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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 189 59 it is the complementary color RGB 73 66 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 189 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 189 59 shade: RGB 187 189 54, RGB 204 207 73, RGB 221 225 92, RGB 238 243 111 and RGB 255 255 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 189 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 189 59 shade: RGB 182 189 59, RGB 165 171 40, RGB 148 153 21, RGB 131 135 2 and RGB 114 117 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 189 59 shade: RGB 182 189 59, RGB 189 161 59, RGB 189 126 59, RGB 189 91 59 and RGB 189 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 189 59 shade: RGB 182 189 59, RGB 147 189 59, RGB 112 189 59, RGB 77 189 59 and RGB 59 189 77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 189 59 shade matches the following richer shades: RGB 182 189 59, RGB 200 210 39 and RGB 219 230 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 189 59 shade: RGB 182 189 59, RGB 164 169 80, RGB 146 149 100, RGB 128 129 120 and RGB 110 109 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 189 59 shade: RGB 189 127 59, RGB 189 161 59, RGB 183 189 59, RGB 148 189 59 and RGB 114 189 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 189 59 shade: RGB 122 127 40, RGB 152 158 50, RGB 182 189 59, RGB 196 202 88 and RGB 207 212 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 189 59 shade: RGB 182 189 59, RGB 59 189 92 and RGB 144 59 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 189 59 shade: RGB 182 189 59, RGB 59 183 189 and RGB 189 59 183

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 189 59 shade: RGB 182 189 59, RGB 59 189 92, RGB 66 59 189 and RGB 189 59 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 189 59 shade: RGB 182 189 59, RGB 59 189 131, RGB 66 59 189 and RGB 189 59 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 69 / 26

HEX #B6BD3B

RGB 182 189 59

HSL 63.23, 0.52%, 0.49%

LAB 73.97, -18.56, 61.62

 

Complementary color

CMYK 63 / 66 / 0 / 23

HEX #4942C4

RGB 73 66 196

HSL 243.23, 0.52%, 0.51%

LAB 36.55, 41.62, -66.96

 

CMYK 1 / 0 / 71 / 26

HEX #BBBD36

RGB 187 189 54

HSL 60.89, 0.56%, 0.48%

LAB 74.33, -16.7, 63.94

 

CMYK 1 / 0 / 65 / 19

HEX #CCCF49

RGB 204 207 73

HSL 61.34, 0.58%, 0.55%

LAB 80.71, -17.52, 63.59

 

CMYK 2 / 0 / 59 / 12

HEX #DDE15C

RGB 221 225 92

HSL 61.8, 0.69%, 0.62%

LAB 86.99, -18.2, 62.87

 

CMYK 2 / 0 / 54 / 5

HEX #EEF36F

RGB 238 243 111

HSL 62.27, 0.85%, 0.69%

LAB 93.2, -18.77, 61.94

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 4 / 0 / 69 / 26

HEX #B6BD3B

RGB 182 189 59

HSL 63.23, 0.52%, 0.49%

LAB 73.97, -18.56, 61.62

 

CMYK 4 / 0 / 77 / 33

HEX #A5AB28

RGB 165 171 40

HSL 62.75, 0.62%, 0.41%

LAB 67.49, -17.68, 61.6

 

CMYK 3 / 0 / 86 / 40

HEX #949915

RGB 148 153 21

HSL 62.27, 0.76%, 0.34%

LAB 60.9, -16.58, 60.58

 

CMYK 3 / 0 / 99 / 47

HEX #838702

RGB 131 135 2

HSL 61.8, 0.97%, 0.27%

LAB 54.19, -15.24, 58.14

 

CMYK 3 / 0 / 100 / 54

HEX #727500

RGB 114 117 0

HSL 61.54, 1%, 0.23%

LAB 47.37, -13.54, 52.82

 

CMYK 4 / 0 / 69 / 26

HEX #B6BD3B

RGB 182 189 59

HSL 63.23, 0.52%, 0.49%

LAB 73.97, -18.56, 61.62

 

CMYK 0 / 15 / 69 / 26

HEX #BDA13B

RGB 189 161 59

HSL 47.08, 0.52%, 0.49%

LAB 66.99, -1, 54.74

 

