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Color name
RGB 182 37 154

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 37 154 it is the complementary color RGB 73 218 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 37 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 37 154 shade: RGB 187 37 149, RGB 204 55 168, RGB 221 73 187, RGB 238 91 206 and RGB 255 109 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 37 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 37 154 shade: RGB 182 37 154, RGB 165 19 135, RGB 148 1 116, RGB 131 0 97 and RGB 114 0 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 37 154 shade: RGB 182 37 154, RGB 182 37 115, RGB 182 37 75 and RGB 182 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 37 154 shade: RGB 182 37 154, RGB 170 37 182, RGB 131 37 182, RGB 92 37 182 and RGB 53 37 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 37 154 shade matches the following richer shades: RGB 182 37 154, RGB 199 19 164 and RGB 217 1 175

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 37 154 shade: RGB 182 37 154, RGB 164 55 143, RGB 146 72 132, RGB 128 90 121 and RGB 111 108 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 37 154 shade: RGB 131 37 182, RGB 169 37 182, RGB 182 37 155, RGB 182 37 116 and RGB 182 37 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 37 154 shade: RGB 113 23 96, RGB 147 30 125, RGB 182 37 154, RGB 212 47 180 and RGB 219 82 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 37 154 shade: RGB 182 37 154, RGB 182 92 37 and RGB 37 182 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 37 154 shade: RGB 182 37 154, RGB 155 182 37 and RGB 37 155 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 37 154 shade: RGB 182 37 154, RGB 182 92 37, RGB 37 182 63 and RGB 37 126 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 37 154 shade: RGB 182 37 154, RGB 182 136 37, RGB 37 182 63 and RGB 37 83 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 15 / 29

HEX #B6259A

RGB 182 37 154

HSL 311.59, 0.66%, 0.43%

LAB 43.66, 66.54, -29.89

 

Complementary color

CMYK 67 / 0 / 54 / 15

HEX #49DA65

RGB 73 218 101

HSL 131.59, 0.66%, 0.57%

LAB 77.58, -62.29, 46.05

 

CMYK 0 / 80 / 20 / 27

HEX #BB2595

RGB 187 37 149

HSL 315.2, 0.67%, 0.44%

LAB 44.32, 66.99, -25.78

 

CMYK 0 / 73 / 18 / 20

HEX #CC37A8

RGB 204 55 168

HSL 314.5, 0.59%, 0.51%

LAB 49.97, 68.24, -28.09

 

CMYK 0 / 67 / 15 / 13

HEX #DD49BB

RGB 221 73 187

HSL 313.78, 0.69%, 0.58%

LAB 55.81, 68.78, -29.89

 

CMYK 0 / 62 / 13 / 7

HEX #EE5BCE

RGB 238 91 206

HSL 313.06, 0.81%, 0.65%

LAB 61.75, 68.86, -31.32

 

CMYK 0 / 57 / 12 / 0

HEX #FF6DE1

RGB 255 109 225

HSL 312.33, 1%, 0.71%

LAB 67.75, 68.64, -32.48

 

CMYK 0 / 80 / 15 / 29

HEX #B6259A

RGB 182 37 154

HSL 311.59, 0.66%, 0.43%

LAB 43.66, 66.54, -29.89

 

CMYK 0 / 88 / 18 / 35

HEX #A51387

RGB 165 19 135

HSL 312.33, 0.79%, 0.36%

LAB 38.22, 64.28, -27.04

 

CMYK 0 / 99 / 22 / 42

HEX #940174

RGB 148 1 116

HSL 313.06, 0.99%, 0.29%

LAB 33.09, 60.85, -23.43

 

CMYK 0 / 100 / 26 / 49

HEX #830061

RGB 131 0 97

HSL 315.57, 1%, 0.26%

LAB 28.61, 55.13, -18.44

 

CMYK 0 / 100 / 32 / 55

HEX #72004E

RGB 114 0 78

HSL 318.95, 1%, 0.22%

LAB 24.09, 49.16, -13.11

 

