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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 253 234 it is the complementary color RGB 73 2 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 253 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 253 234 shade: RGB 187 253 229, RGB 204 255 248, RGB 221 255 255, RGB 238 255 255 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 253 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 253 234 shade: RGB 182 253 234, RGB 165 235 215, RGB 148 217 196, RGB 131 199 177 and RGB 114 181 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 253 234 shade: RGB 180 253 233, RGB 180 253 214, RGB 180 253 194, RGB 185 253 180 and RGB 205 253 180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 253 234 shade: RGB 180 253 233, RGB 180 252 253, RGB 180 233 253, RGB 180 213 253 and RGB 180 194 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 253 234 shade matches the following richer shades: RGB 180 253 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 253 234 shade: RGB 180 253 233, RGB 186 246 230, RGB 192 240 227, RGB 198 234 225 and RGB 205 228 222

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 253 234 shade: RGB 180 253 193, RGB 180 253 213, RGB 180 253 232, RGB 180 253 251 and RGB 180 234 253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 253 234 shade: RGB 99 251 210, RGB 140 252 222, RGB 180 253 233 and RGB 220 254 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 253 234 shade: RGB 182 253 234, RGB 180 186 253 and RGB 253 203 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 253 234 shade: RGB 182 253 234, RGB 232 180 253 and RGB 253 232 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 253 234 shade: RGB 182 253 234, RGB 180 186 253, RGB 253 180 201 and RGB 253 247 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 253 234 shade: RGB 182 253 234, RGB 196 180 253, RGB 253 180 201 and RGB 237 253 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 8 / 1

HEX #B6FDEA

RGB 182 253 234

HSL 163.94, 0.95%, 0.85%

LAB 94.37, -25.78, 2.03

 

Complementary color

CMYK 0 / 97 / 71 / 71

HEX #490215

RGB 73 2 21

HSL 343.94, 0.95%, 0.15%

LAB 12.7, 32.63, 9.75

 

CMYK 26 / 0 / 9 / 1

HEX #BBFDE5

RGB 187 253 229

HSL 158.18, 0.94%, 0.86%

LAB 94.51, -25.33, 4.85

 

CMYK 20 / 0 / 3 / 0

HEX #CCFFF8

RGB 204 255 248

HSL 171.76, 1%, 0.9%

LAB 96.47, -17.44, -1.98

 

CMYK 13 / 0 / 0 / 0

HEX #DDFFFF

RGB 221 255 255

HSL 180, 1%, 0.93%

LAB 97.68, -10.87, -3.69

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 28 / 0 / 8 / 1

HEX #B6FDEA

RGB 182 253 234

HSL 163.94, 0.95%, 0.85%

LAB 94.37, -25.78, 2.03

 

CMYK 30 / 0 / 9 / 8

HEX #A5EBD7

RGB 165 235 215

HSL 162.86, 0.64%, 0.78%

LAB 88.12, -25.95, 2.72

 

CMYK 32 / 0 / 10 / 15

HEX #94D9C4

RGB 148 217 196

HSL 161.74, 0.48%, 0.72%

LAB 81.79, -26.14, 3.45

 

CMYK 34 / 0 / 11 / 22

HEX #83C7B1

RGB 131 199 177

HSL 160.59, 0.38%, 0.65%

LAB 75.36, -26.34, 4.21

 

CMYK 37 / 0 / 13 / 29

HEX #72B59E

RGB 114 181 158

HSL 159.4, 0.31%, 0.58%

LAB 68.82, -26.55, 5.02

 

CMYK 29 / 0 / 8 / 1

HEX #B4FDE9

RGB 180 253 233

HSL 163.56, 0.95%, 0.85%

LAB 94.24, -26.56, 2.35

 

CMYK 29 / 0 / 15 / 1

HEX #B4FDD6

RGB 180 253 214

HSL 147.95, 0.95%, 0.85%

LAB 93.8, -30.32, 11.51

 

CMYK 29 / 0 / 23 / 1

HEX #B4FDC2

RGB 180 253 194

HSL 131.51, 0.95%, 0.85%

LAB 93.38, -33.96, 21.18

 

CMYK 27 / 0 / 29 / 1

HEX #B9FDB4

RGB 185 253 180

HSL 115.89, 0.95%, 0.85%

LAB 93.39, -34.7, 28.34

 

CMYK 19 / 0 / 29 / 1

HEX #CDFDB4

RGB 205 253 180

HSL 99.45, 0.95%, 0.85%

LAB 94.54, -28.08, 30.08

 

CMYK 29 / 0 / 8 / 1

HEX #B4FDE9

RGB 180 253 233

HSL 163.56, 0.95%, 0.85%

LAB 94.24, -26.56, 2.35

 

CMYK 29 / 0 / 0 / 1

HEX #B4FCFD

RGB 180 252 253

HSL 180.82, 0.95%, 0.85%

LAB 94.49, -21.81, -7.62

 

CMYK 29 / 8 / 0 / 1

HEX #B4E9FD

RGB 180 233 253

HSL 196.44, 0.95%, 0.85%

LAB 89.43, -12.36, -15.17

 

CMYK 29 / 16 / 0 / 1

HEX #B4D5FD

RGB 180 213 253

HSL 212.88, 0.95%, 0.85%

LAB 84.17, -2, -23.11

 

CMYK 29 / 23 / 0 / 1

HEX #B4C2FD

RGB 180 194 253

HSL 228.49, 0.95%, 0.85%

LAB 79.26, 8.18, -30.6

 

CMYK 29 / 0 / 8 / 1

HEX #B4FDE9

RGB 180 253 233

HSL 163.56, 0.95%, 0.85%

LAB 94.24, -26.56, 2.35

 

