 277.5, 0.34%, 0.42%

LAB 37.8, 33.04, -32.53

 

CMYK 16 / 34 / 0 / 15

HEX #B88FDA

RGB 184 143 218

HSL 272.8, 0.5%, 0.71%

LAB 65.67, 29.56, -32.49

 

CMYK 6 / 34 / 0 / 15

HEX #CC8FDA

RGB 204 143 218

HSL 288.8, 0.5%, 0.71%

LAB 67.68, 35.74, -29.21

 

CMYK 0 / 34 / 3 / 15

HEX #DA8FD4

RGB 218 143 212

HSL 304.8, 0.5%, 0.71%

LAB 68.97, 39.03, -23.78

 

CMYK 0 / 34 / 12 / 15

HEX #DA8FC0

RGB 218 143 192

HSL 320.8, 0.5%, 0.71%

LAB 68.28, 35.58, -13.71

 

CMYK 0 / 34 / 21 / 15

HEX #DA8FAC

RGB 218 143 172

HSL 336.8, 0.5%, 0.71%

LAB 67.67, 32.43, -3.42

 

CMYK 16 / 34 / 0 / 15

HEX #B88FDA

RGB 184 143 218

HSL 272.8, 0.5%, 0.71%

LAB 65.67, 29.56, -32.49

 

CMYK 25 / 34 / 0 / 15

HEX #A38FDA

RGB 163 143 218

HSL 256, 0.5%, 0.71%

LAB 63.75, 23.24, -35.63

 

CMYK 34 / 34 / 0 / 15

HEX #8F8FDA

RGB 143 143 218

HSL 240, 0.5%, 0.71%

LAB 62.12, 17.52, -38.28

 

CMYK 34 / 34 / 0 / 15

HEX #8F8FDA

RGB 143 143 218

HSL 240, 0.5%, 0.71%

LAB 62.12, 17.52, -38.28

 

CMYK 16 / 34 / 0 / 15

HEX #B88FDA

RGB 184 143 218

HSL 272.8, 0.5%, 0.71%

LAB 65.67, 29.56, -32.49

 

CMYK 20 / 43 / 0 / 10

HEX #B883E6

RGB 184 131 230

HSL 272.12, 0.66%, 0.71%

LAB 63.46, 38.86, -42.6

 

CMYK 24 / 51 / 0 / 5

HEX #B977F2

RGB 185 119 242

HSL 272.2, 0.83%, 0.71%

LAB 61.58, 48.32, -52.2

 

CMYK 27 / 58 / 0 / 0

HEX #BA6BFE

RGB 186 107 254

HSL 272.24, 0.99%, 0.71%

LAB 59.99, 57.48, -61.36

 

CMYK 16 / 34 / 0 / 15

HEX #B88FDA

RGB 184 143 218

HSL 272.8, 0.5%, 0.71%

LAB 65.67, 29.56, -32.49

 

CMYK 11 / 25 / 0 / 19

HEX #B79BCE

RGB 183 155 206

HSL 272.94, 0.34%, 0.71%

LAB 68, 19.96, -22.26

 

CMYK 6 / 14 / 0 / 24

HEX #B6A7C2

RGB 182 167 194

HSL 273.33, 0.18%, 0.71%

LAB 70.51, 10.5, -11.83

 

CMYK 1 / 2 / 0 / 29

HEX #B5B3B6

RGB 181 179 182

HSL 280, 0.02%, 0.71%

LAB 73.18, 1.27, -1.28

 

CMYK 6 / 0 / 11 / 25

HEX #B4BFAA

RGB 180 191 170

HSL 91.43, 0.14%, 0.71%

LAB 75.99, -7.64, 9.29

 

CMYK 34 / 34 / 0 / 15

HEX #8F8FDA

RGB 143 143 218

HSL 240, 0.5%, 0.71%

LAB 62.12, 17.52, -38.28

 

CMYK 25 / 34 / 0 / 15

HEX #A38FDA

RGB 163 143 218

HSL 256, 0.5%, 0.71%

LAB 63.75, 23.24, -35.63

 

CMYK 16 / 34 / 0 / 15

HEX #B78FDA

RGB 183 143 218

HSL 272, 0.5%, 0.71%

LAB 65.57, 29.25, -32.65

 