CMYK 0 / 80 / 15 / 29

HEX #B6259A

RGB 182 37 154

HSL 311.59, 0.66%, 0.43%

LAB 43.66, 66.54, -29.89

 

CMYK 0 / 80 / 37 / 29

HEX #B62573

RGB 182 37 115

HSL 327.72, 0.66%, 0.43%

LAB 42.01, 61.75, -8.56

 

CMYK 0 / 80 / 59 / 29

HEX #B6254B

RGB 182 37 75

HSL 344.28, 0.66%, 0.43%

LAB 40.86, 58.26, 14.93

 

CMYK 0 / 80 / 80 / 29

HEX #B62525

RGB 182 37 37

HSL 0, 0.66%, 0.43%

LAB 40.25, 56.36, 37.38

 

CMYK 0 / 80 / 15 / 29

HEX #B6259A

RGB 182 37 154

HSL 311.59, 0.66%, 0.43%

LAB 43.66, 66.54, -29.89

 

CMYK 7 / 80 / 0 / 29

HEX #AA25B6

RGB 170 37 182

HSL 295.03, 0.66%, 0.43%

LAB 43.13, 68.37, -47.53

 

CMYK 28 / 80 / 0 / 29

HEX #8325B6

RGB 131 37 182

HSL 278.9, 0.66%, 0.43%

LAB 36.98, 61.23, -57.77

 

CMYK 49 / 80 / 0 / 29

HEX #5C25B6

RGB 92 37 182

HSL 262.76, 0.66%, 0.43%

LAB 31.75, 55.17, -66.52

 

CMYK 71 / 80 / 0 / 29

HEX #3525B6

RGB 53 37 182

HSL 246.62, 0.66%, 0.43%

LAB 28, 50.81, -72.84

 

CMYK 0 / 80 / 15 / 29

HEX #B6259A

RGB 182 37 154

HSL 311.59, 0.66%, 0.43%

LAB 43.66, 66.54, -29.89

 

CMYK 0 / 90 / 18 / 22

HEX #C713A4

RGB 199 19 164

HSL 311.67, 0.83%, 0.43%

LAB 46.03, 74.91, -31.95

 

CMYK 0 / 100 / 19 / 15

HEX #D901AF

RGB 217 1 175

HSL 311.67, 0.99%, 0.43%

LAB 49.34, 81.36, -33.04

 

CMYK 0 / 80 / 15 / 29

HEX #B6259A

RGB 182 37 154

HSL 311.59, 0.66%, 0.43%

LAB 43.66, 66.54, -29.89

 

CMYK 0 / 66 / 13 / 36

HEX #A4378F

RGB 164 55 143

HSL 311.56, 0.5%, 0.43%

LAB 42.17, 54.56, -25.8

 

CMYK 0 / 51 / 10 / 43

HEX #924884

RGB 146 72 132

HSL 311.35, 0.34%, 0.43%

LAB 41.86, 39.5, -19.79

 

CMYK 0 / 30 / 5 / 50

HEX #805A79

RGB 128 90 121

HSL 311.05, 0.17%, 0.43%

LAB 43.19, 21.02, -11.28

 

CMYK 0 / 3 / 1 / 56

HEX #6F6C6E

RGB 111 108 110

HSL 320, 0.01%, 0.43%

LAB 45.95, 1.57, -0.71

 

CMYK 28 / 80 / 0 / 29

HEX #8325B6

RGB 131 37 182

HSL 278.9, 0.66%, 0.43%

LAB 36.98, 61.23, -57.77

 

CMYK 7 / 80 / 0 / 29

HEX #A925B6

RGB 169 37 182

HSL 294.62, 0.66%, 0.43%

LAB 42.97, 68.18, -47.8

 

CMYK 0 / 80 / 15 / 29

HEX #B6259B

RGB 182 37 155

HSL 311.17, 0.66%, 0.43%

LAB 43.7, 66.68, -30.42

 

CMYK 0 / 80 / 36 / 29

HEX #B62574

RGB 182 37 116

HSL 327.31, 0.66%, 0.43%

LAB 42.05, 61.86, -9.12

 

