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Color name
RGB 182 88 128

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 88 128 it is the complementary color RGB 73 167 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 88 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 88 128 shade: RGB 187 88 123, RGB 204 106 142, RGB 221 124 161, RGB 238 142 180 and RGB 255 160 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 88 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 88 128 shade: RGB 182 88 128, RGB 165 70 109, RGB 148 52 90, RGB 131 34 71 and RGB 114 16 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 88 128 shade: RGB 181 88 128, RGB 181 88 102 and RGB 181 88 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 88 128 shade: RGB 181 88 128, RGB 181 88 153, RGB 181 88 178, RGB 159 88 181 and RGB 134 88 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 88 128 shade matches the following richer shades: RGB 181 88 128, RGB 201 69 125, RGB 220 49 122 and RGB 240 30 119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 88 128 shade: RGB 181 88 128, RGB 162 107 131, RGB 143 127 133, RGB 123 146 136 and RGB 104 165 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 88 128 shade: RGB 181 88 178, RGB 181 88 153, RGB 181 88 128, RGB 181 88 103 and RGB 181 97 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 88 128 shade: RGB 130 57 88, RGB 159 69 107, RGB 181 88 128, RGB 194 117 150 and RGB 207 145 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 88 128 shade: RGB 182 88 128, RGB 181 160 88 and RGB 88 166 181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 88 128 shade: RGB 182 88 128, RGB 128 181 88 and RGB 88 128 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 88 128 shade: RGB 182 88 128, RGB 181 160 88, RGB 88 181 141 and RGB 88 110 181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 88 128 shade: RGB 182 88 128, RGB 175 181 88, RGB 88 181 141 and RGB 94 88 181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 30 / 29

HEX #B65880

RGB 182 88 128

HSL 334.47, 0.39%, 0.53%

LAB 50.08, 42.56, -4.46

 

Complementary color

CMYK 56 / 0 / 24 / 35

HEX #49A77F

RGB 73 167 127

HSL 154.47, 0.39%, 0.47%

LAB 62.16, -37.53, 12.44

 

CMYK 0 / 53 / 34 / 27

HEX #BB587B

RGB 187 88 123

HSL 338.79, 0.42%, 0.54%

LAB 50.66, 43.62, -0.53

 

CMYK 0 / 48 / 30 / 20

HEX #CC6A8E

RGB 204 106 142

HSL 337.96, 0.49%, 0.61%

LAB 57.17, 42.78, -1.92

 

CMYK 0 / 44 / 27 / 13

HEX #DD7CA1

RGB 221 124 161

HSL 337.11, 0.59%, 0.68%

LAB 63.64, 41.92, -3.1

 

CMYK 0 / 40 / 24 / 7

HEX #EE8EB4

RGB 238 142 180

HSL 336.25, 0.74%, 0.75%

LAB 70.05, 41.09, -4.13

 

CMYK 0 / 37 / 22 / 0

HEX #FFA0C7

RGB 255 160 199

HSL 335.37, 1%, 0.81%

LAB 76.39, 40.28, -5.04

 

CMYK 0 / 52 / 30 / 29

HEX #B65880

RGB 182 88 128

HSL 334.47, 0.39%, 0.53%

LAB 50.08, 42.56, -4.46

 

CMYK 0 / 58 / 34 / 35

HEX #A5466D

RGB 165 70 109

HSL 335.37, 0.4%, 0.46%

LAB 43.48, 43.3, -2.96

 

CMYK 0 / 65 / 39 / 42

HEX #94345A

RGB 148 52 90

HSL 336.25, 0.48%, 0.39%

LAB 36.91, 43.84, -1.06

 

CMYK 0 / 74 / 46 / 49

HEX #832247

RGB 131 34 71

HSL 337.11, 0.59%, 0.32%

LAB 30.46, 43.92, 1.47

 

CMYK 0 / 86 / 54 / 55

HEX #721034

RGB 114 16 52

HSL 337.96, 0.75%, 0.25%

LAB 24.31, 43.02, 5.01

 

