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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 85 219 it is the complementary color RGB 73 170 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 85 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 85 219 shade: RGB 187 85 214, RGB 204 103 233, RGB 221 121 252, RGB 238 139 255 and RGB 255 157 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 85 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 85 219 shade: RGB 182 85 219, RGB 165 67 200, RGB 148 49 181, RGB 131 31 162 and RGB 114 13 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 85 219 shade: RGB 182 86 219, RGB 218 86 219, RGB 219 86 184, RGB 219 86 148 and RGB 219 86 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 85 219 shade: RGB 182 86 219, RGB 146 86 219, RGB 111 86 219 and RGB 86 86 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 85 219 shade matches the following richer shades: RGB 182 86 219, RGB 190 70 235 and RGB 197 53 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 85 219 shade: RGB 182 86 219, RGB 175 103 202, RGB 167 119 186, RGB 160 136 169 and RGB 153 152 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 85 219 shade: RGB 111 86 219, RGB 146 86 219, RGB 181 86 219, RGB 217 86 219 and RGB 219 86 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 85 219 shade: RGB 144 39 184, RGB 168 52 212, RGB 182 86 219, RGB 197 120 226 and RGB 211 154 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 85 219 shade: RGB 182 85 219, RGB 219 86 97 and RGB 86 219 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 85 219 shade: RGB 182 85 219, RGB 219 181 86 and RGB 86 219 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 85 219 shade: RGB 182 85 219, RGB 219 86 97, RGB 124 219 86 and RGB 86 219 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 85 219 shade: RGB 182 85 219, RGB 219 115 86, RGB 124 219 86 and RGB 86 190 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 61 / 0 / 14

HEX #B655DB

RGB 182 85 219

HSL 283.43, 0.65%, 0.6%

LAB 53.55, 59.69, -52.13

 

Complementary color

CMYK 57 / 0 / 79 / 33

HEX #49AA24

RGB 73 170 36

HSL 103.43, 0.65%, 0.4%

LAB 61.91, -51.68, 55.77

 

CMYK 13 / 60 / 0 / 16

HEX #BB55D6

RGB 187 85 214

HSL 287.44, 0.61%, 0.59%

LAB 53.94, 59.9, -48.64

 

CMYK 12 / 56 / 0 / 9

HEX #CC67E9

RGB 204 103 233

HSL 286.62, 0.75%, 0.66%

LAB 60.27, 59.39, -49.15

 

CMYK 12 / 52 / 0 / 1

HEX #DD79FC

RGB 221 121 252

HSL 285.8, 0.96%, 0.73%

LAB 66.58, 58.76, -49.54

 

CMYK 7 / 45 / 0 / 0

HEX #EE8BFF

RGB 238 139 255

HSL 291.21, 1%, 0.77%

LAB 72.14, 54.99, -42.3

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 17 / 61 / 0 / 14

HEX #B655DB

RGB 182 85 219

HSL 283.43, 0.65%, 0.6%

LAB 53.55, 59.69, -52.13

 

CMYK 18 / 67 / 0 / 22

HEX #A543C8

RGB 165 67 200

HSL 284.21, 0.55%, 0.52%

LAB 47.21, 60.02, -51.53

 

CMYK 18 / 73 / 0 / 29

HEX #9431B5

RGB 148 49 181

HSL 285, 0.57%, 0.45%

LAB 40.94, 59.92, -50.64

 

CMYK 19 / 81 / 0 / 36

HEX #831FA2

RGB 131 31 162

HSL 285.8, 0.68%, 0.38%

LAB 34.83, 59.1, -49.29

 

CMYK 20 / 91 / 0 / 44

HEX #720D8F

RGB 114 13 143

HSL 286.62, 0.83%, 0.31%

LAB 29.03, 57.04, -47.21

 

CMYK 17 / 61 / 0 / 14

HEX #B656DB

RGB 182 86 219

HSL 283.31, 0.65%, 0.6%

LAB 53.72, 59.23, -51.86

 

