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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 76 207 it is the complementary color RGB 74 179 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 76 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 181 76 207 shade: RGB 186 76 202, RGB 203 94 221, RGB 220 112 240, RGB 237 130 255 and RGB 254 148 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 76 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 181 76 207 shade: RGB 181 76 207, RGB 164 58 188, RGB 147 40 169, RGB 130 22 150 and RGB 113 4 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 181 76 207 shade: RGB 180 73 206, RGB 206 73 197, RGB 206 73 161, RGB 206 73 125 and RGB 206 73 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 181 76 207 shade: RGB 180 73 206, RGB 144 73 206, RGB 108 73 206 and RGB 73 73 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 181 76 207 shade matches the following richer shades: RGB 180 73 206, RGB 191 55 225 and RGB 202 36 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 181 76 207 shade: RGB 180 73 206, RGB 169 92 188, RGB 157 110 169, RGB 146 129 151 and RGB 135 147 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 181 76 207 shade: RGB 109 73 206, RGB 144 73 206, RGB 180 73 206, RGB 206 73 197 and RGB 206 73 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 181 76 207 shade: RGB 133 41 156, RGB 161 50 189, RGB 180 73 206, RGB 193 106 215 and RGB 207 138 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 181 76 207 shade: RGB 181 76 207, RGB 206 73 73 and RGB 73 206 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 181 76 207 shade: RGB 181 76 207, RGB 206 180 73 and RGB 73 206 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 181 76 207 shade: RGB 181 76 207, RGB 206 73 73, RGB 100 206 73 and RGB 73 206 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 181 76 207 shade: RGB 181 76 207, RGB 206 113 73, RGB 100 206 73 and RGB 73 166 206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 63 / 0 / 19

HEX #B54CCF

RGB 181 76 207

HSL 288.09, 0.58%, 0.55%

LAB 51.26, 61.14, -48.96

 

Complementary color

CMYK 59 / 0 / 73 / 30

HEX #4AB330

RGB 74 179 48

HSL 108.09, 0.58%, 0.45%

LAB 64.89, -53.88, 54.61

 

CMYK 8 / 62 / 0 / 21

HEX #BA4CCA

RGB 186 76 202

HSL 292.38, 0.54%, 0.55%

LAB 51.69, 61.39, -45.37

 

CMYK 8 / 57 / 0 / 13

HEX #CB5EDD

RGB 203 94 221

HSL 291.5, 0.65%, 0.62%

LAB 57.96, 61.07, -46.08

 

CMYK 8 / 53 / 0 / 6

HEX #DC70F0

RGB 220 112 240

HSL 290.63, 0.81%, 0.69%

LAB 64.24, 60.55, -46.63

 

CMYK 7 / 49 / 0 / 0

HEX #ED82FF

RGB 237 130 255

HSL 291.36, 1%, 0.75%

LAB 70.31, 59.17, -45.17

 

CMYK 0 / 42 / 0 / 0

HEX #FE94FF

RGB 254 148 255

HSL 299.44, 1%, 0.79%

LAB 75.74, 55.04, -36.55

 

CMYK 13 / 63 / 0 / 19

HEX #B54CCF

RGB 181 76 207

HSL 288.09, 0.58%, 0.55%

LAB 51.26, 61.14, -48.96

 

CMYK 13 / 69 / 0 / 26

HEX #A43ABC

RGB 164 58 188

HSL 288.92, 0.53%, 0.48%

LAB 45.01, 61.18, -48.09

 

CMYK 13 / 76 / 0 / 34

HEX #9328A9

RGB 147 40 169

HSL 289.77, 0.62%, 0.41%

LAB 38.87, 60.64, -46.85

 

CMYK 13 / 85 / 0 / 41

HEX #821696

RGB 130 22 150

HSL 290.63, 0.74%, 0.34%

LAB 32.97, 59.13, -45.01

 

CMYK 14 / 97 / 0 / 49

HEX #710483

RGB 113 4 131

HSL 291.5, 0.94%, 0.26%

LAB 27.4, 56.24, -42.37

 