CMYK 0 / 33 / 69 / 26

HEX #BD7E3B

RGB 189 126 59

HSL 30.92, 0.52%, 0.49%

LAB 58.09, 18.16, 45.3

 

CMYK 0 / 52 / 69 / 26

HEX #BD5B3B

RGB 189 91 59

HSL 14.77, 0.52%, 0.49%

LAB 50.24, 37.05, 36.49

 

CMYK 0 / 69 / 69 / 26

HEX #BD3B3B

RGB 189 59 59

HSL 0, 0.52%, 0.49%

LAB 44.61, 51.87, 29.85

 

CMYK 4 / 0 / 69 / 26

HEX #B6BD3B

RGB 182 189 59

HSL 63.23, 0.52%, 0.49%

LAB 73.97, -18.56, 61.62

 

CMYK 22 / 0 / 69 / 26

HEX #93BD3B

RGB 147 189 59

HSL 79.38, 0.52%, 0.49%

LAB 71.5, -32.89, 58.32

 

CMYK 41 / 0 / 69 / 26

HEX #70BD3B

RGB 112 189 59

HSL 95.54, 0.52%, 0.49%

LAB 69.58, -45.69, 55.73

 

CMYK 59 / 0 / 69 / 26

HEX #4DBD3B

RGB 77 189 59

HSL 111.69, 0.52%, 0.49%

LAB 68.23, -55.86, 53.91

 

CMYK 69 / 0 / 59 / 26

HEX #3BBD4D

RGB 59 189 77

HSL 128.31, 0.52%, 0.49%

LAB 67.92, -57.82, 45.69

 

CMYK 4 / 0 / 69 / 26

HEX #B6BD3B

RGB 182 189 59

HSL 63.23, 0.52%, 0.49%

LAB 73.97, -18.56, 61.62

 

CMYK 5 / 0 / 81 / 18

HEX #C8D227

RGB 200 210 39

HSL 63.51, 0.69%, 0.49%

LAB 81.03, -22.18, 74.92

 

CMYK 5 / 0 / 92 / 10

HEX #DBE613

RGB 219 230 19

HSL 63.13, 0.85%, 0.49%

LAB 87.82, -24.33, 84.69

 

CMYK 4 / 0 / 69 / 26

HEX #B6BD3B

RGB 182 189 59

HSL 63.23, 0.52%, 0.49%

LAB 73.97, -18.56, 61.62

 

CMYK 3 / 0 / 53 / 34

HEX #A4A950

RGB 164 169 80

HSL 63.37, 0.36%, 0.49%

LAB 67.16, -14.49, 44.72

 

CMYK 2 / 0 / 33 / 42

HEX #929564

RGB 146 149 100

HSL 63.67, 0.2%, 0.49%

LAB 60.36, -9.2, 25.57

 

CMYK 1 / 0 / 7 / 49

HEX #808178

RGB 128 129 120

HSL 66.67, 0.04%, 0.49%

LAB 53.65, -2.11, 4.74

 

CMYK 21 / 22 / 0 / 45

HEX #6E6D8C

RGB 110 109 140

HSL 241.94, 0.12%, 0.49%

LAB 47.17, 7.41, -16.82

 

CMYK 0 / 33 / 69 / 26

HEX #BD7F3B

RGB 189 127 59

HSL 31.38, 0.52%, 0.49%

LAB 58.33, 17.61, 45.57

 

CMYK 0 / 15 / 69 / 26

HEX #BDA13B

RGB 189 161 59

HSL 47.08, 0.52%, 0.49%

LAB 66.99, -1, 54.74

 

CMYK 3 / 0 / 69 / 26

HEX #B7BD3B

RGB 183 189 59

HSL 62.77, 0.52%, 0.49%

LAB 74.05, -18.14, 61.72

 

CMYK 22 / 0 / 69 / 26

HEX #94BD3B

RGB 148 189 59

HSL 78.92, 0.52%, 0.49%

LAB 71.56, -32.5, 58.4

 

