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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 115 31 it is the complementary color RGB 72 140 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 115 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 183 115 31 shade: RGB 188 115 26, RGB 205 133 45, RGB 222 151 64, RGB 239 169 83 and RGB 255 187 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 115 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 183 115 31 shade: RGB 183 115 31, RGB 166 97 12, RGB 149 79 0, RGB 132 61 0 and RGB 115 43 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 183 115 31 shade: RGB 183 115 31, RGB 183 74 31, RGB 183 33 31 and RGB 183 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 183 115 31 shade: RGB 183 115 31, RGB 183 156 31, RGB 169 183 31, RGB 128 183 31 and RGB 87 183 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 183 115 31 shade matches the following richer shades: RGB 183 115 31 and RGB 200 116 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 183 115 31 shade: RGB 183 115 31, RGB 165 113 48, RGB 148 111 65, RGB 131 109 83 and RGB 113 107 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 183 115 31 shade: RGB 183 33 31, RGB 183 74 31, RGB 183 114 31, RGB 183 155 31 and RGB 170 183 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 183 115 31 shade: RGB 112 70 19, RGB 147 92 25, RGB 183 115 31, RGB 218 137 37 and RGB 224 156 72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 183 115 31 shade: RGB 183 115 31, RGB 69 183 31 and RGB 53 31 183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 183 115 31 shade: RGB 183 115 31, RGB 31 183 114 and RGB 114 31 183

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 183 115 31 shade: RGB 183 115 31, RGB 69 183 31, RGB 31 99 183 and RGB 145 31 183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 183 115 31 shade: RGB 183 115 31, RGB 31 183 38, RGB 31 99 183 and RGB 183 31 175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 83 / 28

HEX #B7731F

RGB 183 115 31

HSL 33.16, 0.71%, 0.42%

LAB 54.48, 20.4, 53.62

 

Complementary color

CMYK 68 / 38 / 0 / 12

HEX #488CE0

RGB 72 140 224

HSL 213.16, 0.71%, 0.58%

LAB 57.57, 5.37, -49.07

 

CMYK 0 / 39 / 86 / 26

HEX #BC731A

RGB 188 115 26

HSL 32.96, 0.76%, 0.42%

LAB 55.1, 22.44, 56.12

 

CMYK 0 / 35 / 78 / 20

HEX #CD852D

RGB 205 133 45

HSL 33, 0.64%, 0.49%

LAB 61.61, 20.56, 55.76

 

CMYK 0 / 32 / 71 / 13

HEX #DE9740

RGB 222 151 64

HSL 33.04, 0.71%, 0.56%

LAB 68.04, 18.93, 54.75

 

CMYK 0 / 29 / 65 / 6

HEX #EFA953

RGB 239 169 83

HSL 33.08, 0.83%, 0.63%

LAB 74.41, 17.5, 53.48

 

CMYK 0 / 27 / 60 / 0

HEX #FFBB66

RGB 255 187 102

HSL 33.33, 1%, 0.7%

LAB 80.61, 15.85, 51.96

 

CMYK 0 / 37 / 83 / 28

HEX #B7731F

RGB 183 115 31

HSL 33.16, 0.71%, 0.42%

LAB 54.48, 20.4, 53.62

 

CMYK 0 / 42 / 93 / 35

HEX #A6610C

RGB 166 97 12

HSL 33.12, 0.87%, 0.35%

LAB 47.86, 22.48, 53.18

 

CMYK 0 / 47 / 100 / 42

HEX #954F00

RGB 149 79 0

HSL 31.81, 1%, 0.29%

LAB 41.19, 24.85, 50.53

 

CMYK 0 / 54 / 100 / 48

HEX #843D00

RGB 132 61 0

HSL 27.73, 1%, 0.26%

LAB 34.48, 27.41, 45.14

 

CMYK 0 / 63 / 100 / 55

HEX #732B00

RGB 115 43 0

HSL 22.43, 1%, 0.23%

LAB 27.77, 29.85, 39.03

 