CMYK 13 / 65 / 0 / 19

HEX #B449CE

RGB 180 73 206

HSL 288.27, 0.58%, 0.55%

LAB 50.6, 62.02, -49.45

 

CMYK 0 / 65 / 4 / 19

HEX #CE49C5

RGB 206 73 197

HSL 304.06, 0.58%, 0.55%

LAB 53.94, 66.6, -38.75

 

CMYK 0 / 65 / 22 / 19

HEX #CE49A1

RGB 206 73 161

HSL 320.3, 0.58%, 0.55%

LAB 52.35, 61.24, -20.27

 

CMYK 0 / 65 / 39 / 19

HEX #CE497D

RGB 206 73 125

HSL 336.54, 0.58%, 0.55%

LAB 51.11, 56.87, -0.71

 

CMYK 0 / 65 / 57 / 19

HEX #CE4959

RGB 206 73 89

HSL 352.78, 0.58%, 0.55%

LAB 50.23, 53.61, 19.7

 

CMYK 13 / 65 / 0 / 19

HEX #B449CE

RGB 180 73 206

HSL 288.27, 0.58%, 0.55%

LAB 50.6, 62.02, -49.45

 

CMYK 30 / 65 / 0 / 19

HEX #9049CE

RGB 144 73 206

HSL 272.03, 0.58%, 0.55%

LAB 45.84, 53.91, -57.35

 

CMYK 48 / 65 / 0 / 19

HEX #6C49CE

RGB 108 73 206

HSL 255.79, 0.58%, 0.55%

LAB 41.86, 46.54, -63.98

 

CMYK 65 / 65 / 0 / 19

HEX #4949CE

RGB 73 73 206

HSL 240, 0.58%, 0.55%

LAB 38.96, 40.71, -68.83

 

CMYK 13 / 65 / 0 / 19

HEX #B449CE

RGB 180 73 206

HSL 288.27, 0.58%, 0.55%

LAB 50.6, 62.02, -49.45

 

CMYK 15 / 76 / 0 / 12

HEX #BF37E1

RGB 191 55 225

HSL 288, 0.74%, 0.55%

LAB 50.97, 74.57, -59.6

 

CMYK 17 / 85 / 0 / 5

HEX #CA24F3

RGB 202 36 243

HSL 288.12, 0.9%, 0.55%

LAB 52.16, 84.49, -67.74

 

CMYK 13 / 65 / 0 / 19

HEX #B449CE

RGB 180 73 206

HSL 288.27, 0.58%, 0.55%

LAB 50.6, 62.02, -49.45

 

CMYK 10 / 51 / 0 / 26

HEX #A95CBC

RGB 169 92 188

HSL 288.13, 0.42%, 0.55%

LAB 51.52, 46.6, -37.72

 

CMYK 7 / 35 / 0 / 34

HEX #9D6EA9

RGB 157 110 169

HSL 287.8, 0.26%, 0.55%

LAB 53.15, 29.16, -24.28

 

CMYK 3 / 15 / 0 / 41

HEX #928197

RGB 146 129 151

HSL 286.36, 0.1%, 0.55%

LAB 56.13, 10.67, -9.41

 

CMYK 8 / 0 / 10 / 42

HEX #879384

RGB 135 147 132

HSL 108, 0.06%, 0.55%

LAB 59.6, -7.27, 6.46

 

CMYK 47 / 65 / 0 / 19

HEX #6D49CE

RGB 109 73 206

HSL 256.24, 0.58%, 0.55%

LAB 41.96, 46.73, -63.82

 

CMYK 30 / 65 / 0 / 19

HEX #9049CE

RGB 144 73 206

HSL 272.03, 0.58%, 0.55%

LAB 45.84, 53.91, -57.35

 

CMYK 13 / 65 / 0 / 19

HEX #B449CE

RGB 180 73 206

HSL 288.27, 0.58%, 0.55%

LAB 50.6, 62.02, -49.45

 

CMYK 0 / 65 / 4 / 19

HEX #CE49C5

RGB 206 73 197

HSL 304.06, 0.58%, 0.55%

LAB 53.94, 66.6, -38.75

 

