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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 142 168 it is the complementary color RGB 72 113 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 142 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 183 142 168 shade: RGB 188 142 163, RGB 205 160 182, RGB 222 178 201, RGB 239 196 220 and RGB 255 214 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 142 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 183 142 168 shade: RGB 183 142 168, RGB 166 124 149, RGB 149 106 130, RGB 132 88 111 and RGB 115 70 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 183 142 168 shade: RGB 183 143 168, RGB 183 143 157, RGB 183 143 146 and RGB 183 143 143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 183 142 168 shade: RGB 183 143 168, RGB 183 143 179, RGB 176 143 183, RGB 165 143 183 and RGB 154 143 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 183 142 168 shade matches the following richer shades: RGB 183 143 168, RGB 198 128 172, RGB 213 113 176, RGB 227 98 180 and RGB 242 83 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 183 142 168 shade: RGB 183 143 168, RGB 168 157 164, RGB 153 172 160, RGB 138 187 156 and RGB 123 202 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 183 142 168 shade: RGB 175 143 183, RGB 183 143 180, RGB 183 143 169, RGB 183 143 158 and RGB 183 143 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 183 142 168 shade: RGB 148 95 129, RGB 167 117 149, RGB 183 143 168, RGB 199 168 188 and RGB 215 193 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 183 142 168 shade: RGB 183 142 168, RGB 183 165 143 and RGB 143 183 181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 183 142 168 shade: RGB 183 142 168, RGB 169 183 143 and RGB 143 169 183

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 183 142 168 shade: RGB 183 142 168, RGB 183 165 143, RGB 143 183 157 and RGB 143 161 183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 183 142 168 shade: RGB 183 142 168, RGB 183 177 143, RGB 143 183 157 and RGB 143 149 183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 8 / 28

HEX #B78EA8

RGB 183 142 168

HSL 321.95, 0.22%, 0.64%

LAB 63.54, 19.81, -7.7

 

Complementary color

CMYK 36 / 0 / 23 / 56

HEX #487157

RGB 72 113 87

HSL 141.95, 0.22%, 0.36%

LAB 44.05, -20.49, 9.97

 

CMYK 0 / 24 / 13 / 26

HEX #BC8EA3

RGB 188 142 163

HSL 332.61, 0.26%, 0.65%

LAB 63.9, 20.75, -4.28

 

CMYK 0 / 22 / 11 / 20

HEX #CDA0B6

RGB 205 160 182

HSL 330.67, 0.31%, 0.72%

LAB 70.52, 20.16, -4.95

 

CMYK 0 / 20 / 9 / 13

HEX #DEB2C9

RGB 222 178 201

HSL 328.64, 0.4%, 0.78%

LAB 77.03, 19.62, -5.58

 

CMYK 0 / 18 / 8 / 6

HEX #EFC4DC

RGB 239 196 220

HSL 326.51, 0.57%, 0.85%

LAB 83.44, 19.12, -6.17

 

CMYK 0 / 16 / 6 / 0

HEX #FFD6EF

RGB 255 214 239

HSL 323.41, 1%, 0.92%

LAB 89.67, 18.33, -6.89

 

CMYK 0 / 22 / 8 / 28

HEX #B78EA8

RGB 183 142 168

HSL 321.95, 0.22%, 0.64%

LAB 63.54, 19.81, -7.7

 

CMYK 0 / 25 / 10 / 35

HEX #A67C95

RGB 166 124 149

HSL 324.29, 0.19%, 0.57%

LAB 56.77, 20.42, -7.09

 

CMYK 0 / 29 / 13 / 42

HEX #956A82

RGB 149 106 130

HSL 326.51, 0.17%, 0.5%

LAB 49.87, 21.1, -6.43

 

CMYK 0 / 33 / 16 / 48

HEX #84586F

RGB 132 88 111

HSL 328.64, 0.2%, 0.43%

LAB 42.81, 21.85, -5.69

 

CMYK 0 / 39 / 20 / 55

HEX #73465C

RGB 115 70 92

HSL 330.67, 0.24%, 0.36%

LAB 35.59, 22.69, -4.85

 

CMYK 0 / 22 / 8 / 28

HEX #B78FA8

RGB 183 143 168

HSL 322.5, 0.22%, 0.64%

LAB 63.79, 19.25, -7.34

 

