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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 82 92 it is the complementary color RGB 73 173 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 82 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 82 92 shade: RGB 187 82 87, RGB 204 100 106, RGB 221 118 125, RGB 238 136 144 and RGB 255 154 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 82 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 82 92 shade: RGB 182 82 92, RGB 165 64 73, RGB 148 46 54, RGB 131 28 35 and RGB 114 10 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 82 92 shade: RGB 182 82 92 and RGB 182 82 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 82 92 shade: RGB 182 82 92, RGB 182 82 119, RGB 182 82 146, RGB 182 82 173 and RGB 164 82 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 82 92 shade matches the following richer shades: RGB 182 82 92, RGB 202 62 76, RGB 222 42 60 and RGB 242 23 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 82 92 shade: RGB 182 82 92, RGB 162 102 108, RGB 143 122 124, RGB 123 141 139 and RGB 103 161 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 82 92 shade: RGB 182 82 145, RGB 182 82 119, RGB 182 82 92, RGB 182 99 82 and RGB 182 125 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 82 92 shade: RGB 128 53 61, RGB 157 66 75, RGB 182 82 92, RGB 194 111 119 and RGB 207 140 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 82 92 shade: RGB 182 82 92, RGB 172 182 82 and RGB 82 132 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 82 92 shade: RGB 182 82 92, RGB 92 182 82 and RGB 82 92 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 82 92 shade: RGB 182 82 92, RGB 172 182 82, RGB 82 182 172 and RGB 92 82 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 82 92 shade: RGB 182 82 92, RGB 142 182 82, RGB 82 182 172 and RGB 122 82 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 49 / 29

HEX #B6525C

RGB 182 82 92

HSL 354, 0.41%, 0.52%

LAB 47.95, 41.45, 14.15

 

Complementary color

CMYK 58 / 0 / 6 / 32

HEX #49ADA3

RGB 73 173 163

HSL 174, 0.41%, 0.48%

LAB 64.92, -31.45, -3.63

 

CMYK 0 / 56 / 53 / 27

HEX #BB5257

RGB 187 82 87

HSL 357.14, 0.44%, 0.53%

LAB 48.62, 42.81, 18.2

 

CMYK 0 / 51 / 48 / 20

HEX #CC646A

RGB 204 100 106

HSL 356.54, 0.5%, 0.6%

LAB 55.06, 41.74, 16.15

 

CMYK 0 / 47 / 43 / 13

HEX #DD767D

RGB 221 118 125

HSL 355.92, 0.6%, 0.66%

LAB 61.49, 40.68, 14.41

 

CMYK 0 / 43 / 39 / 7

HEX #EE8890

RGB 238 136 144

HSL 355.29, 0.75%, 0.73%

LAB 67.87, 39.67, 12.9

 

CMYK 0 / 40 / 36 / 0

HEX #FF9AA3

RGB 255 154 163

HSL 354.65, 1%, 0.8%

LAB 74.2, 38.71, 11.57

 

CMYK 0 / 55 / 49 / 29

HEX #B6525C

RGB 182 82 92

HSL 354, 0.41%, 0.52%

LAB 47.95, 41.45, 14.15

 

CMYK 0 / 61 / 56 / 35

HEX #A54049

RGB 165 64 73

HSL 354.65, 0.44%, 0.45%

LAB 41.45, 42.42, 16.45

 

CMYK 0 / 69 / 64 / 42

HEX #942E36

RGB 148 46 54

HSL 355.29, 0.53%, 0.38%

LAB 35.04, 43.17, 19.34

 

CMYK 0 / 79 / 73 / 49

HEX #831C23

RGB 131 28 35

HSL 355.92, 0.65%, 0.31%

LAB 28.84, 43.37, 23.06

 

CMYK 0 / 91 / 86 / 55

HEX #720A10

RGB 114 10 16

HSL 356.54, 0.84%, 0.24%

LAB 23.11, 42.42, 27.63

 