CMYK 29 / 0 / 8 / 1

HEX #B4FDE9

RGB 180 253 233

HSL 163.56, 0.95%, 0.85%

LAB 94.24, -26.56, 2.35

 

CMYK 24 / 0 / 7 / 4

HEX #BAF6E6

RGB 186 246 230

HSL 164, 0.77%, 0.85%

LAB 92.6, -22.05, 1.56

 

CMYK 20 / 0 / 5 / 6

HEX #C0F0E3

RGB 192 240 227

HSL 163.75, 0.62%, 0.85%

LAB 91.27, -17.89, 1.21

 

CMYK 15 / 0 / 4 / 8

HEX #C6EAE1

RGB 198 234 225

HSL 165, 0.46%, 0.85%

LAB 89.99, -13.43, 0.44

 

CMYK 10 / 0 / 3 / 11

HEX #CDE4DE

RGB 205 228 222

HSL 164.35, 0.3%, 0.85%

LAB 88.8, -8.72, 0.33

 

CMYK 29 / 0 / 24 / 1

HEX #B4FDC1

RGB 180 253 193

HSL 130.68, 0.95%, 0.85%

LAB 93.37, -34.13, 21.66

 

CMYK 29 / 0 / 16 / 1

HEX #B4FDD5

RGB 180 253 213

HSL 147.12, 0.95%, 0.85%

LAB 93.78, -30.51, 11.99

 

CMYK 29 / 0 / 8 / 1

HEX #B4FDE8

RGB 180 253 232

HSL 162.74, 0.95%, 0.85%

LAB 94.22, -26.77, 2.83

 

CMYK 29 / 0 / 1 / 1

HEX #B4FDFB

RGB 180 253 251

HSL 178.36, 0.95%, 0.85%

LAB 94.7, -22.73, -6.27

 

CMYK 29 / 8 / 0 / 1

HEX #B4EAFD

RGB 180 234 253

HSL 195.62, 0.95%, 0.85%

LAB 89.69, -12.86, -14.77

 

CMYK 61 / 0 / 16 / 2

HEX #63FBD2

RGB 99 251 210

HSL 163.82, 0.95%, 0.69%

LAB 90, -49.86, 7.71

 

CMYK 44 / 0 / 12 / 1

HEX #8CFCDE

RGB 140 252 222

HSL 163.93, 0.95%, 0.77%

LAB 91.9, -39, 4.41

 

CMYK 29 / 0 / 8 / 1

HEX #B4FDE9

RGB 180 253 233

HSL 163.56, 0.95%, 0.85%

LAB 94.24, -26.56, 2.35

 

CMYK 13 / 0 / 4 / 0

HEX #DCFEF5

RGB 220 254 245

HSL 164.12, 0.94%, 0.93%

LAB 97.1, -12.61, 0.61

 

CMYK 28 / 0 / 8 / 1

HEX #B6FDEA

RGB 182 253 234

HSL 163.94, 0.95%, 0.85%

LAB 94.37, -25.78, 2.03

 

CMYK 29 / 26 / 0 / 1

HEX #B4BAFD

RGB 180 186 253

HSL 235.07, 0.95%, 0.85%

LAB 77.23, 12.55, -33.73

 

CMYK 0 / 20 / 29 / 1

HEX #FDCBB4

RGB 253 203 180

HSL 18.9, 0.95%, 0.85%

LAB 85.45, 14.48, 18.18

 

CMYK 28 / 0 / 8 / 1

HEX #B6FDEA

RGB 182 253 234

HSL 163.94, 0.95%, 0.85%

LAB 94.37, -25.78, 2.03

 

CMYK 8 / 29 / 0 / 1

HEX #E8B4FD

RGB 232 180 253

HSL 282.74, 0.95%, 0.85%

LAB 80.12, 31.42, -28.92

 

CMYK 0 / 8 / 29 / 1

HEX #FDE8B4

RGB 253 232 180

HSL 42.74, 0.95%, 0.85%

LAB 92.53, -0.47, 27.93

 

CMYK 28 / 0 / 8 / 1

HEX #B6FDEA

RGB 182 253 234

HSL 163.94, 0.95%, 0.85%

LAB 94.37, -25.78, 2.03

 

CMYK 29 / 26 / 0 / 1

HEX #B4BAFD

RGB 180 186 253

HSL 235.07, 0.95%, 0.85%

LAB 77.23, 12.55, -33.73

 

CMYK 0 / 29 / 21 / 1

HEX #FDB4C9

RGB 253 180 201

HSL 342.74, 0.95%, 0.85%

LAB 80.6, 29.45, 0.02

 

CMYK 0 / 2 / 29 / 1

HEX #FDF7B4

RGB 253 247 180

HSL 55.07, 0.95%, 0.85%

LAB 96.29, -7.99, 33.01

 

CMYK 28 / 0 / 8 / 1

HEX #B6FDEA

RGB 182 253 234

HSL 163.94, 0.95%, 0.85%

LAB 94.37, -25.78, 2.03

 

CMYK 23 / 29 / 0 / 1

HEX #C4B4FD

RGB 196 180 253

HSL 253.15, 0.95%, 0.85%

LAB 76.96, 20.49, -34.04

 

CMYK 0 / 29 / 21 / 1

HEX #FDB4C9

RGB 253 180 201

HSL 342.74, 0.95%, 0.85%

LAB 80.6, 29.45, 0.02

 

CMYK 6 / 0 / 29 / 1

HEX #EDFDB4

RGB 237 253 180

HSL 73.15, 0.95%, 0.85%

LAB 96.64, -16.81, 33.27

 

Description

Color code: RGB 182 253 234 | qconv.com Color code: RGB 182 253 234 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 253 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 253 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 8 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 8% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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