CMYK 0 / 61 / 0 / 14

HEX #DA56DB

RGB 218 86 219

HSL 299.55, 0.65%, 0.6%

LAB 58.67, 67.91, -43.7

 

CMYK 0 / 61 / 16 / 14

HEX #DB56B8

RGB 219 86 184

HSL 315.79, 0.65%, 0.6%

LAB 57.25, 62.66, -25.97

 

CMYK 0 / 61 / 32 / 14

HEX #DB5694

RGB 219 86 148

HSL 332.03, 0.65%, 0.6%

LAB 55.94, 57.88, -7

 

CMYK 0 / 61 / 49 / 14

HEX #DB5670

RGB 219 86 112

HSL 348.27, 0.65%, 0.6%

LAB 54.95, 54.13, 12.82

 

CMYK 17 / 61 / 0 / 14

HEX #B656DB

RGB 182 86 219

HSL 283.31, 0.65%, 0.6%

LAB 53.72, 59.23, -51.86

 

CMYK 33 / 61 / 0 / 14

HEX #9256DB

RGB 146 86 219

HSL 267.07, 0.65%, 0.6%

LAB 49.35, 50.88, -59.11

 

CMYK 49 / 61 / 0 / 14

HEX #6F56DB

RGB 111 86 219

HSL 251.28, 0.65%, 0.6%

LAB 45.84, 43.53, -64.96

 

CMYK 61 / 61 / 0 / 14

HEX #5656DB

RGB 86 86 219

HSL 240, 0.65%, 0.6%

LAB 43.87, 39.1, -68.25

 

CMYK 17 / 61 / 0 / 14

HEX #B656DB

RGB 182 86 219

HSL 283.31, 0.65%, 0.6%

LAB 53.72, 59.23, -51.86

 

CMYK 19 / 70 / 0 / 8

HEX #BE46EB

RGB 190 70 235

HSL 283.64, 0.8%, 0.6%

LAB 53.3, 70.97, -61.5

 

CMYK 22 / 79 / 0 / 1

HEX #C535FC

RGB 197 53 252

HSL 283.42, 0.97%, 0.6%

LAB 53.43, 81.16, -70.74

 

CMYK 17 / 61 / 0 / 14

HEX #B656DB

RGB 182 86 219

HSL 283.31, 0.65%, 0.6%

LAB 53.72, 59.23, -51.86

 

CMYK 13 / 49 / 0 / 21

HEX #AF67CA

RGB 175 103 202

HSL 283.64, 0.48%, 0.6%

LAB 55.15, 45.4, -39.99

 

CMYK 10 / 36 / 0 / 27

HEX #A777BA

RGB 167 119 186

HSL 282.99, 0.33%, 0.6%

LAB 57.03, 30.85, -27.99

 

CMYK 5 / 20 / 0 / 34

HEX #A088A9

RGB 160 136 169

HSL 283.64, 0.16%, 0.6%

LAB 59.84, 15.28, -14.04

 

CMYK 0 / 1 / 0 / 40

HEX #999899

RGB 153 152 153

HSL 300, 0%, 0.6%

LAB 62.95, 0.56, -0.4

 

CMYK 49 / 61 / 0 / 14

HEX #6F56DB

RGB 111 86 219

HSL 251.28, 0.65%, 0.6%

LAB 45.84, 43.53, -64.96

 

CMYK 33 / 61 / 0 / 14

HEX #9256DB

RGB 146 86 219

HSL 267.07, 0.65%, 0.6%

LAB 49.35, 50.88, -59.11

 

CMYK 17 / 61 / 0 / 14

HEX #B556DB

RGB 181 86 219

HSL 282.86, 0.65%, 0.6%

LAB 53.59, 58.99, -52.07

 

CMYK 1 / 61 / 0 / 14

HEX #D956DB

RGB 217 86 219

HSL 299.1, 0.65%, 0.6%

LAB 58.53, 67.67, -43.93

 