CMYK 40 / 0 / 69 / 26

HEX #72BD3B

RGB 114 189 59

HSL 94.62, 0.52%, 0.49%

LAB 69.67, -45.02, 55.86

 

CMYK 4 / 0 / 69 / 50

HEX #7A7F28

RGB 122 127 40

HSL 63.45, 0.52%, 0.33%

LAB 51.23, -13.73, 44.67

 

CMYK 4 / 0 / 68 / 38

HEX #989E32

RGB 152 158 50

HSL 63.33, 0.52%, 0.41%

LAB 62.81, -16.16, 53.12

 

CMYK 4 / 0 / 69 / 26

HEX #B6BD3B

RGB 182 189 59

HSL 63.23, 0.52%, 0.49%

LAB 73.97, -18.56, 61.62

 

CMYK 3 / 0 / 56 / 21

HEX #C4CA58

RGB 196 202 88

HSL 63.16, 0.52%, 0.57%

LAB 78.86, -17.31, 55.05

 

CMYK 2 / 0 / 43 / 17

HEX #CFD478

RGB 207 212 120

HSL 63.26, 0.52%, 0.65%

LAB 82.76, -15, 44.77

 

CMYK 4 / 0 / 69 / 26

HEX #B6BD3B

RGB 182 189 59

HSL 63.23, 0.52%, 0.49%

LAB 73.97, -18.56, 61.62

 

CMYK 69 / 0 / 51 / 26

HEX #3BBD5C

RGB 59 189 92

HSL 135.23, 0.52%, 0.49%

LAB 68.09, -55.78, 38.74

 

CMYK 24 / 69 / 0 / 26

HEX #903BBD

RGB 144 59 189

HSL 279.23, 0.52%, 0.49%

LAB 42.36, 56.62, -53.1

 

CMYK 4 / 0 / 69 / 26

HEX #B6BD3B

RGB 182 189 59

HSL 63.23, 0.52%, 0.49%

LAB 73.97, -18.56, 61.62

 

CMYK 69 / 3 / 0 / 26

HEX #3BB7BD

RGB 59 183 189

HSL 182.77, 0.52%, 0.49%

LAB 68.37, -31.26, -12.95

 

CMYK 0 / 69 / 3 / 26

HEX #BD3BB7

RGB 189 59 183

HSL 302.77, 0.52%, 0.49%

LAB 48.72, 65.58, -39.04

 

CMYK 4 / 0 / 69 / 26

HEX #B6BD3B

RGB 182 189 59

HSL 63.23, 0.52%, 0.49%

LAB 73.97, -18.56, 61.62

 

CMYK 69 / 0 / 51 / 26

HEX #3BBD5C

RGB 59 189 92

HSL 135.23, 0.52%, 0.49%

LAB 68.09, -55.78, 38.74

 

CMYK 65 / 69 / 0 / 26

HEX #423BBD

RGB 66 59 189

HSL 243.23, 0.52%, 0.49%

LAB 33.9, 42.5, -67.23

 

CMYK 0 / 69 / 17 / 26

HEX #BD3B9D

RGB 189 59 157

HSL 314.77, 0.52%, 0.49%

LAB 47.47, 61.61, -25.65

 

CMYK 4 / 0 / 69 / 26

HEX #B6BD3B

RGB 182 189 59

HSL 63.23, 0.52%, 0.49%

LAB 73.97, -18.56, 61.62

 

CMYK 69 / 0 / 31 / 26

HEX #3BBD83

RGB 59 189 131

HSL 153.23, 0.52%, 0.49%

LAB 68.72, -48.73, 19.31

 

CMYK 65 / 69 / 0 / 26

HEX #423BBD

RGB 66 59 189

HSL 243.23, 0.52%, 0.49%

LAB 33.9, 42.5, -67.23

 

CMYK 0 / 69 / 38 / 26

HEX #BD3B76

RGB 189 59 118

HSL 332.77, 0.52%, 0.49%

LAB 45.98, 56.67, -4.35

 

Description

Color code: RGB 182 189 59 | qconv.com Color code: RGB 182 189 59 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 189 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 189 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 69 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 69% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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