CMYK 0 / 22 / 14 / 28

HEX #B78F9D

RGB 183 143 157

HSL 339, 0.22%, 0.64%

LAB 63.46, 17.35, -1.59

 

CMYK 0 / 22 / 20 / 28

HEX #B78F92

RGB 183 143 146

HSL 355.5, 0.22%, 0.64%

LAB 63.17, 15.57, 4.21

 

CMYK 0 / 22 / 22 / 28

HEX #B78F8F

RGB 183 143 143

HSL 0, 0.22%, 0.64%

LAB 63.09, 15.1, 5.79

 

CMYK 0 / 22 / 8 / 28

HEX #B78FA8

RGB 183 143 168

HSL 322.5, 0.22%, 0.64%

LAB 63.79, 19.25, -7.34

 

CMYK 0 / 22 / 2 / 28

HEX #B78FB3

RGB 183 143 179

HSL 306, 0.22%, 0.64%

LAB 64.13, 21.27, -13.03

 

CMYK 4 / 22 / 0 / 28

HEX #B08FB7

RGB 176 143 183

HSL 289.5, 0.22%, 0.64%

LAB 63.59, 19.64, -16.18

 

CMYK 10 / 22 / 0 / 28

HEX #A58FB7

RGB 165 143 183

HSL 273, 0.22%, 0.64%

LAB 62.56, 15.92, -17.82

 

CMYK 16 / 22 / 0 / 28

HEX #9A8FB7

RGB 154 143 183

HSL 256.5, 0.22%, 0.64%

LAB 61.6, 12.26, -19.38

 

CMYK 0 / 22 / 8 / 28

HEX #B78FA8

RGB 183 143 168

HSL 322.5, 0.22%, 0.64%

LAB 63.79, 19.25, -7.34

 

CMYK 0 / 35 / 13 / 22

HEX #C680AC

RGB 198 128 172

HSL 322.29, 0.38%, 0.64%

LAB 62.02, 33.52, -12.08

 

CMYK 0 / 47 / 17 / 16

HEX #D571B0

RGB 213 113 176

HSL 322.2, 0.54%, 0.64%

LAB 60.86, 47.05, -15.92

 

CMYK 0 / 57 / 21 / 11

HEX #E362B4

RGB 227 98 180

HSL 321.86, 0.7%, 0.64%

LAB 60.21, 59.11, -19.01

 

CMYK 0 / 66 / 24 / 5

HEX #F253B8

RGB 242 83 184

HSL 321.89, 0.86%, 0.64%

LAB 60.36, 70.04, -20.88

 

CMYK 0 / 22 / 8 / 28

HEX #B78FA8

RGB 183 143 168

HSL 322.5, 0.22%, 0.64%

LAB 63.79, 19.25, -7.34

 

CMYK 0 / 7 / 2 / 34

HEX #A89DA4

RGB 168 157 164

HSL 321.82, 0.06%, 0.64%

LAB 65.84, 5.3, -2.21

 

CMYK 11 / 0 / 7 / 33

HEX #99ACA0

RGB 153 172 160

HSL 142.11, 0.1%, 0.64%

LAB 68.62, -8.98, 3.92

 

CMYK 26 / 0 / 17 / 27

HEX #8ABB9C

RGB 138 187 156

HSL 142.04, 0.26%, 0.64%

LAB 71.79, -22.58, 10.53

 

CMYK 39 / 0 / 25 / 21

HEX #7BCA98

RGB 123 202 152

HSL 142.03, 0.43%, 0.64%

LAB 75.28, -35.2, 17.47

 

CMYK 4 / 22 / 0 / 28

HEX #AF8FB7

RGB 175 143 183

HSL 288, 0.22%, 0.64%

LAB 63.49, 19.3, -16.33

 

CMYK 0 / 22 / 2 / 28

HEX #B78FB4

RGB 183 143 180

HSL 304.5, 0.22%, 0.64%

LAB 64.17, 21.46, -13.54

 

CMYK 0 / 22 / 8 / 28

HEX #B78FA9

RGB 183 143 169

HSL 321, 0.22%, 0.64%

LAB 63.82, 19.43, -7.86

 