CMYK 0 / 61 / 15 / 14

HEX #DB56BA

RGB 219 86 186

HSL 314.89, 0.65%, 0.6%

LAB 57.33, 62.96, -26.99

 

CMYK 22 / 79 / 0 / 28

HEX #9027B8

RGB 144 39 184

HSL 283.45, 0.65%, 0.44%

LAB 39.31, 63.28, -55.07

 

CMYK 21 / 75 / 0 / 17

HEX #A834D4

RGB 168 52 212

HSL 283.5, 0.65%, 0.52%

LAB 46.36, 68.83, -59.8

 

CMYK 17 / 61 / 0 / 14

HEX #B656DB

RGB 182 86 219

HSL 283.31, 0.65%, 0.6%

LAB 53.72, 59.23, -51.86

 

CMYK 13 / 47 / 0 / 11

HEX #C578E2

RGB 197 120 226

HSL 283.58, 0.65%, 0.68%

LAB 62.33, 47.59, -42.04

 

CMYK 9 / 34 / 0 / 9

HEX #D39AE9

RGB 211 154 233

HSL 283.29, 0.64%, 0.76%

LAB 71.45, 34.94, -31.6

 

CMYK 17 / 61 / 0 / 14

HEX #B655DB

RGB 182 85 219

HSL 283.43, 0.65%, 0.6%

LAB 53.55, 59.69, -52.13

 

CMYK 0 / 61 / 56 / 14

HEX #DB5661

RGB 219 86 97

HSL 355.04, 0.65%, 0.6%

LAB 54.64, 52.89, 21.23

 

CMYK 61 / 0 / 42 / 14

HEX #56DB80

RGB 86 219 128

HSL 138.95, 0.65%, 0.6%

LAB 78.58, -56.01, 34.18

 

CMYK 17 / 61 / 0 / 14

HEX #B655DB

RGB 182 85 219

HSL 283.43, 0.65%, 0.6%

LAB 53.55, 59.69, -52.13

 

CMYK 0 / 17 / 61 / 14

HEX #DBB556

RGB 219 181 86

HSL 42.86, 0.65%, 0.6%

LAB 75.31, 2.96, 52.52

 

CMYK 61 / 0 / 17 / 14

HEX #56DBB5

RGB 86 219 181

HSL 162.86, 0.65%, 0.6%

LAB 79.6, -45.32, 7.96

 

CMYK 17 / 61 / 0 / 14

HEX #B655DB

RGB 182 85 219

HSL 283.43, 0.65%, 0.6%

LAB 53.55, 59.69, -52.13

 

CMYK 0 / 61 / 56 / 14

HEX #DB5661

RGB 219 86 97

HSL 355.04, 0.65%, 0.6%

LAB 54.64, 52.89, 21.23

 

CMYK 43 / 0 / 61 / 14

HEX #7CDB56

RGB 124 219 86

HSL 102.86, 0.65%, 0.6%

LAB 79.4, -51.71, 55.37

 

CMYK 61 / 0 / 5 / 14

HEX #56DBD0

RGB 86 219 208

HSL 175.04, 0.65%, 0.6%

LAB 80.29, -38.62, -5.42

 

CMYK 17 / 61 / 0 / 14

HEX #B655DB

RGB 182 85 219

HSL 283.43, 0.65%, 0.6%

LAB 53.55, 59.69, -52.13

 

CMYK 0 / 47 / 61 / 14

HEX #DB7356

RGB 219 115 86

HSL 13.08, 0.65%, 0.6%

LAB 59.88, 38.08, 34.27

 

CMYK 43 / 0 / 61 / 14

HEX #7CDB56

RGB 124 219 86

HSL 102.86, 0.65%, 0.6%

LAB 79.4, -51.71, 55.37

 

CMYK 61 / 13 / 0 / 14

HEX #56BEDB

RGB 86 190 219

HSL 193.08, 0.65%, 0.6%

LAB 72.17, -21.55, -23.54

 

Description

Color code: RGB 182 85 219 | qconv.com Color code: RGB 182 85 219 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 85 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 85 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 61 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 61% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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