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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 210 199 it is the complementary color RGB 73 45 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 210 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 210 199 shade: RGB 187 210 194, RGB 204 228 213, RGB 221 246 232, RGB 238 255 251 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 210 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 210 199 shade: RGB 182 210 199, RGB 165 192 180, RGB 148 174 161, RGB 131 156 142 and RGB 114 138 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 210 199 shade: RGB 182 210 199, RGB 182 210 191, RGB 182 210 184, RGB 187 210 182 and RGB 195 210 182

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 210 199 shade: RGB 182 210 199, RGB 182 210 206, RGB 182 206 210, RGB 182 198 210 and RGB 182 191 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 210 199 shade matches the following richer shades: RGB 182 210 199, RGB 172 219 201, RGB 163 229 203, RGB 153 238 205 and RGB 144 248 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 210 199 shade: RGB 182 210 199, RGB 191 200 197, RGB 201 191 195, RGB 210 181 193 and RGB 220 172 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 210 199 shade: RGB 182 210 184, RGB 182 210 191, RGB 182 210 199, RGB 182 210 206 and RGB 182 206 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 210 199 shade: RGB 131 179 160, RGB 156 194 179, RGB 182 210 199, RGB 207 226 218 and RGB 233 241 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 210 199 shade: RGB 182 210 199, RGB 182 187 210 and RGB 210 187 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 210 199 shade: RGB 182 210 199, RGB 199 182 210 and RGB 210 199 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 210 199 shade: RGB 182 210 199, RGB 182 187 210, RGB 210 182 193 and RGB 210 204 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 210 199 shade: RGB 182 210 199, RGB 185 182 210, RGB 210 182 193 and RGB 207 210 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 5 / 18

HEX #B6D2C7

RGB 182 210 199

HSL 156.43, 0.24%, 0.77%

LAB 81.93, -11.47, 2.3

 

Complementary color

CMYK 0 / 38 / 23 / 71

HEX #492D38

RGB 73 45 56

HSL 336.43, 0.24%, 0.23%

LAB 22.23, 14.76, -1.67

 

CMYK 11 / 0 / 8 / 18

HEX #BBD2C2

RGB 187 210 194

HSL 138.26, 0.2%, 0.78%

LAB 82.14, -10.75, 5.31

 

CMYK 11 / 0 / 7 / 11

HEX #CCE4D5

RGB 204 228 213

HSL 142.5, 0.31%, 0.85%

LAB 88.51, -10.73, 4.62

 

CMYK 10 / 0 / 6 / 4

HEX #DDF6E8

RGB 221 246 232

HSL 146.4, 0.58%, 0.92%

LAB 94.78, -10.73, 3.95

 

CMYK 7 / 0 / 2 / 0

HEX #EEFFFB

RGB 238 255 251

HSL 165.88, 1%, 0.97%

LAB 98.69, -6.25, -0.01

 

CMYK 13 / 0 / 5 / 18

HEX #B6D2C7

RGB 182 210 199

HSL 156.43, 0.24%, 0.77%

LAB 81.93, -11.47, 2.3

 

CMYK 14 / 0 / 6 / 25

HEX #A5C0B4

RGB 165 192 180

HSL 153.33, 0.18%, 0.7%

LAB 75.45, -11.51, 2.97

 

CMYK 15 / 0 / 7 / 32

HEX #94AEA1

RGB 148 174 161

HSL 150, 0.14%, 0.63%

LAB 68.85, -11.57, 3.67

 

CMYK 16 / 0 / 9 / 39

HEX #839C8E

RGB 131 156 142

HSL 146.4, 0.11%, 0.56%

LAB 62.13, -11.65, 4.4

 

CMYK 17 / 0 / 11 / 46

HEX #728A7B

RGB 114 138 123

HSL 142.5, 0.1%, 0.49%

LAB 55.26, -11.75, 5.19

 

CMYK 13 / 0 / 5 / 18

HEX #B6D2C7

RGB 182 210 199

HSL 156.43, 0.24%, 0.77%

LAB 81.93, -11.47, 2.3

 

CMYK 13 / 0 / 9 / 18

HEX #B6D2BF

RGB 182 210 191

HSL 139.29, 0.24%, 0.77%

LAB 81.73, -12.99, 6.27

 