CMYK 0 / 51 / 29 / 29

HEX #B55880

RGB 181 88 128

HSL 334.19, 0.39%, 0.53%

LAB 49.93, 42.21, -4.69

 

CMYK 0 / 51 / 44 / 29

HEX #B55866

RGB 181 88 102

HSL 350.97, 0.39%, 0.53%

LAB 49.21, 39.06, 9.86

 

CMYK 0 / 51 / 51 / 29

HEX #B55858

RGB 181 88 88

HSL 0, 0.39%, 0.53%

LAB 48.89, 37.66, 17.81

 

CMYK 0 / 51 / 29 / 29

HEX #B55880

RGB 181 88 128

HSL 334.19, 0.39%, 0.53%

LAB 49.93, 42.21, -4.69

 

CMYK 0 / 51 / 15 / 29

HEX #B55899

RGB 181 88 153

HSL 318.06, 0.39%, 0.53%

LAB 50.81, 45.9, -18.25

 

CMYK 0 / 51 / 2 / 29

HEX #B558B2

RGB 181 88 178

HSL 301.94, 0.39%, 0.53%

LAB 51.86, 50.13, -31.28

 

CMYK 12 / 51 / 0 / 29

HEX #9F58B5

RGB 159 88 181

HSL 285.81, 0.39%, 0.53%

LAB 49.11, 44.45, -37.54

 

CMYK 26 / 51 / 0 / 29

HEX #8658B5

RGB 134 88 181

HSL 269.68, 0.39%, 0.53%

LAB 46.16, 37.5, -42.41

 

CMYK 0 / 51 / 29 / 29

HEX #B55880

RGB 181 88 128

HSL 334.19, 0.39%, 0.53%

LAB 49.93, 42.21, -4.69

 

CMYK 0 / 66 / 38 / 21

HEX #C9457D

RGB 201 69 125

HSL 334.55, 0.55%, 0.53%

LAB 49.68, 57, -2.91

 

CMYK 0 / 78 / 45 / 14

HEX #DC317A

RGB 220 49 122

HSL 334.39, 0.71%, 0.53%

LAB 50.47, 68.85, 0.46

 

CMYK 0 / 88 / 50 / 6

HEX #F01E77

RGB 240 30 119

HSL 334.57, 0.88%, 0.53%

LAB 52.71, 77.67, 5.99

 

CMYK 0 / 51 / 29 / 29

HEX #B55880

RGB 181 88 128

HSL 334.19, 0.39%, 0.53%

LAB 49.93, 42.21, -4.69

 

CMYK 0 / 34 / 19 / 36

HEX #A26B83

RGB 162 107 131

HSL 333.82, 0.23%, 0.53%

LAB 51.65, 25.55, -4.21

 

CMYK 0 / 11 / 7 / 44

HEX #8F7F85

RGB 143 127 133

HSL 337.5, 0.07%, 0.53%

LAB 54.77, 7.2, -1.02

 

CMYK 16 / 0 / 7 / 43

HEX #7B9288

RGB 123 146 136

HSL 153.91, 0.1%, 0.53%

LAB 58.55, -10.26, 2.56

 

CMYK 37 / 0 / 16 / 35

HEX #68A58B

RGB 104 165 139

HSL 154.43, 0.25%, 0.53%

LAB 63.11, -25.73, 7.28

 

CMYK 0 / 51 / 2 / 29

HEX #B558B2

RGB 181 88 178

HSL 301.94, 0.39%, 0.53%

LAB 51.86, 50.13, -31.28

 

CMYK 0 / 51 / 15 / 29

HEX #B55899

RGB 181 88 153

HSL 318.06, 0.39%, 0.53%

LAB 50.81, 45.9, -18.25

 

CMYK 0 / 51 / 29 / 29

HEX #B55880

RGB 181 88 128

HSL 334.19, 0.39%, 0.53%

LAB 49.93, 42.21, -4.69

 

CMYK 0 / 51 / 43 / 29

HEX #B55867

RGB 181 88 103

HSL 350.32, 0.39%, 0.53%

LAB 49.23, 39.16, 9.3

 

