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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 171 177 it is the complementary color RGB 73 84 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 171 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 171 177 shade: RGB 187 171 172, RGB 204 189 191, RGB 221 207 210, RGB 238 225 229 and RGB 255 243 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 171 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 171 177 shade: RGB 182 171 177, RGB 165 153 158, RGB 148 135 139, RGB 131 117 120 and RGB 114 99 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 171 177 shade: RGB 181 170 176, RGB 181 170 173, RGB 181 170 170 and RGB 181 170 170

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 171 177 shade: RGB 181 170 176, RGB 181 170 179, RGB 180 170 181, RGB 177 170 181 and RGB 174 170 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 171 177 shade matches the following richer shades: RGB 181 170 176, RGB 194 157 177, RGB 207 144 178, RGB 219 132 179 and RGB 232 119 181

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 171 177 shade: RGB 181 170 176, RGB 168 183 175, RGB 155 195 174, RGB 143 208 172 and RGB 130 221 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 171 177 shade: RGB 180 170 181, RGB 181 170 179, RGB 181 170 176, RGB 181 170 173 and RGB 181 170 170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 171 177 shade: RGB 143 126 135, RGB 162 148 155, RGB 181 170 176, RGB 200 192 196 and RGB 219 214 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 171 177 shade: RGB 182 171 177, RGB 181 177 170 and RGB 170 180 181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 171 177 shade: RGB 182 171 177, RGB 176 181 170 and RGB 170 176 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 171 177 shade: RGB 182 171 177, RGB 181 177 170, RGB 170 181 175 and RGB 170 174 181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 171 177 shade: RGB 182 171 177, RGB 181 180 170, RGB 170 181 175 and RGB 170 170 181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 3 / 29

HEX #B6ABB1

RGB 182 171 177

HSL 327.27, 0.07%, 0.69%

LAB 71.04, 5.03, -1.67

 

Complementary color

CMYK 13 / 0 / 7 / 67

HEX #49544E

RGB 73 84 78

HSL 147.27, 0.07%, 0.31%

LAB 34.61, -5.7, 2.04

 

CMYK 0 / 9 / 8 / 27

HEX #BBABAC

RGB 187 171 172

HSL 356.25, 0.11%, 0.7%

LAB 71.33, 5.93, 1.57

 

CMYK 0 / 7 / 6 / 20

HEX #CCBDBF

RGB 204 189 191

HSL 352, 0.13%, 0.77%

LAB 77.87, 5.64, 0.89

 

CMYK 0 / 6 / 5 / 13

HEX #DDCFD2

RGB 221 207 210

HSL 347.14, 0.17%, 0.84%

LAB 84.3, 5.36, 0.25

 

CMYK 0 / 5 / 4 / 7

HEX #EEE1E5

RGB 238 225 229

HSL 341.54, 0.28%, 0.91%

LAB 90.64, 5.11, -0.37

 

CMYK 0 / 5 / 3 / 0

HEX #FFF3F8

RGB 255 243 248

HSL 335, 1%, 0.98%

LAB 96.88, 4.88, -0.97

 

CMYK 0 / 6 / 3 / 29

HEX #B6ABB1

RGB 182 171 177

HSL 327.27, 0.07%, 0.69%

LAB 71.04, 5.03, -1.67

 

CMYK 0 / 7 / 4 / 35

HEX #A5999E

RGB 165 153 158

HSL 335, 0.06%, 0.62%

LAB 64.36, 5.31, -1.04

 

CMYK 0 / 9 / 6 / 42

HEX #94878B

RGB 148 135 139

HSL 341.54, 0.06%, 0.55%

LAB 57.55, 5.62, -0.38

 

CMYK 0 / 11 / 8 / 49

HEX #837578

RGB 131 117 120

HSL 347.14, 0.06%, 0.49%

LAB 50.57, 5.96, 0.32

 

CMYK 0 / 13 / 11 / 55

HEX #726365

RGB 114 99 101

HSL 352, 0.07%, 0.42%

LAB 43.42, 6.36, 1.07

 

CMYK 0 / 6 / 3 / 29

HEX #B5AAB0

RGB 181 170 176

HSL 327.27, 0.07%, 0.69%

LAB 70.67, 5.04, -1.67

 