CMYK 13 / 0 / 12 / 18

HEX #B6D2B8

RGB 182 210 184

HSL 124.29, 0.24%, 0.77%

LAB 81.57, -14.27, 9.76

 

CMYK 11 / 0 / 13 / 18

HEX #BBD2B6

RGB 187 210 182

HSL 109.29, 0.24%, 0.77%

LAB 81.86, -12.9, 11.29

 

CMYK 7 / 0 / 13 / 18

HEX #C3D2B6

RGB 195 210 182

HSL 92.14, 0.24%, 0.77%

LAB 82.42, -10.11, 12.16

 

CMYK 13 / 0 / 5 / 18

HEX #B6D2C7

RGB 182 210 199

HSL 156.43, 0.24%, 0.77%

LAB 81.93, -11.47, 2.3

 

CMYK 13 / 0 / 2 / 18

HEX #B6D2CE

RGB 182 210 206

HSL 171.43, 0.24%, 0.77%

LAB 82.11, -10.09, -1.18

 

CMYK 13 / 2 / 0 / 18

HEX #B6CED2

RGB 182 206 210

HSL 188.57, 0.24%, 0.77%

LAB 81.15, -7.21, -4.72

 

CMYK 13 / 6 / 0 / 18

HEX #B6C6D2

RGB 182 198 210

HSL 205.71, 0.24%, 0.77%

LAB 79.03, -3.01, -7.85

 

CMYK 13 / 9 / 0 / 18

HEX #B6BFD2

RGB 182 191 210

HSL 220.71, 0.24%, 0.77%

LAB 77.2, 0.72, -10.58

 

CMYK 13 / 0 / 5 / 18

HEX #B6D2C7

RGB 182 210 199

HSL 156.43, 0.24%, 0.77%

LAB 81.93, -11.47, 2.3

 

CMYK 21 / 0 / 8 / 14

HEX #ACDBC9

RGB 172 219 201

HSL 157.02, 0.39%, 0.77%

LAB 83.78, -18.85, 3.85

 

CMYK 29 / 0 / 11 / 10

HEX #A3E5CB

RGB 163 229 203

HSL 156.36, 0.56%, 0.77%

LAB 86.07, -26.11, 6.04

 

CMYK 36 / 0 / 14 / 7

HEX #99EECD

RGB 153 238 205

HSL 156.71, 0.71%, 0.77%

LAB 88.13, -32.85, 7.88

 

CMYK 42 / 0 / 17 / 3

HEX #90F8CF

RGB 144 248 207

HSL 156.35, 0.88%, 0.77%

LAB 90.58, -39.42, 10.3

 

CMYK 13 / 0 / 5 / 18

HEX #B6D2C7

RGB 182 210 199

HSL 156.43, 0.24%, 0.77%

LAB 81.93, -11.47, 2.3

 

CMYK 5 / 0 / 1 / 22

HEX #BFC8C5

RGB 191 200 197

HSL 160, 0.08%, 0.77%

LAB 79.85, -3.64, 0.42

 

CMYK 0 / 5 / 3 / 21

HEX #C9BFC3

RGB 201 191 195

HSL 336, 0.08%, 0.77%

LAB 78.24, 4.22, -0.76

 

CMYK 0 / 14 / 8 / 18

HEX #D2B5C1

RGB 210 181 193

HSL 335.17, 0.24%, 0.77%

LAB 76.44, 12.41, -2.23

 

CMYK 0 / 22 / 13 / 14

HEX #DCACBF

RGB 220 172 191

HSL 336.25, 0.41%, 0.77%

LAB 75.13, 20.48, -2.95

 

CMYK 13 / 0 / 12 / 18

HEX #B6D2B8

RGB 182 210 184

HSL 124.29, 0.24%, 0.77%

LAB 81.57, -14.27, 9.76

 

CMYK 13 / 0 / 9 / 18

HEX #B6D2BF

RGB 182 210 191

HSL 139.29, 0.24%, 0.77%

LAB 81.73, -12.99, 6.27

 

CMYK 13 / 0 / 5 / 18

HEX #B6D2C7

RGB 182 210 199

HSL 156.43, 0.24%, 0.77%

LAB 81.93, -11.47, 2.3

 

