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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 31 173 it is the complementary color RGB 73 224 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 31 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 31 173 shade: RGB 187 31 168, RGB 204 49 187, RGB 221 67 206, RGB 238 85 225 and RGB 255 103 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 31 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 31 173 shade: RGB 182 31 173, RGB 165 13 154, RGB 148 0 135, RGB 131 0 116 and RGB 114 0 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 31 173 shade: RGB 183 31 174, RGB 183 31 133, RGB 183 31 92, RGB 183 31 51 and RGB 183 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 31 173 shade: RGB 183 31 174, RGB 151 31 183, RGB 110 31 183, RGB 69 31 183 and RGB 31 31 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 31 173 shade matches the following richer shades: RGB 183 31 174 and RGB 200 13 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 31 173 shade: RGB 183 31 174, RGB 165 48 158, RGB 148 65 143, RGB 131 83 128 and RGB 113 100 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 31 173 shade: RGB 109 31 183, RGB 150 31 183, RGB 183 31 175, RGB 183 31 134 and RGB 183 31 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 31 173 shade: RGB 112 19 107, RGB 147 25 140, RGB 183 31 174, RGB 218 37 207 and RGB 224 72 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 31 173 shade: RGB 182 31 173, RGB 183 69 31 and RGB 31 183 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 31 173 shade: RGB 182 31 173, RGB 175 183 31 and RGB 31 175 183

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 31 173 shade: RGB 182 31 173, RGB 183 69 31, RGB 31 183 38 and RGB 31 145 183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 31 173 shade: RGB 182 31 173, RGB 183 114 31, RGB 31 183 38 and RGB 31 99 183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 5 / 29

HEX #B61FAD

RGB 182 31 173

HSL 303.58, 0.71%, 0.42%

LAB 44.15, 70.73, -40.47

 

Complementary color

CMYK 67 / 0 / 63 / 12

HEX #49E052

RGB 73 224 82

HSL 123.58, 0.71%, 0.58%

LAB 79.23, -66.59, 56.43

 

CMYK 0 / 83 / 10 / 27

HEX #BB1FA8

RGB 187 31 168

HSL 307.31, 0.72%, 0.43%

LAB 44.76, 70.99, -36.47

 

CMYK 0 / 76 / 8 / 20

HEX #CC31BB

RGB 204 49 187

HSL 306.58, 0.61%, 0.5%

LAB 50.24, 72.75, -38.81

 

CMYK 0 / 70 / 7 / 13

HEX #DD43CE

RGB 221 67 206

HSL 305.84, 0.69%, 0.56%

LAB 55.93, 73.69, -40.61

 

CMYK 0 / 64 / 5 / 7

HEX #EE55E1

RGB 238 85 225

HSL 305.1, 0.82%, 0.63%

LAB 61.75, 74.07, -42.03

 

CMYK 0 / 60 / 4 / 0

HEX #FF67F4

RGB 255 103 244

HSL 304.34, 1%, 0.7%

LAB 67.64, 74.07, -43.16

 

CMYK 0 / 83 / 5 / 29

HEX #B61FAD

RGB 182 31 173

HSL 303.58, 0.71%, 0.42%

LAB 44.15, 70.73, -40.47

 

CMYK 0 / 92 / 7 / 35

HEX #A50D9A

RGB 165 13 154

HSL 304.34, 0.85%, 0.35%

LAB 38.93, 67.84, -37.55

 

CMYK 0 / 100 / 9 / 42

HEX #940087

RGB 148 0 135

HSL 305.27, 1%, 0.29%

LAB 34.08, 63.56, -33.8

 

CMYK 0 / 100 / 11 / 49

HEX #830074

RGB 131 0 116

HSL 306.87, 1%, 0.26%

LAB 29.63, 57.68, -29.1

 

CMYK 0 / 100 / 15 / 55

HEX #720061

RGB 114 0 97

HSL 308.95, 1%, 0.22%

LAB 25.08, 51.66, -24.23

 

