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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 182 129 152 it is the complementary color RGB 73 126 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 182 129 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 182 129 152 shade: RGB 187 129 147, RGB 204 147 166, RGB 221 165 185, RGB 238 183 204 and RGB 255 201 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 182 129 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 182 129 152 shade: RGB 182 129 152, RGB 165 111 133, RGB 148 93 114, RGB 131 75 95 and RGB 114 57 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 182 129 152 shade: RGB 182 128 152, RGB 182 128 137 and RGB 182 128 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 182 129 152 shade: RGB 182 128 152, RGB 182 128 166, RGB 182 128 180, RGB 169 128 182 and RGB 154 128 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 182 129 152 shade matches the following richer shades: RGB 182 128 152, RGB 198 112 149, RGB 214 96 147, RGB 230 80 145 and RGB 246 64 143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 182 129 152 shade: RGB 182 128 152, RGB 166 144 154, RGB 150 160 156, RGB 134 176 158 and RGB 118 193 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 182 129 152 shade: RGB 182 128 181, RGB 182 128 167, RGB 182 128 152, RGB 182 128 138 and RGB 182 133 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 182 129 152 shade: RGB 145 83 110, RGB 167 102 130, RGB 182 128 152, RGB 197 154 173 and RGB 212 181 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 182 129 152 shade: RGB 182 129 152, RGB 182 168 128 and RGB 128 174 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 182 129 152 shade: RGB 182 129 152, RGB 152 182 128 and RGB 128 152 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 182 129 152 shade: RGB 182 129 152, RGB 182 168 128, RGB 128 182 158 and RGB 128 142 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 182 129 152 shade: RGB 182 129 152, RGB 179 182 128, RGB 128 182 158 and RGB 131 128 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 16 / 29

HEX #B68198

RGB 182 129 152

HSL 333.96, 0.27%, 0.61%

LAB 59.81, 23.98, -4.13

 

Complementary color

CMYK 42 / 0 / 18 / 51

HEX #497E67

RGB 73 126 103

HSL 153.96, 0.27%, 0.39%

LAB 48.66, -23.37, 7.03

 

CMYK 0 / 31 / 21 / 27

HEX #BB8193

RGB 187 129 147

HSL 341.38, 0.3%, 0.62%

LAB 60.22, 25.03, -0.59

 

CMYK 0 / 28 / 19 / 20

HEX #CC93A6

RGB 204 147 166

HSL 340, 0.36%, 0.69%

LAB 66.87, 24.31, -1.42

 

CMYK 0 / 25 / 16 / 13

HEX #DDA5B9

RGB 221 165 185

HSL 338.57, 0.45%, 0.76%

LAB 73.41, 23.65, -2.18

 

CMYK 0 / 23 / 14 / 7

HEX #EEB7CC

RGB 238 183 204

HSL 337.09, 0.62%, 0.83%

LAB 79.84, 23.05, -2.89

 

CMYK 0 / 21 / 13 / 0

HEX #FFC9DF

RGB 255 201 223

HSL 335.56, 1%, 0.89%

LAB 86.19, 22.49, -3.55

 

CMYK 0 / 29 / 16 / 29

HEX #B68198

RGB 182 129 152

HSL 333.96, 0.27%, 0.61%

LAB 59.81, 23.98, -4.13

 

CMYK 0 / 33 / 19 / 35

HEX #A56F85

RGB 165 111 133

HSL 335.56, 0.23%, 0.54%

LAB 53.02, 24.72, -3.33

 

CMYK 0 / 37 / 23 / 42

HEX #945D72

RGB 148 93 114

HSL 337.09, 0.23%, 0.47%

LAB 46.1, 25.54, -2.44

 

CMYK 0 / 43 / 27 / 49

HEX #834B5F

RGB 131 75 95

HSL 338.57, 0.27%, 0.4%

LAB 39.04, 26.44, -1.4

 

CMYK 0 / 50 / 33 / 55

HEX #72394C

RGB 114 57 76

HSL 340, 0.33%, 0.34%

LAB 31.86, 27.4, -0.12

 

