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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 20 126 it is the complementary color RGB 73 235 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 20 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 20 126 shade: RGB 187 20 121, RGB 204 38 140, RGB 221 56 159, RGB 238 74 178 and RGB 255 92 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 20 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 20 126 shade: RGB 182 20 126, RGB 165 2 107, RGB 148 0 88, RGB 131 0 69 and RGB 114 0 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 20 126 shade: RGB 183 20 127, RGB 183 20 83, RGB 183 20 39 and RGB 183 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 20 126 shade: RGB 183 20 127, RGB 183 20 171, RGB 151 20 183, RGB 107 20 183 and RGB 63 20 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 20 126 shade matches the following richer shades: RGB 183 20 127 and RGB 200 3 132

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 20 126 shade: RGB 183 20 127, RGB 167 36 122, RGB 150 53 116, RGB 134 69 111 and RGB 117 86 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 20 126 shade: RGB 150 20 183, RGB 183 20 172, RGB 183 20 129, RGB 183 20 85 and RGB 183 20 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 20 126 shade: RGB 109 12 75, RGB 146 16 101, RGB 183 20 127, RGB 220 24 152 and RGB 232 53 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 20 126 shade: RGB 182 20 126, RGB 183 107 20 and RGB 20 183 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 20 126 shade: RGB 182 20 126, RGB 129 183 20 and RGB 20 129 183

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 20 126 shade: RGB 182 20 126, RGB 183 107 20, RGB 20 183 74 and RGB 20 96 183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 20 126 shade: RGB 182 20 126, RGB 183 156 20, RGB 20 183 74 and RGB 20 47 183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 31 / 29

HEX #B6147E

RGB 182 20 126

HSL 320.74, 0.8%, 0.4%

LAB 41.14, 66.67, -16.7

 

Complementary color

CMYK 69 / 0 / 45 / 8

HEX #49EB81

RGB 73 235 129

HSL 140.74, 0.8%, 0.6%

LAB 83.14, -64.15, 39.5

 

CMYK 0 / 89 / 35 / 27

HEX #BB1479

RGB 187 20 121

HSL 323.71, 0.81%, 0.41%

LAB 41.92, 67.25, -12.33

 

CMYK 0 / 81 / 31 / 20

HEX #CC268C

RGB 204 38 140

HSL 323.13, 0.69%, 0.47%

LAB 47.13, 69.57, -15.75

 

CMYK 0 / 75 / 28 / 13

HEX #DD389F

RGB 221 56 159

HSL 322.55, 0.71%, 0.54%

LAB 52.62, 70.9, -18.45

 

CMYK 0 / 69 / 25 / 7

HEX #EE4AB2

RGB 238 74 178

HSL 321.95, 0.83%, 0.61%

LAB 58.31, 71.53, -20.61

 

CMYK 0 / 64 / 23 / 0

HEX #FF5CC5

RGB 255 92 197

HSL 321.35, 1%, 0.68%

LAB 64.12, 71.69, -22.37

 

CMYK 0 / 89 / 31 / 29

HEX #B6147E

RGB 182 20 126

HSL 320.74, 0.8%, 0.4%

LAB 41.14, 66.67, -16.7

 

CMYK 0 / 99 / 35 / 35

HEX #A5026B

RGB 165 2 107

HSL 321.35, 0.98%, 0.33%

LAB 36.18, 63.22, -12.65

 

CMYK 0 / 100 / 41 / 42

HEX #940058

RGB 148 0 88

HSL 324.32, 1%, 0.29%

LAB 31.81, 57.83, -7.35

 

CMYK 0 / 100 / 47 / 49

HEX #830045

RGB 131 0 69

HSL 328.4, 1%, 0.26%

LAB 27.45, 52.13, -1.59

 

CMYK 0 / 100 / 56 / 55

HEX #720032

RGB 114 0 50

HSL 333.68, 1%, 0.22%

LAB 23.03, 46.39, 4.57

 