CMYK 0 / 83 / 5 / 28

HEX #B71FAE

RGB 183 31 174

HSL 303.55, 0.71%, 0.42%

LAB 44.38, 71.07, -40.68

 

CMYK 0 / 83 / 27 / 28

HEX #B71F85

RGB 183 31 133

HSL 319.74, 0.71%, 0.42%

LAB 42.37, 65.54, -19.11

 

CMYK 0 / 83 / 50 / 28

HEX #B71F5C

RGB 183 31 92

HSL 335.92, 0.71%, 0.42%

LAB 40.93, 61.38, 4.3

 

CMYK 0 / 83 / 72 / 28

HEX #B71F33

RGB 183 31 51

HSL 352.11, 0.71%, 0.42%

LAB 40.06, 58.79, 28.95

 

CMYK 0 / 83 / 83 / 28

HEX #B71F1F

RGB 183 31 31

HSL 0, 0.71%, 0.42%

LAB 39.83, 58.08, 40.33

 

CMYK 0 / 83 / 5 / 28

HEX #B71FAE

RGB 183 31 174

HSL 303.55, 0.71%, 0.42%

LAB 44.38, 71.07, -40.68

 

CMYK 17 / 83 / 0 / 28

HEX #971FB7

RGB 151 31 183

HSL 287.37, 0.71%, 0.42%

LAB 39.54, 66.65, -54.05

 

CMYK 40 / 83 / 0 / 28

HEX #6E1FB7

RGB 110 31 183

HSL 271.18, 0.71%, 0.42%

LAB 33.38, 60.14, -64.36

 

CMYK 62 / 83 / 0 / 28

HEX #451FB7

RGB 69 31 183

HSL 255, 0.71%, 0.42%

LAB 28.55, 55.22, -72.48

 

CMYK 83 / 83 / 0 / 28

HEX #1F1FB7

RGB 31 31 183

HSL 240, 0.71%, 0.42%

LAB 25.83, 52.56, -77.07

 

CMYK 0 / 83 / 5 / 28

HEX #B71FAE

RGB 183 31 174

HSL 303.55, 0.71%, 0.42%

LAB 44.38, 71.07, -40.68

 

CMYK 0 / 94 / 5 / 22

HEX #C80DBD

RGB 200 13 189

HSL 303.53, 0.88%, 0.42%

LAB 47.29, 79.15, -44.7

 

CMYK 0 / 83 / 5 / 28

HEX #B71FAE

RGB 183 31 174

HSL 303.55, 0.71%, 0.42%

LAB 44.38, 71.07, -40.68

 

CMYK 0 / 71 / 4 / 35

HEX #A5309E

RGB 165 48 158

HSL 303.59, 0.55%, 0.42%

LAB 42.13, 59.88, -34.9

 

CMYK 0 / 56 / 3 / 42

HEX #94418F

RGB 148 65 143

HSL 303.61, 0.39%, 0.42%

LAB 41.31, 45.64, -27.32

 

CMYK 0 / 37 / 2 / 49

HEX #835380

RGB 131 83 128

HSL 303.75, 0.22%, 0.42%

LAB 42.11, 27.61, -17.15

 

CMYK 0 / 12 / 0 / 56

HEX #716471

RGB 113 100 113

HSL 300, 0.06%, 0.42%

LAB 43.97, 7.74, -5.41

 

CMYK 40 / 83 / 0 / 28

HEX #6D1FB7

RGB 109 31 183

HSL 270.79, 0.71%, 0.42%

LAB 33.24, 60, -64.59

 

CMYK 18 / 83 / 0 / 28

HEX #961FB7

RGB 150 31 183

HSL 286.97, 0.71%, 0.42%

LAB 39.38, 66.48, -54.32

 

CMYK 0 / 83 / 4 / 28

HEX #B71FAF

RGB 183 31 175

HSL 303.16, 0.71%, 0.42%

LAB 44.44, 71.22, -41.18

 

CMYK 0 / 83 / 27 / 28

HEX #B71F86

RGB 183 31 134

HSL 319.34, 0.71%, 0.42%

LAB 42.41, 65.66, -19.66

 