CMYK 0 / 30 / 16 / 29

HEX #B68098

RGB 182 128 152

HSL 333.33, 0.27%, 0.61%

LAB 59.57, 24.54, -4.48

 

CMYK 0 / 30 / 25 / 29

HEX #B68089

RGB 182 128 137

HSL 350, 0.27%, 0.61%

LAB 59.15, 22.19, 3.53

 

CMYK 0 / 30 / 30 / 29

HEX #B68080

RGB 182 128 128

HSL 0, 0.27%, 0.61%

LAB 58.92, 20.9, 8.37

 

CMYK 0 / 30 / 16 / 29

HEX #B68098

RGB 182 128 152

HSL 333.33, 0.27%, 0.61%

LAB 59.57, 24.54, -4.48

 

CMYK 0 / 30 / 9 / 29

HEX #B680A6

RGB 182 128 166

HSL 317.78, 0.27%, 0.61%

LAB 60.01, 26.93, -11.85

 

CMYK 0 / 30 / 1 / 29

HEX #B680B4

RGB 182 128 180

HSL 302.22, 0.27%, 0.61%

LAB 60.5, 29.5, -19.11

 

CMYK 7 / 30 / 0 / 29

HEX #A980B6

RGB 169 128 182

HSL 285.56, 0.27%, 0.61%

LAB 59.21, 25.56, -22.34

 

CMYK 15 / 30 / 0 / 29

HEX #9A80B6

RGB 154 128 182

HSL 268.89, 0.27%, 0.61%

LAB 57.74, 20.65, -24.72

 

CMYK 0 / 30 / 16 / 29

HEX #B68098

RGB 182 128 152

HSL 333.33, 0.27%, 0.61%

LAB 59.57, 24.54, -4.48

 

CMYK 0 / 43 / 25 / 22

HEX #C67095

RGB 198 112 149

HSL 334.19, 0.43%, 0.61%

LAB 57.81, 38.54, -5.14

 

CMYK 0 / 55 / 31 / 16

HEX #D66093

RGB 214 96 147

HSL 334.07, 0.59%, 0.61%

LAB 56.85, 51.67, -5.15

 

CMYK 0 / 65 / 37 / 10

HEX #E65091

RGB 230 80 145

HSL 334, 0.75%, 0.61%

LAB 56.69, 63.29, -3.94

 

CMYK 0 / 74 / 42 / 4

HEX #F6408F

RGB 246 64 143

HSL 333.96, 0.91%, 0.61%

LAB 57.31, 73.12, -1.53

 

CMYK 0 / 30 / 16 / 29

HEX #B68098

RGB 182 128 152

HSL 333.33, 0.27%, 0.61%

LAB 59.57, 24.54, -4.48

 

CMYK 0 / 13 / 7 / 35

HEX #A6909A

RGB 166 144 154

HSL 332.73, 0.11%, 0.61%

LAB 61.99, 9.98, -2.25

 

CMYK 6 / 0 / 2 / 37

HEX #96A09C

RGB 150 160 156

HSL 156, 0.05%, 0.61%

LAB 64.98, -4.34, 0.85

 

CMYK 24 / 0 / 10 / 31

HEX #86B09E

RGB 134 176 158

HSL 154.29, 0.21%, 0.61%

LAB 68.45, -17.9, 4.63

 

CMYK 39 / 0 / 17 / 24

HEX #76C1A0

RGB 118 193 160

HSL 153.6, 0.38%, 0.61%

LAB 72.58, -30.8, 9.34

 

CMYK 0 / 30 / 1 / 29

HEX #B680B5

RGB 182 128 181

HSL 301.11, 0.27%, 0.61%

LAB 60.53, 29.69, -19.62

 

CMYK 0 / 30 / 8 / 29

HEX #B680A7

RGB 182 128 167

HSL 316.67, 0.27%, 0.61%

LAB 60.05, 27.11, -12.37

 

CMYK 0 / 30 / 16 / 29

HEX #B68098

RGB 182 128 152

HSL 333.33, 0.27%, 0.61%

LAB 59.57, 24.54, -4.48

 

CMYK 0 / 30 / 24 / 29

HEX #B6808A

RGB 182 128 138

HSL 348.89, 0.27%, 0.61%

LAB 59.18, 22.34, 2.99

 