CMYK 0 / 89 / 31 / 28

HEX #B7147F

RGB 183 20 127

HSL 320.61, 0.8%, 0.4%

LAB 41.37, 67, -16.94

 

CMYK 0 / 89 / 55 / 28

HEX #B71453

RGB 183 20 83

HSL 336.81, 0.8%, 0.4%

LAB 39.9, 62.94, 8.56

 

CMYK 0 / 89 / 79 / 28

HEX #B71427

RGB 183 20 39

HSL 353.01, 0.8%, 0.4%

LAB 39.09, 60.63, 35.09

 

CMYK 0 / 89 / 89 / 28

HEX #B71414

RGB 183 20 20

HSL 0, 0.8%, 0.4%

LAB 38.93, 60.16, 45.09

 

CMYK 0 / 89 / 31 / 28

HEX #B7147F

RGB 183 20 127

HSL 320.61, 0.8%, 0.4%

LAB 41.37, 67, -16.94

 

CMYK 0 / 89 / 7 / 28

HEX #B714AB

RGB 183 20 171

HSL 304.42, 0.8%, 0.4%

LAB 43.52, 72.66, -40.27

 

CMYK 17 / 89 / 0 / 28

HEX #9714B7

RGB 151 20 183

HSL 288.22, 0.8%, 0.4%

LAB 38.72, 69.06, -55.38

 

CMYK 42 / 89 / 0 / 28

HEX #6B14B7

RGB 107 20 183

HSL 272.02, 0.8%, 0.4%

LAB 31.91, 62.86, -66.79

 

CMYK 66 / 89 / 0 / 28

HEX #3F14B7

RGB 63 20 183

HSL 255.83, 0.8%, 0.4%

LAB 26.67, 58.62, -75.62

 

CMYK 0 / 89 / 31 / 28

HEX #B7147F

RGB 183 20 127

HSL 320.61, 0.8%, 0.4%

LAB 41.37, 67, -16.94

 

CMYK 0 / 99 / 34 / 22

HEX #C80384

RGB 200 3 132

HSL 320.71, 0.97%, 0.4%

LAB 44.25, 73.07, -15.33

 

CMYK 0 / 89 / 31 / 28

HEX #B7147F

RGB 183 20 127

HSL 320.61, 0.8%, 0.4%

LAB 41.37, 67, -16.94

 

CMYK 0 / 78 / 27 / 35

HEX #A7247A

RGB 167 36 122

HSL 320.61, 0.65%, 0.4%

LAB 39.38, 59.08, -17.16

 

CMYK 0 / 65 / 23 / 41

HEX #963574

RGB 150 53 116

HSL 321.03, 0.48%, 0.4%

LAB 38.36, 47.42, -15.25

 

CMYK 0 / 49 / 17 / 47

HEX #86456F

RGB 134 69 111

HSL 321.23, 0.32%, 0.4%

LAB 38.68, 33.49, -11.88

 

CMYK 0 / 26 / 9 / 54

HEX #75566A

RGB 117 86 106

HSL 321.29, 0.15%, 0.4%

LAB 40.37, 16.36, -6.44

 

CMYK 18 / 89 / 0 / 28

HEX #9614B7

RGB 150 20 183

HSL 287.85, 0.8%, 0.4%

LAB 38.56, 68.9, -55.66

 

CMYK 0 / 89 / 6 / 28

HEX #B714AC

RGB 183 20 172

HSL 304.05, 0.8%, 0.4%

LAB 43.57, 72.81, -40.77

 

CMYK 0 / 89 / 30 / 28

HEX #B71481

RGB 183 20 129

HSL 319.88, 0.8%, 0.4%

LAB 41.46, 67.23, -18.05

 

CMYK 0 / 89 / 54 / 28

HEX #B71455

RGB 183 20 85

HSL 336.07, 0.8%, 0.4%

LAB 39.95, 63.08, 7.36

 