CMYK 0 / 6 / 4 / 29

HEX #B5AAAD

RGB 181 170 173

HSL 343.64, 0.07%, 0.69%

LAB 70.59, 4.49, -0.13

 

CMYK 0 / 6 / 6 / 29

HEX #B5AAAA

RGB 181 170 170

HSL 0, 0.07%, 0.69%

LAB 70.51, 3.95, 1.41

 

CMYK 0 / 6 / 6 / 29

HEX #B5AAAA

RGB 181 170 170

HSL 0, 0.07%, 0.69%

LAB 70.51, 3.95, 1.41

 

CMYK 0 / 6 / 3 / 29

HEX #B5AAB0

RGB 181 170 176

HSL 327.27, 0.07%, 0.69%

LAB 70.67, 5.04, -1.67

 

CMYK 0 / 6 / 1 / 29

HEX #B5AAB3

RGB 181 170 179

HSL 310.91, 0.07%, 0.69%

LAB 70.75, 5.59, -3.2

 

CMYK 1 / 6 / 0 / 29

HEX #B4AAB5

RGB 180 170 181

HSL 294.55, 0.07%, 0.69%

LAB 70.73, 5.62, -4.35

 

CMYK 2 / 6 / 0 / 29

HEX #B1AAB5

RGB 177 170 181

HSL 278.18, 0.07%, 0.69%

LAB 70.48, 4.57, -4.75

 

CMYK 4 / 6 / 0 / 29

HEX #AEAAB5

RGB 174 170 181

HSL 261.82, 0.07%, 0.69%

LAB 70.23, 3.52, -5.13

 

CMYK 0 / 6 / 3 / 29

HEX #B5AAB0

RGB 181 170 176

HSL 327.27, 0.07%, 0.69%

LAB 70.67, 5.04, -1.67

 

CMYK 0 / 19 / 9 / 24

HEX #C29DB1

RGB 194 157 177

HSL 327.57, 0.23%, 0.69%

LAB 68.58, 17.02, -5.17

 

CMYK 0 / 30 / 14 / 19

HEX #CF90B2

RGB 207 144 178

HSL 327.62, 0.4%, 0.69%

LAB 66.84, 28.94, -8.15

 

CMYK 0 / 40 / 18 / 14

HEX #DB84B3

RGB 219 132 179

HSL 327.59, 0.55%, 0.69%

LAB 65.61, 39.68, -10.41

 

CMYK 0 / 49 / 22 / 9

HEX #E877B5

RGB 232 119 181

HSL 327.08, 0.71%, 0.69%

LAB 64.71, 50.87, -12.71

 

CMYK 0 / 6 / 3 / 29

HEX #B5AAB0

RGB 181 170 176

HSL 327.27, 0.07%, 0.69%

LAB 70.67, 5.04, -1.67

 

CMYK 8 / 0 / 4 / 28

HEX #A8B7AF

RGB 168 183 175

HSL 148, 0.09%, 0.69%

LAB 73.08, -6.73, 2.28

 

CMYK 21 / 0 / 11 / 24

HEX #9BC3AE

RGB 155 195 174

HSL 148.5, 0.25%, 0.69%

LAB 75.49, -17.55, 6.19

 

CMYK 31 / 0 / 17 / 18

HEX #8FD0AC

RGB 143 208 172

HSL 146.77, 0.41%, 0.69%

LAB 78.42, -28.18, 11.37

 

CMYK 41 / 0 / 23 / 13

HEX #82DDAB

RGB 130 221 171

HSL 147.03, 0.57%, 0.69%

LAB 81.51, -38.22, 16.16

 

CMYK 1 / 6 / 0 / 29

HEX #B4AAB5

RGB 180 170 181

HSL 294.55, 0.07%, 0.69%

LAB 70.73, 5.62, -4.35

 

CMYK 0 / 6 / 1 / 29

HEX #B5AAB3

RGB 181 170 179

HSL 310.91, 0.07%, 0.69%

LAB 70.75, 5.59, -3.2

 

CMYK 0 / 6 / 3 / 29

HEX #B5AAB0

RGB 181 170 176

HSL 327.27, 0.07%, 0.69%

LAB 70.67, 5.04, -1.67

 