CMYK 0 / 83 / 49 / 28

HEX #B71F5E

RGB 183 31 94

HSL 335.13, 0.71%, 0.42%

LAB 40.99, 61.55, 3.12

 

CMYK 0 / 83 / 4 / 56

HEX #70136B

RGB 112 19 107

HSL 303.23, 0.71%, 0.26%

LAB 26.65, 48.74, -28.27

 

CMYK 0 / 83 / 5 / 42

HEX #93198C

RGB 147 25 140

HSL 303.44, 0.71%, 0.34%

LAB 35.58, 60.01, -34.52

 

CMYK 0 / 83 / 5 / 28

HEX #B71FAE

RGB 183 31 174

HSL 303.55, 0.71%, 0.42%

LAB 44.38, 71.07, -40.68

 

CMYK 0 / 83 / 5 / 15

HEX #DA25CF

RGB 218 37 207

HSL 303.65, 0.71%, 0.5%

LAB 52.66, 81.36, -46.39

 

CMYK 0 / 68 / 4 / 12

HEX #E048D7

RGB 224 72 215

HSL 303.55, 0.71%, 0.58%

LAB 57.45, 74.03, -43.3

 

CMYK 0 / 83 / 5 / 29

HEX #B61FAD

RGB 182 31 173

HSL 303.58, 0.71%, 0.42%

LAB 44.15, 70.73, -40.47

 

CMYK 0 / 62 / 83 / 28

HEX #B7451F

RGB 183 69 31

HSL 15, 0.71%, 0.42%

LAB 44.83, 44.34, 44.98

 

CMYK 83 / 0 / 30 / 28

HEX #1FB781

RGB 31 183 129

HSL 158.68, 0.71%, 0.42%

LAB 66.32, -50.37, 17.01

 

CMYK 0 / 83 / 5 / 29

HEX #B61FAD

RGB 182 31 173

HSL 303.58, 0.71%, 0.42%

LAB 44.15, 70.73, -40.47

 

CMYK 4 / 0 / 83 / 28

HEX #AFB71F

RGB 175 183 31

HSL 63.16, 0.71%, 0.42%

LAB 71.61, -19.72, 68.08

 

CMYK 83 / 4 / 0 / 28

HEX #1FAFB7

RGB 31 175 183

HSL 183.16, 0.71%, 0.42%

LAB 65.26, -32.28, -14.35

 

CMYK 0 / 83 / 5 / 29

HEX #B61FAD

RGB 182 31 173

HSL 303.58, 0.71%, 0.42%

LAB 44.15, 70.73, -40.47

 

CMYK 0 / 62 / 83 / 28

HEX #B7451F

RGB 183 69 31

HSL 15, 0.71%, 0.42%

LAB 44.83, 44.34, 44.98

 

CMYK 83 / 0 / 79 / 28

HEX #1FB726

RGB 31 183 38

HSL 122.76, 0.71%, 0.42%

LAB 65.2, -63.67, 57.97

 

CMYK 83 / 21 / 0 / 28

HEX #1F91B7

RGB 31 145 183

HSL 195, 0.71%, 0.42%

LAB 56.05, -16.99, -28.43

 

CMYK 0 / 83 / 5 / 29

HEX #B61FAD

RGB 182 31 173

HSL 303.58, 0.71%, 0.42%

LAB 44.15, 70.73, -40.47

 

CMYK 0 / 38 / 83 / 28

HEX #B7721F

RGB 183 114 31

HSL 32.76, 0.71%, 0.42%

LAB 54.24, 20.96, 53.41

 

CMYK 83 / 0 / 79 / 28

HEX #1FB726

RGB 31 183 38

HSL 122.76, 0.71%, 0.42%

LAB 65.2, -63.67, 57.97

 

CMYK 83 / 46 / 0 / 28

HEX #1F63B7

RGB 31 99 183

HSL 213.16, 0.71%, 0.42%

LAB 42.21, 10.46, -50.28

 

Description

Color code: RGB 182 31 173 | qconv.com Color code: RGB 182 31 173 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 31 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 31 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 5 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 5% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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