CMYK 0 / 89 / 77 / 28

HEX #B7142A

RGB 183 20 42

HSL 351.9, 0.8%, 0.4%

LAB 39.13, 60.74, 33.34

 

CMYK 0 / 89 / 31 / 57

HEX #6D0C4B

RGB 109 12 75

HSL 321.03, 0.8%, 0.24%

LAB 23.74, 45.11, -11.7

 

CMYK 0 / 89 / 31 / 43

HEX #921065

RGB 146 16 101

HSL 320.77, 0.8%, 0.32%

LAB 32.75, 56.36, -14.4

 

CMYK 0 / 89 / 31 / 28

HEX #B7147F

RGB 183 20 127

HSL 320.61, 0.8%, 0.4%

LAB 41.37, 67, -16.94

 

CMYK 0 / 89 / 31 / 14

HEX #DC1898

RGB 220 24 152

HSL 320.82, 0.8%, 0.48%

LAB 49.66, 77.09, -18.84

 

CMYK 0 / 77 / 27 / 9

HEX #E835AA

RGB 232 53 170

HSL 320.78, 0.8%, 0.56%

LAB 54.66, 75.68, -21.63

 

CMYK 0 / 89 / 31 / 29

HEX #B6147E

RGB 182 20 126

HSL 320.74, 0.8%, 0.4%

LAB 41.14, 66.67, -16.7

 

CMYK 0 / 42 / 89 / 28

HEX #B76B14

RGB 183 107 20

HSL 32.02, 0.8%, 0.4%

LAB 52.55, 24.53, 55.63

 

CMYK 89 / 0 / 6 / 28

HEX #14B7AC

RGB 20 183 172

HSL 175.95, 0.8%, 0.4%

LAB 67.27, -40, -5.26

 

CMYK 0 / 89 / 31 / 29

HEX #B6147E

RGB 182 20 126

HSL 320.74, 0.8%, 0.4%

LAB 41.14, 66.67, -16.7

 

CMYK 30 / 0 / 89 / 28

HEX #81B714

RGB 129 183 20

HSL 79.88, 0.8%, 0.4%

LAB 68.45, -38.96, 66.51

 

CMYK 89 / 30 / 0 / 28

HEX #1481B7

RGB 20 129 183

HSL 199.88, 0.8%, 0.4%

LAB 51, -8.82, -36.32

 

CMYK 0 / 89 / 31 / 29

HEX #B6147E

RGB 182 20 126

HSL 320.74, 0.8%, 0.4%

LAB 41.14, 66.67, -16.7

 

CMYK 0 / 42 / 89 / 28

HEX #B76B14

RGB 183 107 20

HSL 32.02, 0.8%, 0.4%

LAB 52.55, 24.53, 55.63

 

CMYK 89 / 0 / 60 / 28

HEX #14B74A

RGB 20 183 74

HSL 139.88, 0.8%, 0.4%

LAB 65.37, -61.17, 43.95

 

CMYK 89 / 48 / 0 / 28

HEX #1460B7

RGB 20 96 183

HSL 212.02, 0.8%, 0.4%

LAB 41.11, 11.57, -52.06

 

CMYK 0 / 89 / 31 / 29

HEX #B6147E

RGB 182 20 126

HSL 320.74, 0.8%, 0.4%

LAB 41.14, 66.67, -16.7

 

CMYK 0 / 15 / 89 / 28

HEX #B79C14

RGB 183 156 20

HSL 50.06, 0.8%, 0.4%

LAB 64.88, -2.44, 65.33

 

CMYK 89 / 0 / 60 / 28

HEX #14B74A

RGB 20 183 74

HSL 139.88, 0.8%, 0.4%

LAB 65.37, -61.17, 43.95

 

CMYK 89 / 74 / 0 / 28

HEX #142FB7

RGB 20 47 183

HSL 230.06, 0.8%, 0.4%

LAB 28.38, 43.57, -72.85

 

Description

Color code: RGB 182 20 126 | qconv.com Color code: RGB 182 20 126 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 20 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 20 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 31 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 31% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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