CMYK 0 / 55 / 49 / 29

HEX #B6525C

RGB 182 82 92

HSL 354, 0.41%, 0.52%

LAB 47.95, 41.45, 14.15

 

CMYK 0 / 55 / 55 / 29

HEX #B65252

RGB 182 82 82

HSL 0, 0.41%, 0.52%

LAB 47.74, 40.56, 19.87

 

CMYK 0 / 55 / 49 / 29

HEX #B6525C

RGB 182 82 92

HSL 354, 0.41%, 0.52%

LAB 47.95, 41.45, 14.15

 

CMYK 0 / 55 / 35 / 29

HEX #B65277

RGB 182 82 119

HSL 337.8, 0.41%, 0.52%

LAB 48.65, 44.4, -1.16

 

CMYK 0 / 55 / 20 / 29

HEX #B65292

RGB 182 82 146

HSL 321.6, 0.41%, 0.52%

LAB 49.56, 48.09, -15.98

 

CMYK 0 / 55 / 5 / 29

HEX #B652AD

RGB 182 82 173

HSL 305.4, 0.41%, 0.52%

LAB 50.68, 52.44, -30.19

 

CMYK 10 / 55 / 0 / 29

HEX #A452B6

RGB 164 82 182

HSL 289.2, 0.41%, 0.52%

LAB 48.64, 49.12, -38.82

 

CMYK 0 / 55 / 49 / 29

HEX #B6525C

RGB 182 82 92

HSL 354, 0.41%, 0.52%

LAB 47.95, 41.45, 14.15

 

CMYK 0 / 69 / 62 / 21

HEX #CA3E4C

RGB 202 62 76

HSL 354, 0.57%, 0.52%

LAB 47.65, 55.86, 23.99

 

CMYK 0 / 81 / 73 / 13

HEX #DE2A3C

RGB 222 42 60

HSL 354, 0.73%, 0.52%

LAB 48.9, 67.26, 35.87

 

CMYK 0 / 90 / 82 / 5

HEX #F2172C

RGB 242 23 44

HSL 354.25, 0.89%, 0.52%

LAB 51.46, 75.53, 48.69

 

CMYK 0 / 55 / 49 / 29

HEX #B6525C

RGB 182 82 92

HSL 354, 0.41%, 0.52%

LAB 47.95, 41.45, 14.15

 

CMYK 0 / 37 / 33 / 36

HEX #A2666C

RGB 162 102 108

HSL 354, 0.24%, 0.52%

LAB 49.82, 24.95, 6.78

 

CMYK 0 / 15 / 13 / 44

HEX #8F7A7C

RGB 143 122 124

HSL 354.29, 0.09%, 0.52%

LAB 53.18, 8.45, 1.91

 

CMYK 13 / 0 / 1 / 45

HEX #7B8D8B

RGB 123 141 139

HSL 173.33, 0.07%, 0.52%

LAB 57.2, -6.87, -1.13

 

CMYK 36 / 0 / 4 / 37

HEX #67A19B

RGB 103 161 155

HSL 173.79, 0.24%, 0.52%

LAB 62.29, -20.3, -2.89

 

CMYK 0 / 55 / 20 / 29

HEX #B65291

RGB 182 82 145

HSL 322.2, 0.41%, 0.52%

LAB 49.53, 47.94, -15.44

 

CMYK 0 / 55 / 35 / 29

HEX #B65277

RGB 182 82 119

HSL 337.8, 0.41%, 0.52%

LAB 48.65, 44.4, -1.16

 

CMYK 0 / 55 / 49 / 29

HEX #B6525C

RGB 182 82 92

HSL 354, 0.41%, 0.52%

LAB 47.95, 41.45, 14.15

 

CMYK 0 / 46 / 55 / 29

HEX #B66352

RGB 182 99 82

HSL 10.2, 0.41%, 0.52%

LAB 51.24, 31.7, 24.48

 