CMYK 0 / 65 / 21 / 19

HEX #CE49A2

RGB 206 73 162

HSL 319.85, 0.58%, 0.55%

LAB 52.39, 61.38, -20.8

 

CMYK 15 / 74 / 0 / 39

HEX #85299C

RGB 133 41 156

HSL 288, 0.58%, 0.39%

LAB 35.93, 54.89, -43.87

 

CMYK 15 / 74 / 0 / 26

HEX #A132BD

RGB 161 50 189

HSL 287.91, 0.58%, 0.47%

LAB 43.55, 63.76, -51.04

 

CMYK 13 / 65 / 0 / 19

HEX #B449CE

RGB 180 73 206

HSL 288.27, 0.58%, 0.55%

LAB 50.6, 62.02, -49.45

 

CMYK 10 / 51 / 0 / 16

HEX #C16AD7

RGB 193 106 215

HSL 287.89, 0.58%, 0.63%

LAB 58.56, 51.48, -41.85

 

CMYK 8 / 38 / 0 / 12

HEX #CF8AE0

RGB 207 138 224

HSL 288.14, 0.58%, 0.71%

LAB 67.14, 40.55, -33.34

 

CMYK 13 / 63 / 0 / 19

HEX #B54CCF

RGB 181 76 207

HSL 288.09, 0.58%, 0.55%

LAB 51.26, 61.14, -48.96

 

CMYK 0 / 65 / 65 / 19

HEX #CE4949

RGB 206 73 73

HSL 0, 0.58%, 0.55%

LAB 49.94, 52.54, 28.83

 

CMYK 65 / 0 / 39 / 19

HEX #49CE7E

RGB 73 206 126

HSL 143.91, 0.58%, 0.55%

LAB 74.23, -53.94, 29.43

 

CMYK 13 / 63 / 0 / 19

HEX #B54CCF

RGB 181 76 207

HSL 288.09, 0.58%, 0.55%

LAB 51.26, 61.14, -48.96

 

CMYK 0 / 13 / 65 / 19

HEX #CEB449

RGB 206 180 73

HSL 48.27, 0.58%, 0.55%

LAB 73.7, -2.89, 56.27

 

CMYK 65 / 0 / 13 / 19

HEX #49CEB4

RGB 73 206 180

HSL 168.27, 0.58%, 0.55%

LAB 75.36, -42.17, 2.33

 

CMYK 13 / 63 / 0 / 19

HEX #B54CCF

RGB 181 76 207

HSL 288.09, 0.58%, 0.55%

LAB 51.26, 61.14, -48.96

 

CMYK 0 / 65 / 65 / 19

HEX #CE4949

RGB 206 73 73

HSL 0, 0.58%, 0.55%

LAB 49.94, 52.54, 28.83

 

CMYK 51 / 0 / 65 / 19

HEX #64CE49

RGB 100 206 73

HSL 107.82, 0.58%, 0.55%

LAB 74.4, -54.89, 55.08

 

CMYK 65 / 0 / 0 / 19

HEX #49CECE

RGB 73 206 206

HSL 180, 0.58%, 0.55%

LAB 76.08, -35.26, -10.63

 

CMYK 13 / 63 / 0 / 19

HEX #B54CCF

RGB 181 76 207

HSL 288.09, 0.58%, 0.55%

LAB 51.26, 61.14, -48.96

 

CMYK 0 / 45 / 65 / 19

HEX #CE7149

RGB 206 113 73

HSL 18.05, 0.58%, 0.55%

LAB 57.48, 33.15, 38

 

CMYK 51 / 0 / 65 / 19

HEX #64CE49

RGB 100 206 73

HSL 107.82, 0.58%, 0.55%

LAB 74.4, -54.89, 55.08

 

CMYK 65 / 19 / 0 / 19

HEX #49A6CE

RGB 73 166 206

HSL 198.05, 0.58%, 0.55%

LAB 64.28, -15.23, -28.54

 

Description

Color code: RGB 181 76 207 | qconv.com Color code: RGB 181 76 207 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 76 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 76 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 63 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 63% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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