CMYK 0 / 22 / 14 / 28

HEX #B78F9E

RGB 183 143 158

HSL 337.5, 0.22%, 0.64%

LAB 63.49, 17.52, -2.12

 

CMYK 0 / 22 / 20 / 28

HEX #B78F93

RGB 183 143 147

HSL 354, 0.22%, 0.64%

LAB 63.19, 15.72, 3.68

 

CMYK 0 / 36 / 13 / 42

HEX #945F81

RGB 148 95 129

HSL 321.51, 0.22%, 0.48%

LAB 47.06, 26.9, -10.04

 

CMYK 0 / 30 / 11 / 35

HEX #A77595

RGB 167 117 149

HSL 321.6, 0.22%, 0.56%

LAB 55.18, 24.76, -9.45

 

CMYK 0 / 22 / 8 / 28

HEX #B78FA8

RGB 183 143 168

HSL 322.5, 0.22%, 0.64%

LAB 63.79, 19.25, -7.34

 

CMYK 0 / 16 / 6 / 22

HEX #C7A8BC

RGB 199 168 188

HSL 321.29, 0.22%, 0.72%

LAB 72.08, 14.7, -6.03

 

CMYK 0 / 10 / 4 / 16

HEX #D7C1CF

RGB 215 193 207

HSL 321.82, 0.22%, 0.8%

LAB 80.23, 10.18, -4.18

 

CMYK 0 / 22 / 8 / 28

HEX #B78EA8

RGB 183 142 168

HSL 321.95, 0.22%, 0.64%

LAB 63.54, 19.81, -7.7

 

CMYK 0 / 10 / 22 / 28

HEX #B7A58F

RGB 183 165 143

HSL 33, 0.22%, 0.64%

LAB 68.72, 2.97, 13.79

 

CMYK 22 / 0 / 1 / 28

HEX #8FB7B5

RGB 143 183 181

HSL 177, 0.22%, 0.64%

LAB 71.58, -13.75, -3.39

 

CMYK 0 / 22 / 8 / 28

HEX #B78EA8

RGB 183 142 168

HSL 321.95, 0.22%, 0.64%

LAB 63.54, 19.81, -7.7

 

CMYK 8 / 0 / 22 / 28

HEX #A9B78F

RGB 169 183 143

HSL 81, 0.22%, 0.64%

LAB 72.42, -11.96, 18.76

 

CMYK 22 / 8 / 0 / 28

HEX #8FA9B7

RGB 143 169 183

HSL 201, 0.22%, 0.64%

LAB 67.75, -5.84, -10.18

 

CMYK 0 / 22 / 8 / 28

HEX #B78EA8

RGB 183 142 168

HSL 321.95, 0.22%, 0.64%

LAB 63.54, 19.81, -7.7

 

CMYK 0 / 10 / 22 / 28

HEX #B7A58F

RGB 183 165 143

HSL 33, 0.22%, 0.64%

LAB 68.72, 2.97, 13.79

 

CMYK 22 / 0 / 14 / 28

HEX #8FB79D

RGB 143 183 157

HSL 141, 0.22%, 0.64%

LAB 70.97, -18.72, 8.86

 

CMYK 22 / 12 / 0 / 28

HEX #8FA1B7

RGB 143 161 183

HSL 213, 0.22%, 0.64%

LAB 65.55, -1.45, -13.47

 

CMYK 0 / 22 / 8 / 28

HEX #B78EA8

RGB 183 142 168

HSL 321.95, 0.22%, 0.64%

LAB 63.54, 19.81, -7.7

 

CMYK 0 / 3 / 22 / 28

HEX #B7B18F

RGB 183 177 143

HSL 51, 0.22%, 0.64%

LAB 71.89, -3.49, 18.2

 

CMYK 22 / 0 / 14 / 28

HEX #8FB79D

RGB 143 183 157

HSL 141, 0.22%, 0.64%

LAB 70.97, -18.72, 8.86

 

CMYK 22 / 19 / 0 / 28

HEX #8F95B7

RGB 143 149 183

HSL 231, 0.22%, 0.64%

LAB 62.3, 5.28, -18.39

 

Description

Color code: RGB 183 142 168 | qconv.com Color code: RGB 183 142 168 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 142 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 142 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 8 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 8% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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