CMYK 0 / 37 / 83 / 28

HEX #B7731F

RGB 183 115 31

HSL 33.16, 0.71%, 0.42%

LAB 54.48, 20.4, 53.62

 

CMYK 0 / 60 / 83 / 28

HEX #B74A1F

RGB 183 74 31

HSL 16.97, 0.71%, 0.42%

LAB 45.72, 42, 45.79

 

CMYK 0 / 82 / 83 / 28

HEX #B7211F

RGB 183 33 31

HSL 0.79, 0.71%, 0.42%

LAB 40, 57.57, 40.5

 

CMYK 0 / 83 / 83 / 28

HEX #B71F1F

RGB 183 31 31

HSL 0, 0.71%, 0.42%

LAB 39.83, 58.08, 40.33

 

CMYK 0 / 37 / 83 / 28

HEX #B7731F

RGB 183 115 31

HSL 33.16, 0.71%, 0.42%

LAB 54.48, 20.4, 53.62

 

CMYK 0 / 15 / 83 / 28

HEX #B79C1F

RGB 183 156 31

HSL 49.34, 0.71%, 0.42%

LAB 64.92, -2.17, 62.66

 

CMYK 8 / 0 / 83 / 28

HEX #A9B71F

RGB 169 183 31

HSL 65.53, 0.71%, 0.42%

LAB 71.15, -22.29, 67.5

 

CMYK 30 / 0 / 83 / 28

HEX #80B71F

RGB 128 183 31

HSL 81.71, 0.71%, 0.42%

LAB 68.43, -38.99, 64.08

 

CMYK 52 / 0 / 83 / 28

HEX #57B71F

RGB 87 183 31

HSL 97.89, 0.71%, 0.42%

LAB 66.51, -52.86, 61.65

 

CMYK 0 / 37 / 83 / 28

HEX #B7731F

RGB 183 115 31

HSL 33.16, 0.71%, 0.42%

LAB 54.48, 20.4, 53.62

 

CMYK 0 / 42 / 94 / 22

HEX #C8740D

RGB 200 116 13

HSL 33.05, 0.88%, 0.42%

LAB 56.88, 26.82, 61.59

 

CMYK 0 / 37 / 83 / 28

HEX #B7731F

RGB 183 115 31

HSL 33.16, 0.71%, 0.42%

LAB 54.48, 20.4, 53.62

 

CMYK 0 / 32 / 71 / 35

HEX #A57130

RGB 165 113 48

HSL 33.33, 0.55%, 0.42%

LAB 51.86, 14.28, 43.06

 

CMYK 0 / 25 / 56 / 42

HEX #946F41

RGB 148 111 65

HSL 33.25, 0.39%, 0.42%

LAB 49.55, 9.04, 31.07

 

CMYK 0 / 17 / 37 / 49

HEX #836D53

RGB 131 109 83

HSL 32.5, 0.22%, 0.42%

LAB 47.48, 4.69, 17.78

 

CMYK 0 / 5 / 12 / 56

HEX #716B64

RGB 113 107 100

HSL 32.31, 0.06%, 0.42%

LAB 45.56, 1.01, 4.75

 

CMYK 0 / 82 / 83 / 28

HEX #B7211F

RGB 183 33 31

HSL 0.79, 0.71%, 0.42%

LAB 40, 57.57, 40.5

 

CMYK 0 / 60 / 83 / 28

HEX #B74A1F

RGB 183 74 31

HSL 16.97, 0.71%, 0.42%

LAB 45.72, 42, 45.79

 

CMYK 0 / 38 / 83 / 28

HEX #B7721F

RGB 183 114 31

HSL 32.76, 0.71%, 0.42%

LAB 54.24, 20.96, 53.41

 

CMYK 0 / 15 / 83 / 28

HEX #B79B1F

RGB 183 155 31

HSL 48.95, 0.71%, 0.42%

LAB 64.65, -1.63, 62.43

 