CMYK 0 / 80 / 57 / 29

HEX #B6254E

RGB 182 37 78

HSL 343.03, 0.66%, 0.43%

LAB 40.93, 58.47, 13.13

 

CMYK 0 / 80 / 15 / 56

HEX #711760

RGB 113 23 96

HSL 311.33, 0.66%, 0.27%

LAB 26.64, 46, -21.12

 

CMYK 0 / 80 / 15 / 42

HEX #931E7D

RGB 147 30 125

HSL 311.28, 0.66%, 0.35%

LAB 35.23, 56.41, -25.77

 

CMYK 0 / 80 / 15 / 29

HEX #B6259A

RGB 182 37 154

HSL 311.59, 0.66%, 0.43%

LAB 43.66, 66.54, -29.89

 

CMYK 0 / 78 / 15 / 17

HEX #D42FB4

RGB 212 47 180

HSL 311.64, 0.66%, 0.51%

LAB 51.07, 74.04, -33.34

 

CMYK 0 / 63 / 12 / 14

HEX #DB52C1

RGB 219 82 193

HSL 311.39, 0.66%, 0.59%

LAB 57.02, 65.65, -31.49

 

CMYK 0 / 80 / 15 / 29

HEX #B6259A

RGB 182 37 154

HSL 311.59, 0.66%, 0.43%

LAB 43.66, 66.54, -29.89

 

CMYK 0 / 49 / 80 / 29

HEX #B65C25

RGB 182 92 37

HSL 22.76, 0.66%, 0.43%

LAB 49.17, 32.7, 46.23

 

CMYK 80 / 0 / 18 / 29

HEX #25B696

RGB 37 182 150

HSL 166.76, 0.66%, 0.43%

LAB 66.56, -44.3, 5.86

 

CMYK 0 / 80 / 15 / 29

HEX #B6259A

RGB 182 37 154

HSL 311.59, 0.66%, 0.43%

LAB 43.66, 66.54, -29.89

 

CMYK 15 / 0 / 80 / 29

HEX #9BB625

RGB 155 182 37

HSL 71.17, 0.66%, 0.43%

LAB 69.87, -27.5, 64.39

 

CMYK 80 / 15 / 0 / 29

HEX #259BB6

RGB 37 155 182

HSL 191.17, 0.66%, 0.43%

LAB 59.17, -22.09, -23.04

 

CMYK 0 / 80 / 15 / 29

HEX #B6259A

RGB 182 37 154

HSL 311.59, 0.66%, 0.43%

LAB 43.66, 66.54, -29.89

 

CMYK 0 / 49 / 80 / 29

HEX #B65C25

RGB 182 92 37

HSL 22.76, 0.66%, 0.43%

LAB 49.17, 32.7, 46.23

 

CMYK 80 / 0 / 65 / 29

HEX #25B63F

RGB 37 182 63

HSL 130.76, 0.66%, 0.43%

LAB 65.13, -60.51, 48.64

 

CMYK 80 / 31 / 0 / 29

HEX #257EB6

RGB 37 126 182

HSL 203.17, 0.66%, 0.43%

LAB 50.33, -6.02, -36.78

 

CMYK 0 / 80 / 15 / 29

HEX #B6259A

RGB 182 37 154

HSL 311.59, 0.66%, 0.43%

LAB 43.66, 66.54, -29.89

 

CMYK 0 / 25 / 80 / 29

HEX #B68825

RGB 182 136 37

HSL 40.97, 0.66%, 0.43%

LAB 59.6, 8.5, 55.99

 

CMYK 80 / 0 / 65 / 29

HEX #25B63F

RGB 37 182 63

HSL 130.76, 0.66%, 0.43%

LAB 65.13, -60.51, 48.64

 

CMYK 80 / 54 / 0 / 29

HEX #2553B6

RGB 37 83 182

HSL 220.97, 0.66%, 0.43%

LAB 37.77, 21.16, -56.86

 

Description

Color code: RGB 182 37 154 | qconv.com Color code: RGB 182 37 154 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 37 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 37 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 15 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 15% 29% C M Y K

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Provide designers and agencies with accurate color values.

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