CMYK 7 / 34 / 0 / 15

HEX #CB8FDA

RGB 203 143 218

HSL 288, 0.5%, 0.71%

LAB 67.58, 35.43, -29.39

 

CMYK 0 / 34 / 2 / 15

HEX #DA8FD5

RGB 218 143 213

HSL 304, 0.5%, 0.71%

LAB 69.01, 39.21, -24.28

 

CMYK 27 / 59 / 0 / 22

HEX #9051C6

RGB 144 81 198

HSL 272.31, 0.51%, 0.55%

LAB 46.83, 47.98, -51.14

 

CMYK 21 / 46 / 0 / 18

HEX #A470D0

RGB 164 112 208

HSL 272.5, 0.51%, 0.63%

LAB 56.12, 38.73, -41.96

 

CMYK 16 / 34 / 0 / 15

HEX #B88FDA

RGB 184 143 218

HSL 272.8, 0.5%, 0.71%

LAB 65.67, 29.56, -32.49

 

CMYK 11 / 24 / 0 / 11

HEX #CBAEE4

RGB 203 174 228

HSL 272.22, 0.5%, 0.79%

LAB 75.18, 20.49, -23.21

 

CMYK 6 / 14 / 0 / 7

HEX #DFCDEE

RGB 223 205 238

HSL 272.73, 0.49%, 0.87%

LAB 84.75, 12.24, -13.96

 

CMYK 16 / 35 / 0 / 15

HEX #B78EDA

RGB 183 142 218

HSL 272.37, 0.51%, 0.71%

LAB 65.34, 29.81, -33.01

 

CMYK 0 / 34 / 25 / 15

HEX #DA8FA3

RGB 218 143 163

HSL 344, 0.5%, 0.71%

LAB 67.42, 31.12, 1.26

 

CMYK 34 / 0 / 30 / 15

HEX #8FDA99

RGB 143 218 153

HSL 128, 0.5%, 0.71%

LAB 80.9, -36.37, 24.83

 

CMYK 16 / 35 / 0 / 15

HEX #B78EDA

RGB 183 142 218

HSL 272.37, 0.51%, 0.71%

LAB 65.34, 29.81, -33.01

 

CMYK 0 / 16 / 34 / 15

HEX #DAB78F

RGB 218 183 143

HSL 32, 0.5%, 0.71%

LAB 76.53, 6.94, 25.05

 

CMYK 34 / 0 / 16 / 15

HEX #8FDAB7

RGB 143 218 183

HSL 152, 0.5%, 0.71%

LAB 81.51, -30.77, 9.92

 

CMYK 16 / 35 / 0 / 15

HEX #B78EDA

RGB 183 142 218

HSL 272.37, 0.51%, 0.71%

LAB 65.34, 29.81, -33.01

 

CMYK 0 / 34 / 25 / 15

HEX #DA8FA3

RGB 218 143 163

HSL 344, 0.5%, 0.71%

LAB 67.42, 31.12, 1.26

 

CMYK 18 / 0 / 34 / 15

HEX #B2DA8F

RGB 178 218 143

HSL 92, 0.5%, 0.71%

LAB 82.7, -26.17, 32.74

 

CMYK 34 / 0 / 9 / 15

HEX #8FDAC6

RGB 143 218 198

HSL 164, 0.5%, 0.71%

LAB 81.87, -27.62, 2.47

 

CMYK 16 / 35 / 0 / 15

HEX #B78EDA

RGB 183 142 218

HSL 272.37, 0.51%, 0.71%

LAB 65.34, 29.81, -33.01

 

CMYK 0 / 33 / 34 / 15

HEX #DA918F

RGB 218 145 143

HSL 1.6, 0.5%, 0.71%

LAB 67.38, 27.38, 12.42

 

CMYK 18 / 0 / 34 / 15

HEX #B2DA8F

RGB 178 218 143

HSL 92, 0.5%, 0.71%

LAB 82.7, -26.17, 32.74

 

CMYK 34 / 1 / 0 / 15

HEX #8FD8DA

RGB 143 216 218

HSL 181.6, 0.5%, 0.71%

LAB 81.85, -22.09, -8.21

 

Description

Color code: RGB 183 142 218 | qconv.com Color code: RGB 183 142 218 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 142 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 142 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 35 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 35% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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