CMYK 7 / 0 / 83 / 28

HEX #AAB71F

RGB 170 183 31

HSL 65.13, 0.71%, 0.42%

LAB 71.22, -21.87, 67.6

 

CMYK 0 / 38 / 83 / 56

HEX #704613

RGB 112 70 19

HSL 32.9, 0.71%, 0.26%

LAB 33.72, 13.52, 36.11

 

CMYK 0 / 37 / 83 / 42

HEX #935C19

RGB 147 92 25

HSL 32.95, 0.71%, 0.34%

LAB 44.13, 17.1, 44.9

 

CMYK 0 / 37 / 83 / 28

HEX #B7731F

RGB 183 115 31

HSL 33.16, 0.71%, 0.42%

LAB 54.48, 20.4, 53.62

 

CMYK 0 / 37 / 83 / 15

HEX #DA8925

RGB 218 137 37

HSL 33.15, 0.71%, 0.5%

LAB 64.1, 23.69, 61.61

 

CMYK 0 / 30 / 68 / 12

HEX #E09C48

RGB 224 156 72

HSL 33.16, 0.71%, 0.58%

LAB 69.54, 17.51, 52.77

 

CMYK 0 / 37 / 83 / 28

HEX #B7731F

RGB 183 115 31

HSL 33.16, 0.71%, 0.42%

LAB 54.48, 20.4, 53.62

 

CMYK 62 / 0 / 83 / 28

HEX #45B71F

RGB 69 183 31

HSL 105, 0.71%, 0.42%

LAB 65.93, -57.56, 60.9

 

CMYK 71 / 83 / 0 / 28

HEX #351FB7

RGB 53 31 183

HSL 248.68, 0.71%, 0.42%

LAB 27.17, 53.86, -74.8

 

CMYK 0 / 37 / 83 / 28

HEX #B7731F

RGB 183 115 31

HSL 33.16, 0.71%, 0.42%

LAB 54.48, 20.4, 53.62

 

CMYK 83 / 0 / 38 / 28

HEX #1FB772

RGB 31 183 114

HSL 152.76, 0.71%, 0.42%

LAB 66.04, -53.59, 24.68

 

CMYK 38 / 83 / 0 / 28

HEX #721FB7

RGB 114 31 183

HSL 272.76, 0.71%, 0.42%

LAB 33.93, 60.71, -63.43

 

CMYK 0 / 37 / 83 / 28

HEX #B7731F

RGB 183 115 31

HSL 33.16, 0.71%, 0.42%

LAB 54.48, 20.4, 53.62

 

CMYK 62 / 0 / 83 / 28

HEX #45B71F

RGB 69 183 31

HSL 105, 0.71%, 0.42%

LAB 65.93, -57.56, 60.9

 

CMYK 83 / 46 / 0 / 28

HEX #1F63B7

RGB 31 99 183

HSL 213.16, 0.71%, 0.42%

LAB 42.21, 10.46, -50.28

 

CMYK 21 / 83 / 0 / 28

HEX #911FB7

RGB 145 31 183

HSL 285, 0.71%, 0.42%

LAB 38.58, 65.62, -55.66

 

CMYK 0 / 37 / 83 / 28

HEX #B7731F

RGB 183 115 31

HSL 33.16, 0.71%, 0.42%

LAB 54.48, 20.4, 53.62

 

CMYK 83 / 0 / 79 / 28

HEX #1FB726

RGB 31 183 38

HSL 122.76, 0.71%, 0.42%

LAB 65.2, -63.67, 57.97

 

CMYK 83 / 46 / 0 / 28

HEX #1F63B7

RGB 31 99 183

HSL 213.16, 0.71%, 0.42%

LAB 42.21, 10.46, -50.28

 

CMYK 0 / 83 / 4 / 28

HEX #B71FAF

RGB 183 31 175

HSL 303.16, 0.71%, 0.42%

LAB 44.44, 71.22, -41.18

 

Description

Color code: RGB 183 115 31 | qconv.com Color code: RGB 183 115 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 115 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 115 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 83 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 83% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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