CMYK 0 / 31 / 55 / 29

HEX #B67D52

RGB 182 125 82

HSL 25.8, 0.41%, 0.52%

LAB 57.29, 17.37, 32.19

 

CMYK 0 / 59 / 52 / 50

HEX #80353D

RGB 128 53 61

HSL 353.6, 0.41%, 0.35%

LAB 32.86, 33.19, 11.32

 

CMYK 0 / 58 / 52 / 38

HEX #9D424B

RGB 157 66 75

HSL 354.07, 0.41%, 0.44%

LAB 40.53, 38.73, 13.74

 

CMYK 0 / 55 / 49 / 29

HEX #B6525C

RGB 182 82 92

HSL 354, 0.41%, 0.52%

LAB 47.95, 41.45, 14.15

 

CMYK 0 / 43 / 39 / 24

HEX #C26F77

RGB 194 111 119

HSL 354.22, 0.4%, 0.6%

LAB 56.26, 33.69, 10.01

 

CMYK 0 / 32 / 29 / 19

HEX #CF8C93

RGB 207 140 147

HSL 353.73, 0.41%, 0.68%

LAB 65.06, 26.45, 6.71

 

CMYK 0 / 55 / 49 / 29

HEX #B6525C

RGB 182 82 92

HSL 354, 0.41%, 0.52%

LAB 47.95, 41.45, 14.15

 

CMYK 5 / 0 / 55 / 29

HEX #ACB652

RGB 172 182 82

HSL 66, 0.41%, 0.52%

LAB 71.44, -17.63, 48.89

 

CMYK 55 / 27 / 0 / 29

HEX #5284B6

RGB 82 132 182

HSL 210, 0.41%, 0.52%

LAB 53.68, -2.08, -31.42

 

CMYK 0 / 55 / 49 / 29

HEX #B6525C

RGB 182 82 92

HSL 354, 0.41%, 0.52%

LAB 47.95, 41.45, 14.15

 

CMYK 49 / 0 / 55 / 29

HEX #5CB652

RGB 92 182 82

HSL 114, 0.41%, 0.52%

LAB 66.78, -46.75, 42.25

 

CMYK 55 / 49 / 0 / 29

HEX #525CB6

RGB 82 92 182

HSL 234, 0.41%, 0.52%

LAB 42.5, 22.48, -49.1

 

CMYK 0 / 55 / 49 / 29

HEX #B6525C

RGB 182 82 92

HSL 354, 0.41%, 0.52%

LAB 47.95, 41.45, 14.15

 

CMYK 5 / 0 / 55 / 29

HEX #ACB652

RGB 172 182 82

HSL 66, 0.41%, 0.52%

LAB 71.44, -17.63, 48.89

 

CMYK 55 / 0 / 5 / 29

HEX #52B6AC

RGB 82 182 172

HSL 174, 0.41%, 0.52%

LAB 68.19, -31.56, -3.77

 

CMYK 49 / 55 / 0 / 29

HEX #5C52B6

RGB 92 82 182

HSL 246, 0.41%, 0.52%

LAB 40.71, 30.89, -51.93

 

CMYK 0 / 55 / 49 / 29

HEX #B6525C

RGB 182 82 92

HSL 354, 0.41%, 0.52%

LAB 47.95, 41.45, 14.15

 

CMYK 22 / 0 / 55 / 29

HEX #8EB652

RGB 142 182 82

HSL 84, 0.41%, 0.52%

LAB 69.34, -29.67, 45.91

 

CMYK 55 / 0 / 5 / 29

HEX #52B6AC

RGB 82 182 172

HSL 174, 0.41%, 0.52%

LAB 68.19, -31.56, -3.77

 

CMYK 33 / 55 / 0 / 29

HEX #7A52B6

RGB 122 82 182

HSL 264, 0.41%, 0.52%

LAB 43.58, 38.02, -47.18

 

Description

Color code: RGB 182 82 92 | qconv.com Color code: RGB 182 82 92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 82 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 82 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 49 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 49% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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