CMYK 0 / 6 / 4 / 29

HEX #B5AAAD

RGB 181 170 173

HSL 343.64, 0.07%, 0.69%

LAB 70.59, 4.49, -0.13

 

CMYK 0 / 6 / 6 / 29

HEX #B5AAAA

RGB 181 170 170

HSL 0, 0.07%, 0.69%

LAB 70.51, 3.95, 1.41

 

CMYK 0 / 12 / 6 / 44

HEX #8F7E87

RGB 143 126 135

HSL 328.24, 0.07%, 0.53%

LAB 54.56, 8.15, -2.49

 

CMYK 0 / 9 / 4 / 36

HEX #A2949B

RGB 162 148 155

HSL 330, 0.07%, 0.61%

LAB 62.7, 6.45, -1.81

 

CMYK 0 / 6 / 3 / 29

HEX #B5AAB0

RGB 181 170 176

HSL 327.27, 0.07%, 0.69%

LAB 70.67, 5.04, -1.67

 

CMYK 0 / 4 / 2 / 22

HEX #C8C0C4

RGB 200 192 196

HSL 330, 0.07%, 0.77%

LAB 78.44, 3.52, -1.02

 

CMYK 0 / 2 / 1 / 14

HEX #DBD6D9

RGB 219 214 217

HSL 324, 0.06%, 0.85%

LAB 86.09, 2.25, -0.88

 

CMYK 0 / 6 / 3 / 29

HEX #B6ABB1

RGB 182 171 177

HSL 327.27, 0.07%, 0.69%

LAB 71.04, 5.03, -1.67

 

CMYK 0 / 2 / 6 / 29

HEX #B5B1AA

RGB 181 177 170

HSL 38.18, 0.07%, 0.69%

LAB 72.34, 0.16, 4.07

 

CMYK 6 / 1 / 0 / 29

HEX #AAB4B5

RGB 170 180 181

HSL 185.45, 0.07%, 0.69%

LAB 72.58, -3.28, -1.72

 

CMYK 0 / 6 / 3 / 29

HEX #B6ABB1

RGB 182 171 177

HSL 327.27, 0.07%, 0.69%

LAB 71.04, 5.03, -1.67

 

CMYK 3 / 0 / 6 / 29

HEX #B0B5AA

RGB 176 181 170

HSL 87.27, 0.07%, 0.69%

LAB 73.01, -3.78, 4.98

 

CMYK 6 / 3 / 0 / 29

HEX #AAB0B5

RGB 170 176 181

HSL 207.27, 0.07%, 0.69%

LAB 71.51, -1.12, -3.29

 

CMYK 0 / 6 / 3 / 29

HEX #B6ABB1

RGB 182 171 177

HSL 327.27, 0.07%, 0.69%

LAB 71.04, 5.03, -1.67

 

CMYK 0 / 2 / 6 / 29

HEX #B5B1AA

RGB 181 177 170

HSL 38.18, 0.07%, 0.69%

LAB 72.34, 0.16, 4.07

 

CMYK 6 / 0 / 3 / 29

HEX #AAB5AF

RGB 170 181 175

HSL 147.27, 0.07%, 0.69%

LAB 72.69, -4.97, 1.72

 

CMYK 6 / 4 / 0 / 29

HEX #AAAEB5

RGB 170 174 181

HSL 218.18, 0.07%, 0.69%

LAB 70.98, -0.04, -4.07

 

CMYK 0 / 6 / 3 / 29

HEX #B6ABB1

RGB 182 171 177

HSL 327.27, 0.07%, 0.69%

LAB 71.04, 5.03, -1.67

 

CMYK 0 / 1 / 6 / 29

HEX #B5B4AA

RGB 181 180 170

HSL 54.55, 0.07%, 0.69%

LAB 73.13, -1.46, 5.21

 

CMYK 6 / 0 / 3 / 29

HEX #AAB5AF

RGB 170 181 175

HSL 147.27, 0.07%, 0.69%

LAB 72.69, -4.97, 1.72

 

CMYK 6 / 6 / 0 / 29

HEX #AAAAB5

RGB 170 170 181

HSL 240, 0.07%, 0.69%

LAB 69.92, 2.14, -5.64

 

Description

Color code: RGB 182 171 177 | qconv.com Color code: RGB 182 171 177 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 171 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 171 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 3 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 3% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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