CMYK 0 / 46 / 51 / 29

HEX #B56158

RGB 181 97 88

HSL 5.81, 0.39%, 0.53%

LAB 50.78, 32.92, 20.34

 

CMYK 0 / 56 / 32 / 49

HEX #823958

RGB 130 57 88

HSL 334.52, 0.39%, 0.37%

LAB 34.76, 35.02, -3.31

 

CMYK 0 / 57 / 33 / 38

HEX #9F456B

RGB 159 69 107

HSL 334.67, 0.39%, 0.45%

LAB 42.29, 41.51, -3.6

 

CMYK 0 / 51 / 29 / 29

HEX #B55880

RGB 181 88 128

HSL 334.19, 0.39%, 0.53%

LAB 49.93, 42.21, -4.69

 

CMYK 0 / 40 / 23 / 24

HEX #C27596

RGB 194 117 150

HSL 334.29, 0.39%, 0.61%

LAB 58.41, 34.61, -4.89

 

CMYK 0 / 30 / 17 / 19

HEX #CF91AB

RGB 207 145 171

HSL 334.84, 0.39%, 0.69%

LAB 66.87, 27.27, -4.19

 

CMYK 0 / 52 / 30 / 29

HEX #B65880

RGB 182 88 128

HSL 334.47, 0.39%, 0.53%

LAB 50.08, 42.56, -4.46

 

CMYK 0 / 12 / 51 / 29

HEX #B5A058

RGB 181 160 88

HSL 46.45, 0.39%, 0.53%

LAB 66.27, -1.8, 40.04

 

CMYK 51 / 8 / 0 / 29

HEX #58A6B5

RGB 88 166 181

HSL 189.68, 0.39%, 0.53%

LAB 63.9, -19.83, -15.14

 

CMYK 0 / 52 / 30 / 29

HEX #B65880

RGB 182 88 128

HSL 334.47, 0.39%, 0.53%

LAB 50.08, 42.56, -4.46

 

CMYK 29 / 0 / 51 / 29

HEX #80B558

RGB 128 181 88

HSL 94.19, 0.39%, 0.53%

LAB 68.27, -33.8, 41.54

 

CMYK 51 / 29 / 0 / 29

HEX #5880B5

RGB 88 128 181

HSL 214.19, 0.39%, 0.53%

LAB 52.78, 1.33, -32.22

 

CMYK 0 / 52 / 30 / 29

HEX #B65880

RGB 182 88 128

HSL 334.47, 0.39%, 0.53%

LAB 50.08, 42.56, -4.46

 

CMYK 0 / 12 / 51 / 29

HEX #B5A058

RGB 181 160 88

HSL 46.45, 0.39%, 0.53%

LAB 66.27, -1.8, 40.04

 

CMYK 51 / 0 / 22 / 29

HEX #58B58D

RGB 88 181 141

HSL 154.19, 0.39%, 0.53%

LAB 67.31, -37.23, 12.05

 

CMYK 51 / 39 / 0 / 29

HEX #586EB5

RGB 88 110 181

HSL 225.81, 0.39%, 0.53%

LAB 47.7, 12.23, -40.2

 

CMYK 0 / 52 / 30 / 29

HEX #B65880

RGB 182 88 128

HSL 334.47, 0.39%, 0.53%

LAB 50.08, 42.56, -4.46

 

CMYK 3 / 0 / 51 / 29

HEX #AFB558

RGB 175 181 88

HSL 63.87, 0.39%, 0.53%

LAB 71.46, -15.36, 46.12

 

CMYK 51 / 0 / 22 / 29

HEX #58B58D

RGB 88 181 141

HSL 154.19, 0.39%, 0.53%

LAB 67.31, -37.23, 12.05

 

CMYK 48 / 51 / 0 / 29

HEX #5E58B5

RGB 94 88 181

HSL 243.87, 0.39%, 0.53%

LAB 42.3, 27.33, -48.79

 

Description

Color code: RGB 182 88 128 | qconv.com Color code: RGB 182 88 128 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 88 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 88 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 30 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 30% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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