CMYK 0 / 27 / 30 / 29

HEX #B68580

RGB 182 133 128

HSL 5.56, 0.27%, 0.61%

LAB 60.14, 18.1, 10.1

 

CMYK 0 / 43 / 24 / 43

HEX #91536E

RGB 145 83 110

HSL 333.87, 0.27%, 0.45%

LAB 43.26, 29.48, -4.24

 

CMYK 0 / 39 / 22 / 35

HEX #A76682

RGB 167 102 130

HSL 334.15, 0.27%, 0.53%

LAB 51.07, 30.05, -4.41

 

CMYK 0 / 30 / 16 / 29

HEX #B68098

RGB 182 128 152

HSL 333.33, 0.27%, 0.61%

LAB 59.57, 24.54, -4.48

 

CMYK 0 / 22 / 12 / 23

HEX #C59AAD

RGB 197 154 173

HSL 333.49, 0.27%, 0.69%

LAB 68.02, 19.06, -3.73

 

CMYK 0 / 15 / 8 / 17

HEX #D4B5C2

RGB 212 181 194

HSL 334.84, 0.26%, 0.77%

LAB 76.64, 13.29, -2.45

 

CMYK 0 / 29 / 16 / 29

HEX #B68198

RGB 182 129 152

HSL 333.96, 0.27%, 0.61%

LAB 59.81, 23.98, -4.13

 

CMYK 0 / 8 / 30 / 29

HEX #B6A880

RGB 182 168 128

HSL 44.44, 0.27%, 0.61%

LAB 69.12, -1.18, 22.54

 

CMYK 30 / 4 / 0 / 29

HEX #80AEB6

RGB 128 174 182

HSL 188.89, 0.27%, 0.61%

LAB 68.2, -13.34, -9.06

 

CMYK 0 / 29 / 16 / 29

HEX #B68198

RGB 182 129 152

HSL 333.96, 0.27%, 0.61%

LAB 59.81, 23.98, -4.13

 

CMYK 16 / 0 / 30 / 29

HEX #98B680

RGB 152 182 128

HSL 93.33, 0.27%, 0.61%

LAB 70.66, -20.08, 24.23

 

CMYK 30 / 16 / 0 / 29

HEX #8098B6

RGB 128 152 182

HSL 213.33, 0.27%, 0.61%

LAB 62.02, -1.33, -18.36

 

CMYK 0 / 29 / 16 / 29

HEX #B68198

RGB 182 129 152

HSL 333.96, 0.27%, 0.61%

LAB 59.81, 23.98, -4.13

 

CMYK 0 / 8 / 30 / 29

HEX #B6A880

RGB 182 168 128

HSL 44.44, 0.27%, 0.61%

LAB 69.12, -1.18, 22.54

 

CMYK 30 / 0 / 13 / 29

HEX #80B69E

RGB 128 182 158

HSL 153.33, 0.27%, 0.61%

LAB 69.83, -22.86, 6.57

 

CMYK 30 / 22 / 0 / 29

HEX #808EB6

RGB 128 142 182

HSL 224.44, 0.27%, 0.61%

LAB 59.26, 4.35, -22.56

 

CMYK 0 / 29 / 16 / 29

HEX #B68198

RGB 182 129 152

HSL 333.96, 0.27%, 0.61%

LAB 59.81, 23.98, -4.13

 

CMYK 2 / 0 / 30 / 29

HEX #B3B680

RGB 179 182 128

HSL 63.33, 0.27%, 0.61%

LAB 72.63, -9.78, 27.21

 

CMYK 30 / 0 / 13 / 29

HEX #80B69E

RGB 128 182 158

HSL 153.33, 0.27%, 0.61%

LAB 69.83, -22.86, 6.57

 

CMYK 28 / 30 / 0 / 29

HEX #8380B6

RGB 131 128 182

HSL 243.33, 0.27%, 0.61%

LAB 55.73, 13.41, -27.99

 

Description

Color code: RGB 182 129 152 | qconv.com Color code: RGB 182 129 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 129 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 129 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 16 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 16% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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