CMYK 13 / 0 / 2 / 18

HEX #B6D2CE

RGB 182 210 206

HSL 171.43, 0.24%, 0.77%

LAB 82.11, -10.09, -1.18

 

CMYK 13 / 2 / 0 / 18

HEX #B6CED2

RGB 182 206 210

HSL 188.57, 0.24%, 0.77%

LAB 81.15, -7.21, -4.72

 

CMYK 27 / 0 / 11 / 30

HEX #83B3A0

RGB 131 179 160

HSL 156.25, 0.24%, 0.61%

LAB 69.19, -19.98, 4.56

 

CMYK 20 / 0 / 8 / 24

HEX #9CC2B3

RGB 156 194 179

HSL 156.32, 0.24%, 0.69%

LAB 75.39, -15.72, 3.36

 

CMYK 13 / 0 / 5 / 18

HEX #B6D2C7

RGB 182 210 199

HSL 156.43, 0.24%, 0.77%

LAB 81.93, -11.47, 2.3

 

CMYK 8 / 0 / 4 / 11

HEX #CFE2DA

RGB 207 226 218

HSL 154.74, 0.25%, 0.85%

LAB 88.31, -7.8, 1.74

 

CMYK 3 / 0 / 1 / 5

HEX #E9F1EE

RGB 233 241 238

HSL 157.5, 0.22%, 0.93%

LAB 94.49, -3.18, 0.51

 

CMYK 13 / 0 / 5 / 18

HEX #B6D2C7

RGB 182 210 199

HSL 156.43, 0.24%, 0.77%

LAB 81.93, -11.47, 2.3

 

CMYK 13 / 11 / 0 / 18

HEX #B6BBD2

RGB 182 187 210

HSL 229.29, 0.24%, 0.77%

LAB 76.15, 2.87, -12.14

 

CMYK 0 / 11 / 13 / 18

HEX #D2BBB6

RGB 210 187 182

HSL 10.71, 0.24%, 0.77%

LAB 77.65, 7.34, 5.51

 

CMYK 13 / 0 / 5 / 18

HEX #B6D2C7

RGB 182 210 199

HSL 156.43, 0.24%, 0.77%

LAB 81.93, -11.47, 2.3

 

CMYK 5 / 13 / 0 / 18

HEX #C7B6D2

RGB 199 182 210

HSL 276.43, 0.24%, 0.77%

LAB 76.22, 11.2, -11.9

 

CMYK 0 / 5 / 13 / 18

HEX #D2C7B6

RGB 210 199 182

HSL 36.43, 0.24%, 0.77%

LAB 80.7, 0.98, 9.88

 

CMYK 13 / 0 / 5 / 18

HEX #B6D2C7

RGB 182 210 199

HSL 156.43, 0.24%, 0.77%

LAB 81.93, -11.47, 2.3

 

CMYK 13 / 11 / 0 / 18

HEX #B6BBD2

RGB 182 187 210

HSL 229.29, 0.24%, 0.77%

LAB 76.15, 2.87, -12.14

 

CMYK 0 / 13 / 8 / 18

HEX #D2B6C1

RGB 210 182 193

HSL 336.43, 0.24%, 0.77%

LAB 76.68, 11.87, -1.87

 

CMYK 0 / 3 / 13 / 18

HEX #D2CCB6

RGB 210 204 182

HSL 47.14, 0.24%, 0.77%

LAB 81.98, -1.64, 11.7

 

CMYK 13 / 0 / 5 / 18

HEX #B6D2C7

RGB 182 210 199

HSL 156.43, 0.24%, 0.77%

LAB 81.93, -11.47, 2.3

 

CMYK 12 / 13 / 0 / 18

HEX #B9B6D2

RGB 185 182 210

HSL 246.43, 0.24%, 0.77%

LAB 75.09, 6.55, -13.71

 

CMYK 0 / 13 / 8 / 18

HEX #D2B6C1

RGB 210 182 193

HSL 336.43, 0.24%, 0.77%

LAB 76.68, 11.87, -1.87

 

CMYK 1 / 0 / 13 / 18

HEX #CFD2B6

RGB 207 210 182

HSL 66.43, 0.24%, 0.77%

LAB 83.3, -5.84, 13.54

 

Description

Color code: RGB 182 210 199 | qconv.com Color code: RGB 182 210 199 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 210 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 210 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 5 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 5% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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